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Color name
RGB 220 90 181

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 90 181 it is the complementary color RGB 35 165 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 90 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 90 181 shade: RGB 225 90 176, RGB 242 108 195, RGB 255 126 214, RGB 255 144 233 and RGB 255 162 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 90 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 203 72 162, RGB 186 54 143, RGB 169 36 124 and RGB 152 18 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 220 90 146, RGB 220 90 111 and RGB 220 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 220 90 216, RGB 189 90 220, RGB 154 90 220 and RGB 119 90 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 90 181 shade matches the following richer shades: RGB 220 90 181, RGB 236 74 187 and RGB 252 58 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 204 106 174, RGB 188 123 168, RGB 171 139 162 and RGB 155 155 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 90 181 shade: RGB 190 90 220, RGB 220 90 215, RGB 220 90 181, RGB 220 90 146 and RGB 220 90 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 90 181 shade: RGB 188 40 144, RGB 212 56 166, RGB 220 90 181, RGB 227 124 196 and RGB 234 158 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 220 155 90 and RGB 90 220 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 181 220 90 and RGB 90 181 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 220 155 90, RGB 90 220 129 and RGB 90 155 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 90 181 shade: RGB 220 90 181, RGB 220 194 90, RGB 90 220 129 and RGB 90 116 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

Complementary color

CMYK 79 / 0 / 55 / 35

HEX #23A54A

RGB 35 165 74

HSL 138, 0.65%, 0.39%

LAB 59.67, -53.69, 37.25

 

CMYK 0 / 60 / 22 / 12

HEX #E15AB0

RGB 225 90 176

HSL 321.78, 0.69%, 0.62%

LAB 58.47, 61.5, -19.4

 

CMYK 0 / 55 / 19 / 5

HEX #F26CC3

RGB 242 108 195

HSL 321.04, 0.84%, 0.69%

LAB 64.6, 61.09, -20.68

 

CMYK 0 / 51 / 16 / 0

HEX #FF7ED6

RGB 255 126 214

HSL 319.07, 1%, 0.75%

LAB 70.2, 59.35, -22.61

 

CMYK 0 / 44 / 9 / 0

HEX #FF90E9

RGB 255 144 233

HSL 311.89, 1%, 0.78%

LAB 74.25, 53.59, -26.88

 

CMYK 0 / 36 / 1 / 0

HEX #FFA2FC

RGB 255 162 252

HSL 301.94, 1%, 0.82%

LAB 78.54, 47.74, -30.61

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 65 / 20 / 20

HEX #CB48A2

RGB 203 72 162

HSL 318.78, 0.56%, 0.54%

LAB 51.77, 60.97, -21.79

 

CMYK 0 / 71 / 23 / 27

HEX #BA368F

RGB 186 54 143

HSL 319.55, 0.55%, 0.47%

LAB 45.72, 60.73, -20.01

 

CMYK 0 / 79 / 27 / 34

HEX #A9247C

RGB 169 36 124

HSL 320.3, 0.65%, 0.4%

LAB 39.84, 59.82, -17.67

 

CMYK 0 / 88 / 31 / 40

HEX #981269

RGB 152 18 105

HSL 321.04, 0.79%, 0.33%

LAB 34.25, 57.84, -14.56

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 59 / 34 / 14

HEX #DC5A92

RGB 220 90 146

HSL 334.15, 0.65%, 0.61%

LAB 56.69, 56.2, -4.71

 

CMYK 0 / 59 / 50 / 14

HEX #DC5A6F

RGB 220 90 111

HSL 350.31, 0.65%, 0.61%

LAB 55.76, 52.58, 14.56

 

CMYK 0 / 59 / 59 / 14

HEX #DC5A5A

RGB 220 90 90

HSL 0, 0.65%, 0.61%

LAB 55.35, 50.92, 26.28

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 59 / 2 / 14

HEX #DC5AD8

RGB 220 90 216

HSL 301.85, 0.65%, 0.61%

LAB 59.42, 66.23, -40.81

 

CMYK 14 / 59 / 0 / 14

HEX #BD5ADC

RGB 189 90 220

HSL 285.69, 0.65%, 0.61%

LAB 55.38, 59.25, -49.73

 

CMYK 30 / 59 / 0 / 14

HEX #9A5ADC

RGB 154 90 220

HSL 269.54, 0.65%, 0.61%

LAB 51.09, 50.86, -56.83

 

CMYK 46 / 59 / 0 / 14

HEX #775ADC

RGB 119 90 220

HSL 253.38, 0.65%, 0.61%

LAB 47.5, 43.13, -62.81

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 69 / 21 / 7

HEX #EC4ABB

RGB 236 74 187

HSL 318.15, 0.81%, 0.61%

LAB 58.34, 72.17, -25.79

 

CMYK 0 / 77 / 23 / 1

HEX #FC3AC2

RGB 252 58 194

HSL 317.94, 0.97%, 0.61%

LAB 59.54, 81.74, -27.73

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 48 / 15 / 20

HEX #CC6AAE

RGB 204 106 174

HSL 318.37, 0.49%, 0.61%

LAB 58.23, 47.41, -18.89

 

CMYK 0 / 35 / 11 / 26

HEX #BC7BA8

RGB 188 123 168

HSL 318.46, 0.33%, 0.61%

LAB 59.6, 32.13, -13.54

 

CMYK 0 / 19 / 5 / 33

HEX #AB8BA2

RGB 171 139 162

HSL 316.88, 0.16%, 0.61%

LAB 61.42, 16.1, -7.58

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 14 / 59 / 0 / 14

HEX #BE5ADC

RGB 190 90 220

HSL 286.15, 0.65%, 0.61%

LAB 55.51, 59.5, -49.52

 

CMYK 0 / 59 / 2 / 14

HEX #DC5AD7

RGB 220 90 215

HSL 302.31, 0.65%, 0.61%

LAB 59.37, 66.07, -40.32

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 59 / 34 / 14

HEX #DC5A92

RGB 220 90 146

HSL 334.15, 0.65%, 0.61%

LAB 56.69, 56.2, -4.71

 

CMYK 0 / 59 / 49 / 14

HEX #DC5A70

RGB 220 90 112

HSL 349.85, 0.65%, 0.61%

LAB 55.78, 52.67, 14

 

CMYK 0 / 79 / 23 / 26

HEX #BC2890

RGB 188 40 144

HSL 317.84, 0.65%, 0.45%

LAB 44.55, 65.78, -22.38

 

CMYK 0 / 74 / 22 / 17

HEX #D438A6

RGB 212 56 166

HSL 317.69, 0.64%, 0.53%

LAB 51.36, 69.57, -24.66

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 45 / 14 / 11

HEX #E37CC4

RGB 227 124 196

HSL 318.06, 0.65%, 0.69%

LAB 65.54, 49.05, -19.99

 

CMYK 0 / 32 / 10 / 8

HEX #EA9ED3

RGB 234 158 211

HSL 318.16, 0.64%, 0.77%

LAB 73.96, 36.11, -15.49

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 30 / 59 / 14

HEX #DC9B5A

RGB 220 155 90

HSL 30, 0.65%, 0.61%

LAB 69.04, 17.54, 43.31

 

CMYK 59 / 0 / 6 / 14

HEX #5ADCCF

RGB 90 220 207

HSL 174, 0.65%, 0.61%

LAB 80.66, -38.64, -4.32

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 18 / 0 / 59 / 14

HEX #B5DC5A

RGB 181 220 90

HSL 78, 0.65%, 0.61%

LAB 82.78, -31.81, 58.27

 

CMYK 59 / 18 / 0 / 14

HEX #5AB5DC

RGB 90 181 220

HSL 198, 0.65%, 0.61%

LAB 69.75, -15.85, -27.79

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 30 / 59 / 14

HEX #DC9B5A

RGB 220 155 90

HSL 30, 0.65%, 0.61%

LAB 69.04, 17.54, 43.31

 

CMYK 59 / 0 / 41 / 14

HEX #5ADC81

RGB 90 220 129

HSL 138, 0.65%, 0.61%

LAB 79.01, -55.38, 34.26

 

CMYK 59 / 30 / 0 / 14

HEX #5A9BDC

RGB 90 155 220

HSL 210, 0.65%, 0.61%

LAB 62.32, -1.56, -39.31

 

CMYK 0 / 59 / 18 / 14

HEX #DC5AB5

RGB 220 90 181

HSL 318, 0.65%, 0.61%

LAB 57.91, 60.79, -23.21

 

CMYK 0 / 12 / 59 / 14

HEX #DCC25A

RGB 220 194 90

HSL 48, 0.65%, 0.61%

LAB 78.77, -3.13, 54.6

 

CMYK 59 / 0 / 41 / 14

HEX #5ADC81

RGB 90 220 129

HSL 138, 0.65%, 0.61%

LAB 79.01, -55.38, 34.26

 

CMYK 59 / 47 / 0 / 14

HEX #5A74DC

RGB 90 116 220

HSL 228, 0.65%, 0.61%

LAB 51.65, 21.71, -56.23

 

Description

Color code: RGB 220 90 181 | qconv.com Color code: RGB 220 90 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 90 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 90 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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