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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 169 145 it is the complementary color RGB 34 86 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 169 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 169 145 shade: RGB 226 169 140, RGB 243 187 159, RGB 255 205 178, RGB 255 223 197 and RGB 255 241 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 169 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 204 151 126, RGB 187 133 107, RGB 170 115 88 and RGB 153 97 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 221 149 145 and RGB 221 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 221 190 145, RGB 221 210 145, RGB 211 221 145 and RGB 191 221 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 169 145 shade matches the following richer shades: RGB 221 169 145, RGB 232 165 134 and RGB 244 161 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 209 173 157, RGB 198 178 168, RGB 186 182 180 and RGB 175 186 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 169 145 shade: RGB 221 145 163, RGB 221 148 145, RGB 221 168 145, RGB 221 188 145 and RGB 221 208 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 169 145 shade: RGB 202 120 82, RGB 211 145 114, RGB 221 169 145, RGB 231 194 177 and RGB 240 218 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 183 221 145 and RGB 145 153 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 145 221 168 and RGB 168 145 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 183 221 145, RGB 145 198 221 and RGB 183 145 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 169 145 shade: RGB 221 169 145, RGB 160 221 145, RGB 145 198 221 and RGB 206 145 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

Complementary color

CMYK 69 / 22 / 0 / 57

HEX #22566E

RGB 34 86 110

HSL 198.95, 0.53%, 0.28%

LAB 34.23, -8.94, -18.84

 

CMYK 0 / 25 / 38 / 11

HEX #E2A98C

RGB 226 169 140

HSL 20.23, 0.6%, 0.72%

LAB 73.83, 17.2, 23.13

 

CMYK 0 / 23 / 35 / 5

HEX #F3BB9F

RGB 243 187 159

HSL 20, 0.78%, 0.79%

LAB 80.23, 16.46, 21.96

 

CMYK 0 / 20 / 30 / 0

HEX #FFCDB2

RGB 255 205 178

HSL 21.04, 1%, 0.85%

LAB 86.07, 13.92, 20.14

 

CMYK 0 / 13 / 23 / 0

HEX #FFDFC5

RGB 255 223 197

HSL 26.9, 1%, 0.89%

LAB 90.81, 7.14, 16.8

 

CMYK 0 / 5 / 15 / 0

HEX #FFF1D8

RGB 255 241 216

HSL 38.46, 1%, 0.92%

LAB 95.63, 0.71, 13.76

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 0 / 26 / 38 / 20

HEX #CC977E

RGB 204 151 126

HSL 19.23, 0.43%, 0.65%

LAB 66.88, 16.61, 20.95

 

CMYK 0 / 29 / 43 / 27

HEX #BB856B

RGB 187 133 107

HSL 19.5, 0.37%, 0.58%

LAB 60.25, 17.48, 22.25

 

CMYK 0 / 32 / 48 / 33

HEX #AA7358

RGB 170 115 88

HSL 19.76, 0.33%, 0.51%

LAB 53.51, 18.49, 23.7

 

CMYK 0 / 37 / 55 / 40

HEX #996145

RGB 153 97 69

HSL 20, 0.38%, 0.44%

LAB 46.65, 19.66, 25.32

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 0 / 33 / 34 / 13

HEX #DD9591

RGB 221 149 145

HSL 3.16, 0.53%, 0.72%

LAB 68.69, 26.61, 13.19

 

CMYK 0 / 34 / 34 / 13

HEX #DD9191

RGB 221 145 145

HSL 0, 0.53%, 0.72%

LAB 67.77, 28.76, 11.91

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 0 / 14 / 34 / 13

HEX #DDBE91

RGB 221 190 145

HSL 35.53, 0.53%, 0.72%

LAB 78.6, 4.66, 26.83

 

CMYK 0 / 5 / 34 / 13

HEX #DDD291

RGB 221 210 145

HSL 51.32, 0.53%, 0.72%

LAB 83.71, -5.74, 33.63

 

CMYK 5 / 0 / 34 / 13

HEX #D3DD91

RGB 211 221 145

HSL 67.89, 0.53%, 0.72%

LAB 85.81, -15.15, 36.23

 

CMYK 14 / 0 / 34 / 13

HEX #BFDD91

RGB 191 221 145

HSL 83.68, 0.53%, 0.72%

LAB 84.4, -22.63, 34.12

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 0 / 29 / 42 / 9

HEX #E8A586

RGB 232 165 134

HSL 18.98, 0.68%, 0.72%

LAB 73.41, 21.02, 25.91

 

CMYK 0 / 34 / 50 / 4

HEX #F4A17A

RGB 244 161 122

HSL 19.18, 0.85%, 0.72%

LAB 73.63, 26.67, 32.9

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 0 / 17 / 25 / 18

HEX #D1AD9D

RGB 209 173 157

HSL 18.46, 0.36%, 0.72%

LAB 73.47, 10.67, 13.12

 

CMYK 0 / 10 / 15 / 22

HEX #C6B2A8

RGB 198 178 168

HSL 20, 0.21%, 0.72%

LAB 73.98, 5.5, 7.71

 

CMYK 0 / 2 / 3 / 27

HEX #BAB6B4

RGB 186 182 180

HSL 20, 0.04%, 0.72%

LAB 74.31, 1.05, 1.51

 

CMYK 8 / 3 / 0 / 25

HEX #AFBABF

RGB 175 186 191

HSL 198.75, 0.11%, 0.72%

LAB 74.82, -2.81, -3.84

 

CMYK 0 / 34 / 26 / 13

HEX #DD91A3

RGB 221 145 163

HSL 345.79, 0.53%, 0.72%

LAB 68.22, 31.13, 2.46

 

CMYK 0 / 33 / 34 / 13

HEX #DD9491

RGB 221 148 145

HSL 2.37, 0.53%, 0.72%

LAB 68.46, 27.15, 12.87

 

CMYK 0 / 24 / 34 / 13

HEX #DDA891

RGB 221 168 145

HSL 18.16, 0.53%, 0.72%

LAB 73.17, 16.39, 19.43

 

CMYK 0 / 15 / 34 / 13

HEX #DDBC91

RGB 221 188 145

HSL 33.95, 0.53%, 0.72%

LAB 78.1, 5.71, 26.15

 

CMYK 0 / 6 / 34 / 13

HEX #DDD091

RGB 221 208 145

HSL 49.74, 0.53%, 0.72%

LAB 83.19, -4.72, 32.95

 

CMYK 0 / 41 / 59 / 21

HEX #CA7852

RGB 202 120 82

HSL 19, 0.53%, 0.56%

LAB 58.6, 28.43, 34.36

 

CMYK 0 / 31 / 46 / 17

HEX #D39172

RGB 211 145 114

HSL 19.18, 0.52%, 0.64%

LAB 65.99, 21.36, 26.5

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 0 / 16 / 23 / 9

HEX #E7C2B1

RGB 231 194 177

HSL 18.89, 0.53%, 0.8%

LAB 81.15, 10.59, 13.45

 

CMYK 0 / 9 / 13 / 6

HEX #F0DAD0

RGB 240 218 208

HSL 18.75, 0.52%, 0.88%

LAB 88.55, 5.96, 7.66

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 17 / 0 / 34 / 13

HEX #B7DD91

RGB 183 221 145

HSL 90, 0.53%, 0.72%

LAB 83.87, -25.54, 33.33

 

CMYK 34 / 31 / 0 / 13

HEX #9199DD

RGB 145 153 221

HSL 233.68, 0.53%, 0.72%

LAB 64.98, 13.11, -35.48

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 34 / 0 / 24 / 13

HEX #91DDA8

RGB 145 221 168

HSL 138.16, 0.53%, 0.72%

LAB 82.14, -34.48, 18.72

 

CMYK 24 / 34 / 0 / 13

HEX #A891DD

RGB 168 145 221

HSL 258.16, 0.53%, 0.72%

LAB 64.8, 24.3, -35.62

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 17 / 0 / 34 / 13

HEX #B7DD91

RGB 183 221 145

HSL 90, 0.53%, 0.72%

LAB 83.87, -25.54, 33.33

 

CMYK 34 / 10 / 0 / 13

HEX #91C6DD

RGB 145 198 221

HSL 198.16, 0.53%, 0.72%

LAB 77.06, -11.64, -16.97

 

CMYK 17 / 34 / 0 / 13

HEX #B791DD

RGB 183 145 221

HSL 270, 0.53%, 0.72%

LAB 66.17, 28.79, -33.39

 

CMYK 0 / 24 / 34 / 13

HEX #DDA991

RGB 221 169 145

HSL 18.95, 0.53%, 0.72%

LAB 73.41, 15.85, 19.76

 

CMYK 28 / 0 / 34 / 13

HEX #A0DD91

RGB 160 221 145

HSL 108.16, 0.53%, 0.72%

LAB 82.5, -33.55, 31.27

 

CMYK 34 / 10 / 0 / 13

HEX #91C6DD

RGB 145 198 221

HSL 198.16, 0.53%, 0.72%

LAB 77.06, -11.64, -16.97

 

CMYK 7 / 34 / 0 / 13

HEX #CE91DD

RGB 206 145 221

HSL 288.16, 0.53%, 0.72%

LAB 68.46, 35.87, -29.67

 

Description

Color code: RGB 221 169 145 | qconv.com Color code: RGB 221 169 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 169 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 169 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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