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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 242 155 it is the complementary color RGB 34 13 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 242 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 242 155 shade: RGB 226 242 150, RGB 243 255 169, RGB 255 255 188, RGB 255 255 207 and RGB 255 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 242 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 204 224 136, RGB 187 206 117, RGB 170 188 98 and RGB 153 170 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 242 239 155, RGB 242 216 155, RGB 242 193 155 and RGB 242 169 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 197 242 155, RGB 174 242 155, RGB 155 242 160 and RGB 155 242 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 242 155 shade matches the following richer shades: RGB 221 242 155 and RGB 225 251 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 216 233 164, RGB 211 223 173, RGB 207 214 182 and RGB 202 205 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 242 155 shade: RGB 242 216 155, RGB 242 239 155, RGB 221 242 155, RGB 198 242 155 and RGB 175 242 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 242 155 shade: RGB 196 232 82, RGB 208 237 119, RGB 221 242 155, RGB 233 246 192 and RGB 246 251 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 155 242 193 and RGB 227 155 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 155 221 242 and RGB 242 155 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 155 242 193, RGB 175 155 242 and RGB 242 155 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 242 155 shade: RGB 221 242 155, RGB 155 242 219, RGB 175 155 242 and RGB 242 155 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

Complementary color

CMYK 66 / 87 / 0 / 61

HEX #220D64

RGB 34 13 100

HSL 254.48, 0.77%, 0.22%

LAB 12.91, 35.2, -46.55

 

CMYK 7 / 0 / 38 / 5

HEX #E2F296

RGB 226 242 150

HSL 70.43, 0.78%, 0.77%

LAB 92.52, -19.21, 42.63

 

CMYK 5 / 0 / 34 / 0

HEX #F3FFA9

RGB 243 255 169

HSL 68.37, 1%, 0.83%

LAB 97.41, -16.96, 39.84

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 9 / 0 / 39 / 12

HEX #CCE088

RGB 204 224 136

HSL 73.64, 0.59%, 0.71%

LAB 85.97, -20.35, 40.86

 

CMYK 9 / 0 / 43 / 19

HEX #BBCE75

RGB 187 206 117

HSL 72.81, 0.48%, 0.63%

LAB 79.61, -20.18, 42.01

 

CMYK 10 / 0 / 48 / 26

HEX #AABC62

RGB 170 188 98

HSL 72, 0.4%, 0.56%

LAB 73.15, -19.96, 43.18

 

CMYK 10 / 0 / 54 / 33

HEX #99AA4F

RGB 153 170 79

HSL 71.21, 0.37%, 0.49%

LAB 66.59, -19.66, 44.32

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 0 / 1 / 36 / 5

HEX #F2EF9B

RGB 242 239 155

HSL 57.93, 0.77%, 0.78%

LAB 93, -11.12, 41.02

 

CMYK 0 / 11 / 36 / 5

HEX #F2D89B

RGB 242 216 155

HSL 42.07, 0.77%, 0.78%

LAB 87.17, 0.49, 33.39

 

CMYK 0 / 20 / 36 / 5

HEX #F2C19B

RGB 242 193 155

HSL 26.21, 0.77%, 0.78%

LAB 81.5, 12.44, 25.8

 

CMYK 0 / 30 / 36 / 5

HEX #F2A99B

RGB 242 169 155

HSL 9.66, 0.77%, 0.78%

LAB 75.84, 25.12, 18.02

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 19 / 0 / 36 / 5

HEX #C5F29B

RGB 197 242 155

HSL 91.03, 0.77%, 0.78%

LAB 90.66, -29.18, 37.37

 

CMYK 28 / 0 / 36 / 5

HEX #AEF29B

RGB 174 242 155

HSL 106.9, 0.77%, 0.78%

LAB 89.33, -37.05, 35.38

 

CMYK 36 / 0 / 34 / 5

HEX #9BF2A0

RGB 155 242 160

HSL 123.45, 0.77%, 0.78%

LAB 88.45, -42.3, 31.53

 

CMYK 36 / 0 / 24 / 5

HEX #9BF2B7

RGB 155 242 183

HSL 139.31, 0.77%, 0.78%

LAB 88.87, -38.38, 20.36

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 10 / 0 / 42 / 2

HEX #E1FB92

RGB 225 251 146

HSL 74.86, 0.93%, 0.78%

LAB 94.77, -24.35, 47.42

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 7 / 0 / 30 / 9

HEX #D8E9A4

RGB 216 233 164

HSL 74.78, 0.61%, 0.78%

LAB 89.65, -16.8, 31.74

 

CMYK 5 / 0 / 22 / 13

HEX #D3DFAD

RGB 211 223 173

HSL 74.4, 0.44%, 0.78%

LAB 86.82, -12.39, 23.21

 

CMYK 3 / 0 / 15 / 16

HEX #CFD6B6

RGB 207 214 182

HSL 73.13, 0.28%, 0.78%

LAB 84.35, -7.89, 15.01

 

CMYK 1 / 0 / 6 / 20

HEX #CACDC0

RGB 202 205 192

HSL 73.85, 0.12%, 0.78%

LAB 81.85, -3.35, 6.1

 

CMYK 0 / 11 / 36 / 5

HEX #F2D89B

RGB 242 216 155

HSL 42.07, 0.77%, 0.78%

LAB 87.17, 0.49, 33.39

 

CMYK 0 / 1 / 36 / 5

HEX #F2EF9B

RGB 242 239 155

HSL 57.93, 0.77%, 0.78%

LAB 93, -11.12, 41.02

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 18 / 0 / 36 / 5

HEX #C6F29B

RGB 198 242 155

HSL 90.34, 0.77%, 0.78%

LAB 90.72, -28.83, 37.47

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 16 / 0 / 65 / 9

HEX #C4E852

RGB 196 232 82

HSL 74.4, 0.77%, 0.62%

LAB 87.03, -32.16, 66.45

 

CMYK 12 / 0 / 50 / 7

HEX #D0ED77

RGB 208 237 119

HSL 74.75, 0.77%, 0.7%

LAB 89.54, -26.88, 53.51

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 5 / 0 / 22 / 4

HEX #E9F6C0

RGB 233 246 192

HSL 74.44, 0.75%, 0.86%

LAB 94.76, -13.16, 24.6

 

CMYK 2 / 0 / 9 / 2

HEX #F6FBE4

RGB 246 251 228

HSL 73.04, 0.74%, 0.94%

LAB 97.71, -5.57, 10.45

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 36 / 0 / 20 / 5

HEX #9BF2C1

RGB 155 242 193

HSL 146.21, 0.77%, 0.78%

LAB 89.07, -36.52, 15.48

 

CMYK 6 / 36 / 0 / 5

HEX #E39BF2

RGB 227 155 242

HSL 289.66, 0.77%, 0.78%

LAB 73.67, 41.06, -32.95

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 36 / 9 / 0 / 5

HEX #9BDDF2

RGB 155 221 242

HSL 194.48, 0.77%, 0.78%

LAB 84.53, -15.66, -16.87

 

CMYK 0 / 36 / 9 / 5

HEX #F29BDD

RGB 242 155 221

HSL 314.48, 0.77%, 0.78%

LAB 74.53, 41.97, -20.02

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 36 / 0 / 20 / 5

HEX #9BF2C1

RGB 155 242 193

HSL 146.21, 0.77%, 0.78%

LAB 89.07, -36.52, 15.48

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF2

RGB 175 155 242

HSL 253.79, 0.77%, 0.78%

LAB 68.73, 25.72, -41.01

 

CMYK 0 / 36 / 16 / 5

HEX #F29BCC

RGB 242 155 204

HSL 326.21, 0.77%, 0.78%

LAB 73.98, 39.23, -11.52

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 36 / 0 / 10 / 5

HEX #9BF2DB

RGB 155 242 219

HSL 164.14, 0.77%, 0.78%

LAB 89.67, -31.23, 2.81

 

CMYK 28 / 36 / 0 / 5

HEX #AF9BF2

RGB 175 155 242

HSL 253.79, 0.77%, 0.78%

LAB 68.73, 25.72, -41.01

 

CMYK 0 / 36 / 26 / 5

HEX #F29BB2

RGB 242 155 178

HSL 344.14, 0.77%, 0.78%

LAB 73.24, 35.44, 1.72

 

Description

Color code: RGB 221 242 155 | qconv.com Color code: RGB 221 242 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 242 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 242 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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