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Color name
RGB 222 43 207

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 43 207 it is the complementary color RGB 33 212 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 43 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 43 207 shade: RGB 227 43 202, RGB 244 61 221, RGB 255 79 240, RGB 255 97 255 and RGB 255 115 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 43 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 43 207 shade: RGB 222 43 207, RGB 205 25 188, RGB 188 7 169, RGB 171 0 150 and RGB 154 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 43 207 shade: RGB 221 43 206, RGB 221 43 158, RGB 221 43 110, RGB 221 43 62 and RGB 221 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 43 207 shade: RGB 221 43 206, RGB 188 43 221, RGB 140 43 221, RGB 92 43 221 and RGB 44 43 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 43 207 shade matches the following richer shades: RGB 221 43 206 and RGB 241 23 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 43 207 shade: RGB 221 43 206, RGB 202 63 190, RGB 182 82 174, RGB 162 102 157 and RGB 142 122 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 43 207 shade: RGB 141 43 221, RGB 189 43 221, RGB 221 43 207, RGB 221 43 159 and RGB 221 43 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 43 207 shade: RGB 158 24 146, RGB 193 30 180, RGB 221 43 206, RGB 227 78 215 and RGB 233 114 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 43 207 shade: RGB 222 43 207, RGB 221 93 43 and RGB 43 221 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 43 207 shade: RGB 222 43 207, RGB 207 221 43 and RGB 43 207 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 43 207 shade: RGB 222 43 207, RGB 221 93 43, RGB 43 221 58 and RGB 43 171 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 43 207 shade: RGB 222 43 207, RGB 221 147 43, RGB 43 221 58 and RGB 43 117 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

Complementary color

CMYK 84 / 0 / 77 / 17

HEX #21D430

RGB 33 212 48

HSL 125.03, 0.73%, 0.48%

LAB 74.59, -71.37, 63.93

 

CMYK 0 / 81 / 11 / 11

HEX #E32BCA

RGB 227 43 202

HSL 308.15, 0.77%, 0.53%

LAB 54.37, 81.13, -40.72

 

CMYK 0 / 75 / 9 / 4

HEX #F43DDD

RGB 244 61 221

HSL 307.54, 0.89%, 0.6%

LAB 59.7, 82.72, -42.94

 

CMYK 0 / 69 / 6 / 0

HEX #FF4FF0

RGB 255 79 240

HSL 305.11, 1%, 0.65%

LAB 64.28, 82.33, -46.24

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

CMYK 0 / 88 / 8 / 20

HEX #CD19BC

RGB 205 25 188

HSL 305.67, 0.78%, 0.45%

LAB 48.64, 78.39, -41.91

 

CMYK 0 / 96 / 10 / 26

HEX #BC07A9

RGB 188 7 169

HSL 306.3, 0.93%, 0.38%

LAB 43.81, 74.79, -38.56

 

CMYK 0 / 100 / 12 / 33

HEX #AB0096

RGB 171 0 150

HSL 307.37, 1%, 0.34%

LAB 39.34, 69.83, -34.4

 

CMYK 0 / 100 / 15 / 40

HEX #9A0083

RGB 154 0 131

HSL 308.96, 1%, 0.3%

LAB 35.02, 64.11, -29.74

 

CMYK 0 / 81 / 7 / 13

HEX #DD2BCE

RGB 221 43 206

HSL 305.06, 0.72%, 0.52%

LAB 53.55, 80.51, -44.37

 

CMYK 0 / 81 / 29 / 13

HEX #DD2B9E

RGB 221 43 158

HSL 321.24, 0.72%, 0.52%

LAB 51.35, 74.32, -19.82

 

CMYK 0 / 81 / 50 / 13

HEX #DD2B6E

RGB 221 43 110

HSL 337.42, 0.72%, 0.52%

LAB 49.77, 69.69, 6.76

 

CMYK 0 / 81 / 72 / 13

HEX #DD2B3E

RGB 221 43 62

HSL 353.6, 0.72%, 0.52%

LAB 48.82, 66.81, 34.56

 

CMYK 0 / 81 / 81 / 13

HEX #DD2B2B

RGB 221 43 43

HSL 0, 0.72%, 0.52%

LAB 48.6, 66.15, 45.01

 

CMYK 0 / 81 / 7 / 13

HEX #DD2BCE

RGB 221 43 206

HSL 305.06, 0.72%, 0.52%

LAB 53.55, 80.51, -44.37

 

CMYK 15 / 81 / 0 / 13

HEX #BC2BDD

RGB 188 43 221

HSL 288.88, 0.72%, 0.52%

LAB 49.06, 76.78, -60.44

 

CMYK 37 / 81 / 0 / 13

HEX #8C2BDD

RGB 140 43 221

HSL 272.7, 0.72%, 0.52%

LAB 42.04, 69.05, -72.16

 

CMYK 58 / 81 / 0 / 13

HEX #5C2BDD

RGB 92 43 221

HSL 256.52, 0.72%, 0.52%

LAB 36.41, 62.96, -81.61

 

CMYK 80 / 81 / 0 / 13

HEX #2C2BDD

RGB 44 43 221

HSL 240.34, 0.72%, 0.52%

LAB 32.88, 59.22, -87.56

 

CMYK 0 / 81 / 7 / 13

HEX #DD2BCE

RGB 221 43 206

HSL 305.06, 0.72%, 0.52%

LAB 53.55, 80.51, -44.37

 

CMYK 0 / 90 / 7 / 5

HEX #F117DF

RGB 241 23 223

HSL 304.95, 0.89%, 0.52%

LAB 56.72, 89.9, -48.81

 

CMYK 0 / 81 / 7 / 13

HEX #DD2BCE

RGB 221 43 206

HSL 305.06, 0.72%, 0.52%

LAB 53.55, 80.51, -44.37

 

CMYK 0 / 69 / 6 / 21

HEX #CA3FBE

RGB 202 63 190

HSL 305.18, 0.57%, 0.52%

LAB 51.64, 68.27, -38.36

 

CMYK 0 / 55 / 4 / 29

HEX #B652AE

RGB 182 82 174

HSL 304.8, 0.41%, 0.52%

LAB 50.73, 52.61, -30.7

 

CMYK 0 / 37 / 3 / 36

HEX #A2669D

RGB 162 102 157

HSL 305, 0.24%, 0.52%

LAB 51.4, 32.95, -19.91

 

CMYK 0 / 14 / 1 / 44

HEX #8E7A8D

RGB 142 122 141

HSL 303, 0.08%, 0.52%

LAB 53.59, 11.26, -7.44

 

CMYK 36 / 81 / 0 / 13

HEX #8D2BDD

RGB 141 43 221

HSL 273.03, 0.72%, 0.52%

LAB 42.17, 69.19, -71.93

 

CMYK 14 / 81 / 0 / 13

HEX #BD2BDD

RGB 189 43 221

HSL 289.21, 0.72%, 0.52%

LAB 49.21, 76.96, -60.18

 

CMYK 0 / 81 / 6 / 13

HEX #DD2BCF

RGB 221 43 207

HSL 304.72, 0.72%, 0.52%

LAB 53.61, 80.65, -44.86

 

CMYK 0 / 81 / 28 / 13

HEX #DD2B9F

RGB 221 43 159

HSL 320.9, 0.72%, 0.52%

LAB 51.39, 74.43, -20.35

 

CMYK 0 / 81 / 50 / 13

HEX #DD2B6F

RGB 221 43 111

HSL 337.08, 0.72%, 0.52%

LAB 49.8, 69.77, 6.18

 

CMYK 0 / 85 / 8 / 38

HEX #9E1892

RGB 158 24 146

HSL 305.37, 0.74%, 0.36%

LAB 37.84, 63.42, -34.49

 

CMYK 0 / 84 / 7 / 24

HEX #C11EB4

RGB 193 30 180

HSL 304.79, 0.73%, 0.44%

LAB 46.39, 74.1, -40.92

 

CMYK 0 / 81 / 7 / 13

HEX #DD2BCE

RGB 221 43 206

HSL 305.06, 0.72%, 0.52%

LAB 53.55, 80.51, -44.37

 

CMYK 0 / 66 / 5 / 11

HEX #E34ED7

RGB 227 78 215

HSL 304.83, 0.73%, 0.6%

LAB 58.68, 72.55, -41.33

 

CMYK 0 / 51 / 4 / 9

HEX #E972DF

RGB 233 114 223

HSL 305.04, 0.73%, 0.68%

LAB 65.5, 60.08, -35.09

 

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

CMYK 0 / 58 / 81 / 13

HEX #DD5D2B

RGB 221 93 43

HSL 16.85, 0.72%, 0.52%

LAB 55.46, 47.52, 51.6

 

CMYK 81 / 0 / 25 / 13

HEX #2BDDA5

RGB 43 221 165

HSL 161.12, 0.72%, 0.52%

LAB 79.01, -55.83, 15.47

 

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

CMYK 6 / 0 / 81 / 13

HEX #CFDD2B

RGB 207 221 43

HSL 64.72, 0.72%, 0.52%

LAB 84.56, -24.46, 77.18

 

CMYK 81 / 6 / 0 / 13

HEX #2BCFDD

RGB 43 207 221

HSL 184.72, 0.72%, 0.52%

LAB 76.29, -34.83, -18.46

 

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

CMYK 0 / 58 / 81 / 13

HEX #DD5D2B

RGB 221 93 43

HSL 16.85, 0.72%, 0.52%

LAB 55.46, 47.52, 51.6

 

CMYK 81 / 0 / 74 / 13

HEX #2BDD3A

RGB 43 221 58

HSL 125.06, 0.72%, 0.52%

LAB 77.6, -72.27, 63.69

 

CMYK 81 / 23 / 0 / 13

HEX #2BABDD

RGB 43 171 221

HSL 196.85, 0.72%, 0.52%

LAB 65.64, -16.8, -34.79

 

CMYK 0 / 81 / 7 / 13

HEX #DE2BCF

RGB 222 43 207

HSL 305.03, 0.73%, 0.52%

LAB 53.77, 80.84, -44.58

 

CMYK 0 / 33 / 81 / 13

HEX #DD932B

RGB 221 147 43

HSL 35.06, 0.72%, 0.52%

LAB 66.84, 19.78, 62.06

 

CMYK 81 / 0 / 74 / 13

HEX #2BDD3A

RGB 43 221 58

HSL 125.06, 0.72%, 0.52%

LAB 77.6, -72.27, 63.69

 

CMYK 81 / 47 / 0 / 13

HEX #2B75DD

RGB 43 117 221

HSL 215.06, 0.72%, 0.52%

LAB 50.05, 14.73, -59.47

 

Description

Color code: RGB 222 43 207 | qconv.com Color code: RGB 222 43 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 43 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 43 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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