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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 124 5 it is the complementary color RGB 32 131 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 124 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 124 5 shade: RGB 228 124 0, RGB 245 142 19, RGB 255 160 38, RGB 255 178 57 and RGB 255 196 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 124 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 124 5 shade: RGB 223 124 5, RGB 206 106 0, RGB 189 88 0, RGB 172 70 0 and RGB 155 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 124 5 shade: RGB 224 124 4, RGB 224 65 4, RGB 224 6 4 and RGB 224 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 124 5 shade: RGB 224 124 4, RGB 224 184 4, RGB 206 224 4, RGB 146 224 4 and RGB 87 224 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 124 5 shade matches the following richer shades: RGB 224 124 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 124 5 shade: RGB 224 124 4, RGB 206 123 23, RGB 187 121 41, RGB 169 119 60 and RGB 150 118 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 124 5 shade: RGB 224 4 4, RGB 224 63 4, RGB 224 122 4, RGB 224 180 4 and RGB 210 224 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 124 5 shade: RGB 144 79 2, RGB 184 102 3, RGB 224 124 4, RGB 250 145 20 and RGB 251 164 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 124 5 shade: RGB 223 124 5, RGB 63 224 4 and RGB 33 4 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 124 5 shade: RGB 223 124 5, RGB 4 224 122 and RGB 122 4 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 124 5 shade: RGB 223 124 5, RGB 63 224 4, RGB 4 107 224 and RGB 166 4 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 124 5 shade: RGB 223 124 5, RGB 4 224 11, RGB 4 107 224 and RGB 224 4 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 98 / 13

HEX #DF7C05

RGB 223 124 5

HSL 32.75, 0.96%, 0.45%

LAB 61.75, 32.12, 67.73

 

Complementary color

CMYK 87 / 48 / 0 / 2

HEX #2083FA

RGB 32 131 250

HSL 212.75, 0.96%, 0.55%

LAB 55.52, 16.14, -66.85

 

CMYK 0 / 46 / 100 / 11

HEX #E47C00

RGB 228 124 0

HSL 32.63, 1%, 0.45%

LAB 62.43, 34.12, 69.3

 

CMYK 0 / 42 / 92 / 4

HEX #F58E13

RGB 245 142 19

HSL 32.65, 0.92%, 0.52%

LAB 68.61, 31.94, 71.48

 

CMYK 0 / 37 / 85 / 0

HEX #FFA026

RGB 255 160 38

HSL 33.73, 1%, 0.57%

LAB 73.9, 27.05, 71.36

 

CMYK 0 / 30 / 78 / 0

HEX #FFB239

RGB 255 178 57

HSL 36.67, 1%, 0.61%

LAB 78.11, 18.21, 68.75

 

CMYK 0 / 23 / 70 / 0

HEX #FFC44C

RGB 255 196 76

HSL 40.22, 1%, 0.65%

LAB 82.52, 9.64, 65.7

 

CMYK 0 / 44 / 98 / 13

HEX #DF7C05

RGB 223 124 5

HSL 32.75, 0.96%, 0.45%

LAB 61.75, 32.12, 67.73

 

CMYK 0 / 49 / 100 / 19

HEX #CE6A00

RGB 206 106 0

HSL 30.87, 1%, 0.4%

LAB 55.51, 34.47, 63.51

 

CMYK 0 / 53 / 100 / 26

HEX #BD5800

RGB 189 88 0

HSL 27.94, 1%, 0.37%

LAB 49.25, 36.85, 58.48

 

CMYK 0 / 59 / 100 / 33

HEX #AC4600

RGB 172 70 0

HSL 24.42, 1%, 0.34%

LAB 42.99, 39.13, 53.48

 

CMYK 0 / 66 / 100 / 39

HEX #9B3400

RGB 155 52 0

HSL 20.13, 1%, 0.3%

LAB 36.79, 41.13, 48.55

 

CMYK 0 / 45 / 98 / 12

HEX #E07C04

RGB 224 124 4

HSL 32.73, 0.96%, 0.45%

LAB 61.89, 32.52, 68.04

 

CMYK 0 / 71 / 98 / 12

HEX #E04104

RGB 224 65 4

HSL 16.64, 0.96%, 0.45%

LAB 51.42, 59.56, 61.91

 

CMYK 0 / 97 / 98 / 12

HEX #E00604

RGB 224 6 4

HSL 0.55, 0.96%, 0.45%

LAB 46.96, 72.17, 59.81

 

CMYK 0 / 98 / 98 / 12

HEX #E00404

RGB 224 4 4

HSL 0, 0.96%, 0.45%

LAB 46.9, 72.34, 59.78

 

CMYK 0 / 45 / 98 / 12

HEX #E07C04

RGB 224 124 4

HSL 32.73, 0.96%, 0.45%

LAB 61.89, 32.52, 68.04

 

CMYK 0 / 18 / 98 / 12

HEX #E0B804

RGB 224 184 4

HSL 49.09, 0.96%, 0.45%

LAB 76.15, 0.69, 77.76

 

CMYK 8 / 0 / 98 / 12

HEX #CEE004

RGB 206 224 4

HSL 64.91, 0.96%, 0.45%

LAB 85.22, -27.02, 83.71

 

CMYK 35 / 0 / 98 / 12

HEX #92E004

RGB 146 224 4

HSL 81.27, 0.96%, 0.45%

LAB 81.53, -50.33, 79.27

 

CMYK 61 / 0 / 98 / 12

HEX #57E004

RGB 87 224 4

HSL 97.36, 0.96%, 0.45%

LAB 79.24, -67.8, 76.49

 

CMYK 0 / 45 / 98 / 12

HEX #E07C04

RGB 224 124 4

HSL 32.73, 0.96%, 0.45%

LAB 61.89, 32.52, 68.04

 

CMYK 0 / 45 / 98 / 12

HEX #E07C04

RGB 224 124 4

HSL 32.73, 0.96%, 0.45%

LAB 61.89, 32.52, 68.04

 

CMYK 0 / 40 / 89 / 19

HEX #CE7B17

RGB 206 123 23

HSL 32.79, 0.8%, 0.45%

LAB 59.3, 25.77, 61.36

 

CMYK 0 / 35 / 78 / 27

HEX #BB7929

RGB 187 121 41

HSL 32.88, 0.64%, 0.45%

LAB 56.49, 19.19, 51.74

 

CMYK 0 / 30 / 64 / 34

HEX #A9773C

RGB 169 119 60

HSL 32.48, 0.48%, 0.45%

LAB 53.98, 13.4, 39.55

 

CMYK 0 / 21 / 48 / 41

HEX #96764E

RGB 150 118 78

HSL 33.33, 0.32%, 0.45%

LAB 51.83, 7.16, 26.74

 

CMYK 0 / 98 / 98 / 12

HEX #E00404

RGB 224 4 4

HSL 0, 0.96%, 0.45%

LAB 46.9, 72.34, 59.78

 

CMYK 0 / 72 / 98 / 12

HEX #E03F04

RGB 224 63 4

HSL 16.09, 0.96%, 0.45%

LAB 51.16, 60.28, 61.77

 

CMYK 0 / 46 / 98 / 12

HEX #E07A04

RGB 224 122 4

HSL 32.18, 0.96%, 0.45%

LAB 61.46, 33.56, 67.77

 

CMYK 0 / 20 / 98 / 12

HEX #E0B404

RGB 224 180 4

HSL 48, 0.96%, 0.45%

LAB 75.14, 2.78, 77.04

 

CMYK 6 / 0 / 98 / 12

HEX #D2E004

RGB 210 224 4

HSL 63.82, 0.96%, 0.45%

LAB 85.51, -25.36, 84.06

 

CMYK 0 / 45 / 99 / 44

HEX #904F02

RGB 144 79 2

HSL 32.54, 0.97%, 0.29%

LAB 40.45, 22.66, 49.09

 

CMYK 0 / 45 / 98 / 28

HEX #B86603

RGB 184 102 3

HSL 32.82, 0.97%, 0.37%

LAB 51.5, 27.43, 58.81

 

CMYK 0 / 45 / 98 / 12

HEX #E07C04

RGB 224 124 4

HSL 32.73, 0.96%, 0.45%

LAB 61.89, 32.52, 68.04

 

CMYK 0 / 42 / 92 / 2

HEX #FA9114

RGB 250 145 20

HSL 32.61, 0.96%, 0.53%

LAB 69.91, 32.44, 72.51

 

CMYK 0 / 35 / 76 / 2

HEX #FBA43C

RGB 251 164 60

HSL 32.67, 0.96%, 0.61%

LAB 74.44, 23.98, 63.97

 

CMYK 0 / 44 / 98 / 13

HEX #DF7C05

RGB 223 124 5

HSL 32.75, 0.96%, 0.45%

LAB 61.75, 32.12, 67.73

 

CMYK 72 / 0 / 98 / 12

HEX #3FE004

RGB 63 224 4

HSL 103.91, 0.96%, 0.45%

LAB 78.68, -72.56, 75.81

 

CMYK 85 / 98 / 0 / 12

HEX #2104E0

RGB 33 4 224

HSL 247.91, 0.96%, 0.45%

LAB 28.88, 71.39, -95.96

 

CMYK 0 / 44 / 98 / 13

HEX #DF7C05

RGB 223 124 5

HSL 32.75, 0.96%, 0.45%

LAB 61.75, 32.12, 67.73

 

CMYK 98 / 0 / 46 / 12

HEX #04E07A

RGB 4 224 122

HSL 152.18, 0.96%, 0.45%

LAB 78.89, -67.76, 37.36

 

CMYK 46 / 98 / 0 / 12

HEX #7A04E0

RGB 122 4 224

HSL 272.18, 0.96%, 0.45%

LAB 37.13, 75.77, -82.03

 

CMYK 0 / 44 / 98 / 13

HEX #DF7C05

RGB 223 124 5

HSL 32.75, 0.96%, 0.45%

LAB 61.75, 32.12, 67.73

 

CMYK 72 / 0 / 98 / 12

HEX #3FE004

RGB 63 224 4

HSL 103.91, 0.96%, 0.45%

LAB 78.68, -72.56, 75.81

 

CMYK 98 / 52 / 0 / 12

HEX #046BE0

RGB 4 107 224

HSL 211.91, 0.96%, 0.45%

LAB 46.87, 20.12, -66.33

 

CMYK 26 / 98 / 0 / 12

HEX #A604E0

RGB 166 4 224

HSL 284.18, 0.96%, 0.45%

LAB 43.62, 80.5, -71.13

 

CMYK 0 / 44 / 98 / 13

HEX #DF7C05

RGB 223 124 5

HSL 32.75, 0.96%, 0.45%

LAB 61.75, 32.12, 67.73

 

CMYK 98 / 0 / 95 / 12

HEX #04E00B

RGB 4 224 11

HSL 121.91, 0.96%, 0.45%

LAB 78.09, -77.82, 74.44

 

CMYK 98 / 52 / 0 / 12

HEX #046BE0

RGB 4 107 224

HSL 211.91, 0.96%, 0.45%

LAB 46.87, 20.12, -66.33

 

CMYK 0 / 98 / 3 / 12

HEX #E004D9

RGB 224 4 217

HSL 301.91, 0.96%, 0.45%

LAB 52.89, 87.82, -51.68

 

Description

Color code: RGB 223 124 5 | qconv.com Color code: RGB 223 124 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 124 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 124 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 98 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 98% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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