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Color name
RGB 221 216 196

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 216 196 it is the complementary color RGB 34 39 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 216 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 216 196 shade: RGB 226 216 191, RGB 243 234 210, RGB 255 252 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 216 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 204 198 177, RGB 187 180 158, RGB 170 162 139 and RGB 153 144 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 221 209 196, RGB 221 203 196 and RGB 221 196 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 219 221 196, RGB 213 221 196, RGB 206 221 196 and RGB 199 221 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 216 196 shade matches the following richer shades: RGB 221 216 196, RGB 228 220 189, RGB 236 225 181, RGB 243 229 174 and RGB 251 234 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 214 212 204, RGB 206 207 211, RGB 199 203 218 and RGB 191 198 226

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 216 196 shade: RGB 221 203 196, RGB 221 209 196, RGB 221 216 196, RGB 219 221 196 and RGB 213 221 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 216 196 shade: RGB 191 181 144, RGB 206 199 170, RGB 221 216 196, RGB 236 233 222 and RGB 251 251 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 196 221 196 and RGB 206 196 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 196 221 216 and RGB 216 196 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 196 221 196, RGB 196 201 221 and RGB 221 196 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 216 196 shade: RGB 221 216 196, RGB 196 221 204, RGB 196 201 221 and RGB 221 196 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

Complementary color

CMYK 42 / 34 / 0 / 77

HEX #22273B

RGB 34 39 59

HSL 228, 0.27%, 0.18%

LAB 16.04, 3.85, -13.55

 

CMYK 0 / 4 / 15 / 11

HEX #E2D8BF

RGB 226 216 191

HSL 42.86, 0.38%, 0.82%

LAB 86.52, -0.67, 13.55

 

CMYK 0 / 4 / 14 / 5

HEX #F3EAD2

RGB 243 234 210

HSL 43.64, 0.58%, 0.89%

LAB 92.82, -0.89, 12.74

 

CMYK 0 / 1 / 10 / 0

HEX #FFFCE5

RGB 255 252 229

HSL 53.08, 1%, 0.95%

LAB 98.65, -2.82, 11.36

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 0 / 3 / 13 / 20

HEX #CCC6B1

RGB 204 198 177

HSL 46.67, 0.21%, 0.75%

LAB 79.84, -1.48, 11.27

 

CMYK 0 / 4 / 16 / 27

HEX #BBB49E

RGB 187 180 158

HSL 45.52, 0.18%, 0.68%

LAB 73.33, -1.27, 12.11

 

CMYK 0 / 5 / 18 / 33

HEX #AAA28B

RGB 170 162 139

HSL 44.52, 0.15%, 0.61%

LAB 66.71, -1.03, 13.01

 

CMYK 0 / 6 / 22 / 40

HEX #999078

RGB 153 144 120

HSL 43.64, 0.14%, 0.54%

LAB 59.96, -0.75, 13.97

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 0 / 5 / 11 / 13

HEX #DDD1C4

RGB 221 209 196

HSL 31.2, 0.27%, 0.82%

LAB 84.46, 1.96, 7.92

 

CMYK 0 / 8 / 11 / 13

HEX #DDCBC4

RGB 221 203 196

HSL 16.8, 0.27%, 0.82%

LAB 82.95, 5.1, 5.75

 

CMYK 0 / 11 / 11 / 13

HEX #DDC4C4

RGB 221 196 196

HSL 0, 0.27%, 0.82%

LAB 81.2, 8.8, 3.22

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC4

RGB 219 221 196

HSL 64.8, 0.27%, 0.82%

LAB 87.37, -4.96, 12.05

 

CMYK 4 / 0 / 11 / 13

HEX #D5DDC4

RGB 213 221 196

HSL 79.2, 0.27%, 0.82%

LAB 86.92, -7.07, 11.35

 

CMYK 7 / 0 / 11 / 13

HEX #CEDDC4

RGB 206 221 196

HSL 96, 0.27%, 0.82%

LAB 86.41, -9.51, 10.56

 

CMYK 10 / 0 / 11 / 13

HEX #C7DDC4

RGB 199 221 196

HSL 112.8, 0.27%, 0.82%

LAB 85.93, -11.92, 9.8

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 0 / 4 / 17 / 11

HEX #E4DCBD

RGB 228 220 189

HSL 47.69, 0.42%, 0.82%

LAB 87.66, -2.31, 16.22

 

CMYK 0 / 5 / 23 / 7

HEX #ECE1B5

RGB 236 225 181

HSL 48, 0.59%, 0.82%

LAB 89.4, -3.09, 22.92

 

CMYK 0 / 6 / 28 / 5

HEX #F3E5AE

RGB 243 229 174

HSL 47.83, 0.74%, 0.82%

LAB 90.85, -3.45, 28.59

 

CMYK 0 / 7 / 33 / 2

HEX #FBEAA7

RGB 251 234 167

HSL 47.86, 0.91%, 0.82%

LAB 92.64, -3.82, 34.67

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 0 / 1 / 5 / 16

HEX #D6D4CC

RGB 214 212 204

HSL 48, 0.11%, 0.82%

LAB 84.87, -0.73, 4.18

 

CMYK 2 / 2 / 0 / 17

HEX #CECFD3

RGB 206 207 211

HSL 228, 0.05%, 0.82%

LAB 83.15, 0.4, -2.11

 

CMYK 9 / 7 / 0 / 15

HEX #C7CBDA

RGB 199 203 218

HSL 227.37, 0.2%, 0.82%

LAB 81.79, 1.51, -7.91

 

CMYK 15 / 12 / 0 / 11

HEX #BFC6E2

RGB 191 198 226

HSL 228, 0.38%, 0.82%

LAB 80.15, 3.22, -14.71

 

CMYK 0 / 8 / 11 / 13

HEX #DDCBC4

RGB 221 203 196

HSL 16.8, 0.27%, 0.82%

LAB 82.95, 5.1, 5.75

 

CMYK 0 / 5 / 11 / 13

HEX #DDD1C4

RGB 221 209 196

HSL 31.2, 0.27%, 0.82%

LAB 84.46, 1.96, 7.92

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC4

RGB 219 221 196

HSL 64.8, 0.27%, 0.82%

LAB 87.37, -4.96, 12.05

 

CMYK 4 / 0 / 11 / 13

HEX #D5DDC4

RGB 213 221 196

HSL 79.2, 0.27%, 0.82%

LAB 86.92, -7.07, 11.35

 

CMYK 0 / 5 / 25 / 25

HEX #BFB590

RGB 191 181 144

HSL 47.23, 0.27%, 0.66%

LAB 73.63, -2.39, 20.17

 

CMYK 0 / 3 / 17 / 19

HEX #CEC7AA

RGB 206 199 170

HSL 48.33, 0.27%, 0.74%

LAB 80.11, -2.37, 15.41

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 0 / 1 / 6 / 7

HEX #ECE9DE

RGB 236 233 222

HSL 47.14, 0.27%, 0.9%

LAB 92.3, -0.88, 5.69

 

CMYK 0 / 0 / 1 / 2

HEX #FBFBF9

RGB 251 251 249

HSL 60, 0.2%, 0.98%

LAB 98.57, -0.34, 0.95

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 11 / 0 / 11 / 13

HEX #C4DDC4

RGB 196 221 196

HSL 120, 0.27%, 0.82%

LAB 85.72, -12.94, 9.48

 

CMYK 7 / 11 / 0 / 13

HEX #CEC4DD

RGB 206 196 221

HSL 264, 0.27%, 0.82%

LAB 80.64, 8.14, -11.18

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 11 / 0 / 2 / 13

HEX #C4DDD8

RGB 196 221 216

HSL 168, 0.27%, 0.82%

LAB 86.21, -9.23, -0.37

 

CMYK 2 / 11 / 0 / 13

HEX #D8C4DD

RGB 216 196 221

HSL 288, 0.27%, 0.82%

LAB 81.46, 11.48, -9.87

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 11 / 0 / 11 / 13

HEX #C4DDC4

RGB 196 221 196

HSL 120, 0.27%, 0.82%

LAB 85.72, -12.94, 9.48

 

CMYK 11 / 9 / 0 / 13

HEX #C4C9DD

RGB 196 201 221

HSL 228, 0.27%, 0.82%

LAB 81.14, 2.19, -10.51

 

CMYK 0 / 11 / 0 / 13

HEX #DDC4DD

RGB 221 196 221

HSL 300, 0.27%, 0.82%

LAB 81.88, 13.16, -9.2

 

CMYK 0 / 2 / 11 / 13

HEX #DDD8C4

RGB 221 216 196

HSL 48, 0.27%, 0.82%

LAB 86.24, -1.68, 10.46

 

CMYK 11 / 0 / 8 / 13

HEX #C4DDCC

RGB 196 221 204

HSL 139.2, 0.27%, 0.82%

LAB 85.91, -11.5, 5.53

 

CMYK 11 / 9 / 0 / 13

HEX #C4C9DD

RGB 196 201 221

HSL 228, 0.27%, 0.82%

LAB 81.14, 2.19, -10.51

 

CMYK 0 / 11 / 3 / 13

HEX #DDC4D6

RGB 221 196 214

HSL 316.8, 0.27%, 0.82%

LAB 81.68, 11.89, -5.74

 

Description

Color code: RGB 221 216 196 | qconv.com Color code: RGB 221 216 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 216 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 216 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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