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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 155 215 it is the complementary color RGB 34 100 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 155 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 155 215 shade: RGB 226 155 210, RGB 243 173 229, RGB 255 191 248, RGB 255 209 255 and RGB 255 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 155 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 155 215 shade: RGB 221 155 215, RGB 204 137 196, RGB 187 119 177, RGB 170 101 158 and RGB 153 83 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 155 215 shade: RGB 221 156 215, RGB 221 156 197, RGB 221 156 180, RGB 221 156 162 and RGB 221 156 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 155 215 shade: RGB 221 156 215, RGB 209 156 221, RGB 192 156 221, RGB 174 156 221 and RGB 157 156 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 155 215 shade matches the following richer shades: RGB 221 156 215, RGB 231 145 224, RGB 242 134 232 and RGB 253 124 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 155 215 shade: RGB 221 156 215, RGB 210 166 206, RGB 199 177 197, RGB 189 188 188 and RGB 178 199 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 155 215 shade: RGB 191 156 221, RGB 209 156 221, RGB 221 156 215, RGB 221 156 198 and RGB 221 156 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 155 215 shade: RGB 200 94 190, RGB 210 125 202, RGB 221 156 215, RGB 231 186 227 and RGB 242 217 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 155 215 shade: RGB 221 155 215, RGB 221 174 156 and RGB 156 221 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 155 215 shade: RGB 221 155 215, RGB 215 221 156 and RGB 156 215 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 155 215 shade: RGB 221 155 215, RGB 221 174 156, RGB 156 221 161 and RGB 156 202 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 155 215 shade: RGB 221 155 215, RGB 221 194 156, RGB 156 221 161 and RGB 156 183 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 3 / 13

HEX #DD9BD7

RGB 221 155 215

HSL 305.45, 0.49%, 0.74%

LAB 72.04, 34.13, -20.73

 

Complementary color

CMYK 66 / 0 / 60 / 61

HEX #226428

RGB 34 100 40

HSL 125.45, 0.49%, 0.26%

LAB 37.13, -34.45, 27.61

 

CMYK 0 / 31 / 7 / 11

HEX #E29BD2

RGB 226 155 210

HSL 313.52, 0.55%, 0.75%

LAB 72.4, 34.89, -17.38

 

CMYK 0 / 29 / 6 / 5

HEX #F3ADE5

RGB 243 173 229

HSL 312, 0.74%, 0.82%

LAB 78.81, 34.21, -17.89

 

CMYK 0 / 25 / 3 / 0

HEX #FFBFF8

RGB 255 191 248

HSL 306.56, 1%, 0.87%

LAB 84.64, 31.95, -19.17

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 30 / 3 / 13

HEX #DD9BD7

RGB 221 155 215

HSL 305.45, 0.49%, 0.74%

LAB 72.04, 34.13, -20.73

 

CMYK 0 / 33 / 4 / 20

HEX #CC89C4

RGB 204 137 196

HSL 307.16, 0.4%, 0.67%

LAB 65.53, 34.83, -20.26

 

CMYK 0 / 36 / 5 / 27

HEX #BB77B1

RGB 187 119 177

HSL 308.82, 0.33%, 0.6%

LAB 58.91, 35.57, -19.76

 

CMYK 0 / 41 / 7 / 33

HEX #AA659E

RGB 170 101 158

HSL 310.43, 0.29%, 0.53%

LAB 52.2, 36.35, -19.19

 

CMYK 0 / 46 / 9 / 40

HEX #99538B

RGB 153 83 139

HSL 312, 0.3%, 0.46%

LAB 45.39, 37.13, -18.53

 

CMYK 0 / 29 / 3 / 13

HEX #DD9CD7

RGB 221 156 215

HSL 305.54, 0.49%, 0.74%

LAB 72.27, 33.59, -20.39

 

CMYK 0 / 29 / 11 / 13

HEX #DD9CC5

RGB 221 156 197

HSL 322.15, 0.49%, 0.74%

LAB 71.68, 30.46, -11.36

 

CMYK 0 / 29 / 19 / 13

HEX #DD9CB4

RGB 221 156 180

HSL 337.85, 0.49%, 0.74%

LAB 71.18, 27.72, -2.69

 

CMYK 0 / 29 / 27 / 13

HEX #DD9CA2

RGB 221 156 162

HSL 354.46, 0.49%, 0.74%

LAB 70.7, 25.08, 6.61

 

CMYK 0 / 29 / 29 / 13

HEX #DD9C9C

RGB 221 156 156

HSL 0, 0.49%, 0.74%

LAB 70.56, 24.26, 9.73

 

CMYK 0 / 29 / 3 / 13

HEX #DD9CD7

RGB 221 156 215

HSL 305.54, 0.49%, 0.74%

LAB 72.27, 33.59, -20.39

 

CMYK 5 / 29 / 0 / 13

HEX #D19CDD

RGB 209 156 221

HSL 288.92, 0.49%, 0.74%

LAB 71.25, 30.84, -25.35

 

CMYK 13 / 29 / 0 / 13

HEX #C09CDD

RGB 192 156 221

HSL 273.23, 0.49%, 0.74%

LAB 69.61, 25.45, -28

 

CMYK 21 / 29 / 0 / 13

HEX #AE9CDD

RGB 174 156 221

HSL 256.62, 0.49%, 0.74%

LAB 68.02, 19.88, -30.59

 

CMYK 29 / 29 / 0 / 13

HEX #9D9CDD

RGB 157 156 221

HSL 240.92, 0.49%, 0.74%

LAB 66.65, 14.82, -32.82

 

CMYK 0 / 29 / 3 / 13

HEX #DD9CD7

RGB 221 156 215

HSL 305.54, 0.49%, 0.74%

LAB 72.27, 33.59, -20.39

 

CMYK 0 / 37 / 3 / 9

HEX #E791E0

RGB 231 145 224

HSL 304.88, 0.64%, 0.74%

LAB 71.3, 44.22, -26.72

 

CMYK 0 / 45 / 4 / 5

HEX #F286E8

RGB 242 134 232

HSL 305.56, 0.81%, 0.74%

LAB 70.7, 54.51, -31.93

 

CMYK 0 / 51 / 5 / 1

HEX #FD7CF1

RGB 253 124 241

HSL 305.58, 0.97%, 0.74%

LAB 70.63, 63.92, -36.87

 

CMYK 0 / 29 / 3 / 13

HEX #DD9CD7

RGB 221 156 215

HSL 305.54, 0.49%, 0.74%

LAB 72.27, 33.59, -20.39

 

CMYK 0 / 21 / 2 / 18

HEX #D2A6CE

RGB 210 166 206

HSL 305.45, 0.33%, 0.74%

LAB 73.17, 22.87, -14.18

 

CMYK 0 / 11 / 1 / 22

HEX #C7B1C5

RGB 199 177 197

HSL 305.45, 0.16%, 0.74%

LAB 74.58, 11.44, -7.25

 

CMYK 0 / 1 / 1 / 26

HEX #BDBCBC

RGB 189 188 188

HSL 0, 0.01%, 0.74%

LAB 76.32, 0.35, 0.11

 

CMYK 11 / 0 / 10 / 22

HEX #B2C7B4

RGB 178 199 180

HSL 125.71, 0.16%, 0.74%

LAB 78.23, -10.72, 7.1

 

CMYK 14 / 29 / 0 / 13

HEX #BF9CDD

RGB 191 156 221

HSL 272.31, 0.49%, 0.74%

LAB 69.52, 25.14, -28.15

 

CMYK 5 / 29 / 0 / 13

HEX #D19CDD

RGB 209 156 221

HSL 288.92, 0.49%, 0.74%

LAB 71.25, 30.84, -25.35

 

CMYK 0 / 29 / 3 / 13

HEX #DD9CD7

RGB 221 156 215

HSL 305.54, 0.49%, 0.74%

LAB 72.27, 33.59, -20.39

 

CMYK 0 / 29 / 10 / 13

HEX #DD9CC6

RGB 221 156 198

HSL 321.23, 0.49%, 0.74%

LAB 71.71, 30.62, -11.86

 

CMYK 0 / 29 / 18 / 13

HEX #DD9CB5

RGB 221 156 181

HSL 336.92, 0.49%, 0.74%

LAB 71.2, 27.88, -3.2

 

CMYK 0 / 53 / 5 / 22

HEX #C85EBE

RGB 200 94 190

HSL 305.66, 0.49%, 0.58%

LAB 56.09, 54.73, -31.43

 

CMYK 0 / 40 / 4 / 18

HEX #D27DCA

RGB 210 125 202

HSL 305.65, 0.49%, 0.66%

LAB 63.86, 44.22, -26.12

 

CMYK 0 / 29 / 3 / 13

HEX #DD9CD7

RGB 221 156 215

HSL 305.54, 0.49%, 0.74%

LAB 72.27, 33.59, -20.39

 

CMYK 0 / 19 / 2 / 9

HEX #E7BAE3

RGB 231 186 227

HSL 305.33, 0.48%, 0.82%

LAB 80.55, 22.96, -14.32

 

CMYK 0 / 10 / 1 / 5

HEX #F2D9F0

RGB 242 217 240

HSL 304.8, 0.49%, 0.9%

LAB 89.3, 12.57, -8.08

 

CMYK 0 / 30 / 3 / 13

HEX #DD9BD7

RGB 221 155 215

HSL 305.45, 0.49%, 0.74%

LAB 72.04, 34.13, -20.73

 

CMYK 0 / 21 / 29 / 13

HEX #DDAE9C

RGB 221 174 156

HSL 16.62, 0.49%, 0.74%

LAB 74.85, 14.57, 15.78

 

CMYK 29 / 0 / 10 / 13

HEX #9CDDC8

RGB 156 221 200

HSL 160.62, 0.49%, 0.74%

LAB 83.42, -24.91, 3.73

 

CMYK 0 / 30 / 3 / 13

HEX #DD9BD7

RGB 221 155 215

HSL 305.45, 0.49%, 0.74%

LAB 72.04, 34.13, -20.73

 

CMYK 3 / 0 / 29 / 13

HEX #D7DD9C

RGB 215 221 156

HSL 65.54, 0.49%, 0.74%

LAB 86.29, -12.25, 31.31

 

CMYK 29 / 3 / 0 / 13

HEX #9CD7DD

RGB 156 215 221

HSL 185.54, 0.49%, 0.74%

LAB 82.32, -17.32, -9.03

 

CMYK 0 / 30 / 3 / 13

HEX #DD9BD7

RGB 221 155 215

HSL 305.45, 0.49%, 0.74%

LAB 72.04, 34.13, -20.73

 

CMYK 0 / 21 / 29 / 13

HEX #DDAE9C

RGB 221 174 156

HSL 16.62, 0.49%, 0.74%

LAB 74.85, 14.57, 15.78

 

CMYK 29 / 0 / 27 / 13

HEX #9CDDA1

RGB 156 221 161

HSL 124.62, 0.49%, 0.74%

LAB 82.57, -32.3, 23.06

 

CMYK 29 / 9 / 0 / 13

HEX #9CCADD

RGB 156 202 221

HSL 197.54, 0.49%, 0.74%

LAB 78.77, -10.64, -14.33

 

CMYK 0 / 30 / 3 / 13

HEX #DD9BD7

RGB 221 155 215

HSL 305.45, 0.49%, 0.74%

LAB 72.04, 34.13, -20.73

 

CMYK 0 / 12 / 29 / 13

HEX #DDC29C

RGB 221 194 156

HSL 35.08, 0.49%, 0.74%

LAB 79.82, 3.94, 22.65

 

CMYK 29 / 0 / 27 / 13

HEX #9CDDA1

RGB 156 221 161

HSL 124.62, 0.49%, 0.74%

LAB 82.57, -32.3, 23.06

 

CMYK 29 / 17 / 0 / 13

HEX #9CB7DD

RGB 156 183 221

HSL 215.08, 0.49%, 0.74%

LAB 73.65, -0.51, -22.08

 

Description

Color code: RGB 221 155 215 | qconv.com Color code: RGB 221 155 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 155 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 155 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 3 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 3% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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