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Color name
RGB 222 147 209

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 147 209 it is the complementary color RGB 33 108 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 147 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 147 209 shade: RGB 227 147 204, RGB 244 165 223, RGB 255 183 242, RGB 255 201 255 and RGB 255 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 147 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 147 209 shade: RGB 222 147 209, RGB 205 129 190, RGB 188 111 171, RGB 171 93 152 and RGB 154 75 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 147 209 shade: RGB 221 145 208, RGB 221 145 187, RGB 221 145 167, RGB 221 145 147 and RGB 221 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 147 209 shade: RGB 221 145 208, RGB 214 145 221, RGB 193 145 221, RGB 173 145 221 and RGB 152 145 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 147 209 shade matches the following richer shades: RGB 221 145 208, RGB 232 134 215 and RGB 244 122 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 147 209 shade: RGB 221 145 208, RGB 209 157 200, RGB 198 168 193, RGB 186 180 185 and RGB 175 191 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 147 209 shade: RGB 193 145 221, RGB 213 145 221, RGB 221 145 208, RGB 221 145 188 and RGB 221 145 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 147 209 shade: RGB 202 82 181, RGB 211 114 194, RGB 221 145 208, RGB 231 177 221 and RGB 240 208 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 147 209 shade: RGB 222 147 209, RGB 221 173 145 and RGB 145 221 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 147 209 shade: RGB 222 147 209, RGB 208 221 145 and RGB 145 208 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 147 209 shade: RGB 222 147 209, RGB 221 173 145, RGB 145 221 158 and RGB 145 193 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 147 209 shade: RGB 222 147 209, RGB 221 196 145, RGB 145 221 158 and RGB 145 170 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 6 / 13

HEX #DE93D1

RGB 222 147 209

HSL 310.4, 0.53%, 0.72%

LAB 70.18, 37.66, -20.25

 

Complementary color

CMYK 69 / 0 / 57 / 58

HEX #216C2E

RGB 33 108 46

HSL 130.4, 0.53%, 0.28%

LAB 39.99, -37.05, 27.83

 

CMYK 0 / 35 / 10 / 11

HEX #E393CC

RGB 227 147 204

HSL 317.25, 0.59%, 0.73%

LAB 70.57, 38.45, -16.84

 

CMYK 0 / 32 / 9 / 4

HEX #F4A5DF

RGB 244 165 223

HSL 315.95, 0.78%, 0.8%

LAB 76.96, 37.73, -17.42

 

CMYK 0 / 28 / 5 / 0

HEX #FFB7F2

RGB 255 183 242

HSL 310.83, 1%, 0.86%

LAB 82.67, 35.1, -18.94

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 34 / 6 / 13

HEX #DE93D1

RGB 222 147 209

HSL 310.4, 0.53%, 0.72%

LAB 70.18, 37.66, -20.25

 

CMYK 0 / 37 / 7 / 20

HEX #CD81BE

RGB 205 129 190

HSL 311.84, 0.43%, 0.65%

LAB 63.67, 38.4, -19.7

 

CMYK 0 / 41 / 9 / 26

HEX #BC6FAB

RGB 188 111 171

HSL 313.25, 0.36%, 0.59%

LAB 57.08, 39.17, -19.1

 

CMYK 0 / 46 / 11 / 33

HEX #AB5D98

RGB 171 93 152

HSL 314.62, 0.32%, 0.52%

LAB 50.4, 39.94, -18.4

 

CMYK 0 / 51 / 14 / 40

HEX #9A4B85

RGB 154 75 133

HSL 315.95, 0.34%, 0.45%

LAB 43.65, 40.67, -17.56

 

CMYK 0 / 34 / 6 / 13

HEX #DD91D0

RGB 221 145 208

HSL 310.26, 0.53%, 0.72%

LAB 69.6, 38.23, -20.59

 

CMYK 0 / 34 / 15 / 13

HEX #DD91BB

RGB 221 145 187

HSL 326.84, 0.53%, 0.72%

LAB 68.9, 34.72, -9.95

 

CMYK 0 / 34 / 24 / 13

HEX #DD91A7

RGB 221 145 167

HSL 342.63, 0.53%, 0.72%

LAB 68.32, 31.7, 0.38

 

CMYK 0 / 34 / 33 / 13

HEX #DD9193

RGB 221 145 147

HSL 358.42, 0.53%, 0.72%

LAB 67.82, 29.01, 10.85

 

CMYK 0 / 34 / 34 / 13

HEX #DD9191

RGB 221 145 145

HSL 0, 0.53%, 0.72%

LAB 67.77, 28.76, 11.91

 

CMYK 0 / 34 / 6 / 13

HEX #DD91D0

RGB 221 145 208

HSL 310.26, 0.53%, 0.72%

LAB 69.6, 38.23, -20.59

 

CMYK 3 / 34 / 0 / 13

HEX #D691DD

RGB 214 145 221

HSL 294.47, 0.53%, 0.72%

LAB 69.3, 38.37, -28.29

 

CMYK 13 / 34 / 0 / 13

HEX #C191DD

RGB 193 145 221

HSL 277.89, 0.53%, 0.72%

LAB 67.13, 31.85, -31.82

 

CMYK 22 / 34 / 0 / 13

HEX #AD91DD

RGB 173 145 221

HSL 262.11, 0.53%, 0.72%

LAB 65.24, 25.78, -34.9

 

CMYK 31 / 34 / 0 / 13

HEX #9891DD

RGB 152 145 221

HSL 245.53, 0.53%, 0.72%

LAB 63.46, 19.67, -37.8

 

CMYK 0 / 34 / 6 / 13

HEX #DD91D0

RGB 221 145 208

HSL 310.26, 0.53%, 0.72%

LAB 69.6, 38.23, -20.59

 

CMYK 0 / 42 / 7 / 9

HEX #E886D7

RGB 232 134 215

HSL 310.41, 0.68%, 0.72%

LAB 68.83, 48.64, -25.52

 

CMYK 0 / 50 / 9 / 4

HEX #F47ADF

RGB 244 122 223

HSL 310.33, 0.85%, 0.72%

LAB 68.37, 59.41, -30.53

 

CMYK 0 / 34 / 6 / 13

HEX #DD91D0

RGB 221 145 208

HSL 310.26, 0.53%, 0.72%

LAB 69.6, 38.23, -20.59

 

CMYK 0 / 25 / 4 / 18

HEX #D19DC8

RGB 209 157 200

HSL 310.38, 0.36%, 0.72%

LAB 70.76, 26.34, -14.52

 

CMYK 0 / 15 / 3 / 22

HEX #C6A8C1

RGB 198 168 193

HSL 310, 0.21%, 0.72%

LAB 72.14, 15.26, -8.71

 

CMYK 0 / 3 / 1 / 27

HEX #BAB4B9

RGB 186 180 185

HSL 310, 0.04%, 0.72%

LAB 73.92, 3.04, -1.79

 

CMYK 8 / 0 / 7 / 25

HEX #AFBFB2

RGB 175 191 178

HSL 131.25, 0.11%, 0.72%

LAB 75.82, -7.96, 4.67

 

CMYK 13 / 34 / 0 / 13

HEX #C191DD

RGB 193 145 221

HSL 277.89, 0.53%, 0.72%

LAB 67.13, 31.85, -31.82

 

CMYK 4 / 34 / 0 / 13

HEX #D591DD

RGB 213 145 221

HSL 293.68, 0.53%, 0.72%

LAB 69.2, 38.06, -28.46

 

CMYK 0 / 34 / 6 / 13

HEX #DD91D0

RGB 221 145 208

HSL 310.26, 0.53%, 0.72%

LAB 69.6, 38.23, -20.59

 

CMYK 0 / 34 / 15 / 13

HEX #DD91BC

RGB 221 145 188

HSL 326.05, 0.53%, 0.72%

LAB 68.93, 34.88, -10.46

 

CMYK 0 / 34 / 24 / 13

HEX #DD91A8

RGB 221 145 168

HSL 341.84, 0.53%, 0.72%

LAB 68.35, 31.84, -0.14

 

CMYK 0 / 59 / 10 / 21

HEX #CA52B5

RGB 202 82 181

HSL 310.5, 0.53%, 0.56%

LAB 53.95, 59.3, -29.54

 

CMYK 0 / 46 / 8 / 17

HEX #D372C2

RGB 211 114 194

HSL 310.52, 0.52%, 0.64%

LAB 61.46, 48.81, -25.28

 

CMYK 0 / 34 / 6 / 13

HEX #DD91D0

RGB 221 145 208

HSL 310.26, 0.53%, 0.72%

LAB 69.6, 38.23, -20.59

 

CMYK 0 / 23 / 4 / 9

HEX #E7B1DD

RGB 231 177 221

HSL 311.11, 0.53%, 0.8%

LAB 78.26, 26.71, -14.51

 

CMYK 0 / 13 / 2 / 6

HEX #F0D0EB

RGB 240 208 235

HSL 309.38, 0.52%, 0.88%

LAB 86.82, 15.73, -9.14

 

CMYK 0 / 34 / 6 / 13

HEX #DE93D1

RGB 222 147 209

HSL 310.4, 0.53%, 0.72%

LAB 70.18, 37.66, -20.25

 

CMYK 0 / 22 / 34 / 13

HEX #DDAD91

RGB 221 173 145

HSL 22.11, 0.53%, 0.72%

LAB 74.38, 13.7, 21.1

 

CMYK 34 / 0 / 8 / 13

HEX #91DDCB

RGB 145 221 203

HSL 165.79, 0.53%, 0.72%

LAB 82.94, -27.42, 1.38

 

CMYK 0 / 34 / 6 / 13

HEX #DE93D1

RGB 222 147 209

HSL 310.4, 0.53%, 0.72%

LAB 70.18, 37.66, -20.25

 

CMYK 6 / 0 / 34 / 13

HEX #D0DD91

RGB 208 221 145

HSL 70.26, 0.53%, 0.72%

LAB 85.59, -16.28, 35.9

 

CMYK 34 / 6 / 0 / 13

HEX #91D0DD

RGB 145 208 221

HSL 190.26, 0.53%, 0.72%

LAB 79.81, -16.81, -12.83

 

CMYK 0 / 34 / 6 / 13

HEX #DE93D1

RGB 222 147 209

HSL 310.4, 0.53%, 0.72%

LAB 70.18, 37.66, -20.25

 

CMYK 0 / 22 / 34 / 13

HEX #DDAD91

RGB 221 173 145

HSL 22.11, 0.53%, 0.72%

LAB 74.38, 13.7, 21.1

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9E

RGB 145 221 158

HSL 130.26, 0.53%, 0.72%

LAB 81.95, -36.26, 23.68

 

CMYK 34 / 13 / 0 / 13

HEX #91C1DD

RGB 145 193 221

HSL 202.11, 0.53%, 0.72%

LAB 75.69, -9.01, -19.04

 

CMYK 0 / 34 / 6 / 13

HEX #DE93D1

RGB 222 147 209

HSL 310.4, 0.53%, 0.72%

LAB 70.18, 37.66, -20.25

 

CMYK 0 / 11 / 34 / 13

HEX #DDC491

RGB 221 196 145

HSL 40.26, 0.53%, 0.72%

LAB 80.12, 1.5, 28.87

 

CMYK 34 / 0 / 29 / 13

HEX #91DD9E

RGB 145 221 158

HSL 130.26, 0.53%, 0.72%

LAB 81.95, -36.26, 23.68

 

CMYK 34 / 23 / 0 / 13

HEX #91AADD

RGB 145 170 221

HSL 220.26, 0.53%, 0.72%

LAB 69.46, 3.5, -28.54

 

Description

Color code: RGB 222 147 209 | qconv.com Color code: RGB 222 147 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 147 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 147 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 6 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 6% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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