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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 236 130 it is the complementary color RGB 34 19 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 236 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 236 130 shade: RGB 226 236 125, RGB 243 254 144, RGB 255 255 163, RGB 255 255 182 and RGB 255 255 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 236 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 204 218 111, RGB 187 200 92, RGB 170 182 73 and RGB 153 164 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 236 222 130, RGB 236 194 130, RGB 236 165 130 and RGB 236 137 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 192 236 130, RGB 164 236 130, RGB 135 236 130 and RGB 130 236 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 236 130 shade matches the following richer shades: RGB 221 236 130 and RGB 229 247 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 213 224 142, RGB 204 213 153, RGB 196 201 165 and RGB 188 190 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 236 130 shade: RGB 236 194 130, RGB 236 222 130, RGB 222 236 130, RGB 194 236 130 and RGB 165 236 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 236 130 shade: RGB 202 225 58, RGB 211 231 94, RGB 221 236 130, RGB 231 241 166 and RGB 240 247 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 130 236 165 and RGB 208 130 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 130 222 236 and RGB 236 130 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 130 236 165, RGB 144 130 236 and RGB 236 130 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 236 130 shade: RGB 221 236 130, RGB 130 236 197, RGB 144 130 236 and RGB 236 130 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

Complementary color

CMYK 73 / 85 / 0 / 51

HEX #22137D

RGB 34 19 125

HSL 248.49, 0.74%, 0.28%

LAB 16.92, 40.22, -56.16

 

CMYK 4 / 0 / 47 / 7

HEX #E2EC7D

RGB 226 236 125

HSL 65.41, 0.74%, 0.71%

LAB 90.62, -18.9, 52.31

 

CMYK 4 / 0 / 43 / 0

HEX #F3FE90

RGB 243 254 144

HSL 66, 0.98%, 0.78%

LAB 96.8, -19.22, 51.18

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 6 / 0 / 49 / 15

HEX #CCDA6F

RGB 204 218 111

HSL 67.85, 0.59%, 0.65%

LAB 84.03, -20.04, 50.61

 

CMYK 7 / 0 / 54 / 22

HEX #BBC85C

RGB 187 200 92

HSL 67.22, 0.5%, 0.57%

LAB 77.67, -19.66, 51.69

 

CMYK 7 / 0 / 60 / 29

HEX #AAB649

RGB 170 182 73

HSL 66.61, 0.43%, 0.5%

LAB 71.2, -19.18, 52.67

 

CMYK 7 / 0 / 67 / 36

HEX #99A436

RGB 153 164 54

HSL 66, 0.5%, 0.43%

LAB 64.64, -18.57, 53.39

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 0 / 6 / 45 / 7

HEX #ECDE82

RGB 236 222 130

HSL 52.08, 0.74%, 0.72%

LAB 87.82, -7.56, 46.66

 

CMYK 0 / 18 / 45 / 7

HEX #ECC282

RGB 236 194 130

HSL 36.23, 0.74%, 0.72%

LAB 80.75, 6.84, 37.74

 

CMYK 0 / 30 / 45 / 7

HEX #ECA582

RGB 236 165 130

HSL 19.81, 0.74%, 0.72%

LAB 73.78, 22.18, 28.64

 

CMYK 0 / 42 / 45 / 7

HEX #EC8982

RGB 236 137 130

HSL 3.96, 0.74%, 0.72%

LAB 67.53, 36.94, 20.22

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 19 / 0 / 45 / 7

HEX #C0EC82

RGB 192 236 130

HSL 84.91, 0.74%, 0.72%

LAB 88.36, -31.24, 46.63

 

CMYK 31 / 0 / 45 / 7

HEX #A4EC82

RGB 164 236 130

HSL 100.75, 0.74%, 0.72%

LAB 86.75, -41.05, 44.27

 

CMYK 43 / 0 / 45 / 7

HEX #87EC82

RGB 135 236 130

HSL 117.17, 0.74%, 0.72%

LAB 85.38, -50.14, 42.26

 

CMYK 45 / 0 / 35 / 7

HEX #82EC9A

RGB 130 236 154

HSL 133.58, 0.74%, 0.72%

LAB 85.54, -47.87, 30.48

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 7 / 0 / 52 / 3

HEX #E5F777

RGB 229 247 119

HSL 68.44, 0.89%, 0.72%

LAB 93.67, -23.56, 58.76

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 5 / 0 / 37 / 12

HEX #D5E08E

RGB 213 224 142

HSL 68.05, 0.57%, 0.72%

LAB 86.71, -16.23, 38.94

 

CMYK 4 / 0 / 28 / 16

HEX #CCD599

RGB 204 213 153

HSL 69, 0.42%, 0.72%

LAB 83.3, -12.76, 28.71

 

CMYK 2 / 0 / 18 / 21

HEX #C4C9A5

RGB 196 201 165

HSL 68.33, 0.25%, 0.72%

LAB 79.74, -7.87, 17.44

 

CMYK 1 / 0 / 7 / 25

HEX #BCBEB0

RGB 188 190 176

HSL 68.57, 0.1%, 0.72%

LAB 76.47, -3.21, 6.82

 

CMYK 0 / 18 / 45 / 7

HEX #ECC282

RGB 236 194 130

HSL 36.23, 0.74%, 0.72%

LAB 80.75, 6.84, 37.74

 

CMYK 0 / 6 / 45 / 7

HEX #ECDE82

RGB 236 222 130

HSL 52.08, 0.74%, 0.72%

LAB 87.82, -7.56, 46.66

 

CMYK 6 / 0 / 45 / 7

HEX #DEEC82

RGB 222 236 130

HSL 67.92, 0.74%, 0.72%

LAB 90.38, -19.96, 49.58

 

CMYK 18 / 0 / 45 / 7

HEX #C2EC82

RGB 194 236 130

HSL 83.77, 0.74%, 0.72%

LAB 88.48, -30.51, 46.81

 

CMYK 30 / 0 / 45 / 7

HEX #A5EC82

RGB 165 236 130

HSL 100.19, 0.74%, 0.72%

LAB 86.8, -40.72, 44.35

 

CMYK 10 / 0 / 74 / 12

HEX #CAE13A

RGB 202 225 58

HSL 68.26, 0.74%, 0.55%

LAB 85.36, -27.83, 73.48

 

CMYK 9 / 0 / 59 / 9

HEX #D3E75E

RGB 211 231 94

HSL 68.76, 0.74%, 0.64%

LAB 87.88, -24.96, 62.78

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 4 / 0 / 31 / 5

HEX #E7F1A6

RGB 231 241 166

HSL 68, 0.73%, 0.8%

LAB 92.86, -14.94, 35.19

 

CMYK 3 / 0 / 18 / 3

HEX #F0F7CA

RGB 240 247 202

HSL 69.33, 0.74%, 0.88%

LAB 95.71, -9.71, 20.89

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 45 / 0 / 30 / 7

HEX #82ECA5

RGB 130 236 165

HSL 139.81, 0.74%, 0.72%

LAB 85.73, -45.96, 25.12

 

CMYK 12 / 45 / 0 / 7

HEX #D082EC

RGB 208 130 236

HSL 284.15, 0.74%, 0.72%

LAB 66.08, 47.48, -41.62

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 45 / 6 / 0 / 7

HEX #82DEEC

RGB 130 222 236

HSL 187.92, 0.74%, 0.72%

LAB 83.47, -23.85, -15.41

 

CMYK 0 / 45 / 6 / 7

HEX #EC82DE

RGB 236 130 222

HSL 307.92, 0.74%, 0.72%

LAB 68.8, 53.03, -29.4

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 45 / 0 / 30 / 7

HEX #82ECA5

RGB 130 236 165

HSL 139.81, 0.74%, 0.72%

LAB 85.73, -45.96, 25.12

 

CMYK 39 / 45 / 0 / 7

HEX #9082EC

RGB 144 130 236

HSL 247.92, 0.74%, 0.72%

LAB 59.84, 30.18, -51.88

 

CMYK 0 / 45 / 15 / 7

HEX #EC82C9

RGB 236 130 201

HSL 319.81, 0.74%, 0.72%

LAB 68.03, 49.64, -18.9

 

CMYK 6 / 0 / 45 / 7

HEX #DDEC82

RGB 221 236 130

HSL 68.49, 0.74%, 0.72%

LAB 90.31, -20.35, 49.48

 

CMYK 45 / 0 / 17 / 7

HEX #82ECC5

RGB 130 236 197

HSL 157.92, 0.74%, 0.72%

LAB 86.39, -39.65, 9.44

 

CMYK 39 / 45 / 0 / 7

HEX #9082EC

RGB 144 130 236

HSL 247.92, 0.74%, 0.72%

LAB 59.84, 30.18, -51.88

 

CMYK 0 / 45 / 28 / 7

HEX #EC82A9

RGB 236 130 169

HSL 337.92, 0.74%, 0.72%

LAB 67.02, 45.06, -2.43

 

Description

Color code: RGB 221 236 130 | qconv.com Color code: RGB 221 236 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 236 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 236 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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