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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 0 190 it is the complementary color RGB 31 255 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 0 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 0 190 shade: RGB 229 0 185, RGB 246 18 204, RGB 255 36 223, RGB 255 54 242 and RGB 255 72 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 0 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 207 0 171, RGB 190 0 152, RGB 173 0 133 and RGB 156 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 224 0 129, RGB 224 0 69, RGB 224 0 8 and RGB 224 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 197 0 224, RGB 137 0 224, RGB 76 0 224 and RGB 16 0 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 0 190 shade matches the following richer shades: RGB 224 0 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 206 18 177, RGB 188 36 165, RGB 169 54 152 and RGB 151 72 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 0 190 shade: RGB 138 0 224, RGB 198 0 224, RGB 224 0 190, RGB 224 0 130 and RGB 224 0 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 0 190 shade: RGB 141 0 120, RGB 183 0 155, RGB 224 0 190, RGB 255 10 217 and RGB 255 51 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 224 78 0 and RGB 0 224 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 190 224 0 and RGB 0 190 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 224 78 0, RGB 0 224 33 and RGB 0 145 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 0 190 shade: RGB 224 0 190, RGB 224 145 0, RGB 0 224 33 and RGB 0 78 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

Complementary color

CMYK 88 / 0 / 75 / 0

HEX #1FFF41

RGB 31 255 65

HSL 129.11, 1%, 0.56%

LAB 88.06, -82.54, 71.78

 

CMYK 0 / 100 / 19 / 10

HEX #E500B9

RGB 229 0 185

HSL 311.53, 1%, 0.45%

LAB 52.02, 84.82, -34.54

 

CMYK 0 / 93 / 17 / 4

HEX #F612CC

RGB 246 18 204

HSL 311.05, 0.93%, 0.52%

LAB 56.47, 88.87, -38.33

 

CMYK 0 / 86 / 13 / 0

HEX #FF24DF

RGB 255 36 223

HSL 308.77, 1%, 0.57%

LAB 59.75, 90.62, -43.86

 

CMYK 0 / 79 / 5 / 0

HEX #FF36F2

RGB 255 54 242

HSL 303.88, 1%, 0.61%

LAB 61.92, 89.66, -51.08

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 100 / 17 / 19

HEX #CF00AB

RGB 207 0 171

HSL 310.43, 1%, 0.41%

LAB 47.24, 79.12, -34.1

 

CMYK 0 / 100 / 20 / 25

HEX #BE0098

RGB 190 0 152

HSL 312, 1%, 0.37%

LAB 43.08, 73.62, -29.47

 

CMYK 0 / 100 / 23 / 32

HEX #AD0085

RGB 173 0 133

HSL 313.87, 1%, 0.34%

LAB 38.86, 68.03, -24.7

 

CMYK 0 / 100 / 27 / 39

HEX #9C0072

RGB 156 0 114

HSL 316.15, 1%, 0.31%

LAB 34.57, 62.36, -19.74

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 100 / 42 / 12

HEX #E00081

RGB 224 0 129

HSL 325.45, 1%, 0.44%

LAB 48.8, 78.05, -6.17

 

CMYK 0 / 100 / 69 / 12

HEX #E00045

RGB 224 0 69

HSL 341.52, 1%, 0.44%

LAB 47.34, 74.16, 28.72

 

CMYK 0 / 100 / 96 / 12

HEX #E00008

RGB 224 0 8

HSL 357.86, 1%, 0.44%

LAB 46.8, 72.7, 58.58

 

CMYK 0 / 100 / 100 / 12

HEX #E00000

RGB 224 0 0

HSL 0, 1%, 0.44%

LAB 46.77, 72.64, 60.95

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 12 / 100 / 0 / 12

HEX #C500E0

RGB 197 0 224

HSL 292.77, 1%, 0.44%

LAB 48.58, 85.02, -62.85

 

CMYK 39 / 100 / 0 / 12

HEX #8900E0

RGB 137 0 224

HSL 276.7, 1%, 0.44%

LAB 39.07, 77.65, -78.75

 

CMYK 66 / 100 / 0 / 12

HEX #4C00E0

RGB 76 0 224

HSL 260.36, 1%, 0.44%

LAB 31.62, 73.3, -91.32

 

CMYK 93 / 100 / 0 / 12

HEX #1000E0

RGB 16 0 224

HSL 244.29, 1%, 0.44%

LAB 28.09, 71.9, -97.3

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 91 / 14 / 19

HEX #CE12B1

RGB 206 18 177

HSL 309.26, 0.84%, 0.44%

LAB 47.92, 78.06, -36.59

 

CMYK 0 / 81 / 12 / 26

HEX #BC24A5

RGB 188 36 165

HSL 309.08, 0.68%, 0.44%

LAB 45.18, 69.63, -34.02

 

CMYK 0 / 68 / 10 / 34

HEX #A93698

RGB 169 54 152

HSL 308.87, 0.52%, 0.44%

LAB 43.27, 57.66, -29.45

 

CMYK 0 / 52 / 8 / 41

HEX #97488B

RGB 151 72 139

HSL 309.11, 0.35%, 0.44%

LAB 42.88, 42.3, -22.42

 

CMYK 38 / 100 / 0 / 12

HEX #8A00E0

RGB 138 0 224

HSL 276.96, 1%, 0.44%

LAB 39.22, 77.75, -78.51

 

CMYK 12 / 100 / 0 / 12

HEX #C600E0

RGB 198 0 224

HSL 293.04, 1%, 0.44%

LAB 48.74, 85.16, -62.57

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 100 / 42 / 12

HEX #E00082

RGB 224 0 130

HSL 325.18, 1%, 0.44%

LAB 48.83, 78.14, -6.73

 

CMYK 0 / 100 / 68 / 12

HEX #E00047

RGB 224 0 71

HSL 340.98, 1%, 0.44%

LAB 47.37, 74.25, 27.54

 

CMYK 0 / 100 / 15 / 45

HEX #8D0078

RGB 141 0 120

HSL 308.94, 1%, 0.28%

LAB 31.85, 60.14, -28.01

 

CMYK 0 / 100 / 15 / 28

HEX #B7009B

RGB 183 0 155

HSL 309.18, 1%, 0.36%

LAB 41.9, 72.69, -33.24

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 96 / 15 / 0

HEX #FF0AD9

RGB 255 10 217

HSL 309.31, 1%, 0.52%

LAB 58.5, 92.69, -42.44

 

CMYK 0 / 80 / 12 / 0

HEX #FF33E0

RGB 255 51 224

HSL 309.12, 1%, 0.6%

LAB 60.79, 87.87, -42.79

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 65 / 100 / 12

HEX #E04E00

RGB 224 78 0

HSL 20.89, 1%, 0.44%

LAB 53.27, 54.48, 63.78

 

CMYK 100 / 0 / 25 / 12

HEX #00E0A8

RGB 0 224 168

HSL 165, 1%, 0.44%

LAB 79.69, -58.5, 14.8

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 15 / 0 / 100 / 12

HEX #BEE000

RGB 190 224 0

HSL 69.11, 1%, 0.44%

LAB 84.1, -33.6, 82.72

 

CMYK 100 / 15 / 0 / 12

HEX #00BEE0

RGB 0 190 224

HSL 189.11, 1%, 0.44%

LAB 71.01, -27.71, -28.15

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 65 / 100 / 12

HEX #E04E00

RGB 224 78 0

HSL 20.89, 1%, 0.44%

LAB 53.27, 54.48, 63.78

 

CMYK 100 / 0 / 85 / 12

HEX #00E021

RGB 0 224 33

HSL 128.84, 1%, 0.44%

LAB 78.12, -77.3, 71.06

 

CMYK 100 / 35 / 0 / 12

HEX #0091E0

RGB 0 145 224

HSL 201.16, 1%, 0.44%

LAB 57.69, -3.44, -48.97

 

CMYK 0 / 100 / 15 / 12

HEX #E000BE

RGB 224 0 190

HSL 309.11, 1%, 0.44%

LAB 51.34, 84.54, -38.59

 

CMYK 0 / 35 / 100 / 12

HEX #E09100

RGB 224 145 0

HSL 38.84, 1%, 0.44%

LAB 66.59, 21.37, 71.69

 

CMYK 100 / 0 / 85 / 12

HEX #00E021

RGB 0 224 33

HSL 128.84, 1%, 0.44%

LAB 78.12, -77.3, 71.06

 

CMYK 100 / 65 / 0 / 12

HEX #004EE0

RGB 0 78 224

HSL 219.11, 1%, 0.44%

LAB 39.29, 38.77, -78.71

 

Description

Color code: RGB 224 0 190 | qconv.com Color code: RGB 224 0 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, none green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 0 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 15% 12% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - TOBECONCEPTBCN – DES...
Link: http://tobeconceptbcn.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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