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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 81 211 it is the complementary color RGB 35 174 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 81 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 81 211 shade: RGB 225 81 206, RGB 242 99 225, RGB 255 117 244, RGB 255 135 255 and RGB 255 153 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 81 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 81 211 shade: RGB 220 81 211, RGB 203 63 192, RGB 186 45 173, RGB 169 27 154 and RGB 152 9 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 81 211 shade: RGB 220 80 211, RGB 220 80 173, RGB 220 80 135, RGB 220 80 98 and RGB 220 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 81 211 shade: RGB 220 80 211, RGB 191 80 220, RGB 153 80 220, RGB 116 80 220 and RGB 80 80 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 81 211 shade matches the following richer shades: RGB 220 80 211, RGB 237 63 226 and RGB 254 46 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 81 211 shade: RGB 220 80 211, RGB 203 97 196, RGB 186 114 181, RGB 169 131 167 and RGB 152 148 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 81 211 shade: RGB 152 80 220, RGB 190 80 220, RGB 220 80 213, RGB 220 80 176 and RGB 220 80 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 81 211 shade: RGB 182 36 172, RGB 213 45 202, RGB 220 80 211, RGB 227 114 220 and RGB 234 149 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 81 211 shade: RGB 220 81 211, RGB 220 115 80 and RGB 80 220 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 81 211 shade: RGB 220 81 211, RGB 213 220 80 and RGB 80 213 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 81 211 shade: RGB 220 81 211, RGB 220 115 80, RGB 80 220 87 and RGB 80 185 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 81 211 shade: RGB 220 81 211, RGB 220 157 80, RGB 80 220 87 and RGB 80 143 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 4 / 14

HEX #DC51D3

RGB 220 81 211

HSL 303.88, 0.67%, 0.59%

LAB 57.85, 69.1, -40.45

 

Complementary color

CMYK 80 / 0 / 75 / 32

HEX #23AE2C

RGB 35 174 44

HSL 123.88, 0.67%, 0.41%

LAB 62.35, -60.01, 53.2

 

CMYK 0 / 64 / 8 / 12

HEX #E151CE

RGB 225 81 206

HSL 307.92, 0.71%, 0.6%

LAB 58.37, 69.54, -36.75

 

CMYK 0 / 59 / 7 / 5

HEX #F263E1

RGB 242 99 225

HSL 307.13, 0.85%, 0.67%

LAB 64.35, 69.48, -37.91

 

CMYK 0 / 54 / 4 / 0

HEX #FF75F4

RGB 255 117 244

HSL 304.78, 1%, 0.73%

LAB 69.83, 68.11, -39.73

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 63 / 4 / 14

HEX #DC51D3

RGB 220 81 211

HSL 303.88, 0.67%, 0.59%

LAB 57.85, 69.1, -40.45

 

CMYK 0 / 69 / 5 / 20

HEX #CB3FC0

RGB 203 63 192

HSL 304.71, 0.57%, 0.52%

LAB 51.9, 68.82, -39.11

 

CMYK 0 / 76 / 7 / 27

HEX #BA2DAD

RGB 186 45 173

HSL 305.53, 0.61%, 0.45%

LAB 46.09, 67.95, -37.35

 

CMYK 0 / 84 / 9 / 34

HEX #A91B9A

RGB 169 27 154

HSL 306.34, 0.72%, 0.38%

LAB 40.5, 66.19, -35.03

 

CMYK 0 / 94 / 11 / 40

HEX #980987

RGB 152 9 135

HSL 307.13, 0.89%, 0.32%

LAB 35.24, 63.14, -31.9

 

CMYK 0 / 64 / 4 / 14

HEX #DC50D3

RGB 220 80 211

HSL 303.86, 0.67%, 0.59%

LAB 57.71, 69.49, -40.67

 

CMYK 0 / 64 / 21 / 14

HEX #DC50AD

RGB 220 80 173

HSL 320.14, 0.67%, 0.59%

LAB 56.06, 63.87, -21.42

 

CMYK 0 / 64 / 39 / 14

HEX #DC5087

RGB 220 80 135

HSL 336.43, 0.67%, 0.59%

LAB 54.76, 59.26, -1.06

 

CMYK 0 / 64 / 55 / 14

HEX #DC5062

RGB 220 80 98

HSL 352.29, 0.67%, 0.59%

LAB 53.85, 55.89, 19.62

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 64 / 4 / 14

HEX #DC50D3

RGB 220 80 211

HSL 303.86, 0.67%, 0.59%

LAB 57.71, 69.49, -40.67

 

CMYK 13 / 64 / 0 / 14

HEX #BF50DC

RGB 191 80 220

HSL 287.57, 0.67%, 0.59%

LAB 54.01, 64.22, -51.9

 

CMYK 30 / 64 / 0 / 14

HEX #9950DC

RGB 153 80 220

HSL 271.29, 0.67%, 0.59%

LAB 49.1, 55.7, -60.04

 

CMYK 47 / 64 / 0 / 14

HEX #7450DC

RGB 116 80 220

HSL 255.43, 0.67%, 0.59%

LAB 45.11, 48.14, -66.7

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

CMYK 0 / 64 / 4 / 14

HEX #DC50D3

RGB 220 80 211

HSL 303.86, 0.67%, 0.59%

LAB 57.71, 69.49, -40.67

 

CMYK 0 / 73 / 5 / 7

HEX #ED3FE2

RGB 237 63 226

HSL 303.79, 0.83%, 0.59%

LAB 59.02, 81.41, -46.9

 

CMYK 0 / 82 / 6 / 0

HEX #FE2EF0

RGB 254 46 240

HSL 304.04, 0.99%, 0.59%

LAB 61.06, 90.91, -51.34

 

CMYK 0 / 64 / 4 / 14

HEX #DC50D3

RGB 220 80 211

HSL 303.86, 0.67%, 0.59%

LAB 57.71, 69.49, -40.67

 

CMYK 0 / 52 / 3 / 20

HEX #CB61C4

RGB 203 97 196

HSL 303.96, 0.5%, 0.59%

LAB 57.3, 55.17, -32.95

 

CMYK 0 / 39 / 3 / 27

HEX #BA72B5

RGB 186 114 181

HSL 304.17, 0.34%, 0.59%

LAB 57.86, 38.69, -23.68

 

CMYK 0 / 22 / 1 / 34

HEX #A983A7

RGB 169 131 167

HSL 303.16, 0.18%, 0.59%

LAB 59.4, 20.86, -13.49

 

CMYK 0 / 3 / 0 / 40

HEX #989498

RGB 152 148 152

HSL 300, 0.02%, 0.59%

LAB 61.76, 2.23, -1.59

 

CMYK 31 / 64 / 0 / 14

HEX #9850DC

RGB 152 80 220

HSL 270.86, 0.67%, 0.59%

LAB 48.98, 55.48, -60.24

 

CMYK 14 / 64 / 0 / 14

HEX #BE50DC

RGB 190 80 220

HSL 287.14, 0.67%, 0.59%

LAB 53.87, 63.99, -52.13

 

CMYK 0 / 64 / 3 / 14

HEX #DC50D5

RGB 220 80 213

HSL 303, 0.67%, 0.59%

LAB 57.81, 69.81, -41.65

 

CMYK 0 / 64 / 20 / 14

HEX #DC50B0

RGB 220 80 176

HSL 318.86, 0.67%, 0.59%

LAB 56.18, 64.28, -22.98

 

CMYK 0 / 64 / 37 / 14

HEX #DC508A

RGB 220 80 138

HSL 335.14, 0.67%, 0.59%

LAB 54.85, 59.59, -2.7

 

CMYK 0 / 80 / 5 / 29

HEX #B624AC

RGB 182 36 172

HSL 304.11, 0.67%, 0.43%

LAB 44.5, 69.41, -39.32

 

CMYK 0 / 79 / 5 / 16

HEX #D52DCA

RGB 213 45 202

HSL 303.93, 0.67%, 0.51%

LAB 52.16, 77.88, -44.36

 

CMYK 0 / 64 / 4 / 14

HEX #DC50D3

RGB 220 80 211

HSL 303.86, 0.67%, 0.59%

LAB 57.71, 69.49, -40.67

 

CMYK 0 / 50 / 3 / 11

HEX #E372DC

RGB 227 114 220

HSL 303.72, 0.67%, 0.67%

LAB 64.59, 57.9, -34.9

 

CMYK 0 / 36 / 3 / 8

HEX #EA95E4

RGB 234 149 228

HSL 304.24, 0.67%, 0.75%

LAB 72.62, 43.77, -26.86

 

CMYK 0 / 63 / 4 / 14

HEX #DC51D3

RGB 220 81 211

HSL 303.88, 0.67%, 0.59%

LAB 57.85, 69.1, -40.45

 

CMYK 0 / 48 / 64 / 14

HEX #DC7350

RGB 220 115 80

HSL 15, 0.67%, 0.59%

LAB 59.94, 38.07, 37.64

 

CMYK 64 / 0 / 22 / 14

HEX #50DCAB

RGB 80 220 171

HSL 159, 0.67%, 0.59%

LAB 79.52, -49.11, 13.11

 

CMYK 0 / 63 / 4 / 14

HEX #DC51D3

RGB 220 81 211

HSL 303.88, 0.67%, 0.59%

LAB 57.85, 69.1, -40.45

 

CMYK 3 / 0 / 64 / 14

HEX #D5DC50

RGB 213 220 80

HSL 63, 0.67%, 0.59%

LAB 84.95, -19.79, 65.44

 

CMYK 64 / 3 / 0 / 14

HEX #50D5DC

RGB 80 213 220

HSL 183, 0.67%, 0.59%

LAB 78.73, -33.56, -14.17

 

CMYK 0 / 63 / 4 / 14

HEX #DC51D3

RGB 220 81 211

HSL 303.88, 0.67%, 0.59%

LAB 57.85, 69.1, -40.45

 

CMYK 0 / 48 / 64 / 14

HEX #DC7350

RGB 220 115 80

HSL 15, 0.67%, 0.59%

LAB 59.94, 38.07, 37.64

 

CMYK 64 / 0 / 60 / 14

HEX #50DC57

RGB 80 220 87

HSL 123, 0.67%, 0.59%

LAB 78.22, -63.34, 53.2

 

CMYK 64 / 16 / 0 / 14

HEX #50B9DC

RGB 80 185 220

HSL 195, 0.67%, 0.59%

LAB 70.57, -19.71, -26.55

 

CMYK 0 / 63 / 4 / 14

HEX #DC51D3

RGB 220 81 211

HSL 303.88, 0.67%, 0.59%

LAB 57.85, 69.1, -40.45

 

CMYK 0 / 29 / 64 / 14

HEX #DC9D50

RGB 220 157 80

HSL 33, 0.67%, 0.59%

LAB 69.4, 15.77, 48.7

 

CMYK 64 / 0 / 60 / 14

HEX #50DC57

RGB 80 220 87

HSL 123, 0.67%, 0.59%

LAB 78.22, -63.34, 53.2

 

CMYK 64 / 35 / 0 / 14

HEX #508FDC

RGB 80 143 220

HSL 213, 0.67%, 0.59%

LAB 58.53, 3.55, -45.31

 

Description

Color code: RGB 220 81 211 | qconv.com Color code: RGB 220 81 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 81 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 81 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 4 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 4% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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