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Color name
RGB 222 130 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 130 89 it is the complementary color RGB 33 125 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 130 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 130 89 shade: RGB 227 130 84, RGB 244 148 103, RGB 255 166 122, RGB 255 184 141 and RGB 255 202 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 130 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 130 89 shade: RGB 222 130 89, RGB 205 112 70, RGB 188 94 51, RGB 171 76 32 and RGB 154 58 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 130 89 shade: RGB 222 130 88, RGB 222 94 88 and RGB 222 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 130 89 shade: RGB 222 130 88, RGB 222 165 88, RGB 222 201 88, RGB 206 222 88 and RGB 170 222 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 130 89 shade matches the following richer shades: RGB 222 130 88, RGB 238 123 72 and RGB 254 117 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 130 89 shade: RGB 222 130 88, RGB 206 136 105, RGB 189 142 121, RGB 173 148 137 and RGB 157 154 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 130 89 shade: RGB 222 88 120, RGB 222 93 88, RGB 222 128 88, RGB 222 164 88 and RGB 222 199 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 130 89 shade: RGB 190 84 37, RGB 215 104 54, RGB 222 130 88, RGB 228 155 123 and RGB 235 181 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 130 89 shade: RGB 222 130 89, RGB 155 222 88 and RGB 88 102 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 130 89 shade: RGB 222 130 89, RGB 88 222 128 and RGB 128 88 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 130 89 shade: RGB 222 130 89, RGB 155 222 88, RGB 88 182 222 and RGB 155 88 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 130 89 shade: RGB 222 130 89, RGB 115 222 88, RGB 88 182 222 and RGB 195 88 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 60 / 13

HEX #DE8259

RGB 222 130 89

HSL 18.5, 0.67%, 0.61%

LAB 63.52, 31.65, 37.21

 

Complementary color

CMYK 80 / 25 / 0 / 35

HEX #217DA6

RGB 33 125 166

HSL 198.5, 0.67%, 0.39%

LAB 49.18, -11.7, -29.31

 

CMYK 0 / 43 / 63 / 11

HEX #E38254

RGB 227 130 84

HSL 19.3, 0.72%, 0.61%

LAB 64.11, 33.29, 40.73

 

CMYK 0 / 39 / 58 / 4

HEX #F49467

RGB 244 148 103

HSL 19.15, 0.87%, 0.68%

LAB 70.45, 31.93, 38.95

 

CMYK 0 / 35 / 52 / 0

HEX #FFA67A

RGB 255 166 122

HSL 19.85, 1%, 0.74%

LAB 76.03, 28.36, 36.25

 

CMYK 0 / 28 / 45 / 0

HEX #FFB88D

RGB 255 184 141

HSL 22.63, 1%, 0.78%

LAB 80.44, 20.7, 31.99

 

CMYK 0 / 21 / 37 / 0

HEX #FFCAA0

RGB 255 202 160

HSL 26.53, 1%, 0.81%

LAB 85.02, 13.32, 28.14

 

CMYK 0 / 41 / 60 / 13

HEX #DE8259

RGB 222 130 89

HSL 18.5, 0.67%, 0.61%

LAB 63.52, 31.65, 37.21

 

CMYK 0 / 45 / 66 / 20

HEX #CD7046

RGB 205 112 70

HSL 18.67, 0.57%, 0.54%

LAB 57.08, 33.09, 39.11

 

CMYK 0 / 50 / 73 / 26

HEX #BC5E33

RGB 188 94 51

HSL 18.83, 0.57%, 0.47%

LAB 50.61, 34.68, 41.13

 

CMYK 0 / 56 / 81 / 33

HEX #AB4C20

RGB 171 76 32

HSL 18.99, 0.68%, 0.4%

LAB 44.13, 36.4, 43.14

 

CMYK 0 / 62 / 92 / 40

HEX #9A3A0D

RGB 154 58 13

HSL 19.15, 0.84%, 0.33%

LAB 37.71, 38.17, 44.54

 

CMYK 0 / 41 / 60 / 13

HEX #DE8258

RGB 222 130 88

HSL 18.81, 0.67%, 0.61%

LAB 63.51, 31.58, 37.73

 

CMYK 0 / 58 / 60 / 13

HEX #DE5E58

RGB 222 94 88

HSL 2.69, 0.67%, 0.61%

LAB 56.33, 49.64, 28.76

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 0 / 41 / 60 / 13

HEX #DE8258

RGB 222 130 88

HSL 18.81, 0.67%, 0.61%

LAB 63.51, 31.58, 37.73

 

CMYK 0 / 26 / 60 / 13

HEX #DEA558

RGB 222 165 88

HSL 34.48, 0.67%, 0.61%

LAB 71.65, 12.86, 47.44

 

CMYK 0 / 9 / 60 / 13

HEX #DEC958

RGB 222 201 88

HSL 50.6, 0.67%, 0.61%

LAB 80.74, -6.04, 57.75

 

CMYK 7 / 0 / 60 / 13

HEX #CEDE58

RGB 206 222 88

HSL 67.16, 0.67%, 0.61%

LAB 85.03, -23.07, 62.09

 

CMYK 23 / 0 / 60 / 13

HEX #AADE58

RGB 170 222 88

HSL 83.28, 0.67%, 0.61%

LAB 82.64, -37.05, 58.79

 

CMYK 0 / 41 / 60 / 13

HEX #DE8258

RGB 222 130 88

HSL 18.81, 0.67%, 0.61%

LAB 63.51, 31.58, 37.73

 

CMYK 0 / 48 / 70 / 7

HEX #EE7B48

RGB 238 123 72

HSL 18.43, 0.83%, 0.61%

LAB 64.01, 40.5, 47.2

 

CMYK 0 / 54 / 78 / 0

HEX #FE7538

RGB 254 117 56

HSL 18.48, 0.99%, 0.61%

LAB 65.03, 48.78, 56.66

 

CMYK 0 / 41 / 60 / 13

HEX #DE8258

RGB 222 130 88

HSL 18.81, 0.67%, 0.61%

LAB 63.51, 31.58, 37.73

 

CMYK 0 / 34 / 49 / 19

HEX #CE8869

RGB 206 136 105

HSL 18.42, 0.51%, 0.61%

LAB 63.14, 23.35, 27.59

 

CMYK 0 / 25 / 36 / 26

HEX #BD8E79

RGB 189 142 121

HSL 18.53, 0.34%, 0.61%

LAB 62.97, 14.95, 18.12

 

CMYK 0 / 14 / 21 / 32

HEX #AD9489

RGB 173 148 137

HSL 18.33, 0.18%, 0.61%

LAB 63.24, 7.53, 9.26

 

CMYK 0 / 2 / 3 / 38

HEX #9D9A99

RGB 157 154 153

HSL 15, 0.02%, 0.61%

LAB 63.82, 0.9, 0.9

 

CMYK 0 / 60 / 46 / 13

HEX #DE5878

RGB 222 88 120

HSL 345.67, 0.67%, 0.61%

LAB 55.95, 54.96, 9.57

 

CMYK 0 / 58 / 60 / 13

HEX #DE5D58

RGB 222 93 88

HSL 2.24, 0.67%, 0.61%

LAB 56.15, 50.1, 28.53

 

CMYK 0 / 42 / 60 / 13

HEX #DE8058

RGB 222 128 88

HSL 17.91, 0.67%, 0.61%

LAB 63.07, 32.63, 37.2

 

CMYK 0 / 26 / 60 / 13

HEX #DEA458

RGB 222 164 88

HSL 34.03, 0.67%, 0.61%

LAB 71.41, 13.4, 47.16

 

CMYK 0 / 10 / 60 / 13

HEX #DEC758

RGB 222 199 88

HSL 49.7, 0.67%, 0.61%

LAB 80.23, -5.02, 57.18

 

CMYK 0 / 56 / 81 / 25

HEX #BE5425

RGB 190 84 37

HSL 18.43, 0.67%, 0.45%

LAB 48.79, 39.99, 46.29

 

CMYK 0 / 52 / 75 / 16

HEX #D76836

RGB 215 104 54

HSL 18.63, 0.67%, 0.53%

LAB 56.7, 40.33, 47.3

 

CMYK 0 / 41 / 60 / 13

HEX #DE8258

RGB 222 130 88

HSL 18.81, 0.67%, 0.61%

LAB 63.51, 31.58, 37.73

 

CMYK 0 / 32 / 46 / 11

HEX #E49B7B

RGB 228 155 123

HSL 18.29, 0.66%, 0.69%

LAB 70.43, 23.65, 27.82

 

CMYK 0 / 23 / 33 / 8

HEX #EBB59D

RGB 235 181 157

HSL 18.46, 0.66%, 0.77%

LAB 77.96, 16.33, 19.77

 

CMYK 0 / 41 / 60 / 13

HEX #DE8259

RGB 222 130 89

HSL 18.5, 0.67%, 0.61%

LAB 63.52, 31.65, 37.21

 

CMYK 30 / 0 / 60 / 13

HEX #9BDE58

RGB 155 222 88

HSL 90, 0.67%, 0.61%

LAB 81.79, -42.5, 57.6

 

CMYK 60 / 54 / 0 / 13

HEX #5866DE

RGB 88 102 222

HSL 233.73, 0.67%, 0.61%

LAB 48.07, 30.64, -63.13

 

CMYK 0 / 41 / 60 / 13

HEX #DE8259

RGB 222 130 89

HSL 18.5, 0.67%, 0.61%

LAB 63.52, 31.65, 37.21

 

CMYK 60 / 0 / 42 / 13

HEX #58DE80

RGB 88 222 128

HSL 137.91, 0.67%, 0.61%

LAB 79.54, -56.74, 35.44

 

CMYK 42 / 60 / 0 / 13

HEX #8058DE

RGB 128 88 222

HSL 257.91, 0.67%, 0.61%

LAB 48.06, 46.68, -62.99

 

CMYK 0 / 41 / 60 / 13

HEX #DE8259

RGB 222 130 89

HSL 18.5, 0.67%, 0.61%

LAB 63.52, 31.65, 37.21

 

CMYK 30 / 0 / 60 / 13

HEX #9BDE58

RGB 155 222 88

HSL 90, 0.67%, 0.61%

LAB 81.79, -42.5, 57.6

 

CMYK 60 / 18 / 0 / 13

HEX #58B6DE

RGB 88 182 222

HSL 197.91, 0.67%, 0.61%

LAB 70.04, -16.14, -28.44

 

CMYK 30 / 60 / 0 / 13

HEX #9B58DE

RGB 155 88 222

HSL 270, 0.67%, 0.61%

LAB 50.95, 52.6, -58.19

 

CMYK 0 / 41 / 60 / 13

HEX #DE8259

RGB 222 130 89

HSL 18.5, 0.67%, 0.61%

LAB 63.52, 31.65, 37.21

 

CMYK 48 / 0 / 60 / 13

HEX #73DE58

RGB 115 222 88

HSL 107.91, 0.67%, 0.61%

LAB 79.95, -55.35, 55.03

 

CMYK 60 / 18 / 0 / 13

HEX #58B6DE

RGB 88 182 222

HSL 197.91, 0.67%, 0.61%

LAB 70.04, -16.14, -28.44

 

CMYK 12 / 60 / 0 / 13

HEX #C358DE

RGB 195 88 222

HSL 287.91, 0.67%, 0.61%

LAB 55.94, 62.02, -49.92

 

Description

Color code: RGB 222 130 89 | qconv.com Color code: RGB 222 130 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 130 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 130 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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