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Color name
RGB 224 147 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 147 55 it is the complementary color RGB 31 108 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 147 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 147 55 shade: RGB 229 147 50, RGB 246 165 69, RGB 255 183 88, RGB 255 201 107 and RGB 255 219 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 147 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 147 55 shade: RGB 224 147 55, RGB 207 129 36, RGB 190 111 17, RGB 173 93 0 and RGB 156 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 147 55 shade: RGB 224 147 56, RGB 224 102 56, RGB 224 57 56 and RGB 224 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 147 55 shade: RGB 224 147 56, RGB 224 192 56, RGB 210 224 56, RGB 164 224 56 and RGB 119 224 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 147 55 shade matches the following richer shades: RGB 224 147 56 and RGB 242 149 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 147 55 shade: RGB 224 147 56, RGB 205 146 75, RGB 186 144 93, RGB 168 142 112 and RGB 149 141 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 147 55 shade: RGB 224 56 56, RGB 224 101 56, RGB 224 145 56, RGB 224 190 56 and RGB 212 224 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 147 55 shade: RGB 171 105 26, RGB 206 127 32, RGB 224 147 56, RGB 229 166 92 and RGB 235 186 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 147 55 shade: RGB 224 147 55, RGB 101 224 56 and RGB 78 56 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 147 55 shade: RGB 224 147 55, RGB 56 224 145 and RGB 145 56 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 147 55 shade: RGB 224 147 55, RGB 101 224 56, RGB 56 134 224 and RGB 179 56 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 147 55 shade: RGB 224 147 55, RGB 56 224 62, RGB 56 134 224 and RGB 224 56 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 75 / 12

HEX #E09337

RGB 224 147 55

HSL 32.66, 0.73%, 0.55%

LAB 67.27, 21.5, 57.93

 

Complementary color

CMYK 85 / 46 / 0 / 22

HEX #1F6CC8

RGB 31 108 200

HSL 212.66, 0.73%, 0.45%

LAB 45.89, 11.33, -54.21

 

CMYK 0 / 36 / 78 / 10

HEX #E59332

RGB 229 147 50

HSL 32.51, 0.77%, 0.55%

LAB 67.84, 23.41, 60.71

 

CMYK 0 / 33 / 72 / 4

HEX #F6A545

RGB 246 165 69

HSL 32.54, 0.91%, 0.62%

LAB 74.15, 21.77, 59.75

 

CMYK 0 / 28 / 65 / 0

HEX #FFB758

RGB 255 183 88

HSL 34.13, 1%, 0.67%

LAB 79.52, 17.05, 57.31

 

CMYK 0 / 21 / 58 / 0

HEX #FFC96B

RGB 255 201 107

HSL 38.11, 1%, 0.71%

LAB 84.02, 8.92, 53.56

 

CMYK 0 / 14 / 51 / 0

HEX #FFDB7E

RGB 255 219 126

HSL 43.26, 1%, 0.75%

LAB 88.65, 1.17, 50

 

CMYK 0 / 34 / 75 / 12

HEX #E09337

RGB 224 147 55

HSL 32.66, 0.73%, 0.55%

LAB 67.27, 21.5, 57.93

 

CMYK 0 / 38 / 83 / 19

HEX #CF8124

RGB 207 129 36

HSL 32.63, 0.7%, 0.48%

LAB 60.86, 23.28, 58.6

 

CMYK 0 / 42 / 91 / 25

HEX #BE6F11

RGB 190 111 17

HSL 32.6, 0.84%, 0.41%

LAB 54.4, 25.31, 58.27

 

CMYK 0 / 46 / 100 / 32

HEX #AD5D00

RGB 173 93 0

HSL 32.25, 1%, 0.34%

LAB 47.9, 27.56, 56.43

 

CMYK 0 / 52 / 100 / 39

HEX #9C4B00

RGB 156 75 0

HSL 28.85, 1%, 0.31%

LAB 41.37, 30.07, 51.19

 

CMYK 0 / 34 / 75 / 12

HEX #E09338

RGB 224 147 56

HSL 32.5, 0.73%, 0.55%

LAB 67.28, 21.55, 57.52

 

CMYK 0 / 54 / 75 / 12

HEX #E06638

RGB 224 102 56

HSL 16.43, 0.73%, 0.55%

LAB 57.69, 44.82, 47.77

 

CMYK 0 / 75 / 75 / 12

HEX #E03938

RGB 224 57 56

HSL 0.36, 0.73%, 0.55%

LAB 50.76, 63.39, 40.34

 

CMYK 0 / 75 / 75 / 12

HEX #E03838

RGB 224 56 56

HSL 0, 0.73%, 0.55%

LAB 50.64, 63.71, 40.22

 

CMYK 0 / 34 / 75 / 12

HEX #E09338

RGB 224 147 56

HSL 32.5, 0.73%, 0.55%

LAB 67.28, 21.55, 57.52

 

CMYK 0 / 14 / 75 / 12

HEX #E0C038

RGB 224 192 56

HSL 48.57, 0.73%, 0.55%

LAB 78.36, -2.3, 68.21

 

CMYK 6 / 0 / 75 / 12

HEX #D2E038

RGB 210 224 56

HSL 65, 0.73%, 0.55%

LAB 85.65, -24.18, 74.59

 

CMYK 27 / 0 / 75 / 12

HEX #A4E038

RGB 164 224 56

HSL 81.43, 0.73%, 0.55%

LAB 82.64, -42.3, 70.69

 

CMYK 47 / 0 / 75 / 12

HEX #77E038

RGB 119 224 56

HSL 97.5, 0.73%, 0.55%

LAB 80.47, -57.52, 67.85

 

CMYK 0 / 34 / 75 / 12

HEX #E09338

RGB 224 147 56

HSL 32.5, 0.73%, 0.55%

LAB 67.28, 21.55, 57.52

 

CMYK 0 / 38 / 85 / 5

HEX #F29525

RGB 242 149 37

HSL 32.78, 0.89%, 0.55%

LAB 69.83, 27.39, 67.65

 

CMYK 0 / 34 / 75 / 12

HEX #E09338

RGB 224 147 56

HSL 32.5, 0.73%, 0.55%

LAB 67.28, 21.55, 57.52

 

CMYK 0 / 29 / 63 / 20

HEX #CD924B

RGB 205 146 75

HSL 32.77, 0.57%, 0.55%

LAB 65, 15.05, 45.69

 

CMYK 0 / 23 / 50 / 27

HEX #BA905D

RGB 186 144 93

HSL 32.9, 0.4%, 0.55%

LAB 62.66, 9.52, 33.07

 

CMYK 0 / 15 / 33 / 34

HEX #A88E70

RGB 168 142 112

HSL 32.14, 0.24%, 0.55%

LAB 60.64, 5.27, 19.64

 

CMYK 0 / 5 / 13 / 42

HEX #958D82

RGB 149 141 130

HSL 34.74, 0.08%, 0.55%

LAB 59.02, 0.99, 6.92

 

CMYK 0 / 75 / 75 / 12

HEX #E03838

RGB 224 56 56

HSL 0, 0.73%, 0.55%

LAB 50.64, 63.71, 40.22

 

CMYK 0 / 55 / 75 / 12

HEX #E06538

RGB 224 101 56

HSL 16.07, 0.73%, 0.55%

LAB 57.5, 45.31, 47.58

 

CMYK 0 / 35 / 75 / 12

HEX #E09138

RGB 224 145 56

HSL 31.79, 0.73%, 0.55%

LAB 66.81, 22.62, 57.06

 

CMYK 0 / 15 / 75 / 12

HEX #E0BE38

RGB 224 190 56

HSL 47.86, 0.73%, 0.55%

LAB 77.85, -1.26, 67.73

 

CMYK 5 / 0 / 75 / 12

HEX #D4E038

RGB 212 224 56

HSL 64.29, 0.73%, 0.55%

LAB 85.8, -23.36, 74.78

 

CMYK 0 / 39 / 85 / 33

HEX #AB691A

RGB 171 105 26

HSL 32.69, 0.74%, 0.39%

LAB 50.49, 20.53, 51.35

 

CMYK 0 / 38 / 84 / 19

HEX #CE7F20

RGB 206 127 32

HSL 32.76, 0.73%, 0.47%

LAB 60.25, 23.82, 59.4

 

CMYK 0 / 34 / 75 / 12

HEX #E09338

RGB 224 147 56

HSL 32.5, 0.73%, 0.55%

LAB 67.28, 21.55, 57.52

 

CMYK 0 / 28 / 60 / 10

HEX #E5A65C

RGB 229 166 92

HSL 32.41, 0.72%, 0.63%

LAB 72.7, 15.53, 46.88

 

CMYK 0 / 21 / 46 / 8

HEX #EBBA7F

RGB 235 186 127

HSL 32.78, 0.73%, 0.71%

LAB 78.64, 10.35, 36.56

 

CMYK 0 / 34 / 75 / 12

HEX #E09337

RGB 224 147 55

HSL 32.66, 0.73%, 0.55%

LAB 67.27, 21.5, 57.93

 

CMYK 55 / 0 / 75 / 12

HEX #65E038

RGB 101 224 56

HSL 103.93, 0.73%, 0.55%

LAB 79.82, -62.54, 66.99

 

CMYK 65 / 75 / 0 / 12

HEX #4E38E0

RGB 78 56 224

HSL 247.86, 0.73%, 0.55%

LAB 37.54, 56.43, -81.51

 

CMYK 0 / 34 / 75 / 12

HEX #E09337

RGB 224 147 55

HSL 32.66, 0.73%, 0.55%

LAB 67.27, 21.5, 57.93

 

CMYK 75 / 0 / 35 / 12

HEX #38E091

RGB 56 224 145

HSL 151.79, 0.73%, 0.55%

LAB 79.73, -59.78, 26.91

 

CMYK 35 / 75 / 0 / 12

HEX #9138E0

RGB 145 56 224

HSL 271.79, 0.73%, 0.55%

LAB 44.56, 65.79, -69.72

 

CMYK 0 / 34 / 75 / 12

HEX #E09337

RGB 224 147 55

HSL 32.66, 0.73%, 0.55%

LAB 67.27, 21.5, 57.93

 

CMYK 55 / 0 / 75 / 12

HEX #65E038

RGB 101 224 56

HSL 103.93, 0.73%, 0.55%

LAB 79.82, -62.54, 66.99

 

CMYK 75 / 40 / 0 / 12

HEX #3886E0

RGB 56 134 224

HSL 212.14, 0.73%, 0.55%

LAB 55.35, 6.76, -52.64

 

CMYK 20 / 75 / 0 / 12

HEX #B338E0

RGB 179 56 224

HSL 283.93, 0.73%, 0.55%

LAB 49.25, 71.81, -61.91

 

CMYK 0 / 34 / 75 / 12

HEX #E09337

RGB 224 147 55

HSL 32.66, 0.73%, 0.55%

LAB 67.27, 21.5, 57.93

 

CMYK 75 / 0 / 72 / 12

HEX #38E03E

RGB 56 224 62

HSL 122.14, 0.73%, 0.55%

LAB 78.75, -71.21, 63.54

 

CMYK 75 / 40 / 0 / 12

HEX #3886E0

RGB 56 134 224

HSL 212.14, 0.73%, 0.55%

LAB 55.35, 6.76, -52.64

 

CMYK 0 / 75 / 3 / 12

HEX #E038DA

RGB 224 56 218

HSL 302.14, 0.73%, 0.55%

LAB 55.82, 79.56, -47.58

 

Description

Color code: RGB 224 147 55 | qconv.com Color code: RGB 224 147 55 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 147 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 147 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 75 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 75% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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