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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 79 200 it is the complementary color RGB 34 176 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 79 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 79 200 shade: RGB 226 79 195, RGB 243 97 214, RGB 255 115 233, RGB 255 133 252 and RGB 255 151 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 79 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 204 61 181, RGB 187 43 162, RGB 170 25 143 and RGB 153 7 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 221 79 162, RGB 221 79 123, RGB 221 79 85 and RGB 221 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 204 79 221, RGB 165 79 221, RGB 127 79 221 and RGB 89 79 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 79 200 shade matches the following richer shades: RGB 221 79 200 and RGB 238 62 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 204 96 188, RGB 187 113 176, RGB 170 130 164 and RGB 153 147 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 79 200 shade: RGB 164 79 221, RGB 202 79 221, RGB 221 79 202, RGB 221 79 164 and RGB 221 79 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 79 200 shade: RGB 183 34 161, RGB 214 44 189, RGB 221 79 200, RGB 228 114 211 and RGB 234 148 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 221 126 79 and RGB 79 221 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 202 221 79 and RGB 79 202 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 221 126 79, RGB 79 221 98 and RGB 79 174 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 79 200 shade: RGB 221 79 200, RGB 221 169 79, RGB 79 221 98 and RGB 79 131 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

Complementary color

CMYK 81 / 0 / 69 / 31

HEX #22B037

RGB 34 176 55

HSL 128.87, 0.68%, 0.41%

LAB 63.07, -59.78, 49.73

 

CMYK 0 / 65 / 14 / 11

HEX #E24FC3

RGB 226 79 195

HSL 312.65, 0.72%, 0.6%

LAB 57.75, 68.92, -31.42

 

CMYK 0 / 60 / 12 / 5

HEX #F361D6

RGB 243 97 214

HSL 311.92, 0.86%, 0.67%

LAB 63.72, 68.89, -32.72

 

CMYK 0 / 55 / 9 / 0

HEX #FF73E9

RGB 255 115 233

HSL 309.43, 1%, 0.73%

LAB 69.04, 67.25, -34.91

 

CMYK 0 / 48 / 1 / 0

HEX #FF85FC

RGB 255 133 252

HSL 301.48, 1%, 0.76%

LAB 72.93, 62.09, -39.27

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 70 / 11 / 20

HEX #CC3DB5

RGB 204 61 181

HSL 309.65, 0.58%, 0.52%

LAB 51.28, 68.08, -33.68

 

CMYK 0 / 77 / 13 / 27

HEX #BB2BA2

RGB 187 43 162

HSL 310.42, 0.63%, 0.45%

LAB 45.5, 67.13, -31.74

 

CMYK 0 / 85 / 16 / 33

HEX #AA198F

RGB 170 25 143

HSL 311.17, 0.74%, 0.38%

LAB 39.96, 65.26, -29.17

 

CMYK 0 / 95 / 19 / 40

HEX #99077C

RGB 153 7 124

HSL 311.92, 0.91%, 0.31%

LAB 34.76, 62.09, -25.79

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 64 / 27 / 13

HEX #DD4FA2

RGB 221 79 162

HSL 324.93, 0.68%, 0.59%

LAB 55.66, 63.11, -15.6

 

CMYK 0 / 64 / 44 / 13

HEX #DD4F7B

RGB 221 79 123

HSL 341.41, 0.68%, 0.59%

LAB 54.44, 58.77, 5.62

 

CMYK 0 / 64 / 62 / 13

HEX #DD4F55

RGB 221 79 85

HSL 357.46, 0.68%, 0.59%

LAB 53.62, 55.73, 27

 

CMYK 0 / 64 / 64 / 13

HEX #DD4F4F

RGB 221 79 79

HSL 0, 0.68%, 0.59%

LAB 53.52, 55.36, 30.36

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 8 / 64 / 0 / 13

HEX #CC4FDD

RGB 204 79 221

HSL 292.82, 0.68%, 0.59%

LAB 55.74, 67.81, -49.61

 

CMYK 25 / 64 / 0 / 13

HEX #A54FDD

RGB 165 79 221

HSL 276.34, 0.68%, 0.59%

LAB 50.47, 59.02, -58.33

 

CMYK 43 / 64 / 0 / 13

HEX #7F4FDD

RGB 127 79 221

HSL 260.28, 0.68%, 0.59%

LAB 46.08, 51.07, -65.64

 

CMYK 60 / 64 / 0 / 13

HEX #594FDD

RGB 89 79 221

HSL 244.23, 0.68%, 0.59%

LAB 42.67, 44.36, -71.34

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 74 / 11 / 7

HEX #EE3ED4

RGB 238 62 212

HSL 308.86, 0.84%, 0.59%

LAB 58.39, 79.9, -39.97

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 53 / 8 / 20

HEX #CC60BC

RGB 204 96 188

HSL 308.89, 0.51%, 0.59%

LAB 56.91, 54.58, -28.96

 

CMYK 0 / 40 / 6 / 27

HEX #BB71B0

RGB 187 113 176

HSL 308.92, 0.35%, 0.59%

LAB 57.57, 38.65, -21.24

 

CMYK 0 / 24 / 4 / 33

HEX #AA82A4

RGB 170 130 164

HSL 309, 0.19%, 0.59%

LAB 59.15, 21.21, -12.13

 

CMYK 0 / 4 / 1 / 40

HEX #999398

RGB 153 147 152

HSL 310, 0.03%, 0.59%

LAB 61.57, 3.16, -1.86

 

CMYK 26 / 64 / 0 / 13

HEX #A44FDD

RGB 164 79 221

HSL 275.92, 0.68%, 0.59%

LAB 50.34, 58.8, -58.54

 

CMYK 9 / 64 / 0 / 13

HEX #CA4FDD

RGB 202 79 221

HSL 291.97, 0.68%, 0.59%

LAB 55.45, 67.36, -50.08

 

CMYK 0 / 64 / 9 / 13

HEX #DD4FCA

RGB 221 79 202

HSL 308.03, 0.68%, 0.59%

LAB 57.3, 68.72, -36.18

 

CMYK 0 / 64 / 26 / 13

HEX #DD4FA4

RGB 221 79 164

HSL 324.08, 0.68%, 0.59%

LAB 55.73, 63.36, -16.66

 

CMYK 0 / 64 / 43 / 13

HEX #DD4F7E

RGB 221 79 126

HSL 340.14, 0.68%, 0.59%

LAB 54.52, 59.06, 3.95

 

CMYK 0 / 81 / 12 / 28

HEX #B722A1

RGB 183 34 161

HSL 308.86, 0.69%, 0.43%

LAB 43.92, 68.49, -33.66

 

CMYK 0 / 79 / 12 / 16

HEX #D62CBD

RGB 214 44 189

HSL 308.82, 0.67%, 0.51%

LAB 51.58, 76.47, -37.75

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 50 / 7 / 11

HEX #E472D3

RGB 228 114 211

HSL 308.95, 0.68%, 0.67%

LAB 64.35, 56.68, -30.23

 

CMYK 0 / 37 / 5 / 8

HEX #EA94DE

RGB 234 148 222

HSL 308.37, 0.67%, 0.75%

LAB 72.19, 43.24, -24.22

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 43 / 64 / 13

HEX #DD7E4F

RGB 221 126 79

HSL 19.86, 0.68%, 0.59%

LAB 62.39, 32.68, 41.12

 

CMYK 64 / 0 / 17 / 13

HEX #4FDDB7

RGB 79 221 183

HSL 163.94, 0.68%, 0.59%

LAB 80.06, -46.93, 7.53

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 9 / 0 / 64 / 13

HEX #CADD4F

RGB 202 221 79

HSL 68.03, 0.68%, 0.59%

LAB 84.4, -24.8, 65.01

 

CMYK 64 / 9 / 0 / 13

HEX #4FCADD

RGB 79 202 221

HSL 188.03, 0.68%, 0.59%

LAB 75.53, -28.14, -19.54

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 43 / 64 / 13

HEX #DD7E4F

RGB 221 126 79

HSL 19.86, 0.68%, 0.59%

LAB 62.39, 32.68, 41.12

 

CMYK 64 / 0 / 56 / 13

HEX #4FDD62

RGB 79 221 98

HSL 128.03, 0.68%, 0.59%

LAB 78.61, -62.58, 48.72

 

CMYK 64 / 21 / 0 / 13

HEX #4FAEDD

RGB 79 174 221

HSL 199.86, 0.68%, 0.59%

LAB 67.39, -13.76, -32

 

CMYK 0 / 64 / 10 / 13

HEX #DD4FC8

RGB 221 79 200

HSL 308.87, 0.68%, 0.59%

LAB 57.21, 68.41, -35.18

 

CMYK 0 / 24 / 64 / 13

HEX #DDA94F

RGB 221 169 79

HSL 38.03, 0.68%, 0.59%

LAB 72.44, 9.71, 52.61

 

CMYK 64 / 0 / 56 / 13

HEX #4FDD62

RGB 79 221 98

HSL 128.03, 0.68%, 0.59%

LAB 78.61, -62.58, 48.72

 

CMYK 64 / 41 / 0 / 13

HEX #4F83DD

RGB 79 131 221

HSL 218.03, 0.68%, 0.59%

LAB 55.19, 10.88, -51.16

 

Description

Color code: RGB 221 79 200 | qconv.com Color code: RGB 221 79 200 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 79 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 79 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 10 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 10% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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