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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 45 182 it is the complementary color RGB 34 210 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 45 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 45 182 shade: RGB 226 45 177, RGB 243 63 196, RGB 255 81 215, RGB 255 99 234 and RGB 255 117 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 45 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 45 182 shade: RGB 221 45 182, RGB 204 27 163, RGB 187 9 144, RGB 170 0 125 and RGB 153 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 45 182 shade: RGB 220 44 181, RGB 220 44 134, RGB 220 44 86 and RGB 220 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 45 182 shade: RGB 220 44 181, RGB 212 44 220, RGB 164 44 220, RGB 117 44 220 and RGB 69 44 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 45 182 shade matches the following richer shades: RGB 220 44 181 and RGB 240 24 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 45 182 shade: RGB 220 44 181, RGB 200 64 170, RGB 181 84 159, RGB 161 103 148 and RGB 141 123 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 45 182 shade: RGB 164 44 220, RGB 211 44 220, RGB 220 44 182, RGB 220 44 135 and RGB 220 44 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 45 182 shade: RGB 157 25 127, RGB 192 31 156, RGB 220 44 181, RGB 226 79 194 and RGB 232 115 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 45 182 shade: RGB 221 45 182, RGB 220 117 44 and RGB 44 220 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 45 182 shade: RGB 221 45 182, RGB 182 220 44 and RGB 44 182 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 45 182 shade: RGB 221 45 182, RGB 220 117 44, RGB 44 220 82 and RGB 44 147 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 45 182 shade: RGB 221 45 182, RGB 220 170 44, RGB 44 220 82 and RGB 44 94 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 18 / 13

HEX #DD2DB6

RGB 221 45 182

HSL 313.3, 0.72%, 0.52%

LAB 52.54, 76.76, -32.09

 

Complementary color

CMYK 84 / 0 / 65 / 18

HEX #22D249

RGB 34 210 73

HSL 133.3, 0.72%, 0.48%

LAB 74.13, -68.54, 54.35

 

CMYK 0 / 80 / 22 / 11

HEX #E22DB1

RGB 226 45 177

HSL 316.24, 0.76%, 0.53%

LAB 53.19, 77.21, -28.09

 

CMYK 0 / 74 / 19 / 5

HEX #F33FC4

RGB 243 63 196

HSL 315.67, 0.88%, 0.6%

LAB 58.6, 78.57, -30.46

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D7

RGB 255 81 215

HSL 313.79, 1%, 0.66%

LAB 63.39, 78.1, -33.66

 

CMYK 0 / 61 / 8 / 0

HEX #FF63EA

RGB 255 99 234

HSL 308.08, 1%, 0.69%

LAB 66.61, 74.13, -39.24

 

CMYK 0 / 54 / 1 / 0

HEX #FF75FD

RGB 255 117 253

HSL 300.87, 1%, 0.73%

LAB 70.23, 69.59, -44.05

 

CMYK 0 / 80 / 18 / 13

HEX #DD2DB6

RGB 221 45 182

HSL 313.3, 0.72%, 0.52%

LAB 52.54, 76.76, -32.09

 

CMYK 0 / 87 / 20 / 20

HEX #CC1BA3

RGB 204 27 163

HSL 313.9, 0.77%, 0.45%

LAB 47.32, 74.55, -29.26

 

CMYK 0 / 95 / 23 / 27

HEX #BB0990

RGB 187 9 144

HSL 314.49, 0.91%, 0.38%

LAB 42.42, 71.2, -25.7

 

CMYK 0 / 100 / 26 / 33

HEX #AA007D

RGB 170 0 125

HSL 315.88, 1%, 0.33%

LAB 37.89, 66.49, -21.28

 

CMYK 0 / 100 / 31 / 40

HEX #99006A

RGB 153 0 106

HSL 318.43, 1%, 0.3%

LAB 33.59, 60.81, -16.19

 

CMYK 0 / 80 / 18 / 14

HEX #DC2CB5

RGB 220 44 181

HSL 313.3, 0.72%, 0.52%

LAB 52.23, 76.66, -31.99

 

CMYK 0 / 80 / 39 / 14

HEX #DC2C86

RGB 220 44 134

HSL 329.32, 0.72%, 0.52%

LAB 50.38, 71.3, -6.94

 

CMYK 0 / 80 / 61 / 14

HEX #DC2C56

RGB 220 44 86

HSL 345.68, 0.72%, 0.52%

LAB 49.12, 67.51, 20.48

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 80 / 18 / 14

HEX #DC2CB5

RGB 220 44 181

HSL 313.3, 0.72%, 0.52%

LAB 52.23, 76.66, -31.99

 

CMYK 4 / 80 / 0 / 14

HEX #D42CDC

RGB 212 44 220

HSL 297.27, 0.72%, 0.52%

LAB 52.91, 80.67, -53.47

 

CMYK 25 / 80 / 0 / 14

HEX #A42CDC

RGB 164 44 220

HSL 280.91, 0.72%, 0.52%

LAB 45.44, 72.26, -65.89

 

CMYK 47 / 80 / 0 / 14

HEX #752CDC

RGB 117 44 220

HSL 264.89, 0.72%, 0.52%

LAB 39.16, 65.27, -76.42

 

CMYK 69 / 80 / 0 / 14

HEX #452CDC

RGB 69 44 220

HSL 248.52, 0.72%, 0.52%

LAB 34.47, 60.12, -84.31

 

CMYK 0 / 80 / 18 / 14

HEX #DC2CB5

RGB 220 44 181

HSL 313.3, 0.72%, 0.52%

LAB 52.23, 76.66, -31.99

 

CMYK 0 / 90 / 20 / 6

HEX #F018C0

RGB 240 24 192

HSL 313.33, 0.88%, 0.52%

LAB 55.06, 85.65, -33.71

 

CMYK 0 / 80 / 18 / 14

HEX #DC2CB5

RGB 220 44 181

HSL 313.3, 0.72%, 0.52%

LAB 52.23, 76.66, -31.99

 

CMYK 0 / 68 / 15 / 22

HEX #C840AA

RGB 200 64 170

HSL 313.24, 0.55%, 0.52%

LAB 50.51, 64.42, -28.49

 

CMYK 0 / 54 / 12 / 29

HEX #B5549F

RGB 181 84 159

HSL 313.61, 0.4%, 0.52%

LAB 50.3, 48.84, -22.57

 

CMYK 0 / 36 / 8 / 37

HEX #A16794

RGB 161 103 148

HSL 313.45, 0.24%, 0.52%

LAB 51.17, 30.38, -14.98

 

CMYK 0 / 13 / 3 / 45

HEX #8D7B89

RGB 141 123 137

HSL 313.33, 0.07%, 0.52%

LAB 53.64, 9.52, -5.04

 

CMYK 25 / 80 / 0 / 14

HEX #A42CDC

RGB 164 44 220

HSL 280.91, 0.72%, 0.52%

LAB 45.44, 72.26, -65.89

 

CMYK 4 / 80 / 0 / 14

HEX #D32CDC

RGB 211 44 220

HSL 296.93, 0.72%, 0.52%

LAB 52.75, 80.48, -53.74

 

CMYK 0 / 80 / 17 / 14

HEX #DC2CB6

RGB 220 44 182

HSL 312.95, 0.72%, 0.52%

LAB 52.28, 76.79, -32.5

 

CMYK 0 / 80 / 39 / 14

HEX #DC2C87

RGB 220 44 135

HSL 328.98, 0.72%, 0.52%

LAB 50.41, 71.4, -7.49

 

CMYK 0 / 80 / 60 / 14

HEX #DC2C58

RGB 220 44 88

HSL 345, 0.72%, 0.52%

LAB 49.16, 67.63, 19.31

 

CMYK 0 / 84 / 19 / 38

HEX #9D197F

RGB 157 25 127

HSL 313.64, 0.73%, 0.36%

LAB 36.74, 60.27, -24.52

 

CMYK 0 / 84 / 19 / 25

HEX #C01F9C

RGB 192 31 156

HSL 313.42, 0.72%, 0.44%

LAB 45.06, 70.39, -28.76

 

CMYK 0 / 80 / 18 / 14

HEX #DC2CB5

RGB 220 44 181

HSL 313.3, 0.72%, 0.52%

LAB 52.23, 76.66, -31.99

 

CMYK 0 / 65 / 14 / 11

HEX #E24FC2

RGB 226 79 194

HSL 313.06, 0.72%, 0.6%

LAB 57.71, 68.78, -30.91

 

CMYK 0 / 50 / 11 / 9

HEX #E873CE

RGB 232 115 206

HSL 313.33, 0.72%, 0.68%

LAB 64.86, 56.56, -26.59

 

CMYK 0 / 80 / 18 / 13

HEX #DD2DB6

RGB 221 45 182

HSL 313.3, 0.72%, 0.52%

LAB 52.54, 76.76, -32.09

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 80 / 0 / 15 / 14

HEX #2CDCBC

RGB 44 220 188

HSL 169.09, 0.72%, 0.52%

LAB 79.24, -49.75, 3.61

 

CMYK 0 / 80 / 18 / 13

HEX #DD2DB6

RGB 221 45 182

HSL 313.3, 0.72%, 0.52%

LAB 52.54, 76.76, -32.09

 

CMYK 17 / 0 / 80 / 14

HEX #B6DC2C

RGB 182 220 44

HSL 72.95, 0.72%, 0.52%

LAB 82.55, -34.1, 74.48

 

CMYK 80 / 17 / 0 / 14

HEX #2CB6DC

RGB 44 182 220

HSL 192.95, 0.72%, 0.52%

LAB 68.87, -22.8, -29.24

 

CMYK 0 / 80 / 18 / 13

HEX #DD2DB6

RGB 221 45 182

HSL 313.3, 0.72%, 0.52%

LAB 52.54, 76.76, -32.09

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 80 / 0 / 63 / 14

HEX #2CDC52

RGB 44 220 82

HSL 132.95, 0.72%, 0.52%

LAB 77.48, -69.62, 54.33

 

CMYK 80 / 33 / 0 / 14

HEX #2C93DC

RGB 44 147 220

HSL 204.89, 0.72%, 0.52%

LAB 58.57, -3.71, -45.3

 

CMYK 0 / 80 / 18 / 13

HEX #DD2DB6

RGB 221 45 182

HSL 313.3, 0.72%, 0.52%

LAB 52.54, 76.76, -32.09

 

CMYK 0 / 23 / 80 / 14

HEX #DCAA2C

RGB 220 170 44

HSL 42.95, 0.72%, 0.52%

LAB 72.33, 7.08, 66.59

 

CMYK 80 / 0 / 63 / 14

HEX #2CDC52

RGB 44 220 82

HSL 132.95, 0.72%, 0.52%

LAB 77.48, -69.62, 54.33

 

CMYK 80 / 57 / 0 / 14

HEX #2C5EDC

RGB 44 94 220

HSL 222.95, 0.72%, 0.52%

LAB 43.81, 29.11, -69

 

Description

Color code: RGB 221 45 182 | qconv.com Color code: RGB 221 45 182 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 45 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 45 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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