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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 49 177 it is the complementary color RGB 34 206 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 49 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 49 177 shade: RGB 226 49 172, RGB 243 67 191, RGB 255 85 210, RGB 255 103 229 and RGB 255 121 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 49 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 49 177 shade: RGB 221 49 177, RGB 204 31 158, RGB 187 13 139, RGB 170 0 120 and RGB 153 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 49 177 shade: RGB 221 48 177, RGB 221 48 130, RGB 221 48 84 and RGB 221 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 49 177 shade: RGB 221 48 177, RGB 219 48 221, RGB 172 48 221, RGB 125 48 221 and RGB 79 48 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 49 177 shade matches the following richer shades: RGB 221 48 177 and RGB 240 29 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 49 177 shade: RGB 221 48 177, RGB 202 68 167, RGB 182 87 158, RGB 163 107 148 and RGB 143 126 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 49 177 shade: RGB 172 48 221, RGB 218 48 221, RGB 221 48 178, RGB 221 48 132 and RGB 221 48 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 49 177 shade: RGB 161 26 126, RGB 196 32 154, RGB 221 48 177, RGB 227 84 190 and RGB 232 119 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 49 177 shade: RGB 221 49 177, RGB 221 126 48 and RGB 48 221 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 49 177 shade: RGB 221 49 177, RGB 178 221 48 and RGB 48 178 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 49 177 shade: RGB 221 49 177, RGB 221 126 48, RGB 48 221 92 and RGB 48 143 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 49 177 shade: RGB 221 49 177, RGB 221 178 48, RGB 48 221 92 and RGB 48 92 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 20 / 13

HEX #DD31B1

RGB 221 49 177

HSL 315.35, 0.72%, 0.53%

LAB 52.67, 75.1, -28.97

 

Complementary color

CMYK 83 / 0 / 62 / 19

HEX #22CE4E

RGB 34 206 78

HSL 135.35, 0.72%, 0.47%

LAB 72.91, -66.75, 50.86

 

CMYK 0 / 78 / 24 / 11

HEX #E231AC

RGB 226 49 172

HSL 318.31, 0.75%, 0.54%

LAB 53.32, 75.6, -24.95

 

CMYK 0 / 72 / 21 / 5

HEX #F343BF

RGB 243 67 191

HSL 317.73, 0.88%, 0.61%

LAB 58.82, 76.71, -27.25

 

CMYK 0 / 67 / 18 / 0

HEX #FF55D2

RGB 255 85 210

HSL 315.88, 1%, 0.67%

LAB 63.68, 76.02, -30.39

 

CMYK 0 / 60 / 10 / 0

HEX #FF67E5

RGB 255 103 229

HSL 310.26, 1%, 0.7%

LAB 66.99, 71.76, -35.89

 

CMYK 0 / 53 / 3 / 0

HEX #FF79F8

RGB 255 121 248

HSL 303.13, 1%, 0.74%

LAB 70.67, 66.98, -40.62

 

CMYK 0 / 78 / 20 / 13

HEX #DD31B1

RGB 221 49 177

HSL 315.35, 0.72%, 0.53%

LAB 52.67, 75.1, -28.97

 

CMYK 0 / 85 / 23 / 20

HEX #CC1F9E

RGB 204 31 158

HSL 315.95, 0.74%, 0.46%

LAB 47.35, 73.2, -26.24

 

CMYK 0 / 93 / 26 / 27

HEX #BB0D8B

RGB 187 13 139

HSL 316.55, 0.87%, 0.39%

LAB 42.33, 70.19, -22.78

 

CMYK 0 / 100 / 29 / 33

HEX #AA0078

RGB 170 0 120

HSL 317.65, 1%, 0.33%

LAB 37.67, 65.92, -18.5

 

CMYK 0 / 100 / 34 / 40

HEX #990065

RGB 153 0 101

HSL 320.39, 1%, 0.3%

LAB 33.38, 60.26, -13.31

 

CMYK 0 / 78 / 20 / 13

HEX #DD30B1

RGB 221 48 177

HSL 315.26, 0.72%, 0.53%

LAB 52.58, 75.36, -29.11

 

CMYK 0 / 78 / 41 / 13

HEX #DD3082

RGB 221 48 130

HSL 331.56, 0.72%, 0.53%

LAB 50.8, 70.12, -3.88

 

CMYK 0 / 78 / 62 / 13

HEX #DD3054

RGB 221 48 84

HSL 347.51, 0.72%, 0.53%

LAB 49.65, 66.58, 22.43

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 0 / 78 / 20 / 13

HEX #DD30B1

RGB 221 48 177

HSL 315.26, 0.72%, 0.53%

LAB 52.58, 75.36, -29.11

 

CMYK 1 / 78 / 0 / 13

HEX #DB30DD

RGB 219 48 221

HSL 299.31, 0.72%, 0.53%

LAB 54.44, 81.16, -51.53

 

CMYK 22 / 78 / 0 / 13

HEX #AC30DD

RGB 172 48 221

HSL 283.01, 0.72%, 0.53%

LAB 47.11, 72.59, -63.7

 

CMYK 43 / 78 / 0 / 13

HEX #7D30DD

RGB 125 48 221

HSL 266.71, 0.72%, 0.53%

LAB 40.73, 65.09, -74.38

 

CMYK 64 / 78 / 0 / 13

HEX #4F30DD

RGB 79 48 221

HSL 250.75, 0.72%, 0.53%

LAB 35.98, 59.5, -82.36

 

CMYK 0 / 78 / 20 / 13

HEX #DD30B1

RGB 221 48 177

HSL 315.26, 0.72%, 0.53%

LAB 52.58, 75.36, -29.11

 

CMYK 0 / 88 / 23 / 6

HEX #F01DBA

RGB 240 29 186

HSL 315.36, 0.88%, 0.53%

LAB 55.02, 84.26, -30.29

 

CMYK 0 / 78 / 20 / 13

HEX #DD30B1

RGB 221 48 177

HSL 315.26, 0.72%, 0.53%

LAB 52.58, 75.36, -29.11

 

CMYK 0 / 66 / 17 / 21

HEX #CA44A7

RGB 202 68 167

HSL 315.67, 0.56%, 0.53%

LAB 51.25, 62.98, -25.56

 

CMYK 0 / 52 / 13 / 29

HEX #B6579E

RGB 182 87 158

HSL 315.16, 0.39%, 0.53%

LAB 50.96, 47.51, -20.96

 

CMYK 0 / 34 / 9 / 36

HEX #A36B94

RGB 163 107 148

HSL 316.07, 0.23%, 0.53%

LAB 52.33, 28.82, -13.2

 

CMYK 0 / 12 / 3 / 44

HEX #8F7E8B

RGB 143 126 139

HSL 314.12, 0.07%, 0.53%

LAB 54.68, 8.92, -4.64

 

CMYK 22 / 78 / 0 / 13

HEX #AC30DD

RGB 172 48 221

HSL 283.01, 0.72%, 0.53%

LAB 47.11, 72.59, -63.7

 

CMYK 1 / 78 / 0 / 13

HEX #DA30DD

RGB 218 48 221

HSL 298.96, 0.72%, 0.53%

LAB 54.28, 80.97, -51.79

 

CMYK 0 / 78 / 19 / 13

HEX #DD30B2

RGB 221 48 178

HSL 314.91, 0.72%, 0.53%

LAB 52.62, 75.49, -29.62

 

CMYK 0 / 78 / 40 / 13

HEX #DD3084

RGB 221 48 132

HSL 330.87, 0.72%, 0.53%

LAB 50.86, 70.31, -4.99

 

CMYK 0 / 78 / 61 / 13

HEX #DD3056

RGB 221 48 86

HSL 346.82, 0.72%, 0.53%

LAB 49.69, 66.7, 21.27

 

CMYK 0 / 84 / 22 / 37

HEX #A11A7E

RGB 161 26 126

HSL 315.56, 0.72%, 0.37%

LAB 37.52, 60.8, -22.61

 

CMYK 0 / 84 / 21 / 23

HEX #C4209A

RGB 196 32 154

HSL 315.37, 0.72%, 0.45%

LAB 45.77, 70.78, -26.4

 

CMYK 0 / 78 / 20 / 13

HEX #DD30B1

RGB 221 48 177

HSL 315.26, 0.72%, 0.53%

LAB 52.58, 75.36, -29.11

 

CMYK 0 / 63 / 16 / 11

HEX #E354BE

RGB 227 84 190

HSL 315.52, 0.72%, 0.61%

LAB 58.4, 66.5, -27.53

 

CMYK 0 / 49 / 12 / 9

HEX #E877CC

RGB 232 119 204

HSL 314.87, 0.71%, 0.69%

LAB 65.52, 54.32, -24.46

 

CMYK 0 / 78 / 20 / 13

HEX #DD31B1

RGB 221 49 177

HSL 315.35, 0.72%, 0.53%

LAB 52.67, 75.1, -28.97

 

CMYK 0 / 43 / 78 / 13

HEX #DD7E30

RGB 221 126 48

HSL 27.05, 0.72%, 0.53%

LAB 62.09, 31.15, 55.71

 

CMYK 78 / 0 / 12 / 13

HEX #30DDC3

RGB 48 221 195

HSL 170.98, 0.72%, 0.53%

LAB 79.77, -47.98, 0.66

 

CMYK 0 / 78 / 20 / 13

HEX #DD31B1

RGB 221 49 177

HSL 315.35, 0.72%, 0.53%

LAB 52.67, 75.1, -28.97

 

CMYK 19 / 0 / 78 / 13

HEX #B2DD30

RGB 178 221 48

HSL 74.91, 0.72%, 0.53%

LAB 82.59, -35.98, 73.33

 

CMYK 78 / 19 / 0 / 13

HEX #30B2DD

RGB 48 178 221

HSL 194.91, 0.72%, 0.53%

LAB 67.79, -20.02, -31.44

 

CMYK 0 / 78 / 20 / 13

HEX #DD31B1

RGB 221 49 177

HSL 315.35, 0.72%, 0.53%

LAB 52.67, 75.1, -28.97

 

CMYK 0 / 43 / 78 / 13

HEX #DD7E30

RGB 221 126 48

HSL 27.05, 0.72%, 0.53%

LAB 62.09, 31.15, 55.71

 

CMYK 78 / 0 / 58 / 13

HEX #30DD5C

RGB 48 221 92

HSL 135.26, 0.72%, 0.53%

LAB 77.94, -68.29, 50.51

 

CMYK 78 / 35 / 0 / 13

HEX #308FDD

RGB 48 143 221

HSL 207.05, 0.72%, 0.53%

LAB 57.55, -0.61, -47.47

 

CMYK 0 / 78 / 20 / 13

HEX #DD31B1

RGB 221 49 177

HSL 315.35, 0.72%, 0.53%

LAB 52.67, 75.1, -28.97

 

CMYK 0 / 19 / 78 / 13

HEX #DDB230

RGB 221 178 48

HSL 45.09, 0.72%, 0.53%

LAB 74.46, 3.42, 67.23

 

CMYK 78 / 0 / 58 / 13

HEX #30DD5C

RGB 48 221 92

HSL 135.26, 0.72%, 0.53%

LAB 77.94, -68.29, 50.51

 

CMYK 78 / 58 / 0 / 13

HEX #305CDD

RGB 48 92 221

HSL 224.74, 0.72%, 0.53%

LAB 43.51, 31.13, -70.06

 

Description

Color code: RGB 221 49 177 | qconv.com Color code: RGB 221 49 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 49 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 49 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 20 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 20% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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