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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 161 178 it is the complementary color RGB 34 94 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 161 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 161 178 shade: RGB 226 161 173, RGB 243 179 192, RGB 255 197 211, RGB 255 215 230 and RGB 255 233 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 161 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 204 143 159, RGB 187 125 140, RGB 170 107 121 and RGB 153 89 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 221 161 162 and RGB 221 161 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 221 161 194, RGB 221 161 210, RGB 215 161 221 and RGB 199 161 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 161 178 shade matches the following richer shades: RGB 221 161 178, RGB 231 150 173, RGB 241 140 169 and RGB 252 130 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 210 171 182, RGB 200 181 187, RGB 190 192 191 and RGB 179 202 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 161 178 shade: RGB 221 161 210, RGB 221 161 194, RGB 221 161 178, RGB 221 161 162 and RGB 221 176 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 161 178 shade: RGB 199 100 128, RGB 210 130 153, RGB 221 161 178, RGB 232 191 203 and RGB 243 221 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 221 216 161 and RGB 161 202 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 178 221 161 and RGB 161 178 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 221 216 161, RGB 161 221 204 and RGB 161 166 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 161 178 shade: RGB 221 161 178, RGB 208 221 161, RGB 161 221 204 and RGB 174 161 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

Complementary color

CMYK 64 / 0 / 18 / 63

HEX #225E4D

RGB 34 94 77

HSL 163, 0.47%, 0.25%

LAB 35.75, -23.97, 4.03

 

CMYK 0 / 29 / 23 / 11

HEX #E2A1AD

RGB 226 161 173

HSL 348.92, 0.53%, 0.76%

LAB 72.68, 25.79, 3.44

 

CMYK 0 / 26 / 21 / 5

HEX #F3B3C0

RGB 243 179 192

HSL 347.81, 0.73%, 0.83%

LAB 79.1, 25.11, 2.58

 

CMYK 0 / 23 / 17 / 0

HEX #FFC5D3

RGB 255 197 211

HSL 345.52, 1%, 0.89%

LAB 84.94, 22.72, 1.01

 

CMYK 0 / 16 / 10 / 0

HEX #FFD7E6

RGB 255 215 230

HSL 337.5, 1%, 0.92%

LAB 89.66, 16.3, -2.16

 

CMYK 0 / 9 / 2 / 0

HEX #FFE9F9

RGB 255 233 249

HSL 316.36, 1%, 0.96%

LAB 94.47, 10.18, -5.02

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 30 / 22 / 20

HEX #CC8F9F

RGB 204 143 159

HSL 344.26, 0.37%, 0.68%

LAB 65.74, 25.42, 0.87

 

CMYK 0 / 33 / 25 / 27

HEX #BB7D8C

RGB 187 125 140

HSL 345.48, 0.31%, 0.61%

LAB 59.09, 26.19, 1.78

 

CMYK 0 / 37 / 29 / 33

HEX #AA6B79

RGB 170 107 121

HSL 346.67, 0.27%, 0.54%

LAB 52.33, 27.04, 2.81

 

CMYK 0 / 42 / 33 / 40

HEX #995966

RGB 153 89 102

HSL 347.81, 0.26%, 0.47%

LAB 45.46, 27.97, 3.99

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 27 / 27 / 13

HEX #DDA1A2

RGB 221 161 162

HSL 359, 0.47%, 0.75%

LAB 71.87, 22.39, 8.28

 

CMYK 0 / 27 / 27 / 13

HEX #DDA1A1

RGB 221 161 161

HSL 0, 0.47%, 0.75%

LAB 71.85, 22.25, 8.8

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 27 / 12 / 13

HEX #DDA1C2

RGB 221 161 194

HSL 327, 0.47%, 0.75%

LAB 72.73, 27.26, -8.13

 

CMYK 0 / 27 / 5 / 13

HEX #DDA1D2

RGB 221 161 210

HSL 311, 0.47%, 0.75%

LAB 73.23, 30.01, -16.18

 

CMYK 3 / 27 / 0 / 13

HEX #D7A1DD

RGB 215 161 221

HSL 294, 0.47%, 0.75%

LAB 73, 30.06, -22.63

 

CMYK 10 / 27 / 0 / 13

HEX #C7A1DD

RGB 199 161 221

HSL 278, 0.47%, 0.75%

LAB 71.45, 24.91, -25.12

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 35 / 25 / 9

HEX #E796AD

RGB 231 150 173

HSL 342.96, 0.63%, 0.75%

LAB 70.75, 33.47, 0.7

 

CMYK 0 / 42 / 30 / 5

HEX #F18CA9

RGB 241 140 169

HSL 342.77, 0.78%, 0.75%

LAB 69.7, 41.68, 1.55

 

CMYK 0 / 48 / 35 / 1

HEX #FC82A4

RGB 252 130 164

HSL 343.28, 0.95%, 0.75%

LAB 69, 49.85, 3.52

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 19 / 13 / 18

HEX #D2ABB6

RGB 210 171 182

HSL 343.08, 0.3%, 0.75%

LAB 73.68, 15.96, -0.26

 

CMYK 0 / 10 / 7 / 22

HEX #C8B5BB

RGB 200 181 187

HSL 341.05, 0.15%, 0.75%

LAB 75.4, 7.81, -0.59

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BF

RGB 190 192 191

HSL 150, 0.02%, 0.75%

LAB 77.52, -0.87, 0.25

 

CMYK 11 / 0 / 3 / 21

HEX #B3CAC4

RGB 179 202 196

HSL 164.35, 0.18%, 0.75%

LAB 79.51, -8.91, 0.35

 

CMYK 0 / 27 / 5 / 13

HEX #DDA1D2

RGB 221 161 210

HSL 311, 0.47%, 0.75%

LAB 73.23, 30.01, -16.18

 

CMYK 0 / 27 / 12 / 13

HEX #DDA1C2

RGB 221 161 194

HSL 327, 0.47%, 0.75%

LAB 72.73, 27.26, -8.13

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 27 / 27 / 13

HEX #DDA1A2

RGB 221 161 162

HSL 359, 0.47%, 0.75%

LAB 71.87, 22.39, 8.28

 

CMYK 0 / 20 / 27 / 13

HEX #DDB0A1

RGB 221 176 161

HSL 15, 0.47%, 0.75%

LAB 75.45, 14.18, 13.9

 

CMYK 0 / 50 / 36 / 22

HEX #C76480

RGB 199 100 128

HSL 343.03, 0.47%, 0.59%

LAB 54.88, 42.34, 2.86

 

CMYK 0 / 38 / 27 / 18

HEX #D28299

RGB 210 130 153

HSL 342.75, 0.47%, 0.67%

LAB 63.32, 33.79, 0.82

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 18 / 13 / 9

HEX #E8BFCB

RGB 232 191 203

HSL 342.44, 0.47%, 0.83%

LAB 81.14, 16.51, -0.51

 

CMYK 0 / 9 / 7 / 5

HEX #F3DDE3

RGB 243 221 227

HSL 343.64, 0.48%, 0.91%

LAB 90, 8.55, -0.2

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 2 / 27 / 13

HEX #DDD8A1

RGB 221 216 161

HSL 55, 0.47%, 0.75%

LAB 85.53, -6.81, 27.8

 

CMYK 27 / 9 / 0 / 13

HEX #A1CADD

RGB 161 202 221

HSL 199, 0.47%, 0.75%

LAB 79.06, -9.19, -13.86

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 19 / 0 / 27 / 13

HEX #B2DDA1

RGB 178 221 161

HSL 103, 0.47%, 0.75%

LAB 83.84, -24.96, 24.99

 

CMYK 27 / 19 / 0 / 13

HEX #A1B2DD

RGB 161 178 221

HSL 223, 0.47%, 0.75%

LAB 72.65, 3.69, -23.56

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 0 / 2 / 27 / 13

HEX #DDD8A1

RGB 221 216 161

HSL 55, 0.47%, 0.75%

LAB 85.53, -6.81, 27.8

 

CMYK 27 / 0 / 8 / 13

HEX #A1DDCC

RGB 161 221 204

HSL 163, 0.47%, 0.75%

LAB 83.78, -22.6, 2.18

 

CMYK 27 / 25 / 0 / 13

HEX #A1A6DD

RGB 161 166 221

HSL 235, 0.47%, 0.75%

LAB 69.52, 10.35, -28.36

 

CMYK 0 / 27 / 19 / 13

HEX #DDA1B2

RGB 221 161 178

HSL 343, 0.47%, 0.75%

LAB 72.28, 24.72, 0.03

 

CMYK 6 / 0 / 27 / 13

HEX #D0DDA1

RGB 208 221 161

HSL 73, 0.47%, 0.75%

LAB 85.85, -14.19, 28.07

 

CMYK 27 / 0 / 8 / 13

HEX #A1DDCC

RGB 161 221 204

HSL 163, 0.47%, 0.75%

LAB 83.78, -22.6, 2.18

 

CMYK 21 / 27 / 0 / 13

HEX #AEA1DD

RGB 174 161 221

HSL 253, 0.47%, 0.75%

LAB 69.26, 17.08, -28.67

 

Description

Color code: RGB 221 161 178 | qconv.com Color code: RGB 221 161 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 161 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 161 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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