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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 127 214 it is the complementary color RGB 31 128 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 127 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 127 214 shade: RGB 229 127 209, RGB 246 145 228, RGB 255 163 247, RGB 255 181 255 and RGB 255 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 127 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 207 109 195, RGB 190 91 176, RGB 173 73 157 and RGB 156 55 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 224 127 188, RGB 224 127 162, RGB 224 127 136 and RGB 224 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 208 127 224, RGB 182 127 224, RGB 156 127 224 and RGB 130 127 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 127 214 shade matches the following richer shades: RGB 224 127 214, RGB 236 114 224 and RGB 249 102 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 211 140 204, RGB 198 153 193, RGB 185 166 183 and RGB 173 178 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 127 214 shade: RGB 182 127 224, RGB 208 127 224, RGB 224 127 214, RGB 224 127 188 and RGB 224 127 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 127 214 shade: RGB 208 61 192, RGB 216 94 203, RGB 224 127 214, RGB 232 160 224 and RGB 240 194 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 224 156 127 and RGB 127 224 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 214 224 127 and RGB 127 214 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 224 156 127, RGB 127 224 137 and RGB 127 195 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 127 214 shade: RGB 224 127 214, RGB 224 185 127, RGB 127 224 137 and RGB 127 166 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

Complementary color

CMYK 76 / 0 / 68 / 50

HEX #1F8029

RGB 31 128 41

HSL 126.19, 0.61%, 0.31%

LAB 46.83, -45.62, 38.13

 

CMYK 0 / 45 / 9 / 10

HEX #E57FD1

RGB 229 127 209

HSL 311.76, 0.66%, 0.7%

LAB 66.85, 50.26, -25.24

 

CMYK 0 / 41 / 7 / 4

HEX #F691E4

RGB 246 145 228

HSL 310.69, 0.85%, 0.77%

LAB 73.18, 49.53, -25.87

 

CMYK 0 / 36 / 3 / 0

HEX #FFA3F7

RGB 255 163 247

HSL 305.22, 1%, 0.82%

LAB 78.56, 46.35, -27.88

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 47 / 6 / 19

HEX #CF6DC3

RGB 207 109 195

HSL 307.35, 0.51%, 0.62%

LAB 60.02, 50.29, -28.12

 

CMYK 0 / 52 / 7 / 25

HEX #BE5BB0

RGB 190 91 176

HSL 308.48, 0.43%, 0.55%

LAB 53.56, 50.92, -27.38

 

CMYK 0 / 58 / 9 / 32

HEX #AD499D

RGB 173 73 157

HSL 309.6, 0.41%, 0.48%

LAB 47.08, 51.42, -26.45

 

CMYK 0 / 65 / 12 / 39

HEX #9C378A

RGB 156 55 138

HSL 310.69, 0.48%, 0.41%

LAB 40.63, 51.62, -25.24

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 43 / 16 / 12

HEX #E07FBC

RGB 224 127 188

HSL 322.27, 0.61%, 0.69%

LAB 65.48, 45.32, -15.61

 

CMYK 0 / 43 / 28 / 12

HEX #E07FA2

RGB 224 127 162

HSL 338.35, 0.61%, 0.69%

LAB 64.67, 41.55, -2.11

 

CMYK 0 / 43 / 39 / 12

HEX #E07F88

RGB 224 127 136

HSL 354.43, 0.61%, 0.69%

LAB 64, 38.33, 11.71

 

CMYK 0 / 43 / 43 / 12

HEX #E07F7F

RGB 224 127 127

HSL 0, 0.61%, 0.69%

LAB 63.8, 37.35, 16.54

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 7 / 43 / 0 / 12

HEX #D07FE0

RGB 208 127 224

HSL 290.1, 0.61%, 0.69%

LAB 64.94, 46.67, -36.76

 

CMYK 19 / 43 / 0 / 12

HEX #B67FE0

RGB 182 127 224

HSL 274.02, 0.61%, 0.69%

LAB 62.09, 39.15, -41.43

 

CMYK 30 / 43 / 0 / 12

HEX #9C7FE0

RGB 156 127 224

HSL 257.94, 0.61%, 0.69%

LAB 59.55, 31.89, -45.6

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 52 / 5 / 7

HEX #EC72E0

RGB 236 114 224

HSL 305.9, 0.76%, 0.69%

LAB 65.94, 61.08, -34.94

 

CMYK 0 / 59 / 6 / 2

HEX #F966EA

RGB 249 102 234

HSL 306.12, 0.92%, 0.69%

LAB 66.2, 71.41, -39.95

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 34 / 3 / 17

HEX #D38CCC

RGB 211 140 204

HSL 305.92, 0.45%, 0.69%

LAB 67.25, 36.94, -22.04

 

CMYK 0 / 23 / 3 / 22

HEX #C699C1

RGB 198 153 193

HSL 306.67, 0.28%, 0.69%

LAB 68.49, 23.51, -14.16

 

CMYK 0 / 10 / 1 / 27

HEX #B9A6B7

RGB 185 166 183

HSL 306.32, 0.12%, 0.69%

LAB 70.18, 9.95, -6.22

 

CMYK 3 / 0 / 3 / 30

HEX #ADB2AD

RGB 173 178 173

HSL 120, 0.03%, 0.69%

LAB 72.06, -2.69, 1.93

 

CMYK 19 / 43 / 0 / 12

HEX #B67FE0

RGB 182 127 224

HSL 274.02, 0.61%, 0.69%

LAB 62.09, 39.15, -41.43

 

CMYK 7 / 43 / 0 / 12

HEX #D07FE0

RGB 208 127 224

HSL 290.1, 0.61%, 0.69%

LAB 64.94, 46.67, -36.76

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 43 / 16 / 12

HEX #E07FBC

RGB 224 127 188

HSL 322.27, 0.61%, 0.69%

LAB 65.48, 45.32, -15.61

 

CMYK 0 / 43 / 27 / 12

HEX #E07FA3

RGB 224 127 163

HSL 337.73, 0.61%, 0.69%

LAB 64.7, 41.68, -2.63

 

CMYK 0 / 71 / 8 / 18

HEX #D03DC0

RGB 208 61 192

HSL 306.53, 0.61%, 0.53%

LAB 52.46, 70.65, -38.18

 

CMYK 0 / 56 / 6 / 15

HEX #D85ECB

RGB 216 94 203

HSL 306.39, 0.61%, 0.61%

LAB 58.9, 61.31, -34.31

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 31 / 3 / 9

HEX #E8A0E0

RGB 232 160 224

HSL 306.67, 0.61%, 0.77%

LAB 74.62, 36.64, -21.63

 

CMYK 0 / 19 / 2 / 6

HEX #F0C2EB

RGB 240 194 235

HSL 306.52, 0.61%, 0.85%

LAB 83.5, 23.14, -14.09

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 30 / 43 / 12

HEX #E09C7F

RGB 224 156 127

HSL 17.94, 0.61%, 0.69%

LAB 70.29, 21.95, 25.37

 

CMYK 43 / 0 / 13 / 12

HEX #7FE0C3

RGB 127 224 195

HSL 162.06, 0.61%, 0.69%

LAB 82.79, -35.37, 5.3

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 4 / 0 / 43 / 12

HEX #D6E07F

RGB 214 224 127

HSL 66.19, 0.61%, 0.69%

LAB 86.57, -17.5, 46.2

 

CMYK 43 / 4 / 0 / 12

HEX #7FD6E0

RGB 127 214 224

HSL 186.19, 0.61%, 0.69%

LAB 80.73, -23.66, -13.15

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 30 / 43 / 12

HEX #E09C7F

RGB 224 156 127

HSL 17.94, 0.61%, 0.69%

LAB 70.29, 21.95, 25.37

 

CMYK 43 / 0 / 39 / 12

HEX #7FE089

RGB 127 224 137

HSL 126.19, 0.61%, 0.69%

LAB 81.64, -46.39, 33.9

 

CMYK 43 / 13 / 0 / 12

HEX #7FC3E0

RGB 127 195 224

HSL 197.94, 0.61%, 0.69%

LAB 75.4, -13.99, -21.18

 

CMYK 0 / 43 / 4 / 12

HEX #E07FD6

RGB 224 127 214

HSL 306.19, 0.61%, 0.69%

LAB 66.43, 49.58, -28.74

 

CMYK 0 / 17 / 43 / 12

HEX #E0B97F

RGB 224 185 127

HSL 35.88, 0.61%, 0.69%

LAB 77.33, 6.46, 34.65

 

CMYK 43 / 0 / 39 / 12

HEX #7FE089

RGB 127 224 137

HSL 126.19, 0.61%, 0.69%

LAB 81.64, -46.39, 33.9

 

CMYK 43 / 26 / 0 / 12

HEX #7FA6E0

RGB 127 166 224

HSL 215.88, 0.61%, 0.69%

LAB 67.4, 1.75, -33.46

 

Description

Color code: RGB 224 127 214 | qconv.com Color code: RGB 224 127 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 127 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 127 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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