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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 125 73 it is the complementary color RGB 33 130 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 125 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 125 73 shade: RGB 227 125 68, RGB 244 143 87, RGB 255 161 106, RGB 255 179 125 and RGB 255 197 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 125 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 125 73 shade: RGB 222 125 73, RGB 205 107 54, RGB 188 89 35, RGB 171 71 16 and RGB 154 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 125 73 shade: RGB 221 125 74, RGB 221 85 74 and RGB 221 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 125 73 shade: RGB 221 125 74, RGB 221 165 74, RGB 221 205 74, RGB 198 221 74 and RGB 158 221 74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 125 73 shade matches the following richer shades: RGB 221 125 74 and RGB 239 120 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 125 73 shade: RGB 221 125 74, RGB 204 130 91, RGB 187 136 108, RGB 169 141 125 and RGB 152 146 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 125 73 shade: RGB 221 74 103, RGB 221 83 74, RGB 221 123 74, RGB 221 162 74 and RGB 221 202 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 125 73 shade: RGB 180 84 33, RGB 215 100 39, RGB 221 125 74, RGB 228 150 108 and RGB 234 175 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 125 73 shade: RGB 222 125 73, RGB 142 221 74 and RGB 74 83 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 125 73 shade: RGB 222 125 73, RGB 74 221 123 and RGB 123 74 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 125 73 shade: RGB 222 125 73, RGB 142 221 74, RGB 74 172 221 and RGB 152 74 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 125 73 shade: RGB 222 125 73, RGB 98 221 74, RGB 74 172 221 and RGB 197 74 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 67 / 13

HEX #DE7D49

RGB 222 125 73

HSL 20.94, 0.69%, 0.58%

LAB 62.23, 33.25, 44.09

 

Complementary color

CMYK 82 / 29 / 0 / 29

HEX #2182B6

RGB 33 130 182

HSL 200.94, 0.69%, 0.42%

LAB 51.46, -8.76, -35.01

 

CMYK 0 / 45 / 70 / 11

HEX #E37D44

RGB 227 125 68

HSL 21.51, 0.74%, 0.58%

LAB 62.86, 34.97, 47.5

 

CMYK 0 / 41 / 64 / 4

HEX #F48F57

RGB 244 143 87

HSL 21.4, 0.88%, 0.65%

LAB 69.16, 33.45, 45.69

 

CMYK 0 / 37 / 58 / 0

HEX #FFA16A

RGB 255 161 106

HSL 22.15, 1%, 0.71%

LAB 74.69, 29.71, 42.91

 

CMYK 0 / 30 / 51 / 0

HEX #FFB37D

RGB 255 179 125

HSL 24.92, 1%, 0.75%

LAB 79.03, 21.82, 38.51

 

CMYK 0 / 23 / 44 / 0

HEX #FFC590

RGB 255 197 144

HSL 28.65, 1%, 0.78%

LAB 83.55, 14.2, 34.51

 

CMYK 0 / 44 / 67 / 13

HEX #DE7D49

RGB 222 125 73

HSL 20.94, 0.69%, 0.58%

LAB 62.23, 33.25, 44.09

 

CMYK 0 / 48 / 74 / 20

HEX #CD6B36

RGB 205 107 54

HSL 21.06, 0.6%, 0.51%

LAB 55.85, 34.86, 45.96

 

CMYK 0 / 53 / 81 / 26

HEX #BC5923

RGB 188 89 35

HSL 21.18, 0.69%, 0.44%

LAB 49.44, 36.62, 47.71

 

CMYK 0 / 58 / 91 / 33

HEX #AB4710

RGB 171 71 16

HSL 21.29, 0.83%, 0.37%

LAB 43.07, 38.48, 48.81

 

CMYK 0 / 66 / 100 / 40

HEX #9A3500

RGB 154 53 0

HSL 20.65, 1%, 0.3%

LAB 36.77, 40.3, 48.45

 

CMYK 0 / 43 / 67 / 13

HEX #DD7D4A

RGB 221 125 74

HSL 20.82, 0.68%, 0.58%

LAB 62.11, 32.9, 43.4

 

CMYK 0 / 62 / 67 / 13

HEX #DD554A

RGB 221 85 74

HSL 4.49, 0.68%, 0.58%

LAB 54.41, 52.49, 34.32

 

CMYK 0 / 67 / 67 / 13

HEX #DD4A4A

RGB 221 74 74

HSL 0, 0.68%, 0.58%

LAB 52.69, 57.12, 32.22

 

CMYK 0 / 43 / 67 / 13

HEX #DD7D4A

RGB 221 125 74

HSL 20.82, 0.68%, 0.58%

LAB 62.11, 32.9, 43.4

 

CMYK 0 / 25 / 67 / 13

HEX #DDA54A

RGB 221 165 74

HSL 37.14, 0.68%, 0.58%

LAB 71.4, 11.54, 53.78

 

CMYK 0 / 7 / 67 / 13

HEX #DDCD4A

RGB 221 205 74

HSL 53.47, 0.68%, 0.58%

LAB 81.58, -9.36, 64.54

 

CMYK 10 / 0 / 67 / 13

HEX #C6DD4A

RGB 198 221 74

HSL 69.39, 0.68%, 0.58%

LAB 84.08, -26.71, 66.53

 

CMYK 29 / 0 / 67 / 13

HEX #9EDD4A

RGB 158 221 74

HSL 85.71, 0.68%, 0.58%

LAB 81.55, -42.1, 63.12

 

CMYK 0 / 43 / 67 / 13

HEX #DD7D4A

RGB 221 125 74

HSL 20.82, 0.68%, 0.58%

LAB 62.11, 32.9, 43.4

 

CMYK 0 / 50 / 77 / 6

HEX #EF7838

RGB 239 120 56

HSL 20.98, 0.85%, 0.58%

LAB 63.4, 41.68, 54.32

 

CMYK 0 / 43 / 67 / 13

HEX #DD7D4A

RGB 221 125 74

HSL 20.82, 0.68%, 0.58%

LAB 62.11, 32.9, 43.4

 

CMYK 0 / 36 / 55 / 20

HEX #CC825B

RGB 204 130 91

HSL 20.71, 0.53%, 0.58%

LAB 61.27, 24.54, 32.84

 

CMYK 0 / 27 / 42 / 27

HEX #BB886C

RGB 187 136 108

HSL 21.27, 0.37%, 0.58%

LAB 61.01, 15.93, 22.71

 

CMYK 0 / 17 / 26 / 34

HEX #A98D7D

RGB 169 141 125

HSL 21.82, 0.2%, 0.58%

LAB 60.75, 8.05, 12.47

 

CMYK 0 / 4 / 6 / 40

HEX #98928F

RGB 152 146 143

HSL 20, 0.04%, 0.58%

LAB 60.97, 1.65, 2.37

 

CMYK 0 / 67 / 53 / 13

HEX #DD4A67

RGB 221 74 103

HSL 348.16, 0.68%, 0.58%

LAB 53.22, 59.04, 15.82

 

CMYK 0 / 62 / 67 / 13

HEX #DD534A

RGB 221 83 74

HSL 3.67, 0.68%, 0.58%

LAB 54.08, 53.37, 33.92

 

CMYK 0 / 44 / 67 / 13

HEX #DD7B4A

RGB 221 123 74

HSL 20, 0.68%, 0.58%

LAB 61.68, 33.95, 42.91

 

CMYK 0 / 27 / 67 / 13

HEX #DDA24A

RGB 221 162 74

HSL 35.92, 0.68%, 0.58%

LAB 70.67, 13.15, 52.98

 

CMYK 0 / 9 / 67 / 13

HEX #DDCA4A

RGB 221 202 74

HSL 52.24, 0.68%, 0.58%

LAB 80.8, -7.84, 63.73

 

CMYK 0 / 53 / 82 / 29

HEX #B45421

RGB 180 84 33

HSL 20.82, 0.69%, 0.42%

LAB 47.18, 35.92, 46.05

 

CMYK 0 / 53 / 82 / 16

HEX #D76427

RGB 215 100 39

HSL 20.8, 0.69%, 0.5%

LAB 55.79, 41.78, 53.33

 

CMYK 0 / 43 / 67 / 13

HEX #DD7D4A

RGB 221 125 74

HSL 20.82, 0.68%, 0.58%

LAB 62.11, 32.9, 43.4

 

CMYK 0 / 34 / 53 / 11

HEX #E4966C

RGB 228 150 108

HSL 21, 0.69%, 0.66%

LAB 69.03, 24.93, 34.09

 

CMYK 0 / 25 / 39 / 8

HEX #EAAF8F

RGB 234 175 143

HSL 21.1, 0.68%, 0.74%

LAB 76.15, 17.47, 24.8

 

CMYK 0 / 44 / 67 / 13

HEX #DE7D49

RGB 222 125 73

HSL 20.94, 0.69%, 0.58%

LAB 62.23, 33.25, 44.09

 

CMYK 36 / 0 / 67 / 13

HEX #8EDD4A

RGB 142 221 74

HSL 92.24, 0.68%, 0.58%

LAB 80.72, -47.74, 61.99

 

CMYK 67 / 62 / 0 / 13

HEX #4A53DD

RGB 74 83 221

HSL 236.33, 0.68%, 0.58%

LAB 42.56, 39.8, -71.56

 

CMYK 0 / 44 / 67 / 13

HEX #DE7D49

RGB 222 125 73

HSL 20.94, 0.69%, 0.58%

LAB 62.23, 33.25, 44.09

 

CMYK 67 / 0 / 44 / 13

HEX #4ADD7B

RGB 74 221 123

HSL 140, 0.68%, 0.58%

LAB 78.81, -59.9, 36.92

 

CMYK 44 / 67 / 0 / 13

HEX #7B4ADD

RGB 123 74 221

HSL 260, 0.68%, 0.58%

LAB 44.7, 52.92, -67.9

 

CMYK 0 / 44 / 67 / 13

HEX #DE7D49

RGB 222 125 73

HSL 20.94, 0.69%, 0.58%

LAB 62.23, 33.25, 44.09

 

CMYK 36 / 0 / 67 / 13

HEX #8EDD4A

RGB 142 221 74

HSL 92.24, 0.68%, 0.58%

LAB 80.72, -47.74, 61.99

 

CMYK 67 / 22 / 0 / 13

HEX #4AACDD

RGB 74 172 221

HSL 200, 0.68%, 0.58%

LAB 66.66, -13.5, -33.15

 

CMYK 31 / 67 / 0 / 13

HEX #984ADD

RGB 152 74 221

HSL 271.84, 0.68%, 0.58%

LAB 48, 58.6, -62.39

 

CMYK 0 / 44 / 67 / 13

HEX #DE7D49

RGB 222 125 73

HSL 20.94, 0.69%, 0.58%

LAB 62.23, 33.25, 44.09

 

CMYK 56 / 0 / 67 / 13

HEX #62DD4A

RGB 98 221 74

HSL 110.2, 0.68%, 0.58%

LAB 78.93, -60.87, 59.55

 

CMYK 67 / 22 / 0 / 13

HEX #4AACDD

RGB 74 172 221

HSL 200, 0.68%, 0.58%

LAB 66.66, -13.5, -33.15

 

CMYK 11 / 67 / 0 / 13

HEX #C54ADD

RGB 197 74 221

HSL 290.2, 0.68%, 0.58%

LAB 54.01, 68.25, -52.41

 

Description

Color code: RGB 222 125 73 | qconv.com Color code: RGB 222 125 73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 125 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 125 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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