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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 126 16 it is the complementary color RGB 31 129 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 126 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 126 16 shade: RGB 229 126 11, RGB 246 144 30, RGB 255 162 49, RGB 255 180 68 and RGB 255 198 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 126 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 126 16 shade: RGB 224 126 16, RGB 207 108 0, RGB 190 90 0, RGB 173 72 0 and RGB 156 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 126 16 shade: RGB 224 125 15, RGB 224 69 15 and RGB 224 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 126 16 shade: RGB 224 125 15, RGB 224 182 15, RGB 209 224 15, RGB 153 224 15 and RGB 97 224 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 126 16 shade matches the following richer shades: RGB 224 125 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 126 16 shade: RGB 224 125 15, RGB 204 124 34, RGB 185 123 54, RGB 165 122 73 and RGB 146 121 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 126 16 shade: RGB 224 15 19, RGB 224 67 15, RGB 224 123 15, RGB 224 178 15 and RGB 213 224 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 126 16 shade: RGB 146 82 10, RGB 185 104 12, RGB 224 125 15, RGB 240 146 40 and RGB 242 165 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 126 16 shade: RGB 224 126 16, RGB 74 224 15 and RGB 39 15 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 126 16 shade: RGB 224 126 16, RGB 15 224 123 and RGB 123 15 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 126 16 shade: RGB 224 126 16, RGB 74 224 15, RGB 15 116 224 and RGB 165 15 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 126 16 shade: RGB 224 126 16, RGB 15 224 19, RGB 15 116 224 and RGB 224 15 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 93 / 12

HEX #E07E10

RGB 224 126 16

HSL 31.73, 0.87%, 0.47%

LAB 62.34, 31.6, 66.35

 

Complementary color

CMYK 87 / 46 / 0 / 6

HEX #1F81EF

RGB 31 129 239

HSL 211.73, 0.87%, 0.53%

LAB 54.26, 13.15, -62.78

 

CMYK 0 / 45 / 95 / 10

HEX #E57E0B

RGB 229 126 11

HSL 31.65, 0.91%, 0.47%

LAB 63.01, 33.6, 68.03

 

CMYK 0 / 41 / 88 / 4

HEX #F6901E

RGB 246 144 30

HSL 31.67, 0.92%, 0.54%

LAB 69.21, 31.49, 69.4

 

CMYK 0 / 36 / 81 / 0

HEX #FFA231

RGB 255 162 49

HSL 32.91, 1%, 0.6%

LAB 74.4, 26.3, 68.23

 

CMYK 0 / 29 / 73 / 0

HEX #FFB444

RGB 255 180 68

HSL 35.94, 1%, 0.63%

LAB 78.65, 17.6, 65.05

 

CMYK 0 / 22 / 66 / 0

HEX #FFC657

RGB 255 198 87

HSL 39.64, 1%, 0.67%

LAB 83.09, 9.19, 61.65

 

CMYK 0 / 44 / 93 / 12

HEX #E07E10

RGB 224 126 16

HSL 31.73, 0.87%, 0.47%

LAB 62.34, 31.6, 66.35

 

CMYK 0 / 48 / 100 / 19

HEX #CF6C00

RGB 207 108 0

HSL 31.3, 1%, 0.41%

LAB 56.08, 33.84, 63.92

 

CMYK 0 / 53 / 100 / 25

HEX #BE5A00

RGB 190 90 0

HSL 28.42, 1%, 0.37%

LAB 49.81, 36.23, 58.89

 

CMYK 0 / 58 / 100 / 32

HEX #AD4800

RGB 173 72 0

HSL 24.97, 1%, 0.34%

LAB 43.54, 38.54, 53.87

 

CMYK 0 / 65 / 100 / 39

HEX #9C3600

RGB 156 54 0

HSL 20.77, 1%, 0.31%

LAB 37.31, 40.59, 48.92

 

CMYK 0 / 44 / 93 / 12

HEX #E07D0F

RGB 224 125 15

HSL 31.58, 0.87%, 0.47%

LAB 62.13, 32.11, 66.39

 

CMYK 0 / 69 / 93 / 12

HEX #E0450F

RGB 224 69 15

HSL 15.5, 0.87%, 0.47%

LAB 51.99, 58.19, 59.62

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 44 / 93 / 12

HEX #E07D0F

RGB 224 125 15

HSL 31.58, 0.87%, 0.47%

LAB 62.13, 32.11, 66.39

 

CMYK 0 / 19 / 93 / 12

HEX #E0B60F

RGB 224 182 15

HSL 47.94, 0.87%, 0.47%

LAB 75.66, 1.85, 76.17

 

CMYK 7 / 0 / 93 / 12

HEX #D1E00F

RGB 209 224 15

HSL 64.31, 0.87%, 0.47%

LAB 85.45, -25.66, 83

 

CMYK 32 / 0 / 93 / 12

HEX #99E00F

RGB 153 224 15

HSL 80.38, 0.87%, 0.47%

LAB 81.9, -47.68, 78.7

 

CMYK 57 / 0 / 93 / 12

HEX #61E00F

RGB 97 224 15

HSL 96.46, 0.87%, 0.47%

LAB 79.55, -65.21, 75.82

 

CMYK 0 / 44 / 93 / 12

HEX #E07D0F

RGB 224 125 15

HSL 31.58, 0.87%, 0.47%

LAB 62.13, 32.11, 66.39

 

CMYK 0 / 44 / 93 / 12

HEX #E07D0F

RGB 224 125 15

HSL 31.58, 0.87%, 0.47%

LAB 62.13, 32.11, 66.39

 

CMYK 0 / 39 / 83 / 20

HEX #CC7C22

RGB 204 124 34

HSL 31.76, 0.71%, 0.47%

LAB 59.31, 24.64, 57.81

 

CMYK 0 / 34 / 71 / 27

HEX #B97B36

RGB 185 123 54

HSL 31.6, 0.55%, 0.47%

LAB 56.83, 17.81, 46.2

 

CMYK 0 / 26 / 56 / 35

HEX #A57A49

RGB 165 122 73

HSL 31.96, 0.39%, 0.47%

LAB 54.45, 10.96, 33.14

 

CMYK 0 / 17 / 36 / 43

HEX #92795D

RGB 146 121 93

HSL 31.7, 0.22%, 0.47%

LAB 52.48, 5.48, 18.99

 

CMYK 0 / 93 / 92 / 12

HEX #E00F13

RGB 224 15 19

HSL 358.85, 0.87%, 0.47%

LAB 47.28, 71.51, 55.35

 

CMYK 0 / 70 / 93 / 12

HEX #E0430F

RGB 224 67 15

HSL 14.93, 0.87%, 0.47%

LAB 51.72, 58.94, 59.45

 

CMYK 0 / 45 / 93 / 12

HEX #E07B0F

RGB 224 123 15

HSL 31, 0.87%, 0.47%

LAB 61.7, 33.16, 66.09

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 5 / 0 / 93 / 12

HEX #D5E00F

RGB 213 224 15

HSL 63.16, 0.87%, 0.47%

LAB 85.75, -24, 83.36

 

CMYK 0 / 44 / 93 / 43

HEX #92520A

RGB 146 82 10

HSL 31.76, 0.87%, 0.31%

LAB 41.48, 21.99, 47.7

 

CMYK 0 / 44 / 94 / 27

HEX #B9680C

RGB 185 104 12

HSL 31.91, 0.88%, 0.39%

LAB 52.11, 26.89, 57.46

 

CMYK 0 / 44 / 93 / 12

HEX #E07D0F

RGB 224 125 15

HSL 31.58, 0.87%, 0.47%

LAB 62.13, 32.11, 66.39

 

CMYK 0 / 39 / 83 / 6

HEX #F09228

RGB 240 146 40

HSL 31.8, 0.87%, 0.55%

LAB 68.92, 28.21, 65.82

 

CMYK 0 / 32 / 67 / 5

HEX #F2A54F

RGB 242 165 79

HSL 31.66, 0.86%, 0.63%

LAB 73.77, 20.63, 54.73

 

CMYK 0 / 44 / 93 / 12

HEX #E07E10

RGB 224 126 16

HSL 31.73, 0.87%, 0.47%

LAB 62.34, 31.6, 66.35

 

CMYK 67 / 0 / 93 / 12

HEX #4AE00F

RGB 74 224 15

HSL 103.06, 0.87%, 0.47%

LAB 78.93, -70.39, 75.05

 

CMYK 83 / 93 / 0 / 12

HEX #270FE0

RGB 39 15 224

HSL 246.89, 0.87%, 0.47%

LAB 29.8, 69.52, -94.42

 

CMYK 0 / 44 / 93 / 12

HEX #E07E10

RGB 224 126 16

HSL 31.73, 0.87%, 0.47%

LAB 62.34, 31.6, 66.35

 

CMYK 93 / 0 / 45 / 12

HEX #0FE07B

RGB 15 224 123

HSL 151, 0.87%, 0.47%

LAB 78.95, -67.23, 36.95

 

CMYK 45 / 93 / 0 / 12

HEX #7B0FE0

RGB 123 15 224

HSL 271, 0.87%, 0.47%

LAB 37.72, 74.46, -81.04

 

CMYK 0 / 44 / 93 / 12

HEX #E07E10

RGB 224 126 16

HSL 31.73, 0.87%, 0.47%

LAB 62.34, 31.6, 66.35

 

CMYK 67 / 0 / 93 / 12

HEX #4AE00F

RGB 74 224 15

HSL 103.06, 0.87%, 0.47%

LAB 78.93, -70.39, 75.05

 

CMYK 93 / 48 / 0 / 12

HEX #0F74E0

RGB 15 116 224

HSL 211, 0.87%, 0.47%

LAB 49.46, 14.71, -62.13

 

CMYK 26 / 93 / 0 / 12

HEX #A50FE0

RGB 165 15 224

HSL 283.06, 0.87%, 0.47%

LAB 43.83, 79.26, -70.79

 

CMYK 0 / 44 / 93 / 12

HEX #E07E10

RGB 224 126 16

HSL 31.73, 0.87%, 0.47%

LAB 62.34, 31.6, 66.35

 

CMYK 93 / 0 / 92 / 12

HEX #0FE013

RGB 15 224 19

HSL 121.15, 0.87%, 0.47%

LAB 78.15, -77.24, 73.57

 

CMYK 93 / 48 / 0 / 12

HEX #0F74E0

RGB 15 116 224

HSL 211, 0.87%, 0.47%

LAB 49.46, 14.71, -62.13

 

CMYK 0 / 93 / 2 / 12

HEX #E00FDC

RGB 224 15 220

HSL 301.15, 0.87%, 0.47%

LAB 53.34, 87.42, -52.67

 

Description

Color code: RGB 224 126 16 | qconv.com Color code: RGB 224 126 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 126 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 126 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 93 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 93% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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