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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 89 171 it is the complementary color RGB 35 166 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 89 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 89 171 shade: RGB 225 89 166, RGB 242 107 185, RGB 255 125 204, RGB 255 143 223 and RGB 255 161 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 89 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 89 171 shade: RGB 220 89 171, RGB 203 71 152, RGB 186 53 133, RGB 169 35 114 and RGB 152 17 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 89 171 shade: RGB 220 90 171, RGB 220 90 136, RGB 220 90 102 and RGB 220 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 89 171 shade: RGB 220 90 171, RGB 220 90 206, RGB 198 90 220, RGB 163 90 220 and RGB 129 90 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 89 171 shade matches the following richer shades: RGB 220 90 171, RGB 236 74 175 and RGB 252 58 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 89 171 shade: RGB 220 90 171, RGB 204 106 167, RGB 188 123 163, RGB 171 139 159 and RGB 155 155 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 89 171 shade: RGB 198 90 220, RGB 220 90 207, RGB 220 90 172, RGB 220 90 138 and RGB 220 90 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 89 171 shade: RGB 188 40 133, RGB 212 56 154, RGB 220 90 171, RGB 227 124 189 and RGB 234 158 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 89 171 shade: RGB 220 89 171, RGB 220 164 90 and RGB 90 220 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 89 171 shade: RGB 220 89 171, RGB 172 220 90 and RGB 90 172 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 89 171 shade: RGB 220 89 171, RGB 220 164 90, RGB 90 220 138 and RGB 90 146 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 89 171 shade: RGB 220 89 171, RGB 220 202 90, RGB 90 220 138 and RGB 90 108 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 22 / 14

HEX #DC59AB

RGB 220 89 171

HSL 322.44, 0.65%, 0.61%

LAB 57.37, 59.82, -18.26

 

Complementary color

CMYK 79 / 0 / 49 / 35

HEX #23A654

RGB 35 166 84

HSL 142.44, 0.65%, 0.39%

LAB 60.13, -52.48, 32.77

 

CMYK 0 / 60 / 26 / 12

HEX #E159A6

RGB 225 89 166

HSL 326.03, 0.69%, 0.62%

LAB 57.95, 60.6, -14.41

 

CMYK 0 / 56 / 24 / 5

HEX #F26BB9

RGB 242 107 185

HSL 325.33, 0.84%, 0.68%

LAB 64.08, 60.17, -15.8

 

CMYK 0 / 51 / 20 / 0

HEX #FF7DCC

RGB 255 125 204

HSL 323.54, 1%, 0.75%

LAB 69.67, 58.38, -17.85

 

CMYK 0 / 44 / 13 / 0

HEX #FF8FDF

RGB 255 143 223

HSL 317.14, 1%, 0.78%

LAB 73.7, 52.49, -22.25

 

CMYK 0 / 37 / 5 / 0

HEX #FFA1F2

RGB 255 161 242

HSL 308.3, 1%, 0.82%

LAB 77.97, 46.52, -26.08

 

CMYK 0 / 60 / 22 / 14

HEX #DC59AB

RGB 220 89 171

HSL 322.44, 0.65%, 0.61%

LAB 57.37, 59.82, -18.26

 

CMYK 0 / 65 / 25 / 20

HEX #CB4798

RGB 203 71 152

HSL 323.18, 0.56%, 0.54%

LAB 51.23, 60.02, -16.7

 

CMYK 0 / 72 / 28 / 27

HEX #BA3585

RGB 186 53 133

HSL 323.91, 0.56%, 0.47%

LAB 45.19, 59.8, -14.75

 

CMYK 0 / 79 / 33 / 34

HEX #A92372

RGB 169 35 114

HSL 324.63, 0.66%, 0.4%

LAB 39.33, 58.91, -12.21

 

CMYK 0 / 89 / 38 / 40

HEX #98115F

RGB 152 17 95

HSL 325.33, 0.8%, 0.33%

LAB 33.78, 56.92, -8.85

 

CMYK 0 / 59 / 22 / 14

HEX #DC5AAB

RGB 220 90 171

HSL 322.62, 0.65%, 0.61%

LAB 57.53, 59.38, -18.01

 

CMYK 0 / 59 / 38 / 14

HEX #DC5A88

RGB 220 90 136

HSL 338.77, 0.65%, 0.61%

LAB 56.39, 55.06, 0.73

 

CMYK 0 / 59 / 54 / 14

HEX #DC5A66

RGB 220 90 102

HSL 354.46, 0.65%, 0.61%

LAB 55.57, 51.82, 19.58

 

CMYK 0 / 59 / 59 / 14

HEX #DC5A5A

RGB 220 90 90

HSL 0, 0.65%, 0.61%

LAB 55.35, 50.92, 26.28

 

CMYK 0 / 59 / 22 / 14

HEX #DC5AAB

RGB 220 90 171

HSL 322.62, 0.65%, 0.61%

LAB 57.53, 59.38, -18.01

 

CMYK 0 / 59 / 6 / 14

HEX #DC5ACE

RGB 220 90 206

HSL 306.46, 0.65%, 0.61%

LAB 58.96, 64.6, -35.87

 

CMYK 10 / 59 / 0 / 14

HEX #C65ADC

RGB 198 90 220

HSL 289.85, 0.65%, 0.61%

LAB 56.57, 61.46, -47.77

 

CMYK 26 / 59 / 0 / 14

HEX #A35ADC

RGB 163 90 220

HSL 273.69, 0.65%, 0.61%

LAB 52.14, 52.97, -55.1

 

CMYK 41 / 59 / 0 / 14

HEX #815ADC

RGB 129 90 220

HSL 258, 0.65%, 0.61%

LAB 48.44, 45.24, -61.23

 

CMYK 0 / 59 / 22 / 14

HEX #DC5AAB

RGB 220 90 171

HSL 322.62, 0.65%, 0.61%

LAB 57.53, 59.38, -18.01

 

CMYK 0 / 69 / 26 / 7

HEX #EC4AAF

RGB 236 74 175

HSL 322.59, 0.81%, 0.61%

LAB 57.87, 70.65, -19.58

 

CMYK 0 / 77 / 29 / 1

HEX #FC3AB3

RGB 252 58 179

HSL 322.58, 0.97%, 0.61%

LAB 58.95, 80, -20

 

CMYK 0 / 59 / 22 / 14

HEX #DC5AAB

RGB 220 90 171

HSL 322.62, 0.65%, 0.61%

LAB 57.53, 59.38, -18.01

 

CMYK 0 / 48 / 18 / 20

HEX #CC6AA7

RGB 204 106 167

HSL 322.65, 0.49%, 0.61%

LAB 57.98, 46.32, -15.23

 

CMYK 0 / 35 / 13 / 26

HEX #BC7BA3

RGB 188 123 163

HSL 323.08, 0.33%, 0.61%

LAB 59.44, 31.28, -10.93

 

CMYK 0 / 19 / 7 / 33

HEX #AB8B9F

RGB 171 139 159

HSL 322.5, 0.16%, 0.61%

LAB 61.33, 15.54, -6.01

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 10 / 59 / 0 / 14

HEX #C65ADC

RGB 198 90 220

HSL 289.85, 0.65%, 0.61%

LAB 56.57, 61.46, -47.77

 

CMYK 0 / 59 / 6 / 14

HEX #DC5ACF

RGB 220 90 207

HSL 306, 0.65%, 0.61%

LAB 59, 64.76, -36.37

 

CMYK 0 / 59 / 22 / 14

HEX #DC5AAC

RGB 220 90 172

HSL 322.15, 0.65%, 0.61%

LAB 57.57, 59.52, -18.53

 

CMYK 0 / 59 / 37 / 14

HEX #DC5A8A

RGB 220 90 138

HSL 337.85, 0.65%, 0.61%

LAB 56.45, 55.28, -0.36

 

CMYK 0 / 59 / 53 / 14

HEX #DC5A67

RGB 220 90 103

HSL 354, 0.65%, 0.61%

LAB 55.59, 51.9, 19.02

 

CMYK 0 / 79 / 29 / 26

HEX #BC2885

RGB 188 40 133

HSL 322.3, 0.65%, 0.45%

LAB 44.09, 64.43, -16.39

 

CMYK 0 / 74 / 27 / 17

HEX #D4389A

RGB 212 56 154

HSL 322.31, 0.64%, 0.53%

LAB 50.87, 68.07, -18.3

 

CMYK 0 / 59 / 22 / 14

HEX #DC5AAB

RGB 220 90 171

HSL 322.62, 0.65%, 0.61%

LAB 57.53, 59.38, -18.01

 

CMYK 0 / 45 / 17 / 11

HEX #E37CBD

RGB 227 124 189

HSL 322.14, 0.65%, 0.69%

LAB 65.29, 47.96, -16.42

 

CMYK 0 / 32 / 12 / 8

HEX #EA9ECE

RGB 234 158 206

HSL 322.11, 0.64%, 0.77%

LAB 73.81, 35.29, -12.98

 

CMYK 0 / 60 / 22 / 14

HEX #DC59AB

RGB 220 89 171

HSL 322.44, 0.65%, 0.61%

LAB 57.37, 59.82, -18.26

 

CMYK 0 / 25 / 59 / 14

HEX #DCA45A

RGB 220 164 90

HSL 34.15, 0.65%, 0.61%

LAB 71.22, 12.71, 45.89

 

CMYK 59 / 0 / 2 / 14

HEX #5ADCD7

RGB 90 220 215

HSL 177.69, 0.65%, 0.61%

LAB 80.89, -36.55, -8.25

 

CMYK 0 / 60 / 22 / 14

HEX #DC59AB

RGB 220 89 171

HSL 322.44, 0.65%, 0.61%

LAB 57.37, 59.82, -18.26

 

CMYK 22 / 0 / 59 / 14

HEX #ACDC5A

RGB 172 220 90

HSL 82.15, 0.65%, 0.61%

LAB 82.21, -35.23, 57.48

 

CMYK 59 / 22 / 0 / 14

HEX #5AACDC

RGB 90 172 220

HSL 202.15, 0.65%, 0.61%

LAB 67.16, -11.03, -31.78

 

CMYK 0 / 60 / 22 / 14

HEX #DC59AB

RGB 220 89 171

HSL 322.44, 0.65%, 0.61%

LAB 57.37, 59.82, -18.26

 

CMYK 0 / 25 / 59 / 14

HEX #DCA45A

RGB 220 164 90

HSL 34.15, 0.65%, 0.61%

LAB 71.22, 12.71, 45.89

 

CMYK 59 / 0 / 37 / 14

HEX #5ADC8A

RGB 90 220 138

HSL 142.15, 0.65%, 0.61%

LAB 79.15, -53.83, 29.87

 

CMYK 59 / 34 / 0 / 14

HEX #5A92DC

RGB 90 146 220

HSL 214.15, 0.65%, 0.61%

LAB 59.8, 3.64, -43.28

 

CMYK 0 / 60 / 22 / 14

HEX #DC59AB

RGB 220 89 171

HSL 322.44, 0.65%, 0.61%

LAB 57.37, 59.82, -18.26

 

CMYK 0 / 8 / 59 / 14

HEX #DCCA5A

RGB 220 202 90

HSL 51.69, 0.65%, 0.61%

LAB 80.85, -7.25, 56.93

 

CMYK 59 / 0 / 37 / 14

HEX #5ADC8A

RGB 90 220 138

HSL 142.15, 0.65%, 0.61%

LAB 79.15, -53.83, 29.87

 

CMYK 59 / 51 / 0 / 14

HEX #5A6CDC

RGB 90 108 220

HSL 231.69, 0.65%, 0.61%

LAB 49.58, 26.64, -59.56

 

Description

Color code: RGB 220 89 171 | qconv.com Color code: RGB 220 89 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 89 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 89 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 22 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 22% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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