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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 28 189 it is the complementary color RGB 34 227 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 28 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 28 189 shade: RGB 226 28 184, RGB 243 46 203, RGB 255 64 222, RGB 255 82 241 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 28 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 28 189 shade: RGB 221 28 189, RGB 204 10 170, RGB 187 0 151, RGB 170 0 132 and RGB 153 0 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 28 189 shade: RGB 222 27 190, RGB 222 27 137, RGB 222 27 84, RGB 222 27 32 and RGB 222 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 28 189 shade: RGB 222 27 190, RGB 202 27 222, RGB 149 27 222, RGB 97 27 222 and RGB 44 27 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 28 189 shade matches the following richer shades: RGB 222 27 190 and RGB 242 7 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 28 189 shade: RGB 222 27 190, RGB 202 47 176, RGB 181 67 163, RGB 161 88 149 and RGB 141 108 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 28 189 shade: RGB 147 27 222, RGB 199 27 222, RGB 222 27 193, RGB 222 27 141 and RGB 222 27 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 28 189 shade: RGB 148 18 127, RGB 185 22 158, RGB 222 27 190, RGB 230 60 202 and RGB 235 96 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 28 189 shade: RGB 221 28 189, RGB 222 95 27 and RGB 27 222 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 28 189 shade: RGB 221 28 189, RGB 193 222 27 and RGB 27 193 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 28 189 shade: RGB 221 28 189, RGB 222 95 27, RGB 27 222 56 and RGB 27 154 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 28 189 shade: RGB 221 28 189, RGB 222 154 27, RGB 27 222 56 and RGB 27 95 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 14 / 13

HEX #DD1CBD

RGB 221 28 189

HSL 309.95, 0.78%, 0.49%

LAB 51.7, 81.07, -37.48

 

Complementary color

CMYK 85 / 0 / 71 / 11

HEX #22E342

RGB 34 227 66

HSL 129.95, 0.78%, 0.51%

LAB 79.43, -74.28, 62.71

 

CMYK 0 / 88 / 19 / 11

HEX #E21CB8

RGB 226 28 184

HSL 312.73, 0.78%, 0.5%

LAB 52.35, 81.41, -33.48

 

CMYK 0 / 81 / 16 / 5

HEX #F32ECB

RGB 243 46 203

HSL 312.18, 0.89%, 0.57%

LAB 57.39, 83.83, -36.36

 

CMYK 0 / 75 / 13 / 0

HEX #FF40DE

RGB 255 64 222

HSL 310.37, 1%, 0.63%

LAB 61.83, 84.35, -40.03

 

CMYK 0 / 68 / 5 / 0

HEX #FF52F1

RGB 255 82 241

HSL 304.86, 1%, 0.66%

LAB 64.68, 81.48, -46.16

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 87 / 14 / 13

HEX #DD1CBD

RGB 221 28 189

HSL 309.95, 0.78%, 0.49%

LAB 51.7, 81.07, -37.48

 

CMYK 0 / 95 / 17 / 20

HEX #CC0AAA

RGB 204 10 170

HSL 310.52, 0.91%, 0.42%

LAB 46.92, 77.6, -34.05

 

CMYK 0 / 100 / 19 / 27

HEX #BB0097

RGB 187 0 151

HSL 311.55, 1%, 0.37%

LAB 42.46, 72.93, -29.89

 

CMYK 0 / 100 / 22 / 33

HEX #AA0084

RGB 170 0 132

HSL 313.41, 1%, 0.33%

LAB 38.22, 67.32, -25.12

 

CMYK 0 / 100 / 26 / 40

HEX #990071

RGB 153 0 113

HSL 315.69, 1%, 0.3%

LAB 33.91, 61.63, -20.17

 

CMYK 0 / 88 / 14 / 13

HEX #DE1BBE

RGB 222 27 190

HSL 309.85, 0.78%, 0.49%

LAB 51.87, 81.55, -37.77

 

CMYK 0 / 88 / 38 / 13

HEX #DE1B89

RGB 222 27 137

HSL 326.15, 0.78%, 0.49%

LAB 49.64, 75.56, -9.81

 

CMYK 0 / 88 / 62 / 13

HEX #DE1B54

RGB 222 27 84

HSL 342.46, 0.78%, 0.49%

LAB 48.2, 71.53, 20.56

 

CMYK 0 / 88 / 86 / 13

HEX #DE1B20

RGB 222 27 32

HSL 358.46, 0.78%, 0.49%

LAB 47.52, 69.56, 49.69

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 88 / 14 / 13

HEX #DE1BBE

RGB 222 27 190

HSL 309.85, 0.78%, 0.49%

LAB 51.87, 81.55, -37.77

 

CMYK 9 / 88 / 0 / 13

HEX #CA1BDE

RGB 202 27 222

HSL 293.85, 0.78%, 0.49%

LAB 50.23, 82.64, -58.99

 

CMYK 33 / 88 / 0 / 13

HEX #951BDE

RGB 149 27 222

HSL 277.54, 0.78%, 0.49%

LAB 41.92, 74.81, -72.87

 

CMYK 56 / 88 / 0 / 13

HEX #611BDE

RGB 97 27 222

HSL 261.54, 0.78%, 0.49%

LAB 35.2, 69.11, -84.17

 

CMYK 80 / 88 / 0 / 13

HEX #2C1BDE

RGB 44 27 222

HSL 245.23, 0.78%, 0.49%

LAB 30.86, 65.88, -91.5

 

CMYK 0 / 88 / 14 / 13

HEX #DE1BBE

RGB 222 27 190

HSL 309.85, 0.78%, 0.49%

LAB 51.87, 81.55, -37.77

 

CMYK 0 / 97 / 16 / 5

HEX #F207CB

RGB 242 7 203

HSL 309.96, 0.94%, 0.49%

LAB 55.42, 88.86, -39.45

 

CMYK 0 / 88 / 14 / 13

HEX #DE1BBE

RGB 222 27 190

HSL 309.85, 0.78%, 0.49%

LAB 51.87, 81.55, -37.77

 

CMYK 0 / 77 / 13 / 21

HEX #CA2FB0

RGB 202 47 176

HSL 310.06, 0.62%, 0.49%

LAB 49.16, 71.3, -34.1

 

CMYK 0 / 63 / 10 / 29

HEX #B543A3

RGB 181 67 163

HSL 309.47, 0.46%, 0.49%

LAB 47.6, 57.25, -29.12

 

CMYK 0 / 45 / 7 / 37

HEX #A15895

RGB 161 88 149

HSL 309.86, 0.29%, 0.49%

LAB 47.91, 38.83, -20.55

 

CMYK 0 / 23 / 4 / 45

HEX #8D6C88

RGB 141 108 136

HSL 309.09, 0.13%, 0.49%

LAB 49.7, 18.09, -10.34

 

CMYK 34 / 88 / 0 / 13

HEX #931BDE

RGB 147 27 222

HSL 276.92, 0.78%, 0.49%

LAB 41.63, 74.55, -73.36

 

CMYK 10 / 88 / 0 / 13

HEX #C71BDE

RGB 199 27 222

HSL 292.92, 0.78%, 0.49%

LAB 49.74, 82.16, -59.82

 

CMYK 0 / 88 / 13 / 13

HEX #DE1BC1

RGB 222 27 193

HSL 308.92, 0.78%, 0.49%

LAB 52.02, 81.94, -39.28

 

CMYK 0 / 88 / 36 / 13

HEX #DE1B8D

RGB 222 27 141

HSL 324.92, 0.78%, 0.49%

LAB 49.78, 75.94, -12.01

 

CMYK 0 / 88 / 60 / 13

HEX #DE1B59

RGB 222 27 89

HSL 340.92, 0.78%, 0.49%

LAB 48.3, 71.82, 17.62

 

CMYK 0 / 88 / 14 / 42

HEX #94127F

RGB 148 18 127

HSL 309.69, 0.78%, 0.33%

LAB 34.52, 59.8, -28.11

 

CMYK 0 / 88 / 15 / 27

HEX #B9169E

RGB 185 22 158

HSL 309.94, 0.79%, 0.41%

LAB 43.3, 70.92, -32.83

 

CMYK 0 / 88 / 14 / 13

HEX #DE1BBE

RGB 222 27 190

HSL 309.85, 0.78%, 0.49%

LAB 51.87, 81.55, -37.77

 

CMYK 0 / 74 / 12 / 10

HEX #E63CCA

RGB 230 60 202

HSL 309.88, 0.77%, 0.57%

LAB 56.41, 77.34, -37.48

 

CMYK 0 / 59 / 10 / 8

HEX #EB60D4

RGB 235 96 212

HSL 309.93, 0.78%, 0.65%

LAB 62.32, 66.91, -33.86

 

CMYK 0 / 87 / 14 / 13

HEX #DD1CBD

RGB 221 28 189

HSL 309.95, 0.78%, 0.49%

LAB 51.7, 81.07, -37.48

 

CMYK 0 / 57 / 88 / 13

HEX #DE5F1B

RGB 222 95 27

HSL 20.92, 0.78%, 0.49%

LAB 55.88, 46.54, 58.48

 

CMYK 88 / 0 / 22 / 13

HEX #1BDEAD

RGB 27 222 173

HSL 164.92, 0.78%, 0.49%

LAB 79.32, -55.54, 11.66

 

CMYK 0 / 87 / 14 / 13

HEX #DD1CBD

RGB 221 28 189

HSL 309.95, 0.78%, 0.49%

LAB 51.7, 81.07, -37.48

 

CMYK 13 / 0 / 88 / 13

HEX #C1DE1B

RGB 193 222 27

HSL 68.92, 0.78%, 0.49%

LAB 83.79, -31.09, 79.53

 

CMYK 88 / 13 / 0 / 13

HEX #1BC1DE

RGB 27 193 222

HSL 188.92, 0.78%, 0.49%

LAB 71.99, -28.9, -25.55

 

CMYK 0 / 87 / 14 / 13

HEX #DD1CBD

RGB 221 28 189

HSL 309.95, 0.78%, 0.49%

LAB 51.7, 81.07, -37.48

 

CMYK 0 / 57 / 88 / 13

HEX #DE5F1B

RGB 222 95 27

HSL 20.92, 0.78%, 0.49%

LAB 55.88, 46.54, 58.48

 

CMYK 88 / 0 / 75 / 13

HEX #1BDE38

RGB 27 222 56

HSL 128.92, 0.78%, 0.49%

LAB 77.73, -74.18, 64.44

 

CMYK 88 / 31 / 0 / 13

HEX #1B9ADE

RGB 27 154 222

HSL 200.92, 0.78%, 0.49%

LAB 60.44, -8.32, -43.49

 

CMYK 0 / 87 / 14 / 13

HEX #DD1CBD

RGB 221 28 189

HSL 309.95, 0.78%, 0.49%

LAB 51.7, 81.07, -37.48

 

CMYK 0 / 31 / 88 / 13

HEX #DE9A1B

RGB 222 154 27

HSL 39.08, 0.78%, 0.49%

LAB 68.55, 16.04, 68.4

 

CMYK 88 / 0 / 75 / 13

HEX #1BDE38

RGB 27 222 56

HSL 128.92, 0.78%, 0.49%

LAB 77.73, -74.18, 64.44

 

CMYK 88 / 57 / 0 / 13

HEX #1B5FDE

RGB 27 95 222

HSL 219.08, 0.78%, 0.49%

LAB 43.79, 27.98, -70.2

 

Description

Color code: RGB 221 28 189 | qconv.com Color code: RGB 221 28 189 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 28 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 28 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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