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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 90 209 it is the complementary color RGB 33 165 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 90 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 90 209 shade: RGB 227 90 204, RGB 244 108 223, RGB 255 126 242, RGB 255 144 255 and RGB 255 162 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 90 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 90 209 shade: RGB 222 90 209, RGB 205 72 190, RGB 188 54 171, RGB 171 36 152 and RGB 154 18 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 90 209 shade: RGB 222 88 209, RGB 222 88 173, RGB 222 88 137, RGB 222 88 101 and RGB 222 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 90 209 shade: RGB 222 88 209, RGB 199 88 222, RGB 163 88 222, RGB 127 88 222 and RGB 91 88 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 90 209 shade matches the following richer shades: RGB 222 88 209, RGB 238 72 221 and RGB 254 56 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 90 209 shade: RGB 222 88 209, RGB 206 105 196, RGB 189 121 183, RGB 173 137 170 and RGB 157 153 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 90 209 shade: RGB 162 88 222, RGB 197 88 222, RGB 222 88 211, RGB 222 88 175 and RGB 222 88 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 90 209 shade: RGB 190 37 175, RGB 215 54 199, RGB 222 88 209, RGB 228 123 218 and RGB 235 157 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 90 209 shade: RGB 222 90 209, RGB 222 126 88 and RGB 88 222 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 90 209 shade: RGB 222 90 209, RGB 211 222 88 and RGB 88 211 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 90 209 shade: RGB 222 90 209, RGB 222 126 88, RGB 88 222 100 and RGB 88 184 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 90 209 shade: RGB 222 90 209, RGB 222 166 88, RGB 88 222 100 and RGB 88 144 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 6 / 13

HEX #DE5AD1

RGB 222 90 209

HSL 305.91, 0.67%, 0.61%

LAB 59.38, 65.6, -36.89

 

Complementary color

CMYK 80 / 0 / 72 / 35

HEX #21A52E

RGB 33 165 46

HSL 125.91, 0.67%, 0.39%

LAB 59.37, -57.25, 49.41

 

CMYK 0 / 60 / 10 / 11

HEX #E35ACC

RGB 227 90 204

HSL 310.07, 0.71%, 0.62%

LAB 59.89, 66.11, -33.21

 

CMYK 0 / 56 / 9 / 4

HEX #F46CDF

RGB 244 108 223

HSL 309.26, 0.86%, 0.69%

LAB 65.97, 65.82, -34.25

 

CMYK 0 / 51 / 5 / 0

HEX #FF7EF2

RGB 255 126 242

HSL 306.05, 1%, 0.75%

LAB 71.28, 63.7, -36.39

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 59 / 6 / 13

HEX #DE5AD1

RGB 222 90 209

HSL 305.91, 0.67%, 0.61%

LAB 59.38, 65.6, -36.89

 

CMYK 0 / 65 / 7 / 20

HEX #CD48BE

RGB 205 72 190

HSL 306.77, 0.57%, 0.54%

LAB 53.31, 65.63, -35.71

 

CMYK 0 / 71 / 9 / 26

HEX #BC36AB

RGB 188 54 171

HSL 307.61, 0.55%, 0.47%

LAB 47.33, 65.22, -34.2

 

CMYK 0 / 79 / 11 / 33

HEX #AB2498

RGB 171 36 152

HSL 308.44, 0.65%, 0.41%

LAB 41.51, 64.1, -32.19

 

CMYK 0 / 88 / 14 / 40

HEX #9A1285

RGB 154 18 133

HSL 309.26, 0.79%, 0.34%

LAB 35.98, 61.9, -29.48

 

CMYK 0 / 60 / 6 / 13

HEX #DE58D1

RGB 222 88 209

HSL 305.82, 0.67%, 0.61%

LAB 59.08, 66.44, -37.37

 

CMYK 0 / 60 / 22 / 13

HEX #DE58AD

RGB 222 88 173

HSL 321.94, 0.67%, 0.61%

LAB 57.58, 61.1, -19.06

 

CMYK 0 / 60 / 38 / 13

HEX #DE5889

RGB 222 88 137

HSL 338.06, 0.67%, 0.61%

LAB 56.4, 56.68, 0.2

 

CMYK 0 / 60 / 55 / 13

HEX #DE5865

RGB 222 88 101

HSL 354.18, 0.67%, 0.61%

LAB 55.53, 53.31, 20.17

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 0 / 60 / 6 / 13

HEX #DE58D1

RGB 222 88 209

HSL 305.82, 0.67%, 0.61%

LAB 59.08, 66.44, -37.37

 

CMYK 10 / 60 / 0 / 13

HEX #C758DE

RGB 199 88 222

HSL 289.7, 0.67%, 0.61%

LAB 56.48, 62.98, -49.03

 

CMYK 27 / 60 / 0 / 13

HEX #A358DE

RGB 163 88 222

HSL 273.58, 0.67%, 0.61%

LAB 51.88, 54.44, -56.64

 

CMYK 43 / 60 / 0 / 13

HEX #7F58DE

RGB 127 88 222

HSL 257.46, 0.67%, 0.61%

LAB 47.96, 46.47, -63.15

 

CMYK 59 / 60 / 0 / 13

HEX #5B58DE

RGB 91 88 222

HSL 241.34, 0.67%, 0.61%

LAB 44.91, 39.67, -68.25

 

CMYK 0 / 60 / 6 / 13

HEX #DE58D1

RGB 222 88 209

HSL 305.82, 0.67%, 0.61%

LAB 59.08, 66.44, -37.37

 

CMYK 0 / 70 / 7 / 7

HEX #EE48DD

RGB 238 72 221

HSL 306.14, 0.83%, 0.61%

LAB 59.92, 78.08, -42.66

 

CMYK 0 / 78 / 8 / 0

HEX #FE38EA

RGB 254 56 234

HSL 306.06, 0.99%, 0.61%

LAB 61.52, 87.87, -47.27

 

CMYK 0 / 60 / 6 / 13

HEX #DE58D1

RGB 222 88 209

HSL 305.82, 0.67%, 0.61%

LAB 59.08, 66.44, -37.37

 

CMYK 0 / 49 / 5 / 19

HEX #CE69C4

RGB 206 105 196

HSL 305.94, 0.51%, 0.61%

LAB 59.17, 52.15, -30.01

 

CMYK 0 / 36 / 3 / 26

HEX #BD79B7

RGB 189 121 183

HSL 305.29, 0.34%, 0.61%

LAB 59.81, 36.24, -21.79

 

CMYK 0 / 21 / 2 / 32

HEX #AD89AA

RGB 173 137 170

HSL 305, 0.18%, 0.61%

LAB 61.38, 19.44, -12.18

 

CMYK 0 / 3 / 0 / 38

HEX #9D999D

RGB 157 153 157

HSL 300, 0.02%, 0.61%

LAB 63.66, 2.22, -1.58

 

CMYK 27 / 60 / 0 / 13

HEX #A258DE

RGB 162 88 222

HSL 273.13, 0.67%, 0.61%

LAB 51.76, 54.2, -56.84

 

CMYK 11 / 60 / 0 / 13

HEX #C558DE

RGB 197 88 222

HSL 288.81, 0.67%, 0.61%

LAB 56.21, 62.5, -49.47

 

CMYK 0 / 60 / 5 / 13

HEX #DE58D3

RGB 222 88 211

HSL 304.93, 0.67%, 0.61%

LAB 59.17, 66.76, -38.36

 

CMYK 0 / 60 / 21 / 13

HEX #DE58AF

RGB 222 88 175

HSL 321.04, 0.67%, 0.61%

LAB 57.66, 61.37, -20.1

 

CMYK 0 / 60 / 37 / 13

HEX #DE588C

RGB 222 88 140

HSL 336.72, 0.67%, 0.61%

LAB 56.49, 57.01, -1.44

 

CMYK 0 / 81 / 8 / 25

HEX #BE25AF

RGB 190 37 175

HSL 305.88, 0.67%, 0.45%

LAB 46.13, 71.24, -38.42

 

CMYK 0 / 75 / 7 / 16

HEX #D736C7

RGB 215 54 199

HSL 305.96, 0.67%, 0.53%

LAB 53.18, 75.43, -41

 

CMYK 0 / 60 / 6 / 13

HEX #DE58D1

RGB 222 88 209

HSL 305.82, 0.67%, 0.61%

LAB 59.08, 66.44, -37.37

 

CMYK 0 / 46 / 4 / 11

HEX #E47BDA

RGB 228 123 218

HSL 305.71, 0.66%, 0.69%

LAB 66.31, 53.47, -31.11

 

CMYK 0 / 33 / 3 / 8

HEX #EB9DE4

RGB 235 157 228

HSL 305.38, 0.66%, 0.77%

LAB 74.43, 39.9, -24.08

 

CMYK 0 / 59 / 6 / 13

HEX #DE5AD1

RGB 222 90 209

HSL 305.91, 0.67%, 0.61%

LAB 59.38, 65.6, -36.89

 

CMYK 0 / 43 / 60 / 13

HEX #DE7E58

RGB 222 126 88

HSL 17.01, 0.67%, 0.61%

LAB 62.64, 33.68, 36.67

 

CMYK 60 / 0 / 19 / 13

HEX #58DEB3

RGB 88 222 179

HSL 160.75, 0.67%, 0.61%

LAB 80.5, -46.7, 10.31

 

CMYK 0 / 59 / 6 / 13

HEX #DE5AD1

RGB 222 90 209

HSL 305.91, 0.67%, 0.61%

LAB 59.38, 65.6, -36.89

 

CMYK 5 / 0 / 60 / 13

HEX #D3DE58

RGB 211 222 88

HSL 64.93, 0.67%, 0.61%

LAB 85.4, -21.06, 62.6

 

CMYK 60 / 5 / 0 / 13

HEX #58D3DE

RGB 88 211 222

HSL 184.93, 0.67%, 0.61%

LAB 78.43, -30.74, -15.68

 

CMYK 0 / 59 / 6 / 13

HEX #DE5AD1

RGB 222 90 209

HSL 305.91, 0.67%, 0.61%

LAB 59.38, 65.6, -36.89

 

CMYK 0 / 43 / 60 / 13

HEX #DE7E58

RGB 222 126 88

HSL 17.01, 0.67%, 0.61%

LAB 62.64, 33.68, 36.67

 

CMYK 60 / 0 / 55 / 13

HEX #58DE64

RGB 88 222 100

HSL 125.37, 0.67%, 0.61%

LAB 79.18, -60.81, 48.53

 

CMYK 60 / 17 / 0 / 13

HEX #58B8DE

RGB 88 184 222

HSL 197.01, 0.67%, 0.61%

LAB 70.61, -17.19, -27.55

 

CMYK 0 / 59 / 6 / 13

HEX #DE5AD1

RGB 222 90 209

HSL 305.91, 0.67%, 0.61%

LAB 59.38, 65.6, -36.89

 

CMYK 0 / 25 / 60 / 13

HEX #DEA658

RGB 222 166 88

HSL 34.93, 0.67%, 0.61%

LAB 71.9, 12.33, 47.73

 

CMYK 60 / 0 / 55 / 13

HEX #58DE64

RGB 88 222 100

HSL 125.37, 0.67%, 0.61%

LAB 79.18, -60.81, 48.53

 

CMYK 60 / 35 / 0 / 13

HEX #5890DE

RGB 88 144 222

HSL 214.93, 0.67%, 0.61%

LAB 59.25, 5.08, -45.26

 

Description

Color code: RGB 222 90 209 | qconv.com Color code: RGB 222 90 209 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 90 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 90 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 6 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 6% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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