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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 16 53 it is the complementary color RGB 32 239 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 16 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 16 53 shade: RGB 228 16 48, RGB 245 34 67, RGB 255 52 86, RGB 255 70 105 and RGB 255 88 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 16 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 16 53 shade: RGB 223 16 53, RGB 206 0 34, RGB 189 0 15, RGB 172 0 0 and RGB 155 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 16 53 shade: RGB 224 15 52 and RGB 224 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 16 53 shade: RGB 224 15 52, RGB 224 15 109, RGB 224 15 165, RGB 224 15 221 and RGB 170 15 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 16 53 shade matches the following richer shades: RGB 224 15 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 16 53 shade: RGB 224 15 52, RGB 204 34 65, RGB 185 54 77, RGB 165 73 90 and RGB 146 93 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 16 53 shade: RGB 224 15 165, RGB 224 15 109, RGB 224 15 53, RGB 224 32 15 and RGB 224 88 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 16 53 shade: RGB 146 10 34, RGB 185 12 43, RGB 224 15 52, RGB 240 40 76 and RGB 242 79 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 16 53 shade: RGB 223 16 53, RGB 220 224 15 and RGB 15 137 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 16 53 shade: RGB 223 16 53, RGB 53 224 15 and RGB 15 53 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 16 53 shade: RGB 223 16 53, RGB 220 224 15, RGB 15 224 185 and RGB 19 15 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 16 53 shade: RGB 223 16 53, RGB 158 224 15, RGB 15 224 185 and RGB 81 15 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 76 / 13

HEX #DF1035

RGB 223 16 53

HSL 349.28, 0.87%, 0.47%

LAB 47.39, 71.92, 38.29

 

Complementary color

CMYK 87 / 0 / 15 / 6

HEX #20EFCA

RGB 32 239 202

HSL 169.28, 0.87%, 0.53%

LAB 85.15, -54.79, 4.75

 

CMYK 0 / 93 / 79 / 11

HEX #E41030

RGB 228 16 48

HSL 350.94, 0.87%, 0.48%

LAB 48.36, 73, 42.49

 

CMYK 0 / 86 / 73 / 4

HEX #F52243

RGB 245 34 67

HSL 350.62, 0.91%, 0.55%

LAB 52.91, 75.29, 37.6

 

CMYK 0 / 80 / 66 / 0

HEX #FF3456

RGB 255 52 86

HSL 349.95, 1%, 0.6%

LAB 56.47, 74.83, 31.29

 

CMYK 0 / 73 / 59 / 0

HEX #FF4669

RGB 255 70 105

HSL 348.65, 1%, 0.64%

LAB 58.66, 70.7, 22.99

 

CMYK 0 / 65 / 51 / 0

HEX #FF587C

RGB 255 88 124

HSL 347.07, 1%, 0.67%

LAB 61.39, 65.61, 15.63

 

CMYK 0 / 93 / 76 / 13

HEX #DF1035

RGB 223 16 53

HSL 349.28, 0.87%, 0.47%

LAB 47.39, 71.92, 38.29

 

CMYK 0 / 100 / 83 / 19

HEX #CE0022

RGB 206 0 34

HSL 350.1, 1%, 0.4%

LAB 43.12, 68.68, 43.52

 

CMYK 0 / 100 / 92 / 26

HEX #BD000F

RGB 189 0 15

HSL 355.24, 1%, 0.37%

LAB 39.33, 64.12, 48.15

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

RGB 172 0 0

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

RGB 155 0 0

CMYK 0 / 93 / 77 / 12

HEX #E00F34

RGB 224 15 52

HSL 349.38, 0.87%, 0.47%

LAB 47.54, 72.24, 39.1

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 77 / 12

HEX #E00F34

RGB 224 15 52

HSL 349.38, 0.87%, 0.47%

LAB 47.54, 72.24, 39.1

 

CMYK 0 / 93 / 51 / 12

HEX #E00F6D

RGB 224 15 109

HSL 333.01, 0.87%, 0.47%

LAB 48.63, 75.22, 5.82

 

CMYK 0 / 93 / 26 / 12

HEX #E00FA5

RGB 224 15 165

HSL 316.94, 0.87%, 0.47%

LAB 50.58, 80.41, -25.1

 

CMYK 0 / 93 / 1 / 12

HEX #E00FDD

RGB 224 15 221

HSL 300.86, 0.87%, 0.47%

LAB 53.39, 87.56, -53.15

 

CMYK 24 / 93 / 0 / 12

HEX #AA0FE0

RGB 170 15 224

HSL 284.5, 0.87%, 0.47%

LAB 44.62, 79.92, -69.47

 

CMYK 0 / 93 / 77 / 12

HEX #E00F34

RGB 224 15 52

HSL 349.38, 0.87%, 0.47%

LAB 47.54, 72.24, 39.1

 

CMYK 0 / 93 / 77 / 12

HEX #E00F34

RGB 224 15 52

HSL 349.38, 0.87%, 0.47%

LAB 47.54, 72.24, 39.1

 

CMYK 0 / 83 / 68 / 20

HEX #CC2241

RGB 204 34 65

HSL 349.06, 0.71%, 0.47%

LAB 44.75, 64.5, 27.06

 

CMYK 0 / 71 / 58 / 27

HEX #B9364D

RGB 185 54 77

HSL 349.47, 0.55%, 0.47%

LAB 43.49, 53.64, 17.33

 

CMYK 0 / 56 / 45 / 35

HEX #A5495A

RGB 165 73 90

HSL 348.91, 0.39%, 0.47%

LAB 43.51, 39.61, 8.79

 

CMYK 0 / 36 / 30 / 43

HEX #925D66

RGB 146 93 102

HSL 349.81, 0.22%, 0.47%

LAB 45.5, 22.95, 3.92

 

CMYK 0 / 93 / 26 / 12

HEX #E00FA5

RGB 224 15 165

HSL 316.94, 0.87%, 0.47%

LAB 50.58, 80.41, -25.1

 

CMYK 0 / 93 / 51 / 12

HEX #E00F6D

RGB 224 15 109

HSL 333.01, 0.87%, 0.47%

LAB 48.63, 75.22, 5.82

 

CMYK 0 / 93 / 76 / 12

HEX #E00F35

RGB 224 15 53

HSL 349.09, 0.87%, 0.47%

LAB 47.55, 72.27, 38.54

 

CMYK 0 / 86 / 93 / 12

HEX #E0200F

RGB 224 32 15

HSL 4.88, 0.87%, 0.47%

LAB 48.15, 68.92, 57.27

 

CMYK 0 / 61 / 93 / 12

HEX #E0580F

RGB 224 88 15

HSL 20.96, 0.87%, 0.47%

LAB 54.93, 50.3, 61.51

 

CMYK 0 / 93 / 77 / 43

HEX #920A22

RGB 146 10 34

HSL 349.41, 0.87%, 0.31%

LAB 30.51, 52.12, 26.45

 

CMYK 0 / 94 / 77 / 27

HEX #B90C2B

RGB 185 12 43

HSL 349.25, 0.88%, 0.39%

LAB 39.16, 62.46, 32.89

 

CMYK 0 / 93 / 77 / 12

HEX #E00F34

RGB 224 15 52

HSL 349.38, 0.87%, 0.47%

LAB 47.54, 72.24, 39.1

 

CMYK 0 / 83 / 68 / 6

HEX #F0284C

RGB 240 40 76

HSL 349.2, 0.87%, 0.55%

LAB 52.47, 73.21, 31.57

 

CMYK 0 / 67 / 55 / 5

HEX #F24F6C

RGB 242 79 108

HSL 349.33, 0.86%, 0.63%

LAB 57.61, 63.92, 19.43

 

CMYK 0 / 93 / 76 / 13

HEX #DF1035

RGB 223 16 53

HSL 349.28, 0.87%, 0.47%

LAB 47.39, 71.92, 38.29

 

CMYK 2 / 0 / 93 / 12

HEX #DCE00F

RGB 220 224 15

HSL 61.15, 0.87%, 0.47%

LAB 86.29, -21.08, 84

 

CMYK 93 / 39 / 0 / 12

HEX #0F89E0

RGB 15 137 224

HSL 204.98, 0.87%, 0.47%

LAB 55.46, 1.75, -52.52

 

CMYK 0 / 93 / 76 / 13

HEX #DF1035

RGB 223 16 53

HSL 349.28, 0.87%, 0.47%

LAB 47.39, 71.92, 38.29

 

CMYK 76 / 0 / 93 / 12

HEX #35E00F

RGB 53 224 15

HSL 109.09, 0.87%, 0.47%

LAB 78.52, -73.9, 74.55

 

CMYK 93 / 76 / 0 / 12

HEX #0F35E0

RGB 15 53 224

HSL 229.09, 0.87%, 0.47%

LAB 34.04, 54.04, -87.38

 

CMYK 0 / 93 / 76 / 13

HEX #DF1035

RGB 223 16 53

HSL 349.28, 0.87%, 0.47%

LAB 47.39, 71.92, 38.29

 

CMYK 2 / 0 / 93 / 12

HEX #DCE00F

RGB 220 224 15

HSL 61.15, 0.87%, 0.47%

LAB 86.29, -21.08, 84

 

CMYK 93 / 0 / 17 / 12

HEX #0FE0B9

RGB 15 224 185

HSL 168.8, 0.87%, 0.47%

LAB 80.13, -53.91, 6.46

 

CMYK 92 / 93 / 0 / 12

HEX #130FE0

RGB 19 15 224

HSL 241.15, 0.87%, 0.47%

LAB 29.06, 69.16, -95.68

 

CMYK 0 / 93 / 76 / 13

HEX #DF1035

RGB 223 16 53

HSL 349.28, 0.87%, 0.47%

LAB 47.39, 71.92, 38.29

 

CMYK 29 / 0 / 93 / 12

HEX #9EE00F

RGB 158 224 15

HSL 78.95, 0.87%, 0.47%

LAB 82.17, -45.85, 79.03

 

CMYK 93 / 0 / 17 / 12

HEX #0FE0B9

RGB 15 224 185

HSL 168.8, 0.87%, 0.47%

LAB 80.13, -53.91, 6.46

 

CMYK 64 / 93 / 0 / 12

HEX #510FE0

RGB 81 15 224

HSL 258.95, 0.87%, 0.47%

LAB 32.86, 71.21, -89.24

 

Description

Color code: RGB 223 16 53 | qconv.com Color code: RGB 223 16 53 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 16 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 16 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 76% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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