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Color name
RGB 222 243 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 243 126 it is the complementary color RGB 33 12 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 243 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 243 126 shade: RGB 227 243 121, RGB 244 255 140, RGB 255 255 159, RGB 255 255 178 and RGB 255 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 243 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 243 126 shade: RGB 222 243 126, RGB 205 225 107, RGB 188 207 88, RGB 171 189 69 and RGB 154 171 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 243 126 shade: RGB 221 242 124, RGB 242 232 124, RGB 242 200 124, RGB 242 168 124 and RGB 242 136 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 243 126 shade: RGB 221 242 124, RGB 189 242 124, RGB 157 242 124, RGB 125 242 124 and RGB 124 242 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 243 126 shade matches the following richer shades: RGB 221 242 124 and RGB 228 254 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 243 126 shade: RGB 221 242 124, RGB 214 231 135, RGB 206 219 147, RGB 199 208 158 and RGB 191 196 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 243 126 shade: RGB 242 199 124, RGB 242 231 124, RGB 223 242 124, RGB 191 242 124 and RGB 159 242 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 243 126 shade: RGB 202 235 48, RGB 211 239 86, RGB 221 242 124, RGB 231 246 162 and RGB 240 249 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 243 126 shade: RGB 222 243 126, RGB 124 242 167 and RGB 215 124 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 243 126 shade: RGB 222 243 126, RGB 124 223 242 and RGB 242 124 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 243 126 shade: RGB 222 243 126, RGB 124 242 167, RGB 144 124 242 and RGB 242 124 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 243 126 shade: RGB 222 243 126, RGB 124 242 203, RGB 144 124 242 and RGB 242 124 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 48 / 5

HEX #DEF37E

RGB 222 243 126

HSL 70.77, 0.83%, 0.72%

LAB 92.19, -23.72, 53.67

 

Complementary color

CMYK 74 / 91 / 0 / 49

HEX #210C81

RGB 33 12 129

HSL 250.77, 0.83%, 0.28%

LAB 16.36, 44.31, -59.65

 

CMYK 7 / 0 / 50 / 5

HEX #E3F379

RGB 227 243 121

HSL 67.87, 0.84%, 0.71%

LAB 92.49, -22.25, 56.42

 

CMYK 4 / 0 / 45 / 0

HEX #F4FF8C

RGB 244 255 140

HSL 65.74, 1%, 0.77%

LAB 97.08, -19.71, 53.43

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 9 / 0 / 48 / 5

HEX #DEF37E

RGB 222 243 126

HSL 70.77, 0.83%, 0.72%

LAB 92.19, -23.72, 53.67

 

CMYK 9 / 0 / 52 / 12

HEX #CDE16B

RGB 205 225 107

HSL 70.17, 0.66%, 0.65%

LAB 85.95, -23.41, 54.75

 

CMYK 9 / 0 / 57 / 19

HEX #BCCF58

RGB 188 207 88

HSL 69.58, 0.55%, 0.58%

LAB 79.63, -23.02, 55.75

 

CMYK 10 / 0 / 63 / 26

HEX #ABBD45

RGB 171 189 69

HSL 69, 0.48%, 0.51%

LAB 73.21, -22.53, 56.58

 

CMYK 10 / 0 / 71 / 33

HEX #9AAB32

RGB 154 171 50

HSL 68.43, 0.55%, 0.43%

LAB 66.69, -21.91, 57.06

 

CMYK 9 / 0 / 49 / 5

HEX #DDF27C

RGB 221 242 124

HSL 70.68, 0.82%, 0.72%

LAB 91.83, -23.81, 54.15

 

CMYK 0 / 4 / 49 / 5

HEX #F2E87C

RGB 242 232 124

HSL 54.92, 0.82%, 0.72%

LAB 90.8, -10.73, 53.29

 

CMYK 0 / 17 / 49 / 5

HEX #F2C87C

RGB 242 200 124

HSL 38.64, 0.82%, 0.72%

LAB 82.72, 5.55, 43.4

 

CMYK 0 / 31 / 49 / 5

HEX #F2A87C

RGB 242 168 124

HSL 22.37, 0.82%, 0.72%

LAB 75.04, 22.37, 33.62

 

CMYK 0 / 44 / 49 / 5

HEX #F2887C

RGB 242 136 124

HSL 6.1, 0.82%, 0.72%

LAB 67.98, 39.11, 24.3

 

CMYK 9 / 0 / 49 / 5

HEX #DDF27C

RGB 221 242 124

HSL 70.68, 0.82%, 0.72%

LAB 91.83, -23.81, 54.15

 

CMYK 22 / 0 / 49 / 5

HEX #BDF27C

RGB 189 242 124

HSL 86.95, 0.82%, 0.72%

LAB 89.76, -35.74, 51.16

 

CMYK 35 / 0 / 49 / 5

HEX #9DF27C

RGB 157 242 124

HSL 103.22, 0.82%, 0.72%

LAB 88.03, -46.68, 48.65

 

CMYK 48 / 0 / 49 / 5

HEX #7DF27C

RGB 125 242 124

HSL 119.49, 0.82%, 0.72%

LAB 86.66, -56.17, 46.66

 

CMYK 49 / 0 / 36 / 5

HEX #7CF29A

RGB 124 242 154

HSL 135.25, 0.82%, 0.72%

LAB 87.06, -51.94, 32.46

 

CMYK 9 / 0 / 49 / 5

HEX #DDF27C

RGB 221 242 124

HSL 70.68, 0.82%, 0.72%

LAB 91.83, -23.81, 54.15

 

CMYK 10 / 0 / 56 / 0

HEX #E4FE70

RGB 228 254 112

HSL 70.99, 0.99%, 0.72%

LAB 95.39, -27.82, 63.8

 

CMYK 9 / 0 / 49 / 5

HEX #DDF27C

RGB 221 242 124

HSL 70.68, 0.82%, 0.72%

LAB 91.83, -23.81, 54.15

 

CMYK 7 / 0 / 42 / 9

HEX #D6E787

RGB 214 231 135

HSL 70.63, 0.67%, 0.72%

LAB 88.54, -20.08, 44.76

 

CMYK 6 / 0 / 33 / 14

HEX #CEDB93

RGB 206 219 147

HSL 70.83, 0.5%, 0.72%

LAB 84.94, -15.8, 34.01

 

CMYK 4 / 0 / 24 / 18

HEX #C7D09E

RGB 199 208 158

HSL 70.8, 0.35%, 0.72%

LAB 81.69, -11.39, 23.86

 

CMYK 3 / 0 / 13 / 23

HEX #BFC4AA

RGB 191 196 170

HSL 71.54, 0.18%, 0.72%

LAB 78.14, -6.3, 12.47

 

CMYK 0 / 18 / 49 / 5

HEX #F2C77C

RGB 242 199 124

HSL 38.14, 0.82%, 0.72%

LAB 82.48, 6.07, 43.09

 

CMYK 0 / 5 / 49 / 5

HEX #F2E77C

RGB 242 231 124

HSL 54.41, 0.82%, 0.72%

LAB 90.54, -10.23, 52.98

 

CMYK 8 / 0 / 49 / 5

HEX #DFF27C

RGB 223 242 124

HSL 69.66, 0.82%, 0.72%

LAB 91.97, -23.04, 54.36

 

CMYK 21 / 0 / 49 / 5

HEX #BFF27C

RGB 191 242 124

HSL 85.93, 0.82%, 0.72%

LAB 89.88, -35.02, 51.33

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 14 / 0 / 80 / 8

HEX #CAEB30

RGB 202 235 48

HSL 70.59, 0.82%, 0.55%

LAB 88.06, -32.89, 78.82

 

CMYK 12 / 0 / 64 / 6

HEX #D3EF56

RGB 211 239 86

HSL 70.98, 0.83%, 0.64%

LAB 89.98, -29.29, 68.29

 

CMYK 9 / 0 / 49 / 5

HEX #DDF27C

RGB 221 242 124

HSL 70.68, 0.82%, 0.72%

LAB 91.83, -23.81, 54.15

 

CMYK 6 / 0 / 34 / 4

HEX #E7F6A2

RGB 231 246 162

HSL 70.71, 0.82%, 0.8%

LAB 94.1, -17.87, 38.82

 

CMYK 4 / 0 / 20 / 2

HEX #F0F9C7

RGB 240 249 199

HSL 70.8, 0.81%, 0.88%

LAB 96.16, -11.14, 23.05

 

CMYK 9 / 0 / 48 / 5

HEX #DEF37E

RGB 222 243 126

HSL 70.77, 0.83%, 0.72%

LAB 92.19, -23.72, 53.67

 

CMYK 49 / 0 / 31 / 5

HEX #7CF2A7

RGB 124 242 167

HSL 141.86, 0.82%, 0.72%

LAB 87.28, -49.68, 26.17

 

CMYK 11 / 49 / 0 / 5

HEX #D77CF2

RGB 215 124 242

HSL 286.27, 0.82%, 0.72%

LAB 65.96, 53.71, -45.06

 

CMYK 9 / 0 / 48 / 5

HEX #DEF37E

RGB 222 243 126

HSL 70.77, 0.83%, 0.72%

LAB 92.19, -23.72, 53.67

 

CMYK 49 / 8 / 0 / 5

HEX #7CDFF2

RGB 124 223 242

HSL 189.66, 0.82%, 0.72%

LAB 83.69, -24.12, -18.28

 

CMYK 0 / 49 / 8 / 5

HEX #F27CDF

RGB 242 124 223

HSL 309.66, 0.82%, 0.72%

LAB 68.48, 57.89, -30.4

 

CMYK 9 / 0 / 48 / 5

HEX #DEF37E

RGB 222 243 126

HSL 70.77, 0.83%, 0.72%

LAB 92.19, -23.72, 53.67

 

CMYK 49 / 0 / 31 / 5

HEX #7CF2A7

RGB 124 242 167

HSL 141.86, 0.82%, 0.72%

LAB 87.28, -49.68, 26.17

 

CMYK 40 / 49 / 0 / 5

HEX #907CF2

RGB 144 124 242

HSL 250.17, 0.82%, 0.72%

LAB 58.75, 35.29, -56.95

 

CMYK 0 / 49 / 18 / 5

HEX #F27CC7

RGB 242 124 199

HSL 321.86, 0.82%, 0.72%

LAB 67.59, 54.17, -18.38

 

CMYK 9 / 0 / 48 / 5

HEX #DEF37E

RGB 222 243 126

HSL 70.77, 0.83%, 0.72%

LAB 92.19, -23.72, 53.67

 

CMYK 49 / 0 / 16 / 5

HEX #7CF2CB

RGB 124 242 203

HSL 160.17, 0.82%, 0.72%

LAB 88.02, -42.47, 8.61

 

CMYK 40 / 49 / 0 / 5

HEX #907CF2

RGB 144 124 242

HSL 250.17, 0.82%, 0.72%

LAB 58.75, 35.29, -56.95

 

CMYK 0 / 49 / 33 / 5

HEX #F27CA3

RGB 242 124 163

HSL 340.17, 0.82%, 0.72%

LAB 66.47, 49.32, 0.24

 

Description

Color code: RGB 222 243 126 | qconv.com Color code: RGB 222 243 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 243 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 243 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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