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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 174 177 it is the complementary color RGB 32 81 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 174 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 174 177 shade: RGB 228 174 172, RGB 245 192 191, RGB 255 210 210, RGB 255 228 229 and RGB 255 246 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 174 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 206 156 158, RGB 189 138 139, RGB 172 120 120 and RGB 155 102 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 174 177 shade: RGB 223 174 177 and RGB 223 174 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 223 174 190, RGB 223 174 203, RGB 223 174 216 and RGB 216 174 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 174 177 shade matches the following richer shades: RGB 223 174 177, RGB 232 165 169, RGB 241 156 161 and RGB 250 147 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 213 183 185, RGB 204 192 193, RGB 195 202 201 and RGB 186 211 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 174 177 shade: RGB 223 174 203, RGB 223 174 190, RGB 223 174 177, RGB 223 184 174 and RGB 223 197 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 174 177 shade: RGB 199 115 120, RGB 211 145 149, RGB 223 174 177, RGB 234 204 206 and RGB 246 233 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 216 223 174 and RGB 174 197 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 177 223 174 and RGB 174 177 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 216 223 174, RGB 174 223 219 and RGB 181 174 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 174 177 shade: RGB 223 174 177, RGB 202 223 174, RGB 174 223 219 and RGB 195 174 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

Complementary color

CMYK 60 / 0 / 4 / 68

HEX #20514E

RGB 32 81 78

HSL 176.33, 0.43%, 0.22%

LAB 31.21, -17.24, -3.23

 

CMYK 0 / 24 / 25 / 11

HEX #E4AEAC

RGB 228 174 172

HSL 2.14, 0.51%, 0.78%

LAB 75.91, 19.41, 8.67

 

CMYK 0 / 22 / 22 / 4

HEX #F5C0BF

RGB 245 192 191

HSL 1.11, 0.73%, 0.85%

LAB 82.31, 18.81, 7.78

 

CMYK 0 / 18 / 18 / 0

HEX #FFD2D2

RGB 255 210 210

HSL 0, 1%, 0.91%

LAB 87.97, 15.76, 5.94

 

CMYK 0 / 11 / 10 / 0

HEX #FFE4E5

RGB 255 228 229

HSL 357.78, 1%, 0.95%

LAB 92.75, 9.39, 2.88

 

CMYK 0 / 4 / 3 / 0

HEX #FFF6F8

RGB 255 246 248

HSL 346.67, 1%, 0.98%

LAB 97.61, 3.35, 0.1

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 24 / 23 / 19

HEX #CE9C9E

RGB 206 156 158

HSL 357.6, 0.34%, 0.71%

LAB 69.02, 18.91, 6.2

 

CMYK 0 / 27 / 26 / 26

HEX #BD8A8B

RGB 189 138 139

HSL 358.82, 0.28%, 0.64%

LAB 62.39, 19.59, 7.14

 

CMYK 0 / 30 / 30 / 33

HEX #AC7878

RGB 172 120 120

HSL 0, 0.24%, 0.57%

LAB 55.64, 20.36, 8.18

 

CMYK 0 / 34 / 35 / 39

HEX #9B6665

RGB 155 102 101

HSL 1.11, 0.21%, 0.5%

LAB 48.77, 21.23, 9.34

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 22 / 22 / 13

HEX #DFAEAE

RGB 223 174 174

HSL 0, 0.43%, 0.78%

LAB 75.46, 17.85, 6.86

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 22 / 15 / 13

HEX #DFAEBE

RGB 223 174 190

HSL 340.41, 0.43%, 0.78%

LAB 75.87, 20.31, -1.28

 

CMYK 0 / 22 / 9 / 13

HEX #DFAECB

RGB 223 174 203

HSL 324.49, 0.43%, 0.78%

LAB 76.24, 22.46, -7.84

 

CMYK 0 / 22 / 3 / 13

HEX #DFAED8

RGB 223 174 216

HSL 308.57, 0.43%, 0.78%

LAB 76.63, 24.74, -14.33

 

CMYK 3 / 22 / 0 / 13

HEX #D8AEDF

RGB 216 174 223

HSL 291.43, 0.43%, 0.78%

LAB 76.19, 23.71, -18.86

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 29 / 27 / 9

HEX #E8A5A9

RGB 232 165 169

HSL 356.42, 0.59%, 0.78%

LAB 74.15, 25.29, 7.84

 

CMYK 0 / 35 / 33 / 5

HEX #F19CA1

RGB 241 156 161

HSL 356.47, 0.75%, 0.78%

LAB 72.93, 32.34, 10.64

 

CMYK 0 / 41 / 39 / 2

HEX #FA9399

RGB 250 147 153

HSL 356.5, 0.91%, 0.78%

LAB 71.89, 39.36, 13.75

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 14 / 13 / 16

HEX #D5B7B9

RGB 213 183 185

HSL 356, 0.26%, 0.78%

LAB 76.99, 11.06, 2.96

 

CMYK 0 / 6 / 5 / 20

HEX #CCC0C1

RGB 204 192 193

HSL 355, 0.11%, 0.78%

LAB 78.69, 4.38, 1

 

CMYK 3 / 0 / 0 / 21

HEX #C3CAC9

RGB 195 202 201

HSL 171.43, 0.06%, 0.78%

LAB 80.77, -2.57, -0.34

 

CMYK 12 / 0 / 1 / 17

HEX #BAD3D1

RGB 186 211 209

HSL 175.2, 0.22%, 0.78%

LAB 82.72, -8.71, -1.85

 

CMYK 0 / 22 / 9 / 13

HEX #DFAECB

RGB 223 174 203

HSL 324.49, 0.43%, 0.78%

LAB 76.24, 22.46, -7.84

 

CMYK 0 / 22 / 15 / 13

HEX #DFAEBE

RGB 223 174 190

HSL 340.41, 0.43%, 0.78%

LAB 75.87, 20.31, -1.28

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 17 / 22 / 13

HEX #DFB8AE

RGB 223 184 174

HSL 12.24, 0.43%, 0.78%

LAB 77.89, 12.49, 10.33

 

CMYK 0 / 12 / 22 / 13

HEX #DFC5AE

RGB 223 197 174

HSL 28.16, 0.43%, 0.78%

LAB 81.11, 5.6, 14.89

 

CMYK 0 / 42 / 40 / 22

HEX #C77378

RGB 199 115 120

HSL 356.43, 0.43%, 0.62%

LAB 57.81, 33.55, 11.71

 

CMYK 0 / 31 / 29 / 17

HEX #D39195

RGB 211 145 149

HSL 356.36, 0.43%, 0.7%

LAB 66.73, 25.51, 8.02

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 0 / 13 / 12 / 8

HEX #EACCCE

RGB 234 204 206

HSL 356, 0.42%, 0.86%

LAB 84.55, 10.83, 2.87

 

CMYK 0 / 5 / 5 / 4

HEX #F6E9EA

RGB 246 233 234

HSL 355.38, 0.42%, 0.94%

LAB 93.37, 4.56, 1.08

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 3 / 0 / 22 / 13

HEX #D8DFAE

RGB 216 223 174

HSL 68.57, 0.43%, 0.78%

LAB 87.21, -10.42, 23.28

 

CMYK 22 / 12 / 0 / 13

HEX #AEC5DF

RGB 174 197 223

HSL 211.84, 0.43%, 0.78%

LAB 78.61, -2.2, -15.53

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 21 / 0 / 22 / 13

HEX #B1DFAE

RGB 177 223 174

HSL 116.33, 0.43%, 0.78%

LAB 84.58, -24.16, 19.23

 

CMYK 22 / 21 / 0 / 13

HEX #AEB1DF

RGB 174 177 223

HSL 236.33, 0.43%, 0.78%

LAB 73.4, 8.64, -23.43

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 3 / 0 / 22 / 13

HEX #D8DFAE

RGB 216 223 174

HSL 68.57, 0.43%, 0.78%

LAB 87.21, -10.42, 23.28

 

CMYK 22 / 0 / 2 / 13

HEX #AEDFDB

RGB 174 223 219

HSL 175.1, 0.43%, 0.78%

LAB 85.45, -16.54, -3.23

 

CMYK 19 / 22 / 0 / 13

HEX #B5AEDF

RGB 181 174 223

HSL 248.57, 0.43%, 0.78%

LAB 73.17, 12.46, -23.73

 

CMYK 0 / 22 / 21 / 13

HEX #DFAEB1

RGB 223 174 177

HSL 356.33, 0.43%, 0.78%

LAB 75.53, 18.3, 5.33

 

CMYK 9 / 0 / 22 / 13

HEX #CADFAE

RGB 202 223 174

HSL 85.71, 0.43%, 0.78%

LAB 86.2, -15.48, 21.73

 

CMYK 22 / 0 / 2 / 13

HEX #AEDFDB

RGB 174 223 219

HSL 175.1, 0.43%, 0.78%

LAB 85.45, -16.54, -3.23

 

CMYK 13 / 22 / 0 / 13

HEX #C3AEDF

RGB 195 174 223

HSL 265.71, 0.43%, 0.78%

LAB 74.32, 16.89, -21.87

 

Description

Color code: RGB 223 174 177 | qconv.com Color code: RGB 223 174 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 174 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 174 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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