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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 178 0 it is the complementary color RGB 32 77 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 178 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 178 0 shade: RGB 228 178 0, RGB 245 196 14, RGB 255 214 33, RGB 255 232 52 and RGB 255 250 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 178 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 178 0 shade: RGB 223 178 0, RGB 206 160 0, RGB 189 142 0, RGB 172 124 0 and RGB 155 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 178 0 shade: RGB 224 179 0, RGB 224 118 0, RGB 224 58 0 and RGB 224 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 178 0 shade: RGB 224 179 0, RGB 209 224 0, RGB 148 224 0, RGB 88 224 0 and RGB 27 224 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 178 0 shade matches the following richer shades: RGB 224 179 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 178 0 shade: RGB 224 179 0, RGB 206 168 18, RGB 188 157 36, RGB 169 146 54 and RGB 151 135 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 178 0 shade: RGB 224 56 0, RGB 224 115 0, RGB 224 175 0, RGB 213 224 0 and RGB 153 224 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 178 0 shade: RGB 141 113 0, RGB 183 146 0, RGB 224 179 0, RGB 255 205 10 and RGB 255 214 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 178 0 shade: RGB 223 178 0, RGB 3 224 0 and RGB 86 0 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 178 0 shade: RGB 223 178 0, RGB 0 224 175 and RGB 175 0 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 178 0 shade: RGB 223 178 0, RGB 3 224 0, RGB 0 48 224 and RGB 220 0 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 178 0 shade: RGB 223 178 0, RGB 0 224 63, RGB 0 48 224 and RGB 224 0 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 100 / 13

HEX #DFB200

RGB 223 178 0

HSL 47.89, 1%, 0.44%

LAB 74.53, 3.36, 77

 

Complementary color

CMYK 87 / 70 / 0 / 0

HEX #204DFF

RGB 32 77 255

HSL 227.89, 1%, 0.56%

LAB 42.51, 51.49, -90.87

 

CMYK 0 / 22 / 100 / 11

HEX #E4B200

RGB 228 178 0

HSL 46.84, 1%, 0.45%

LAB 75.04, 5.54, 77.59

 

CMYK 0 / 20 / 94 / 4

HEX #F5C40E

RGB 245 196 14

HSL 47.27, 0.92%, 0.51%

LAB 81.25, 3.64, 81.33

 

CMYK 0 / 16 / 87 / 0

HEX #FFD621

RGB 255 214 33

HSL 48.92, 1%, 0.56%

LAB 86.73, -1.03, 82.89

 

CMYK 0 / 9 / 80 / 0

HEX #FFE834

RGB 255 232 52

HSL 53.2, 1%, 0.6%

LAB 91.33, -9.58, 82.2

 

CMYK 0 / 2 / 72 / 0

HEX #FFFA47

RGB 255 250 71

HSL 58.37, 1%, 0.64%

LAB 96.03, -17.67, 80.78

 

CMYK 0 / 20 / 100 / 13

HEX #DFB200

RGB 223 178 0

HSL 47.89, 1%, 0.44%

LAB 74.53, 3.36, 77

 

CMYK 0 / 22 / 100 / 19

HEX #CEA000

RGB 206 160 0

HSL 46.6, 1%, 0.4%

LAB 68.21, 5.43, 71.8

 

CMYK 0 / 25 / 100 / 26

HEX #BD8E00

RGB 189 142 0

HSL 45.08, 1%, 0.37%

LAB 61.8, 7.58, 66.52

 

CMYK 0 / 28 / 100 / 33

HEX #AC7C00

RGB 172 124 0

HSL 43.26, 1%, 0.34%

LAB 55.26, 9.83, 61.16

 

CMYK 0 / 32 / 100 / 39

HEX #9B6A00

RGB 155 106 0

HSL 41.03, 1%, 0.3%

LAB 48.61, 12.18, 55.7

 

CMYK 0 / 20 / 100 / 12

HEX #E0B300

RGB 224 179 0

HSL 47.95, 1%, 0.44%

LAB 74.88, 3.27, 77.29

 

CMYK 0 / 47 / 100 / 12

HEX #E07600

RGB 224 118 0

HSL 31.61, 1%, 0.44%

LAB 60.61, 35.59, 67.9

 

CMYK 0 / 74 / 100 / 12

HEX #E03A00

RGB 224 58 0

HSL 15.54, 1%, 0.44%

LAB 50.54, 61.95, 62.46

 

CMYK 0 / 100 / 100 / 12

HEX #E00000

RGB 224 0 0

HSL 0, 1%, 0.44%

LAB 46.77, 72.64, 60.95

 

CMYK 0 / 20 / 100 / 12

HEX #E0B300

RGB 224 179 0

HSL 47.95, 1%, 0.44%

LAB 74.88, 3.27, 77.29

 

CMYK 7 / 0 / 100 / 12

HEX #D1E000

RGB 209 224 0

HSL 64.02, 1%, 0.44%

LAB 85.44, -25.81, 84.31

 

CMYK 34 / 0 / 100 / 12

HEX #94E000

RGB 148 224 0

HSL 80.36, 1%, 0.44%

LAB 81.62, -49.67, 79.75

 

CMYK 61 / 0 / 100 / 12

HEX #58E000

RGB 88 224 0

HSL 96.43, 1%, 0.44%

LAB 79.26, -67.63, 76.89

 

CMYK 88 / 0 / 100 / 12

HEX #1BE000

RGB 27 224 0

HSL 112.77, 1%, 0.44%

LAB 78.2, -76.89, 75.59

 

CMYK 0 / 20 / 100 / 12

HEX #E0B300

RGB 224 179 0

HSL 47.95, 1%, 0.44%

LAB 74.88, 3.27, 77.29

 

CMYK 0 / 20 / 100 / 12

HEX #E0B300

RGB 224 179 0

HSL 47.95, 1%, 0.44%

LAB 74.88, 3.27, 77.29

 

CMYK 0 / 18 / 91 / 19

HEX #CEA812

RGB 206 168 18

HSL 47.87, 0.84%, 0.44%

LAB 70.3, 1.37, 70.89

 

CMYK 0 / 16 / 81 / 26

HEX #BC9D24

RGB 188 157 36

HSL 47.76, 0.68%, 0.44%

LAB 65.7, -0.31, 62.03

 

CMYK 0 / 14 / 68 / 34

HEX #A99236

RGB 169 146 54

HSL 48, 0.52%, 0.44%

LAB 61.01, -2.01, 50.07

 

CMYK 0 / 11 / 52 / 41

HEX #978748

RGB 151 135 72

HSL 47.85, 0.35%, 0.44%

LAB 56.46, -2.59, 35.78

 

CMYK 0 / 75 / 100 / 12

HEX #E03800

RGB 224 56 0

HSL 15, 1%, 0.44%

LAB 50.31, 62.6, 62.35

 

CMYK 0 / 49 / 100 / 12

HEX #E07300

RGB 224 115 0

HSL 30.8, 1%, 0.44%

LAB 59.99, 37.13, 67.53

 

CMYK 0 / 22 / 100 / 12

HEX #E0AF00

RGB 224 175 0

HSL 46.88, 1%, 0.44%

LAB 73.87, 5.38, 76.59

 

CMYK 5 / 0 / 100 / 12

HEX #D5E000

RGB 213 224 0

HSL 62.95, 1%, 0.44%

LAB 85.73, -24.15, 84.66

 

CMYK 32 / 0 / 100 / 12

HEX #99E000

RGB 153 224 0

HSL 79.02, 1%, 0.44%

LAB 81.88, -47.87, 80.06

 

CMYK 0 / 20 / 100 / 45

HEX #8D7100

RGB 141 113 0

HSL 48.09, 1%, 0.28%

LAB 48.85, 1.57, 55.1

 

CMYK 0 / 20 / 100 / 28

HEX #B79200

RGB 183 146 0

HSL 47.87, 1%, 0.36%

LAB 62.19, 2.68, 66.49

 

CMYK 0 / 20 / 100 / 12

HEX #E0B300

RGB 224 179 0

HSL 47.95, 1%, 0.44%

LAB 74.88, 3.27, 77.29

 

CMYK 0 / 20 / 96 / 0

HEX #FFCD0A

RGB 255 205 10

HSL 47.76, 1%, 0.52%

LAB 84.46, 3.25, 84.51

 

CMYK 0 / 16 / 80 / 0

HEX #FFD633

RGB 255 214 51

HSL 47.94, 1%, 0.6%

LAB 86.8, -0.58, 78.52

 

CMYK 0 / 20 / 100 / 13

HEX #DFB200

RGB 223 178 0

HSL 47.89, 1%, 0.44%

LAB 74.53, 3.36, 77

 

CMYK 99 / 0 / 100 / 12

HEX #03E000

RGB 3 224 0

HSL 119.2, 1%, 0.44%

LAB 78.07, -78.04, 75.43

 

CMYK 62 / 100 / 0 / 12

HEX #5600E0

RGB 86 0 224

HSL 263.04, 1%, 0.44%

LAB 32.61, 73.78, -89.64

 

CMYK 0 / 20 / 100 / 13

HEX #DFB200

RGB 223 178 0

HSL 47.89, 1%, 0.44%

LAB 74.53, 3.36, 77

 

CMYK 100 / 0 / 22 / 12

HEX #00E0AF

RGB 0 224 175

HSL 166.88, 1%, 0.44%

LAB 79.84, -56.82, 11.33

 

CMYK 22 / 100 / 0 / 12

HEX #AF00E0

RGB 175 0 224

HSL 286.88, 1%, 0.44%

LAB 44.94, 82.01, -68.92

 

CMYK 0 / 20 / 100 / 13

HEX #DFB200

RGB 223 178 0

HSL 47.89, 1%, 0.44%

LAB 74.53, 3.36, 77

 

CMYK 99 / 0 / 100 / 12

HEX #03E000

RGB 3 224 0

HSL 119.2, 1%, 0.44%

LAB 78.07, -78.04, 75.43

 

CMYK 100 / 79 / 0 / 12

HEX #0030E0

RGB 0 48 224

HSL 227.14, 1%, 0.44%

LAB 32.91, 56.42, -89.27

 

CMYK 2 / 100 / 0 / 12

HEX #DC00E0

RGB 220 0 224

HSL 298.93, 1%, 0.44%

LAB 52.51, 88.46, -56.32

 

CMYK 0 / 20 / 100 / 13

HEX #DFB200

RGB 223 178 0

HSL 47.89, 1%, 0.44%

LAB 74.53, 3.36, 77

 

CMYK 100 / 0 / 72 / 12

HEX #00E03F

RGB 0 224 63

HSL 136.88, 1%, 0.44%

LAB 78.27, -75.42, 62.53

 

CMYK 100 / 79 / 0 / 12

HEX #0030E0

RGB 0 48 224

HSL 227.14, 1%, 0.44%

LAB 32.91, 56.42, -89.27

 

CMYK 0 / 100 / 29 / 12

HEX #E000A0

RGB 224 0 160

HSL 317.14, 1%, 0.44%

LAB 49.96, 81.05, -23.09

 

Description

Color code: RGB 223 178 0 | qconv.com Color code: RGB 223 178 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 178 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 178 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 100 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 100% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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