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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 33 67 it is the complementary color RGB 34 222 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 33 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 33 67 shade: RGB 226 33 62, RGB 243 51 81, RGB 255 69 100, RGB 255 87 119 and RGB 255 105 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 33 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 204 15 48, RGB 187 0 29, RGB 170 0 10 and RGB 153 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 33 67 shade: RGB 221 33 67 and RGB 221 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 221 33 118, RGB 221 33 169, RGB 221 33 219 and RGB 172 33 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 33 67 shade matches the following richer shades: RGB 221 33 67 and RGB 242 12 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 201 53 80, RGB 180 74 93, RGB 159 95 106 and RGB 139 115 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 33 67 shade: RGB 221 33 168, RGB 221 33 118, RGB 221 33 67, RGB 221 48 33 and RGB 221 99 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 33 67 shade: RGB 150 22 45, RGB 185 27 56, RGB 221 33 67, RGB 227 69 97 and RGB 232 104 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 218 221 33 and RGB 33 143 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 67 221 33 and RGB 33 67 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 218 221 33, RGB 33 221 187 and RGB 36 33 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 33 67 shade: RGB 221 33 67, RGB 162 221 33, RGB 33 221 187 and RGB 92 33 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

Complementary color

CMYK 85 / 0 / 15 / 13

HEX #22DEBC

RGB 34 222 188

HSL 169.15, 0.74%, 0.5%

LAB 79.74, -51.36, 4.31

 

CMYK 0 / 85 / 73 / 11

HEX #E2213E

RGB 226 33 62

HSL 350.98, 0.77%, 0.51%

LAB 49.01, 70.4, 35.03

 

CMYK 0 / 79 / 67 / 5

HEX #F33351

RGB 243 51 81

HSL 350.63, 0.89%, 0.58%

LAB 54.04, 71.62, 30.7

 

CMYK 0 / 73 / 61 / 0

HEX #FF4564

RGB 255 69 100

HSL 350, 1%, 0.64%

LAB 58.45, 70.72, 25.64

 

CMYK 0 / 66 / 53 / 0

HEX #FF5777

RGB 255 87 119

HSL 348.57, 1%, 0.67%

LAB 61.14, 65.61, 18.18

 

CMYK 0 / 59 / 46 / 0

HEX #FF698A

RGB 255 105 138

HSL 346.8, 1%, 0.71%

LAB 64.32, 59.77, 11.65

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 93 / 76 / 20

HEX #CC0F30

RGB 204 15 48

HSL 349.52, 0.86%, 0.43%

LAB 43.35, 67.11, 35.66

 

CMYK 0 / 100 / 84 / 27

HEX #BB001D

RGB 187 0 29

HSL 350.7, 1%, 0.37%

LAB 38.99, 63.87, 40.95

 

CMYK 0 / 100 / 94 / 33

HEX #AA000A

RGB 170 0 10

HSL 356.47, 1%, 0.33%

LAB 35.14, 59.24, 45.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 85 / 24 / 13

HEX #DD21A9

RGB 221 33 169

HSL 316.6, 0.74%, 0.5%

LAB 51.06, 77.73, -26.76

 

CMYK 0 / 85 / 1 / 13

HEX #DD21DB

RGB 221 33 219

HSL 300.64, 0.74%, 0.5%

LAB 53.57, 84.4, -51.76

 

CMYK 22 / 85 / 0 / 13

HEX #AC21DD

RGB 172 33 221

HSL 284.36, 0.74%, 0.5%

LAB 45.74, 76.59, -65.92

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 95 / 78 / 5

HEX #F20C36

RGB 242 12 54

HSL 349.04, 0.91%, 0.5%

LAB 51.16, 76.96, 42.93

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 74 / 60 / 21

HEX #C93550

RGB 201 53 80

HSL 349.05, 0.58%, 0.5%

LAB 46.37, 59.07, 19.85

 

CMYK 0 / 59 / 48 / 29

HEX #B44A5D

RGB 180 74 93

HSL 349.25, 0.42%, 0.5%

LAB 46.17, 44.73, 11.02

 

CMYK 0 / 40 / 33 / 38

HEX #9F5F6A

RGB 159 95 106

HSL 349.69, 0.25%, 0.5%

LAB 47.75, 27.46, 4.96

 

CMYK 0 / 17 / 14 / 45

HEX #8B7377

RGB 139 115 119

HSL 350, 0.09%, 0.5%

LAB 50.78, 10.07, 1.31

 

CMYK 0 / 85 / 24 / 13

HEX #DD21A8

RGB 221 33 168

HSL 316.91, 0.74%, 0.5%

LAB 51.02, 77.61, -26.23

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 55 / 85 / 13

HEX #DD6321

RGB 221 99 33

HSL 21.06, 0.74%, 0.5%

LAB 56.49, 44.39, 56.73

 

CMYK 0 / 85 / 70 / 41

HEX #96162D

RGB 150 22 45

HSL 349.22, 0.74%, 0.34%

LAB 32.36, 51.37, 21.8

 

CMYK 0 / 85 / 70 / 27

HEX #B91B38

RGB 185 27 56

HSL 348.99, 0.75%, 0.42%

LAB 40.22, 60.49, 26.15

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 70 / 57 / 11

HEX #E34561

RGB 227 69 97

HSL 349.37, 0.74%, 0.58%

LAB 53.44, 62.34, 19.86

 

CMYK 0 / 55 / 45 / 9

HEX #E86880

RGB 232 104 128

HSL 348.75, 0.74%, 0.66%

LAB 60.44, 51.73, 11.44

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 1 / 0 / 85 / 13

HEX #DADD21

RGB 218 221 33

HSL 60.96, 0.74%, 0.5%

LAB 85.37, -20.16, 80.46

 

CMYK 85 / 35 / 0 / 13

HEX #218FDD

RGB 33 143 221

HSL 204.89, 0.74%, 0.5%

LAB 57.26, -1.95, -47.96

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 70 / 0 / 85 / 13

HEX #43DD21

RGB 67 221 33

HSL 109.15, 0.74%, 0.5%

LAB 77.88, -70.23, 71.12

 

CMYK 85 / 70 / 0 / 13

HEX #2143DD

RGB 33 67 221

HSL 229.15, 0.74%, 0.5%

LAB 37.04, 45.65, -80.7

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 1 / 0 / 85 / 13

HEX #DADD21

RGB 218 221 33

HSL 60.96, 0.74%, 0.5%

LAB 85.37, -20.16, 80.46

 

CMYK 85 / 0 / 15 / 13

HEX #21DDBB

RGB 33 221 187

HSL 169.15, 0.74%, 0.5%

LAB 79.4, -51.28, 4.35

 

CMYK 84 / 85 / 0 / 13

HEX #2421DD

RGB 36 33 221

HSL 240.96, 0.74%, 0.5%

LAB 31.07, 63.16, -90.58

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 27 / 0 / 85 / 13

HEX #A2DD21

RGB 162 221 33

HSL 78.83, 0.74%, 0.5%

LAB 81.57, -42.66, 75.75

 

CMYK 85 / 0 / 15 / 13

HEX #21DDBB

RGB 33 221 187

HSL 169.15, 0.74%, 0.5%

LAB 79.4, -51.28, 4.35

 

CMYK 58 / 85 / 0 / 13

HEX #5C21DD

RGB 92 33 221

HSL 258.83, 0.74%, 0.5%

LAB 35.17, 66.62, -83.66

 

Description

Color code: RGB 221 33 67 | qconv.com Color code: RGB 221 33 67 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 33 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 33 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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