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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 18 197 it is the complementary color RGB 34 237 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 18 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 18 197 shade: RGB 226 18 192, RGB 243 36 211, RGB 255 54 230, RGB 255 72 249 and RGB 255 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 18 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 18 197 shade: RGB 221 18 197, RGB 204 0 178, RGB 187 0 159, RGB 170 0 140 and RGB 153 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 18 197 shade: RGB 221 17 197, RGB 221 17 142, RGB 221 17 87, RGB 221 17 32 and RGB 221 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 18 197 shade: RGB 221 17 197, RGB 190 17 221, RGB 135 17 221, RGB 80 17 221 and RGB 26 17 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 18 197 shade matches the following richer shades: RGB 221 17 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 18 197 shade: RGB 221 17 197, RGB 202 37 182, RGB 182 56 168, RGB 163 76 153 and RGB 144 95 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 18 197 shade: RGB 136 17 221, RGB 191 17 221, RGB 221 17 197, RGB 221 17 143 and RGB 221 17 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 18 197 shade: RGB 145 11 129, RGB 183 14 163, RGB 221 17 197, RGB 237 43 214 and RGB 240 81 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 18 197 shade: RGB 221 18 197, RGB 221 82 17 and RGB 17 221 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 18 197 shade: RGB 221 18 197, RGB 197 221 17 and RGB 17 197 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 18 197 shade: RGB 221 18 197, RGB 221 82 17, RGB 17 221 41 and RGB 17 157 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 18 197 shade: RGB 221 18 197, RGB 221 143 17, RGB 17 221 41 and RGB 17 96 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 11 / 13

HEX #DD12C5

RGB 221 18 197

HSL 307.09, 0.85%, 0.47%

LAB 51.65, 83.45, -42.19

 

Complementary color

CMYK 86 / 0 / 76 / 7

HEX #22ED3A

RGB 34 237 58

HSL 127.09, 0.85%, 0.53%

LAB 82.49, -77.77, 68.52

 

CMYK 0 / 92 / 15 / 11

HEX #E212C0

RGB 226 18 192

HSL 309.81, 0.85%, 0.48%

LAB 52.29, 83.71, -38.22

 

CMYK 0 / 85 / 13 / 5

HEX #F324D3

RGB 243 36 211

HSL 309.28, 0.9%, 0.55%

LAB 57.09, 86.81, -41.38

 

CMYK 0 / 79 / 10 / 0

HEX #FF36E6

RGB 255 54 230

HSL 307.46, 1%, 0.61%

LAB 61.32, 87.99, -45.33

 

CMYK 0 / 72 / 2 / 0

HEX #FF48F9

RGB 255 72 249

HSL 301.97, 1%, 0.64%

LAB 63.95, 85.88, -51.75

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 92 / 11 / 13

HEX #DD12C5

RGB 221 18 197

HSL 307.09, 0.85%, 0.47%

LAB 51.65, 83.45, -42.19

 

CMYK 0 / 100 / 13 / 20

HEX #CC00B2

RGB 204 0 178

HSL 307.65, 1%, 0.4%

LAB 47.04, 79.47, -38.59

 

CMYK 0 / 100 / 15 / 27

HEX #BB009F

RGB 187 0 159

HSL 308.98, 1%, 0.37%

LAB 42.87, 73.94, -34.08

 

CMYK 0 / 100 / 18 / 33

HEX #AA008C

RGB 170 0 140

HSL 310.59, 1%, 0.33%

LAB 38.62, 68.33, -29.43

 

CMYK 0 / 100 / 21 / 40

HEX #990079

RGB 153 0 121

HSL 312.55, 1%, 0.3%

LAB 34.3, 62.61, -24.62

 

CMYK 0 / 92 / 11 / 13

HEX #DD11C5

RGB 221 17 197

HSL 307.06, 0.86%, 0.47%

LAB 51.62, 83.55, -42.25

 

CMYK 0 / 92 / 36 / 13

HEX #DD118E

RGB 221 17 142

HSL 323.24, 0.86%, 0.47%

LAB 49.16, 77.18, -13.57

 

CMYK 0 / 92 / 61 / 13

HEX #DD1157

RGB 221 17 87

HSL 339.41, 0.86%, 0.47%

LAB 47.57, 72.86, 17.83

 

CMYK 0 / 92 / 86 / 13

HEX #DD1120

RGB 221 17 32

HSL 355.59, 0.86%, 0.47%

LAB 46.81, 70.74, 49.02

 

CMYK 0 / 92 / 92 / 13

HEX #DD1111

RGB 221 17 17

HSL 0, 0.86%, 0.47%

LAB 46.73, 70.5, 55.43

 

CMYK 0 / 92 / 11 / 13

HEX #DD11C5

RGB 221 17 197

HSL 307.06, 0.86%, 0.47%

LAB 51.62, 83.55, -42.25

 

CMYK 14 / 92 / 0 / 13

HEX #BE11DD

RGB 190 17 221

HSL 290.88, 0.86%, 0.47%

LAB 47.71, 82, -62.59

 

CMYK 39 / 92 / 0 / 13

HEX #8711DD

RGB 135 17 221

HSL 274.71, 0.86%, 0.47%

LAB 39.19, 74.77, -76.84

 

CMYK 64 / 92 / 0 / 13

HEX #5011DD

RGB 80 17 221

HSL 258.53, 0.86%, 0.47%

LAB 32.54, 70.04, -88.06

 

CMYK 88 / 92 / 0 / 13

HEX #1A11DD

RGB 26 17 221

HSL 242.65, 0.86%, 0.47%

LAB 29.01, 68.02, -94.03

 

CMYK 0 / 92 / 11 / 13

HEX #DD11C5

RGB 221 17 197

HSL 307.06, 0.86%, 0.47%

LAB 51.62, 83.55, -42.25

 

CMYK 0 / 92 / 11 / 13

HEX #DD11C5

RGB 221 17 197

HSL 307.06, 0.86%, 0.47%

LAB 51.62, 83.55, -42.25

 

CMYK 0 / 82 / 10 / 21

HEX #CA25B6

RGB 202 37 182

HSL 307.27, 0.69%, 0.47%

LAB 48.58, 74.68, -38.53

 

CMYK 0 / 69 / 8 / 29

HEX #B638A8

RGB 182 56 168

HSL 306.67, 0.53%, 0.47%

LAB 46.45, 62.63, -33.87

 

CMYK 0 / 53 / 6 / 36

HEX #A34C99

RGB 163 76 153

HSL 306.9, 0.36%, 0.47%

LAB 45.98, 46.38, -25.89

 

CMYK 0 / 34 / 4 / 44

HEX #905F8A

RGB 144 95 138

HSL 307.35, 0.21%, 0.47%

LAB 46.91, 27.14, -15.71

 

CMYK 38 / 92 / 0 / 13

HEX #8811DD

RGB 136 17 221

HSL 275, 0.86%, 0.47%

LAB 39.34, 74.88, -76.6

 

CMYK 14 / 92 / 0 / 13

HEX #BF11DD

RGB 191 17 221

HSL 291.18, 0.86%, 0.47%

LAB 47.88, 82.15, -62.32

 

CMYK 0 / 92 / 11 / 13

HEX #DD11C5

RGB 221 17 197

HSL 307.06, 0.86%, 0.47%

LAB 51.62, 83.55, -42.25

 

CMYK 0 / 92 / 35 / 13

HEX #DD118F

RGB 221 17 143

HSL 322.94, 0.86%, 0.47%

LAB 49.2, 77.27, -14.12

 

CMYK 0 / 92 / 60 / 13

HEX #DD1159

RGB 221 17 89

HSL 338.82, 0.86%, 0.47%

LAB 47.62, 72.98, 16.65

 

CMYK 0 / 92 / 11 / 43

HEX #910B81

RGB 145 11 129

HSL 307.16, 0.86%, 0.31%

LAB 33.66, 60.65, -30.76

 

CMYK 0 / 92 / 11 / 28

HEX #B70EA3

RGB 183 14 163

HSL 307.1, 0.86%, 0.39%

LAB 42.8, 72.35, -36.63

 

CMYK 0 / 92 / 11 / 13

HEX #DD11C5

RGB 221 17 197

HSL 307.06, 0.86%, 0.47%

LAB 51.62, 83.55, -42.25

 

CMYK 0 / 82 / 10 / 7

HEX #ED2BD6

RGB 237 43 214

HSL 307.11, 0.84%, 0.55%

LAB 56.67, 84.73, -43.83

 

CMYK 0 / 66 / 8 / 6

HEX #F051DE

RGB 240 81 222

HSL 306.79, 0.84%, 0.63%

LAB 61.38, 75.57, -40.9

 

CMYK 0 / 92 / 11 / 13

HEX #DD12C5

RGB 221 18 197

HSL 307.09, 0.85%, 0.47%

LAB 51.65, 83.45, -42.19

 

CMYK 0 / 63 / 92 / 13

HEX #DD5211

RGB 221 82 17

HSL 19.12, 0.86%, 0.47%

LAB 53.44, 51.91, 59.76

 

CMYK 92 / 0 / 26 / 13

HEX #11DDA3

RGB 17 221 163

HSL 162.94, 0.86%, 0.47%

LAB 78.74, -58.01, 16.11

 

CMYK 0 / 92 / 11 / 13

HEX #DD12C5

RGB 221 18 197

HSL 307.09, 0.85%, 0.47%

LAB 51.65, 83.45, -42.19

 

CMYK 11 / 0 / 92 / 13

HEX #C5DD11

RGB 197 221 17

HSL 67.06, 0.86%, 0.47%

LAB 83.77, -29.17, 81.1

 

CMYK 92 / 11 / 0 / 13

HEX #11C5DD

RGB 17 197 221

HSL 187.06, 0.86%, 0.47%

LAB 73.07, -31.62, -23.37

 

CMYK 0 / 92 / 11 / 13

HEX #DD12C5

RGB 221 18 197

HSL 307.09, 0.85%, 0.47%

LAB 51.65, 83.45, -42.19

 

CMYK 0 / 63 / 92 / 13

HEX #DD5211

RGB 221 82 17

HSL 19.12, 0.86%, 0.47%

LAB 53.44, 51.91, 59.76

 

CMYK 92 / 0 / 81 / 13

HEX #11DD29

RGB 17 221 41

HSL 127.06, 0.86%, 0.47%

LAB 77.28, -75.46, 68.42

 

CMYK 92 / 29 / 0 / 13

HEX #119DDD

RGB 17 157 221

HSL 198.82, 0.86%, 0.47%

LAB 61.18, -10.87, -41.78

 

CMYK 0 / 92 / 11 / 13

HEX #DD12C5

RGB 221 18 197

HSL 307.09, 0.85%, 0.47%

LAB 51.65, 83.45, -42.19

 

CMYK 0 / 35 / 92 / 13

HEX #DD8F11

RGB 221 143 17

HSL 37.06, 0.86%, 0.47%

LAB 65.79, 21.33, 68.45

 

CMYK 92 / 0 / 81 / 13

HEX #11DD29

RGB 17 221 41

HSL 127.06, 0.86%, 0.47%

LAB 77.28, -75.46, 68.42

 

CMYK 92 / 57 / 0 / 13

HEX #1160DD

RGB 17 96 221

HSL 216.76, 0.86%, 0.47%

LAB 43.81, 26.47, -69.61

 

Description

Color code: RGB 221 18 197 | qconv.com Color code: RGB 221 18 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 18 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 18 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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