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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 26 37 it is the complementary color RGB 33 229 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 26 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 26 37 shade: RGB 227 26 32, RGB 244 44 51, RGB 255 62 70, RGB 255 80 89 and RGB 255 98 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 26 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 26 37 shade: RGB 222 26 37, RGB 205 8 18, RGB 188 0 0, RGB 171 0 0 and RGB 154 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 26 37 shade: RGB 223 26 37 and RGB 223 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 26 37 shade: RGB 223 26 37, RGB 223 26 90, RGB 223 26 143, RGB 223 26 197 and RGB 197 26 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 26 37 shade matches the following richer shades: RGB 223 26 37 and RGB 243 6 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 26 37 shade: RGB 223 26 37, RGB 203 46 55, RGB 183 66 73, RGB 163 86 91 and RGB 142 107 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 26 37 shade: RGB 223 26 144, RGB 223 26 92, RGB 223 26 39, RGB 223 65 26 and RGB 223 118 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 26 37 shade: RGB 149 17 25, RGB 186 21 31, RGB 223 26 37, RGB 232 59 68 and RGB 236 96 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 26 37 shade: RGB 222 26 37, RGB 197 223 26 and RGB 26 118 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 26 37 shade: RGB 222 26 37, RGB 39 223 26 and RGB 26 39 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 26 37 shade: RGB 222 26 37, RGB 197 223 26, RGB 26 223 210 and RGB 52 26 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 26 37 shade: RGB 222 26 37, RGB 138 223 26, RGB 26 223 210 and RGB 111 26 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 83 / 13

HEX #DE1A25

RGB 222 26 37

HSL 356.63, 0.79%, 0.49%

LAB 47.5, 69.84, 47.18

 

Complementary color

CMYK 86 / 0 / 5 / 10

HEX #21E5DA

RGB 33 229 218

HSL 176.63, 0.79%, 0.51%

LAB 82.61, -46.31, -7.41

 

CMYK 0 / 89 / 86 / 11

HEX #E31A20

RGB 227 26 32

HSL 358.21, 0.79%, 0.5%

LAB 48.48, 71.03, 50.91

 

CMYK 0 / 82 / 79 / 4

HEX #F42C33

RGB 244 44 51

HSL 357.9, 0.9%, 0.56%

LAB 53.25, 72.45, 46.86

 

CMYK 0 / 76 / 73 / 0

HEX #FF3E46

RGB 255 62 70

HSL 357.51, 1%, 0.62%

LAB 57.22, 71.39, 41.35

 

CMYK 0 / 69 / 65 / 0

HEX #FF5059

RGB 255 80 89

HSL 356.91, 1%, 0.66%

LAB 59.63, 66.31, 33.51

 

CMYK 0 / 62 / 58 / 0

HEX #FF626C

RGB 255 98 108

HSL 356.18, 1%, 0.69%

LAB 62.57, 60.36, 26.44

 

CMYK 0 / 88 / 83 / 13

HEX #DE1A25

RGB 222 26 37

HSL 356.63, 0.79%, 0.49%

LAB 47.5, 69.84, 47.18

 

CMYK 0 / 96 / 91 / 20

HEX #CD0812

RGB 205 8 18

HSL 356.95, 0.92%, 0.42%

LAB 43.06, 67.38, 51.04

 

CMYK 0 / 100 / 100 / 26

HEX #BC0000

RGB 188 0 0

HSL 0, 1%, 0.37%

LAB 39.06, 63.7, 53.46

 

CMYK 0 / 100 / 100 / 33

HEX #AB0000

RGB 171 0 0

HSL 0, 1%, 0.34%

LAB 35.32, 59.38, 49.65

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 88 / 83 / 13

HEX #DF1A25

RGB 223 26 37

HSL 356.65, 0.79%, 0.49%

LAB 47.7, 70.1, 47.44

 

CMYK 0 / 88 / 88 / 13

HEX #DF1A1A

RGB 223 26 26

HSL 0, 0.79%, 0.49%

LAB 47.63, 69.88, 52.63

 

CMYK 0 / 88 / 83 / 13

HEX #DF1A25

RGB 223 26 37

HSL 356.65, 0.79%, 0.49%

LAB 47.7, 70.1, 47.44

 

CMYK 0 / 88 / 60 / 13

HEX #DF1A5A

RGB 223 26 90

HSL 340.51, 0.79%, 0.49%

LAB 48.47, 72.29, 17.26

 

CMYK 0 / 88 / 36 / 13

HEX #DF1A8F

RGB 223 26 143

HSL 324.37, 0.79%, 0.49%

LAB 49.99, 76.52, -12.88

 

CMYK 0 / 88 / 12 / 13

HEX #DF1AC5

RGB 223 26 197

HSL 307.92, 0.79%, 0.49%

LAB 52.35, 82.8, -41.06

 

CMYK 12 / 88 / 0 / 13

HEX #C51ADF

RGB 197 26 223

HSL 292.08, 0.79%, 0.49%

LAB 49.42, 82.16, -60.92

 

CMYK 0 / 88 / 83 / 13

HEX #DF1A25

RGB 223 26 37

HSL 356.65, 0.79%, 0.49%

LAB 47.7, 70.1, 47.44

 

CMYK 0 / 98 / 92 / 5

HEX #F30613

RGB 243 6 19

HSL 356.71, 0.95%, 0.49%

LAB 50.96, 76.95, 59.6

 

CMYK 0 / 88 / 83 / 13

HEX #DF1A25

RGB 223 26 37

HSL 356.65, 0.79%, 0.49%

LAB 47.7, 70.1, 47.44

 

CMYK 0 / 77 / 73 / 20

HEX #CB2E37

RGB 203 46 55

HSL 356.56, 0.63%, 0.49%

LAB 45.53, 60.57, 33.95

 

CMYK 0 / 64 / 60 / 28

HEX #B74249

RGB 183 66 73

HSL 356.41, 0.47%, 0.49%

LAB 44.86, 47.78, 21.54

 

CMYK 0 / 47 / 44 / 36

HEX #A3565B

RGB 163 86 91

HSL 356.1, 0.31%, 0.49%

LAB 45.9, 32.15, 11.48

 

CMYK 0 / 25 / 23 / 44

HEX #8E6B6D

RGB 142 107 109

HSL 356.57, 0.14%, 0.49%

LAB 48.72, 14.26, 4.3

 

CMYK 0 / 88 / 35 / 13

HEX #DF1A90

RGB 223 26 144

HSL 324.06, 0.79%, 0.49%

LAB 50.03, 76.61, -13.43

 

CMYK 0 / 88 / 59 / 13

HEX #DF1A5C

RGB 223 26 92

HSL 339.9, 0.79%, 0.49%

LAB 48.51, 72.41, 16.09

 

CMYK 0 / 88 / 83 / 13

HEX #DF1A27

RGB 223 26 39

HSL 356.04, 0.79%, 0.49%

LAB 47.72, 70.15, 46.41

 

CMYK 0 / 71 / 88 / 13

HEX #DF411A

RGB 223 65 26

HSL 11.88, 0.79%, 0.49%

LAB 51.32, 59.51, 55.42

 

CMYK 0 / 47 / 88 / 13

HEX #DF761A

RGB 223 118 26

HSL 28.02, 0.79%, 0.49%

LAB 60.53, 35.51, 62.47

 

CMYK 0 / 89 / 83 / 42

HEX #951119

RGB 149 17 25

HSL 356.36, 0.8%, 0.33%

LAB 31.49, 51.4, 33.19

 

CMYK 0 / 89 / 83 / 27

HEX #BA151F

RGB 186 21 31

HSL 356.36, 0.8%, 0.41%

LAB 39.71, 61.03, 40.44

 

CMYK 0 / 88 / 83 / 13

HEX #DF1A25

RGB 223 26 37

HSL 356.65, 0.79%, 0.49%

LAB 47.7, 70.1, 47.44

 

CMYK 0 / 75 / 71 / 9

HEX #E83B44

RGB 232 59 68

HSL 356.88, 0.79%, 0.57%

LAB 52.62, 65.6, 36.06

 

CMYK 0 / 59 / 56 / 7

HEX #EC6067

RGB 236 96 103

HSL 357, 0.79%, 0.65%

LAB 59.14, 54.6, 24.22

 

CMYK 0 / 88 / 83 / 13

HEX #DE1A25

RGB 222 26 37

HSL 356.63, 0.79%, 0.49%

LAB 47.5, 69.84, 47.18

 

CMYK 12 / 0 / 88 / 13

HEX #C5DF1A

RGB 197 223 26

HSL 67.92, 0.79%, 0.49%

LAB 84.34, -29.95, 80.26

 

CMYK 88 / 47 / 0 / 13

HEX #1A76DF

RGB 26 118 223

HSL 211.98, 0.79%, 0.49%

LAB 50.1, 13.58, -60.53

 

CMYK 0 / 88 / 83 / 13

HEX #DE1A25

RGB 222 26 37

HSL 356.63, 0.79%, 0.49%

LAB 47.5, 69.84, 47.18

 

CMYK 83 / 0 / 88 / 13

HEX #27DF1A

RGB 39 223 26

HSL 116.04, 0.79%, 0.49%

LAB 78.04, -75.01, 72.46

 

CMYK 88 / 83 / 0 / 13

HEX #1A27DF

RGB 26 39 223

HSL 236.04, 0.79%, 0.49%

LAB 31.8, 60.94, -90.52

 

CMYK 0 / 88 / 83 / 13

HEX #DE1A25

RGB 222 26 37

HSL 356.63, 0.79%, 0.49%

LAB 47.5, 69.84, 47.18

 

CMYK 12 / 0 / 88 / 13

HEX #C5DF1A

RGB 197 223 26

HSL 67.92, 0.79%, 0.49%

LAB 84.34, -29.95, 80.26

 

CMYK 88 / 0 / 6 / 13

HEX #1ADFD2

RGB 26 223 210

HSL 176.04, 0.79%, 0.49%

LAB 80.54, -46.35, -6.22

 

CMYK 77 / 88 / 0 / 13

HEX #341ADF

RGB 52 26 223

HSL 247.92, 0.79%, 0.49%

LAB 31.34, 66.78, -91.26

 

CMYK 0 / 88 / 83 / 13

HEX #DE1A25

RGB 222 26 37

HSL 356.63, 0.79%, 0.49%

LAB 47.5, 69.84, 47.18

 

CMYK 38 / 0 / 88 / 13

HEX #8ADF1A

RGB 138 223 26

HSL 85.89, 0.79%, 0.49%

LAB 80.88, -52.32, 76

 

CMYK 88 / 0 / 6 / 13

HEX #1ADFD2

RGB 26 223 210

HSL 176.04, 0.79%, 0.49%

LAB 80.54, -46.35, -6.22

 

CMYK 50 / 88 / 0 / 13

HEX #6F1ADF

RGB 111 26 223

HSL 265.89, 0.79%, 0.49%

LAB 36.83, 70.89, -82

 

Description

Color code: RGB 222 26 37 | qconv.com Color code: RGB 222 26 37 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 26 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 26 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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