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Color name
RGB 222 64 52

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 64 52 it is the complementary color RGB 33 191 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 64 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 64 52 shade: RGB 227 64 47, RGB 244 82 66, RGB 255 100 85, RGB 255 118 104 and RGB 255 136 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 64 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 64 52 shade: RGB 222 64 52, RGB 205 46 33, RGB 188 28 14, RGB 171 10 0 and RGB 154 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 64 52 shade: RGB 222 65 53 and RGB 222 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 64 52 shade: RGB 222 65 53, RGB 222 110 53, RGB 222 156 53, RGB 222 201 53 and RGB 196 222 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 64 52 shade matches the following richer shades: RGB 222 65 53 and RGB 241 48 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 64 52 shade: RGB 222 65 53, RGB 203 81 72, RGB 184 97 91, RGB 165 114 110 and RGB 146 130 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 64 52 shade: RGB 222 53 132, RGB 222 53 87, RGB 222 64 53, RGB 222 109 53 and RGB 222 154 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 64 52 shade: RGB 165 36 27, RGB 201 44 32, RGB 222 65 53, RGB 227 98 88 and RGB 233 131 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 64 52 shade: RGB 222 64 52, RGB 177 222 53 and RGB 53 109 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 64 52 shade: RGB 222 64 52, RGB 53 222 64 and RGB 64 53 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 64 52 shade: RGB 222 64 52, RGB 177 222 53, RGB 53 210 222 and RGB 98 53 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 64 52 shade: RGB 222 64 52, RGB 126 222 53, RGB 53 210 222 and RGB 148 53 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 77 / 13

HEX #DE4034

RGB 222 64 52

HSL 4.24, 0.72%, 0.54%

LAB 51.2, 60.25, 42.91

 

Complementary color

CMYK 84 / 6 / 0 / 20

HEX #21BFCB

RGB 33 191 203

HSL 184.24, 0.72%, 0.46%

LAB 70.8, -33.56, -17.01

 

CMYK 0 / 72 / 79 / 11

HEX #E3402F

RGB 227 64 47

HSL 5.67, 0.76%, 0.54%

LAB 52.07, 61.64, 46.72

 

CMYK 0 / 66 / 73 / 4

HEX #F45242

RGB 244 82 66

HSL 5.39, 0.89%, 0.61%

LAB 57.71, 61.01, 43.57

 

CMYK 0 / 61 / 67 / 0

HEX #FF6455

RGB 255 100 85

HSL 5.29, 1%, 0.67%

LAB 62.53, 58.1, 39.29

 

CMYK 0 / 54 / 59 / 0

HEX #FF7668

RGB 255 118 104

HSL 5.56, 1%, 0.7%

LAB 65.92, 51.12, 33.02

 

CMYK 0 / 47 / 52 / 0

HEX #FF887B

RGB 255 136 123

HSL 5.91, 1%, 0.74%

LAB 69.68, 43.82, 27.43

 

CMYK 0 / 71 / 77 / 13

HEX #DE4034

RGB 222 64 52

HSL 4.24, 0.72%, 0.54%

LAB 51.2, 60.25, 42.91

 

CMYK 0 / 78 / 84 / 20

HEX #CD2E21

RGB 205 46 33

HSL 4.53, 0.72%, 0.47%

LAB 45.69, 60.43, 46.3

 

CMYK 0 / 85 / 93 / 26

HEX #BC1C0E

RGB 188 28 14

HSL 4.83, 0.86%, 0.4%

LAB 40.5, 59.86, 49.19

 

CMYK 0 / 94 / 100 / 33

HEX #AB0A00

RGB 171 10 0

HSL 3.51, 1%, 0.34%

LAB 35.74, 58.15, 49.87

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 71 / 76 / 13

HEX #DE4135

RGB 222 65 53

HSL 4.26, 0.72%, 0.54%

LAB 51.34, 59.92, 42.52

 

CMYK 0 / 76 / 76 / 13

HEX #DE3535

RGB 222 53 53

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

 

CMYK 0 / 71 / 76 / 13

HEX #DE4135

RGB 222 65 53

HSL 4.26, 0.72%, 0.54%

LAB 51.34, 59.92, 42.52

 

CMYK 0 / 50 / 76 / 13

HEX #DE6E35

RGB 222 110 53

HSL 20.24, 0.72%, 0.54%

LAB 58.92, 39.99, 50.4

 

CMYK 0 / 30 / 76 / 13

HEX #DE9C35

RGB 222 156 53

HSL 36.57, 0.72%, 0.54%

LAB 69.16, 15.75, 60.49

 

CMYK 0 / 9 / 76 / 13

HEX #DEC935

RGB 222 201 53

HSL 52.54, 0.72%, 0.54%

LAB 80.49, -7.89, 71.13

 

CMYK 12 / 0 / 76 / 13

HEX #C4DE35

RGB 196 222 53

HSL 69.23, 0.72%, 0.54%

LAB 84.09, -29.06, 73.69

 

CMYK 0 / 71 / 76 / 13

HEX #DE4135

RGB 222 65 53

HSL 4.26, 0.72%, 0.54%

LAB 51.34, 59.92, 42.52

 

CMYK 0 / 80 / 86 / 5

HEX #F13022

RGB 241 48 34

HSL 4.06, 0.88%, 0.54%

LAB 52.87, 70.25, 54.73

 

CMYK 0 / 71 / 76 / 13

HEX #DE4135

RGB 222 65 53

HSL 4.26, 0.72%, 0.54%

LAB 51.34, 59.92, 42.52

 

CMYK 0 / 60 / 65 / 20

HEX #CB5148

RGB 203 81 72

HSL 4.12, 0.56%, 0.54%

LAB 50.74, 47.91, 30.3

 

CMYK 0 / 47 / 51 / 28

HEX #B8615B

RGB 184 97 91

HSL 3.87, 0.4%, 0.54%

LAB 51.26, 34.36, 19.3

 

CMYK 0 / 31 / 33 / 35

HEX #A5726E

RGB 165 114 110

HSL 4.36, 0.23%, 0.54%

LAB 53.12, 19.61, 10.33

 

CMYK 0 / 11 / 12 / 43

HEX #928281

RGB 146 130 129

HSL 3.53, 0.07%, 0.54%

LAB 55.75, 5.89, 2.75

 

CMYK 0 / 76 / 41 / 13

HEX #DE3584

RGB 222 53 132

HSL 331.95, 0.72%, 0.54%

LAB 51.54, 69.15, -3.96

 

CMYK 0 / 76 / 61 / 13

HEX #DE3557

RGB 222 53 87

HSL 347.93, 0.72%, 0.54%

LAB 50.41, 65.59, 21.65

 

CMYK 0 / 71 / 76 / 13

HEX #DE4035

RGB 222 64 53

HSL 3.91, 0.72%, 0.54%

LAB 51.21, 60.28, 42.38

 

CMYK 0 / 51 / 76 / 13

HEX #DE6D35

RGB 222 109 53

HSL 19.88, 0.72%, 0.54%

LAB 58.72, 40.49, 50.19

 

CMYK 0 / 31 / 76 / 13

HEX #DE9A35

RGB 222 154 53

HSL 35.86, 0.72%, 0.54%

LAB 68.68, 16.82, 60.03

 

CMYK 0 / 78 / 84 / 35

HEX #A5241B

RGB 165 36 27

HSL 3.91, 0.72%, 0.38%

LAB 36.63, 51.19, 38.17

 

CMYK 0 / 78 / 84 / 21

HEX #C92C20

RGB 201 44 32

HSL 4.26, 0.73%, 0.46%

LAB 44.69, 59.81, 45.61

 

CMYK 0 / 71 / 76 / 13

HEX #DE4135

RGB 222 65 53

HSL 4.26, 0.72%, 0.54%

LAB 51.34, 59.92, 42.52

 

CMYK 0 / 57 / 61 / 11

HEX #E36258

RGB 227 98 88

HSL 4.32, 0.71%, 0.62%

LAB 57.82, 49.54, 30.82

 

CMYK 0 / 44 / 47 / 9

HEX #E9837C

RGB 233 131 124

HSL 3.85, 0.71%, 0.7%

LAB 65.76, 38.33, 21.1

 

CMYK 0 / 71 / 77 / 13

HEX #DE4034

RGB 222 64 52

HSL 4.24, 0.72%, 0.54%

LAB 51.2, 60.25, 42.91

 

CMYK 20 / 0 / 76 / 13

HEX #B1DE35

RGB 177 222 53

HSL 75.98, 0.72%, 0.54%

LAB 82.83, -36.6, 72.07

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 0 / 71 / 77 / 13

HEX #DE4034

RGB 222 64 52

HSL 4.24, 0.72%, 0.54%

LAB 51.2, 60.25, 42.91

 

CMYK 76 / 0 / 71 / 13

HEX #35DE40

RGB 53 222 64

HSL 123.91, 0.72%, 0.54%

LAB 78.09, -70.85, 62.13

 

CMYK 71 / 76 / 0 / 13

HEX #4035DE

RGB 64 53 222

HSL 243.91, 0.72%, 0.54%

LAB 35.81, 56.01, -83.25

 

CMYK 0 / 71 / 77 / 13

HEX #DE4034

RGB 222 64 52

HSL 4.24, 0.72%, 0.54%

LAB 51.2, 60.25, 42.91

 

CMYK 20 / 0 / 76 / 13

HEX #B1DE35

RGB 177 222 53

HSL 75.98, 0.72%, 0.54%

LAB 82.83, -36.6, 72.07

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 56 / 76 / 0 / 13

HEX #6235DE

RGB 98 53 222

HSL 255.98, 0.72%, 0.54%

LAB 38.58, 59.61, -78.58

 

CMYK 0 / 71 / 77 / 13

HEX #DE4034

RGB 222 64 52

HSL 4.24, 0.72%, 0.54%

LAB 51.2, 60.25, 42.91

 

CMYK 43 / 0 / 76 / 13

HEX #7EDE35

RGB 126 222 53

HSL 94.08, 0.72%, 0.54%

LAB 80.14, -54.78, 68.58

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 33 / 76 / 0 / 13

HEX #9435DE

RGB 148 53 222

HSL 273.73, 0.72%, 0.54%

LAB 44.4, 67, -68.83

 

Description

Color code: RGB 222 64 52 | qconv.com Color code: RGB 222 64 52 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 64 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 64 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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