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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 238 207 it is the complementary color RGB 31 17 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 238 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 238 207 shade: RGB 229 238 202, RGB 246 255 221 and RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 238 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 238 207 shade: RGB 224 238 207, RGB 207 220 188, RGB 190 202 169, RGB 173 184 150 and RGB 156 166 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 238 207 shade: RGB 223 237 205, RGB 231 237 205, RGB 237 234 205, RGB 237 226 205 and RGB 237 217 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 238 207 shade: RGB 223 237 205, RGB 214 237 205, RGB 206 237 205, RGB 205 237 214 and RGB 205 237 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 238 207 shade matches the following richer shades: RGB 223 237 205, RGB 223 243 200, RGB 224 248 195 and RGB 224 253 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 238 207 shade: RGB 223 237 205, RGB 222 232 211, RGB 222 227 216, RGB 221 221 222 and RGB 221 216 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 238 207 shade: RGB 237 235 205, RGB 231 237 205, RGB 223 237 205, RGB 214 237 205 and RGB 206 237 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 238 207 shade: RGB 184 216 144, RGB 203 227 175, RGB 223 237 205 and RGB 243 248 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 238 207 shade: RGB 224 238 207, RGB 205 237 226 and RGB 237 205 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 238 207 shade: RGB 224 238 207, RGB 205 223 237 and RGB 237 205 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 238 207 shade: RGB 224 238 207, RGB 205 237 226, RGB 220 205 237 and RGB 237 205 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 238 207 shade: RGB 224 238 207, RGB 205 237 236, RGB 220 205 237 and RGB 237 205 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 13 / 7

HEX #E0EECF

RGB 224 238 207

HSL 87.1, 0.48%, 0.87%

LAB 92.35, -10.04, 13.44

 

Complementary color

CMYK 35 / 65 / 0 / 81

HEX #1F1130

RGB 31 17 48

HSL 267.1, 0.48%, 0.13%

LAB 8.18, 15.32, -18.06

 

CMYK 4 / 0 / 15 / 7

HEX #E5EECA

RGB 229 238 202

HSL 75, 0.51%, 0.86%

LAB 92.61, -9.09, 16.43

 

CMYK 4 / 0 / 13 / 0

HEX #F6FFDD

RGB 246 255 221

HSL 75.88, 1%, 0.93%

LAB 98.56, -8.68, 15.25

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 6 / 0 / 13 / 7

HEX #E0EECF

RGB 224 238 207

HSL 87.1, 0.48%, 0.87%

LAB 92.35, -10.04, 13.44

 

CMYK 6 / 0 / 15 / 14

HEX #CFDCBC

RGB 207 220 188

HSL 84.38, 0.31%, 0.8%

LAB 86.05, -9.99, 14.25

 

CMYK 6 / 0 / 16 / 21

HEX #BECAA9

RGB 190 202 169

HSL 81.82, 0.24%, 0.73%

LAB 79.64, -9.93, 15.11

 

CMYK 6 / 0 / 18 / 28

HEX #ADB896

RGB 173 184 150

HSL 79.41, 0.19%, 0.65%

LAB 73.13, -9.88, 16.01

 

CMYK 6 / 0 / 21 / 35

HEX #9CA683

RGB 156 166 131

HSL 77.14, 0.16%, 0.58%

LAB 66.5, -9.81, 16.97

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 3 / 0 / 14 / 7

HEX #E7EDCD

RGB 231 237 205

HSL 71.25, 0.47%, 0.87%

LAB 92.56, -7.42, 14.83

 

CMYK 0 / 1 / 14 / 7

HEX #EDEACD

RGB 237 234 205

HSL 54.38, 0.47%, 0.87%

LAB 92.25, -3.79, 14.45

 

CMYK 0 / 5 / 14 / 7

HEX #EDE2CD

RGB 237 226 205

HSL 39.38, 0.47%, 0.87%

LAB 90.23, 0.29, 11.6

 

CMYK 0 / 8 / 14 / 7

HEX #EDD9CD

RGB 237 217 205

HSL 22.5, 0.47%, 0.87%

LAB 87.99, 4.94, 8.39

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 10 / 0 / 14 / 7

HEX #D6EDCD

RGB 214 237 205

HSL 103.13, 0.47%, 0.87%

LAB 91.36, -13.3, 12.96

 

CMYK 13 / 0 / 14 / 7

HEX #CEEDCD

RGB 206 237 205

HSL 118.13, 0.47%, 0.87%

LAB 90.82, -16, 12.13

 

CMYK 14 / 0 / 10 / 7

HEX #CDEDD6

RGB 205 237 214

HSL 136.88, 0.47%, 0.87%

LAB 90.96, -14.74, 7.64

 

CMYK 14 / 0 / 6 / 7

HEX #CDEDDE

RGB 205 237 222

HSL 151.88, 0.47%, 0.87%

LAB 91.15, -13.27, 3.75

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 8 / 0 / 18 / 5

HEX #DFF3C8

RGB 223 243 200

HSL 87.91, 0.64%, 0.87%

LAB 93.43, -13.99, 18.56

 

CMYK 10 / 0 / 21 / 3

HEX #E0F8C3

RGB 224 248 195

HSL 87.17, 0.79%, 0.87%

LAB 94.71, -16.88, 22.9

 

CMYK 11 / 0 / 25 / 1

HEX #E0FDBD

RGB 224 253 189

HSL 87.19, 0.94%, 0.87%

LAB 95.9, -20.19, 27.6

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 4 / 0 / 9 / 9

HEX #DEE8D3

RGB 222 232 211

HSL 88.57, 0.31%, 0.87%

LAB 90.76, -7.04, 9.06

 

CMYK 2 / 0 / 5 / 11

HEX #DEE3D8

RGB 222 227 216

HSL 87.27, 0.16%, 0.87%

LAB 89.59, -3.63, 4.77

 

CMYK 0 / 0 / 0 / 13

HEX #DDDDDE

RGB 221 221 222

HSL 240, 0.01%, 0.87%

LAB 88.14, 0.18, -0.5

 

CMYK 3 / 5 / 0 / 11

HEX #DDD8E3

RGB 221 216 227

HSL 267.27, 0.16%, 0.87%

LAB 87.01, 3.7, -4.79

 

CMYK 0 / 1 / 14 / 7

HEX #EDEBCD

RGB 237 235 205

HSL 56.25, 0.47%, 0.87%

LAB 92.5, -4.29, 14.81

 

CMYK 3 / 0 / 14 / 7

HEX #E7EDCD

RGB 231 237 205

HSL 71.25, 0.47%, 0.87%

LAB 92.56, -7.42, 14.83

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 10 / 0 / 14 / 7

HEX #D6EDCD

RGB 214 237 205

HSL 103.13, 0.47%, 0.87%

LAB 91.36, -13.3, 12.96

 

CMYK 13 / 0 / 14 / 7

HEX #CEEDCD

RGB 206 237 205

HSL 118.13, 0.47%, 0.87%

LAB 90.82, -16, 12.13

 

CMYK 15 / 0 / 33 / 15

HEX #B8D890

RGB 184 216 144

HSL 86.67, 0.48%, 0.71%

LAB 82.55, -22.89, 32.1

 

CMYK 11 / 0 / 23 / 11

HEX #CBE3AF

RGB 203 227 175

HSL 87.69, 0.48%, 0.79%

LAB 87.35, -16.96, 22.82

 

CMYK 6 / 0 / 14 / 7

HEX #DFEDCD

RGB 223 237 205

HSL 86.25, 0.47%, 0.87%

LAB 91.98, -10.21, 13.94

 

CMYK 2 / 0 / 5 / 3

HEX #F3F8EC

RGB 243 248 236

HSL 85, 0.46%, 0.95%

LAB 96.92, -3.74, 5.17

 

CMYK 6 / 0 / 13 / 7

HEX #E0EECF

RGB 224 238 207

HSL 87.1, 0.48%, 0.87%

LAB 92.35, -10.04, 13.44

 

CMYK 14 / 0 / 5 / 7

HEX #CDEDE2

RGB 205 237 226

HSL 159.38, 0.47%, 0.87%

LAB 91.25, -12.51, 1.81

 

CMYK 0 / 14 / 0 / 7

HEX #EDCDEC

RGB 237 205 236

HSL 301.88, 0.47%, 0.87%

LAB 85.87, 16.49, -11.11

 

CMYK 6 / 0 / 13 / 7

HEX #E0EECF

RGB 224 238 207

HSL 87.1, 0.48%, 0.87%

LAB 92.35, -10.04, 13.44

 

CMYK 14 / 6 / 0 / 7

HEX #CDDFED

RGB 205 223 237

HSL 206.25, 0.47%, 0.87%

LAB 87.91, -3.21, -8.88

 

CMYK 0 / 14 / 6 / 7

HEX #EDCDDF

RGB 237 205 223

HSL 326.25, 0.47%, 0.87%

LAB 85.5, 14.19, -4.75

 

CMYK 6 / 0 / 13 / 7

HEX #E0EECF

RGB 224 238 207

HSL 87.1, 0.48%, 0.87%

LAB 92.35, -10.04, 13.44

 

CMYK 14 / 0 / 5 / 7

HEX #CDEDE2

RGB 205 237 226

HSL 159.38, 0.47%, 0.87%

LAB 91.25, -12.51, 1.81

 

CMYK 7 / 14 / 0 / 7

HEX #DCCDED

RGB 220 205 237

HSL 268.13, 0.47%, 0.87%

LAB 84.48, 11.07, -13.87

 

CMYK 0 / 14 / 8 / 7

HEX #EDCDD9

RGB 237 205 217

HSL 337.5, 0.47%, 0.87%

LAB 85.34, 13.17, -1.8

 

CMYK 6 / 0 / 13 / 7

HEX #E0EECF

RGB 224 238 207

HSL 87.1, 0.48%, 0.87%

LAB 92.35, -10.04, 13.44

 

CMYK 14 / 0 / 0 / 7

HEX #CDEDEC

RGB 205 237 236

HSL 178.13, 0.47%, 0.87%

LAB 91.51, -10.57, -3.03

 

CMYK 7 / 14 / 0 / 7

HEX #DCCDED

RGB 220 205 237

HSL 268.13, 0.47%, 0.87%

LAB 84.48, 11.07, -13.87

 

CMYK 0 / 14 / 13 / 7

HEX #EDCDCF

RGB 237 205 207

HSL 356.25, 0.47%, 0.87%

LAB 85.08, 11.53, 3.15

 

Description

Color code: RGB 224 238 207 | qconv.com Color code: RGB 224 238 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 238 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 238 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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