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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 94 189 it is the complementary color RGB 34 161 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 94 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 94 189 shade: RGB 226 94 184, RGB 243 112 203, RGB 255 130 222, RGB 255 148 241 and RGB 255 166 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 94 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 94 189 shade: RGB 221 94 189, RGB 204 76 170, RGB 187 58 151, RGB 170 40 132 and RGB 153 22 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 94 189 shade: RGB 221 95 189, RGB 221 95 155, RGB 221 95 121 and RGB 221 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 94 189 shade: RGB 221 95 189, RGB 218 95 221, RGB 184 95 221, RGB 150 95 221 and RGB 116 95 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 94 189 shade matches the following richer shades: RGB 221 95 189, RGB 236 79 197 and RGB 252 63 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 94 189 shade: RGB 221 95 189, RGB 205 110 181, RGB 189 126 173, RGB 174 142 166 and RGB 158 157 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 94 189 shade: RGB 185 95 221, RGB 218 95 221, RGB 221 95 189, RGB 221 95 156 and RGB 221 95 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 94 189 shade: RGB 192 40 154, RGB 213 61 175, RGB 221 95 189, RGB 228 129 203 and RGB 235 163 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 94 189 shade: RGB 221 94 189, RGB 221 151 95 and RGB 95 221 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 94 189 shade: RGB 221 94 189, RGB 189 221 95 and RGB 95 189 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 94 189 shade: RGB 221 94 189, RGB 221 151 95, RGB 95 221 126 and RGB 95 164 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 94 189 shade: RGB 221 94 189, RGB 221 189 95, RGB 95 221 126 and RGB 95 126 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 14 / 13

HEX #DD5EBD

RGB 221 94 189

HSL 315.12, 0.65%, 0.62%

LAB 59.02, 60.49, -26.07

 

Complementary color

CMYK 79 / 0 / 59 / 37

HEX #22A142

RGB 34 161 66

HSL 135.12, 0.65%, 0.38%

LAB 58.25, -53.56, 39.44

 

CMYK 0 / 58 / 19 / 11

HEX #E25EB8

RGB 226 94 184

HSL 319.09, 0.69%, 0.63%

LAB 59.56, 61.17, -22.32

 

CMYK 0 / 54 / 16 / 5

HEX #F370CB

RGB 243 112 203

HSL 318.32, 0.85%, 0.7%

LAB 65.71, 60.71, -23.47

 

CMYK 0 / 49 / 13 / 0

HEX #FF82DE

RGB 255 130 222

HSL 315.84, 1%, 0.75%

LAB 71.21, 58.66, -25.49

 

CMYK 0 / 42 / 5 / 0

HEX #FF94F1

RGB 255 148 241

HSL 307.85, 1%, 0.79%

LAB 75.32, 52.92, -29.6

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 57 / 14 / 13

HEX #DD5EBD

RGB 221 94 189

HSL 315.12, 0.65%, 0.62%

LAB 59.02, 60.49, -26.07

 

CMYK 0 / 63 / 17 / 20

HEX #CC4CAA

RGB 204 76 170

HSL 315.94, 0.56%, 0.55%

LAB 52.85, 60.74, -24.81

 

CMYK 0 / 69 / 19 / 27

HEX #BB3A97

RGB 187 58 151

HSL 316.74, 0.53%, 0.48%

LAB 46.74, 60.62, -23.22

 

CMYK 0 / 76 / 22 / 33

HEX #AA2884

RGB 170 40 132

HSL 317.54, 0.62%, 0.41%

LAB 40.78, 59.9, -21.14

 

CMYK 0 / 86 / 26 / 40

HEX #991671

RGB 153 22 113

HSL 318.32, 0.75%, 0.34%

LAB 35.08, 58.21, -18.36

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 0 / 57 / 30 / 13

HEX #DD5F9B

RGB 221 95 155

HSL 331.43, 0.65%, 0.62%

LAB 57.96, 55.34, -8.05

 

CMYK 0 / 57 / 45 / 13

HEX #DD5F79

RGB 221 95 121

HSL 347.62, 0.65%, 0.62%

LAB 57.01, 51.55, 10.46

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 1 / 57 / 0 / 13

HEX #DA5FDD

RGB 218 95 221

HSL 298.57, 0.65%, 0.62%

LAB 60.17, 64.41, -42.47

 

CMYK 17 / 57 / 0 / 13

HEX #B85FDD

RGB 184 95 221

HSL 282.38, 0.65%, 0.62%

LAB 55.68, 55.82, -49.86

 

CMYK 32 / 57 / 0 / 13

HEX #965FDD

RGB 150 95 221

HSL 266.19, 0.65%, 0.62%

LAB 51.71, 47.51, -56.43

 

CMYK 48 / 57 / 0 / 13

HEX #745FDD

RGB 116 95 221

HSL 250, 0.65%, 0.62%

LAB 48.41, 39.92, -61.92

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 0 / 67 / 17 / 7

HEX #EC4FC5

RGB 236 79 197

HSL 314.9, 0.81%, 0.62%

LAB 59.39, 71.72, -29.89

 

CMYK 0 / 75 / 19 / 1

HEX #FC3FCC

RGB 252 63 204

HSL 315.24, 0.97%, 0.62%

LAB 60.44, 81.62, -32.06

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 0 / 46 / 12 / 20

HEX #CD6EB5

RGB 205 110 181

HSL 315.16, 0.49%, 0.62%

LAB 59.4, 46.82, -21.1

 

CMYK 0 / 33 / 8 / 26

HEX #BD7EAD

RGB 189 126 173

HSL 315.24, 0.32%, 0.62%

LAB 60.57, 31.7, -14.94

 

CMYK 0 / 18 / 5 / 32

HEX #AE8EA6

RGB 174 142 166

HSL 315, 0.16%, 0.62%

LAB 62.59, 16.23, -8.08

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 16 / 57 / 0 / 13

HEX #B95FDD

RGB 185 95 221

HSL 282.86, 0.65%, 0.62%

LAB 55.81, 56.07, -49.65

 

CMYK 1 / 57 / 0 / 13

HEX #DA5FDD

RGB 218 95 221

HSL 298.57, 0.65%, 0.62%

LAB 60.17, 64.41, -42.47

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 0 / 57 / 29 / 13

HEX #DD5F9C

RGB 221 95 156

HSL 330.95, 0.65%, 0.62%

LAB 58, 55.47, -8.58

 

CMYK 0 / 57 / 45 / 13

HEX #DD5F7A

RGB 221 95 122

HSL 347.14, 0.65%, 0.62%

LAB 57.04, 51.65, 9.9

 

CMYK 0 / 79 / 20 / 25

HEX #C0289A

RGB 192 40 154

HSL 315, 0.66%, 0.45%

LAB 45.71, 67.99, -26.55

 

CMYK 0 / 71 / 18 / 16

HEX #D53DAF

RGB 213 61 175

HSL 315, 0.64%, 0.54%

LAB 52.49, 69.38, -28.19

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 0 / 43 / 11 / 11

HEX #E481CB

RGB 228 129 203

HSL 315.15, 0.65%, 0.7%

LAB 66.9, 47.95, -21.82

 

CMYK 0 / 31 / 8 / 8

HEX #EBA3D9

RGB 235 163 217

HSL 315, 0.64%, 0.78%

LAB 75.37, 34.81, -16.65

 

CMYK 0 / 57 / 14 / 13

HEX #DD5EBD

RGB 221 94 189

HSL 315.12, 0.65%, 0.62%

LAB 59.02, 60.49, -26.07

 

CMYK 0 / 32 / 57 / 13

HEX #DD975F

RGB 221 151 95

HSL 26.67, 0.65%, 0.62%

LAB 68.26, 20.48, 39.83

 

CMYK 57 / 0 / 9 / 13

HEX #5FDDCA

RGB 95 221 202

HSL 170.95, 0.65%, 0.62%

LAB 80.97, -39.44, -1.2

 

CMYK 0 / 57 / 14 / 13

HEX #DD5EBD

RGB 221 94 189

HSL 315.12, 0.65%, 0.62%

LAB 59.02, 60.49, -26.07

 

CMYK 14 / 0 / 57 / 13

HEX #BDDD5F

RGB 189 221 95

HSL 75.24, 0.65%, 0.62%

LAB 83.63, -28.77, 57.19

 

CMYK 57 / 14 / 0 / 13

HEX #5FBDDD

RGB 95 189 221

HSL 195.24, 0.65%, 0.62%

LAB 72.26, -18.78, -24.47

 

CMYK 0 / 57 / 14 / 13

HEX #DD5EBD

RGB 221 94 189

HSL 315.12, 0.65%, 0.62%

LAB 59.02, 60.49, -26.07

 

CMYK 0 / 32 / 57 / 13

HEX #DD975F

RGB 221 151 95

HSL 26.67, 0.65%, 0.62%

LAB 68.26, 20.48, 39.83

 

CMYK 57 / 0 / 43 / 13

HEX #5FDD7E

RGB 95 221 126

HSL 134.76, 0.65%, 0.62%

LAB 79.42, -55.15, 36.32

 

CMYK 57 / 26 / 0 / 13

HEX #5FA4DD

RGB 95 164 221

HSL 207.14, 0.65%, 0.62%

LAB 65.12, -5.33, -35.47

 

CMYK 0 / 57 / 14 / 13

HEX #DD5EBD

RGB 221 94 189

HSL 315.12, 0.65%, 0.62%

LAB 59.02, 60.49, -26.07

 

CMYK 0 / 14 / 57 / 13

HEX #DDBD5F

RGB 221 189 95

HSL 44.76, 0.65%, 0.62%

LAB 77.63, 0.25, 50.99

 

CMYK 57 / 0 / 43 / 13

HEX #5FDD7E

RGB 95 221 126

HSL 134.76, 0.65%, 0.62%

LAB 79.42, -55.15, 36.32

 

CMYK 57 / 43 / 0 / 13

HEX #5F7EDD

RGB 95 126 221

HSL 225.24, 0.65%, 0.62%

LAB 54.63, 16.9, -52.01

 

Description

Color code: RGB 221 94 189 | qconv.com Color code: RGB 221 94 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 94 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 94 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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