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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 94 221 it is the complementary color RGB 35 161 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 94 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 94 221 shade: RGB 225 94 216, RGB 242 112 235, RGB 255 130 254, RGB 255 148 255 and RGB 255 166 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 94 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 94 221 shade: RGB 220 94 221, RGB 203 76 202, RGB 186 58 183, RGB 169 40 164 and RGB 152 22 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 94 221 shade: RGB 220 95 221, RGB 221 95 188, RGB 221 95 154, RGB 221 95 120 and RGB 221 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 94 221 shade: RGB 220 95 221, RGB 186 95 221, RGB 152 95 221, RGB 118 95 221 and RGB 95 95 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 94 221 shade matches the following richer shades: RGB 220 95 221, RGB 235 79 236 and RGB 250 63 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 94 221 shade: RGB 220 95 221, RGB 204 110 205, RGB 189 126 189, RGB 173 142 174 and RGB 158 157 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 94 221 shade: RGB 151 95 221, RGB 185 95 221, RGB 218 95 221, RGB 221 95 189 and RGB 221 95 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 94 221 shade: RGB 191 40 192, RGB 212 61 213, RGB 220 95 221, RGB 227 129 228 and RGB 234 163 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 94 221 shade: RGB 220 94 221, RGB 221 118 95 and RGB 95 221 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 94 221 shade: RGB 220 94 221, RGB 221 218 95 and RGB 95 221 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 94 221 shade: RGB 220 94 221, RGB 221 118 95, RGB 97 221 95 and RGB 95 197 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 94 221 shade: RGB 220 94 221, RGB 221 156 95, RGB 97 221 95 and RGB 95 160 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 0 / 13

HEX #DC5EDD

RGB 220 94 221

HSL 299.53, 0.65%, 0.62%

LAB 60.29, 65.36, -42.26

 

Complementary color

CMYK 78 / 0 / 79 / 37

HEX #23A122

RGB 35 161 34

HSL 119.53, 0.65%, 0.38%

LAB 58, -56.64, 52.33

 

CMYK 0 / 58 / 4 / 12

HEX #E15ED8

RGB 225 94 216

HSL 304.12, 0.69%, 0.63%

LAB 60.76, 65.8, -38.66

 

CMYK 0 / 54 / 3 / 5

HEX #F270EB

RGB 242 112 235

HSL 303.23, 0.83%, 0.69%

LAB 66.87, 65.44, -39.53

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FE

RGB 255 130 254

HSL 300.48, 1%, 0.75%

LAB 72.48, 63.85, -41.07

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 57 / 0 / 13

HEX #DC5EDD

RGB 220 94 221

HSL 299.53, 0.65%, 0.62%

LAB 60.29, 65.36, -42.26

 

CMYK 0 / 63 / 0 / 20

HEX #CB4CCA

RGB 203 76 202

HSL 300.47, 0.55%, 0.55%

LAB 54.16, 65.5, -41.29

 

CMYK 0 / 69 / 2 / 27

HEX #BA3AB7

RGB 186 58 183

HSL 301.41, 0.52%, 0.48%

LAB 48.11, 65.25, -40.03

 

CMYK 0 / 76 / 3 / 34

HEX #A928A4

RGB 169 40 164

HSL 302.33, 0.62%, 0.41%

LAB 42.2, 64.36, -38.33

 

CMYK 0 / 86 / 5 / 40

HEX #981691

RGB 152 22 145

HSL 303.23, 0.75%, 0.34%

LAB 36.54, 62.48, -36.01

 

CMYK 0 / 57 / 0 / 13

HEX #DC5FDD

RGB 220 95 221

HSL 299.52, 0.65%, 0.62%

LAB 60.45, 64.92, -42.01

 

CMYK 0 / 57 / 15 / 13

HEX #DD5FBC

RGB 221 95 188

HSL 315.71, 0.65%, 0.62%

LAB 59.15, 59.89, -25.31

 

CMYK 0 / 57 / 30 / 13

HEX #DD5F9A

RGB 221 95 154

HSL 331.9, 0.65%, 0.62%

LAB 57.93, 55.22, -7.51

 

CMYK 0 / 57 / 46 / 13

HEX #DD5F78

RGB 221 95 120

HSL 348.1, 0.65%, 0.62%

LAB 56.99, 51.46, 11.01

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 57 / 0 / 13

HEX #DC5FDD

RGB 220 95 221

HSL 299.52, 0.65%, 0.62%

LAB 60.45, 64.92, -42.01

 

CMYK 16 / 57 / 0 / 13

HEX #BA5FDD

RGB 186 95 221

HSL 283.33, 0.65%, 0.62%

LAB 55.93, 56.32, -49.44

 

CMYK 31 / 57 / 0 / 13

HEX #985FDD

RGB 152 95 221

HSL 267.14, 0.65%, 0.62%

LAB 51.93, 47.99, -56.07

 

CMYK 47 / 57 / 0 / 13

HEX #765FDD

RGB 118 95 221

HSL 250.95, 0.65%, 0.62%

LAB 48.58, 40.34, -61.63

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 0 / 57 / 0 / 13

HEX #DC5FDD

RGB 220 95 221

HSL 299.52, 0.65%, 0.62%

LAB 60.45, 64.92, -42.01

 

CMYK 0 / 67 / 0 / 7

HEX #EB4FEC

RGB 235 79 236

HSL 299.62, 0.81%, 0.62%

LAB 61.05, 77.32, -49.3

 

CMYK 1 / 75 / 0 / 1

HEX #FA3FFC

RGB 250 63 252

HSL 299.37, 0.97%, 0.62%

LAB 62.43, 87.92, -55.86

 

CMYK 0 / 57 / 0 / 13

HEX #DC5FDD

RGB 220 95 221

HSL 299.52, 0.65%, 0.62%

LAB 60.45, 64.92, -42.01

 

CMYK 0 / 46 / 0 / 20

HEX #CC6ECD

RGB 204 110 205

HSL 299.37, 0.49%, 0.62%

LAB 60.25, 50.67, -33.46

 

CMYK 0 / 33 / 0 / 26

HEX #BD7EBD

RGB 189 126 189

HSL 300, 0.32%, 0.62%

LAB 61.15, 34.63, -23.16

 

CMYK 1 / 18 / 0 / 32

HEX #AD8EAE

RGB 173 142 174

HSL 298.13, 0.16%, 0.62%

LAB 62.75, 17.39, -12.38

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 32 / 57 / 0 / 13

HEX #975FDD

RGB 151 95 221

HSL 266.67, 0.65%, 0.62%

LAB 51.82, 47.75, -56.25

 

CMYK 16 / 57 / 0 / 13

HEX #B95FDD

RGB 185 95 221

HSL 282.86, 0.65%, 0.62%

LAB 55.81, 56.07, -49.65

 

CMYK 1 / 57 / 0 / 13

HEX #DA5FDD

RGB 218 95 221

HSL 298.57, 0.65%, 0.62%

LAB 60.17, 64.41, -42.47

 

CMYK 0 / 57 / 14 / 13

HEX #DD5FBD

RGB 221 95 189

HSL 315.24, 0.65%, 0.62%

LAB 59.19, 60.04, -25.82

 

CMYK 0 / 57 / 29 / 13

HEX #DD5F9C

RGB 221 95 156

HSL 330.95, 0.65%, 0.62%

LAB 58, 55.47, -8.58

 

CMYK 1 / 79 / 0 / 25

HEX #BF28C0

RGB 191 40 192

HSL 299.61, 0.66%, 0.45%

LAB 47.49, 73.28, -46.21

 

CMYK 0 / 71 / 0 / 16

HEX #D43DD5

RGB 212 61 213

HSL 299.61, 0.64%, 0.54%

LAB 54.17, 74.8, -47.48

 

CMYK 0 / 57 / 0 / 13

HEX #DC5FDD

RGB 220 95 221

HSL 299.52, 0.65%, 0.62%

LAB 60.45, 64.92, -42.01

 

CMYK 0 / 43 / 0 / 11

HEX #E381E4

RGB 227 129 228

HSL 299.39, 0.65%, 0.7%

LAB 67.75, 51.93, -34.44

 

CMYK 0 / 31 / 0 / 8

HEX #EAA3EB

RGB 234 163 235

HSL 299.17, 0.64%, 0.78%

LAB 75.88, 37.67, -25.69

 

CMYK 0 / 57 / 0 / 13

HEX #DC5EDD

RGB 220 94 221

HSL 299.53, 0.65%, 0.62%

LAB 60.29, 65.36, -42.26

 

CMYK 0 / 47 / 57 / 13

HEX #DD765F

RGB 221 118 95

HSL 10.95, 0.65%, 0.62%

LAB 60.92, 37.97, 30.64

 

CMYK 57 / 0 / 24 / 13

HEX #5FDDA8

RGB 95 221 168

HSL 154.76, 0.65%, 0.62%

LAB 80.16, -47.31, 15.67

 

CMYK 0 / 57 / 0 / 13

HEX #DC5EDD

RGB 220 94 221

HSL 299.53, 0.65%, 0.62%

LAB 60.29, 65.36, -42.26

 

CMYK 0 / 1 / 57 / 13

HEX #DDDA5F

RGB 221 218 95

HSL 58.57, 0.65%, 0.62%

LAB 85.17, -14.54, 59.56

 

CMYK 57 / 0 / 1 / 13

HEX #5FDDDA

RGB 95 221 218

HSL 178.57, 0.65%, 0.62%

LAB 81.41, -35.33, -9.06

 

CMYK 0 / 57 / 0 / 13

HEX #DC5EDD

RGB 220 94 221

HSL 299.53, 0.65%, 0.62%

LAB 60.29, 65.36, -42.26

 

CMYK 0 / 47 / 57 / 13

HEX #DD765F

RGB 221 118 95

HSL 10.95, 0.65%, 0.62%

LAB 60.92, 37.97, 30.64

 

CMYK 56 / 0 / 57 / 13

HEX #61DD5F

RGB 97 221 95

HSL 119.05, 0.65%, 0.62%

LAB 79.09, -58.97, 50.78

 

CMYK 57 / 11 / 0 / 13

HEX #5FC5DD

RGB 95 197 221

HSL 191.43, 0.65%, 0.62%

LAB 74.56, -22.87, -20.96

 

CMYK 0 / 57 / 0 / 13

HEX #DC5EDD

RGB 220 94 221

HSL 299.53, 0.65%, 0.62%

LAB 60.29, 65.36, -42.26

 

CMYK 0 / 29 / 57 / 13

HEX #DD9C5F

RGB 221 156 95

HSL 29.05, 0.65%, 0.62%

LAB 69.45, 17.8, 41.28

 

CMYK 56 / 0 / 57 / 13

HEX #61DD5F

RGB 97 221 95

HSL 119.05, 0.65%, 0.62%

LAB 79.09, -58.97, 50.78

 

CMYK 57 / 28 / 0 / 13

HEX #5FA0DD

RGB 95 160 221

HSL 209.05, 0.65%, 0.62%

LAB 63.99, -3.09, -37.23

 

Description

Color code: RGB 220 94 221 | qconv.com Color code: RGB 220 94 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 94 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 94 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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