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Color name
RGB 222 41 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 41 146 it is the complementary color RGB 33 214 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 41 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 41 146 shade: RGB 227 41 141, RGB 244 59 160, RGB 255 77 179, RGB 255 95 198 and RGB 255 113 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 41 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 41 146 shade: RGB 222 41 146, RGB 205 23 127, RGB 188 5 108, RGB 171 0 89 and RGB 154 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 41 146 shade: RGB 221 43 146, RGB 221 43 98, RGB 221 43 50 and RGB 221 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 41 146 shade: RGB 221 43 146, RGB 221 43 195, RGB 200 43 221, RGB 152 43 221 and RGB 104 43 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 41 146 shade matches the following richer shades: RGB 221 43 146 and RGB 241 23 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 41 146 shade: RGB 221 43 146, RGB 202 63 143, RGB 182 82 140, RGB 162 102 137 and RGB 142 122 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 41 146 shade: RGB 201 43 221, RGB 221 43 195, RGB 221 43 147, RGB 221 43 99 and RGB 221 43 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 41 146 shade: RGB 158 24 102, RGB 193 30 125, RGB 221 43 146, RGB 227 78 165 and RGB 233 114 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 41 146 shade: RGB 222 41 146, RGB 221 153 43 and RGB 43 218 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 41 146 shade: RGB 222 41 146, RGB 147 221 43 and RGB 43 147 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 41 146 shade: RGB 222 41 146, RGB 221 153 43, RGB 43 221 117 and RGB 43 111 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 41 146 shade: RGB 222 41 146, RGB 221 207 43, RGB 43 221 117 and RGB 43 58 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 34 / 13

HEX #DE2992

RGB 222 41 146

HSL 325.19, 0.73%, 0.52%

LAB 50.91, 73.71, -13.31

 

Complementary color

CMYK 85 / 0 / 49 / 16

HEX #21D66D

RGB 33 214 109

HSL 145.19, 0.73%, 0.48%

LAB 75.77, -65.14, 39.85

 

CMYK 0 / 82 / 38 / 11

HEX #E3298D

RGB 227 41 141

HSL 327.74, 0.77%, 0.53%

LAB 51.66, 74.38, -9.1

 

CMYK 0 / 76 / 34 / 4

HEX #F43BA0

RGB 244 59 160

HSL 327.24, 0.89%, 0.59%

LAB 56.98, 75.77, -12.06

 

CMYK 0 / 70 / 30 / 0

HEX #FF4DB3

RGB 255 77 179

HSL 325.62, 1%, 0.65%

LAB 61.5, 74.96, -16.08

 

CMYK 0 / 63 / 22 / 0

HEX #FF5FC6

RGB 255 95 198

HSL 321.38, 1%, 0.69%

LAB 64.58, 70.65, -22.23

 

CMYK 0 / 56 / 15 / 0

HEX #FF71D9

RGB 255 113 217

HSL 316.06, 1%, 0.72%

LAB 68.08, 65.72, -27.53

 

CMYK 0 / 82 / 34 / 13

HEX #DE2992

RGB 222 41 146

HSL 325.19, 0.73%, 0.52%

LAB 50.91, 73.71, -13.31

 

CMYK 0 / 89 / 38 / 20

HEX #CD177F

RGB 205 23 127

HSL 325.71, 0.8%, 0.45%

LAB 45.8, 71.42, -9.82

 

CMYK 0 / 97 / 43 / 26

HEX #BC056C

RGB 188 5 108

HSL 326.23, 0.95%, 0.38%

LAB 41.03, 68.01, -5.52

 

CMYK 0 / 100 / 48 / 33

HEX #AB0059

RGB 171 0 89

HSL 328.77, 1%, 0.34%

LAB 36.7, 63.1, -0.2

 

CMYK 0 / 100 / 55 / 40

HEX #9A0046

RGB 154 0 70

HSL 332.73, 1%, 0.3%

LAB 32.51, 57.66, 5.69

 

CMYK 0 / 81 / 34 / 13

HEX #DD2B92

RGB 221 43 146

HSL 325.28, 0.72%, 0.52%

LAB 50.89, 73, -13.36

 

CMYK 0 / 81 / 56 / 13

HEX #DD2B62

RGB 221 43 98

HSL 341.46, 0.72%, 0.52%

LAB 49.47, 68.81, 13.67

 

CMYK 0 / 81 / 77 / 13

HEX #DD2B32

RGB 221 43 50

HSL 357.64, 0.72%, 0.52%

LAB 48.67, 66.36, 41.27

 

CMYK 0 / 81 / 81 / 13

HEX #DD2B2B

RGB 221 43 43

HSL 0, 0.72%, 0.52%

LAB 48.6, 66.15, 45.01

 

CMYK 0 / 81 / 34 / 13

HEX #DD2B92

RGB 221 43 146

HSL 325.28, 0.72%, 0.52%

LAB 50.89, 73, -13.36

 

CMYK 0 / 81 / 12 / 13

HEX #DD2BC3

RGB 221 43 195

HSL 308.76, 0.72%, 0.52%

LAB 52.99, 78.97, -38.92

 

CMYK 10 / 81 / 0 / 13

HEX #C82BDD

RGB 200 43 221

HSL 292.92, 0.72%, 0.52%

LAB 50.95, 78.89, -57.28

 

CMYK 31 / 81 / 0 / 13

HEX #982BDD

RGB 152 43 221

HSL 276.74, 0.72%, 0.52%

LAB 43.69, 70.85, -69.39

 

CMYK 53 / 81 / 0 / 13

HEX #682BDD

RGB 104 43 221

HSL 260.56, 0.72%, 0.52%

LAB 37.65, 64.28, -79.53

 

CMYK 0 / 81 / 34 / 13

HEX #DD2B92

RGB 221 43 146

HSL 325.28, 0.72%, 0.52%

LAB 50.89, 73, -13.36

 

CMYK 0 / 90 / 38 / 5

HEX #F11796

RGB 241 23 150

HSL 325.05, 0.89%, 0.52%

LAB 53.51, 81.49, -11.43

 

CMYK 0 / 81 / 34 / 13

HEX #DD2B92

RGB 221 43 146

HSL 325.28, 0.72%, 0.52%

LAB 50.89, 73, -13.36

 

CMYK 0 / 69 / 29 / 21

HEX #CA3F8F

RGB 202 63 143

HSL 325.47, 0.57%, 0.52%

LAB 49.61, 61.71, -13.82

 

CMYK 0 / 55 / 23 / 29

HEX #B6528C

RGB 182 82 140

HSL 325.2, 0.41%, 0.52%

LAB 49.34, 47.21, -12.74

 

CMYK 0 / 37 / 15 / 36

HEX #A26689

RGB 162 102 137

HSL 325, 0.24%, 0.52%

LAB 50.68, 29.37, -9.21

 

CMYK 0 / 14 / 6 / 44

HEX #8E7A86

RGB 142 122 134

HSL 324, 0.08%, 0.52%

LAB 53.37, 9.9, -3.67

 

CMYK 9 / 81 / 0 / 13

HEX #C92BDD

RGB 201 43 221

HSL 293.26, 0.72%, 0.52%

LAB 51.11, 79.07, -57.02

 

CMYK 0 / 81 / 12 / 13

HEX #DD2BC3

RGB 221 43 195

HSL 308.76, 0.72%, 0.52%

LAB 52.99, 78.97, -38.92

 

CMYK 0 / 81 / 33 / 13

HEX #DD2B93

RGB 221 43 147

HSL 324.94, 0.72%, 0.52%

LAB 50.93, 73.11, -13.9

 

CMYK 0 / 81 / 55 / 13

HEX #DD2B63

RGB 221 43 99

HSL 341.12, 0.72%, 0.52%

LAB 49.5, 68.88, 13.09

 

CMYK 0 / 81 / 76 / 13

HEX #DD2B34

RGB 221 43 52

HSL 356.97, 0.72%, 0.52%

LAB 48.7, 66.43, 40.18

 

CMYK 0 / 85 / 35 / 38

HEX #9E1866

RGB 158 24 102

HSL 325.07, 0.74%, 0.36%

LAB 35.76, 57.66, -10.24

 

CMYK 0 / 84 / 35 / 24

HEX #C11E7D

RGB 193 30 125

HSL 325.03, 0.73%, 0.44%

LAB 43.87, 67.18, -11.74

 

CMYK 0 / 81 / 34 / 13

HEX #DD2B92

RGB 221 43 146

HSL 325.28, 0.72%, 0.52%

LAB 50.89, 73, -13.36

 

CMYK 0 / 66 / 27 / 11

HEX #E34EA5

RGB 227 78 165

HSL 324.97, 0.73%, 0.6%

LAB 56.58, 65.54, -15.86

 

CMYK 0 / 51 / 21 / 9

HEX #E972B7

RGB 233 114 183

HSL 325.21, 0.73%, 0.68%

LAB 63.98, 53.9, -14.94

 

CMYK 0 / 82 / 34 / 13

HEX #DE2992

RGB 222 41 146

HSL 325.19, 0.73%, 0.52%

LAB 50.91, 73.71, -13.31

 

CMYK 0 / 31 / 81 / 13

HEX #DD992B

RGB 221 153 43

HSL 37.08, 0.72%, 0.52%

LAB 68.26, 16.57, 63.34

 

CMYK 81 / 1 / 0 / 13

HEX #2BDADD

RGB 43 218 221

HSL 181.01, 0.72%, 0.52%

LAB 79.54, -39.9, -13.56

 

CMYK 0 / 82 / 34 / 13

HEX #DE2992

RGB 222 41 146

HSL 325.19, 0.73%, 0.52%

LAB 50.91, 73.71, -13.31

 

CMYK 33 / 0 / 81 / 13

HEX #93DD2B

RGB 147 221 43

HSL 84.94, 0.72%, 0.52%

LAB 80.79, -47.8, 72.4

 

CMYK 81 / 33 / 0 / 13

HEX #2B93DD

RGB 43 147 221

HSL 204.94, 0.72%, 0.52%

LAB 58.6, -3.44, -45.82

 

CMYK 0 / 82 / 34 / 13

HEX #DE2992

RGB 222 41 146

HSL 325.19, 0.73%, 0.52%

LAB 50.91, 73.71, -13.31

 

CMYK 0 / 31 / 81 / 13

HEX #DD992B

RGB 221 153 43

HSL 37.08, 0.72%, 0.52%

LAB 68.26, 16.57, 63.34

 

CMYK 81 / 0 / 47 / 13

HEX #2BDD75

RGB 43 221 117

HSL 144.94, 0.72%, 0.52%

LAB 78.18, -65.26, 38.97

 

CMYK 81 / 50 / 0 / 13

HEX #2B6FDD

RGB 43 111 221

HSL 217.08, 0.72%, 0.52%

LAB 48.39, 18.52, -62.14

 

CMYK 0 / 82 / 34 / 13

HEX #DE2992

RGB 222 41 146

HSL 325.19, 0.73%, 0.52%

LAB 50.91, 73.71, -13.31

 

CMYK 0 / 6 / 81 / 13

HEX #DDCF2B

RGB 221 207 43

HSL 55.28, 0.72%, 0.52%

LAB 81.93, -11.7, 75.34

 

CMYK 81 / 0 / 47 / 13

HEX #2BDD75

RGB 43 221 117

HSL 144.94, 0.72%, 0.52%

LAB 78.18, -65.26, 38.97

 

CMYK 81 / 74 / 0 / 13

HEX #2B3ADD

RGB 43 58 221

HSL 234.94, 0.72%, 0.52%

LAB 35.52, 51.46, -83.19

 

Description

Color code: RGB 222 41 146 | qconv.com Color code: RGB 222 41 146 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 41 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 41 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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