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Color name
RGB 220 35 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 35 105 it is the complementary color RGB 35 220 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 35 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 35 105 shade: RGB 225 35 100, RGB 242 53 119, RGB 255 71 138, RGB 255 89 157 and RGB 255 107 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 35 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 35 105 shade: RGB 220 35 105, RGB 203 17 86, RGB 186 0 67, RGB 169 0 48 and RGB 152 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 35 105 shade: RGB 220 34 104, RGB 220 34 54 and RGB 220 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 35 105 shade: RGB 220 34 104, RGB 220 34 155, RGB 220 34 205, RGB 185 34 220 and RGB 135 34 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 35 105 shade matches the following richer shades: RGB 220 34 104 and RGB 241 13 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 35 105 shade: RGB 220 34 104, RGB 199 55 109, RGB 179 75 114, RGB 158 96 119 and RGB 138 116 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 35 105 shade: RGB 220 34 205, RGB 220 34 155, RGB 220 34 105, RGB 220 34 56 and RGB 220 62 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 35 105 shade: RGB 149 23 70, RGB 184 28 87, RGB 220 34 104, RGB 226 70 129 and RGB 231 105 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 35 105 shade: RGB 220 35 105, RGB 220 186 34 and RGB 34 180 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 35 105 shade: RGB 220 35 105, RGB 105 220 34 and RGB 34 105 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 35 105 shade: RGB 220 35 105, RGB 220 186 34, RGB 34 220 149 and RGB 34 68 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 35 105 shade: RGB 220 35 105, RGB 198 220 34, RGB 34 220 149 and RGB 56 34 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 52 / 14

HEX #DC2369

RGB 220 35 105

HSL 337.3, 0.73%, 0.5%

LAB 48.81, 70.89, 8.42

 

Complementary color

CMYK 84 / 0 / 32 / 14

HEX #23DC96

RGB 35 220 150

HSL 157.3, 0.73%, 0.5%

LAB 78.31, -59.44, 22.35

 

CMYK 0 / 84 / 56 / 12

HEX #E12364

RGB 225 35 100

HSL 339.47, 0.76%, 0.51%

LAB 49.65, 71.78, 12.81

 

CMYK 0 / 78 / 51 / 5

HEX #F23577

RGB 242 53 119

HSL 339.05, 0.88%, 0.58%

LAB 54.82, 73.21, 9.04

 

CMYK 0 / 72 / 46 / 0

HEX #FF478A

RGB 255 71 138

HSL 338.15, 1%, 0.64%

LAB 59.53, 72.85, 4.82

 

CMYK 0 / 65 / 38 / 0

HEX #FF599D

RGB 255 89 157

HSL 335.42, 1%, 0.67%

LAB 62.37, 68.22, -2.1

 

CMYK 0 / 58 / 31 / 0

HEX #FF6BB0

RGB 255 107 176

HSL 332.03, 1%, 0.71%

LAB 65.68, 62.91, -8.09

 

CMYK 0 / 84 / 52 / 14

HEX #DC2369

RGB 220 35 105

HSL 337.3, 0.73%, 0.5%

LAB 48.81, 70.89, 8.42

 

CMYK 0 / 92 / 58 / 20

HEX #CB1156

RGB 203 17 86

HSL 337.74, 0.85%, 0.43%

LAB 43.9, 68.49, 12.85

 

CMYK 0 / 100 / 64 / 27

HEX #BA0043

RGB 186 0 67

HSL 338.39, 1%, 0.36%

LAB 39.32, 65.09, 18.09

 

CMYK 0 / 100 / 72 / 34

HEX #A90030

RGB 169 0 48

HSL 342.96, 1%, 0.33%

LAB 35.3, 60.02, 24.4

 

CMYK 0 / 100 / 81 / 40

HEX #98001D

RGB 152 0 29

HSL 348.55, 1%, 0.3%

LAB 31.26, 55.01, 30.79

 

CMYK 0 / 85 / 53 / 14

HEX #DC2268

RGB 220 34 104

HSL 337.42, 0.73%, 0.5%

LAB 48.71, 71.03, 8.9

 

CMYK 0 / 85 / 75 / 14

HEX #DC2236

RGB 220 34 54

HSL 353.55, 0.73%, 0.5%

LAB 47.79, 68.32, 37.98

 

CMYK 0 / 85 / 85 / 14

HEX #DC2222

RGB 220 34 34

HSL 0, 0.73%, 0.5%

LAB 47.59, 67.75, 48.62

 

CMYK 0 / 85 / 53 / 14

HEX #DC2268

RGB 220 34 104

HSL 337.42, 0.73%, 0.5%

LAB 48.71, 71.03, 8.9

 

CMYK 0 / 85 / 30 / 14

HEX #DC229B

RGB 220 34 155

HSL 320.97, 0.73%, 0.5%

LAB 50.37, 75.72, -19.55

 

CMYK 0 / 85 / 7 / 14

HEX #DC22CD

RGB 220 34 205

HSL 304.84, 0.73%, 0.5%

LAB 52.69, 82.02, -45.16

 

CMYK 16 / 85 / 0 / 14

HEX #B922DC

RGB 185 34 220

HSL 288.71, 0.73%, 0.5%

LAB 47.78, 78.25, -61.94

 

CMYK 39 / 85 / 0 / 14

HEX #8722DC

RGB 135 34 220

HSL 272.58, 0.73%, 0.5%

LAB 40.35, 70.86, -74.37

 

CMYK 0 / 85 / 53 / 14

HEX #DC2268

RGB 220 34 104

HSL 337.42, 0.73%, 0.5%

LAB 48.71, 71.03, 8.9

 

CMYK 0 / 95 / 59 / 5

HEX #F10D63

RGB 241 13 99

HSL 337.37, 0.9%, 0.5%

LAB 51.71, 78.64, 16.76

 

CMYK 0 / 85 / 53 / 14

HEX #DC2268

RGB 220 34 104

HSL 337.42, 0.73%, 0.5%

LAB 48.71, 71.03, 8.9

 

CMYK 0 / 72 / 45 / 22

HEX #C7376D

RGB 199 55 109

HSL 337.5, 0.57%, 0.5%

LAB 46.95, 60.1, 2.78

 

CMYK 0 / 58 / 36 / 30

HEX #B34B72

RGB 179 75 114

HSL 337.5, 0.41%, 0.5%

LAB 46.75, 46.18, -0.97

 

CMYK 0 / 39 / 25 / 38

HEX #9E6077

RGB 158 96 119

HSL 337.74, 0.24%, 0.5%

LAB 48.22, 28.38, -2.18

 

CMYK 0 / 16 / 10 / 46

HEX #8A747C

RGB 138 116 124

HSL 338.18, 0.09%, 0.5%

LAB 51.09, 10, -1.2

 

CMYK 0 / 85 / 7 / 14

HEX #DC22CD

RGB 220 34 205

HSL 304.84, 0.73%, 0.5%

LAB 52.69, 82.02, -45.16

 

CMYK 0 / 85 / 30 / 14

HEX #DC229B

RGB 220 34 155

HSL 320.97, 0.73%, 0.5%

LAB 50.37, 75.72, -19.55

 

CMYK 0 / 85 / 52 / 14

HEX #DC2269

RGB 220 34 105

HSL 337.1, 0.73%, 0.5%

LAB 48.73, 71.1, 8.32

 

CMYK 0 / 85 / 75 / 14

HEX #DC2238

RGB 220 34 56

HSL 352.9, 0.73%, 0.5%

LAB 47.81, 68.39, 36.85

 

CMYK 0 / 72 / 85 / 14

HEX #DC3E22

RGB 220 62 34

HSL 9.03, 0.73%, 0.5%

LAB 50.42, 59.8, 51.08

 

CMYK 0 / 85 / 53 / 42

HEX #951746

RGB 149 23 70

HSL 337.62, 0.73%, 0.34%

LAB 32.8, 52.5, 5.96

 

CMYK 0 / 85 / 53 / 28

HEX #B81C57

RGB 184 28 87

HSL 337.31, 0.74%, 0.42%

LAB 40.75, 61.93, 7.24

 

CMYK 0 / 85 / 53 / 14

HEX #DC2268

RGB 220 34 104

HSL 337.42, 0.73%, 0.5%

LAB 48.71, 71.03, 8.9

 

CMYK 0 / 69 / 43 / 11

HEX #E24681

RGB 226 70 129

HSL 337.31, 0.73%, 0.58%

LAB 54.17, 64.32, 1.76

 

CMYK 0 / 55 / 34 / 9

HEX #E76999

RGB 231 105 153

HSL 337.14, 0.72%, 0.66%

LAB 61.13, 53.63, -2.05

 

CMYK 0 / 84 / 52 / 14

HEX #DC2369

RGB 220 35 105

HSL 337.3, 0.73%, 0.5%

LAB 48.81, 70.89, 8.42

 

CMYK 0 / 15 / 85 / 14

HEX #DCBA22

RGB 220 186 34

HSL 49.03, 0.73%, 0.5%

LAB 76.34, -1.63, 72.89

 

CMYK 85 / 18 / 0 / 14

HEX #22B4DC

RGB 34 180 220

HSL 192.9, 0.73%, 0.5%

LAB 68.13, -22.58, -30.39

 

CMYK 0 / 84 / 52 / 14

HEX #DC2369

RGB 220 35 105

HSL 337.3, 0.73%, 0.5%

LAB 48.81, 70.89, 8.42

 

CMYK 52 / 0 / 85 / 14

HEX #69DC22

RGB 105 220 34

HSL 97.1, 0.73%, 0.5%

LAB 78.64, -61.16, 71.97

 

CMYK 85 / 52 / 0 / 14

HEX #2269DC

RGB 34 105 220

HSL 217.1, 0.73%, 0.5%

LAB 46.46, 21.22, -64.71

 

CMYK 0 / 84 / 52 / 14

HEX #DC2369

RGB 220 35 105

HSL 337.3, 0.73%, 0.5%

LAB 48.81, 70.89, 8.42

 

CMYK 0 / 15 / 85 / 14

HEX #DCBA22

RGB 220 186 34

HSL 49.03, 0.73%, 0.5%

LAB 76.34, -1.63, 72.89

 

CMYK 85 / 0 / 32 / 14

HEX #22DC95

RGB 34 220 149

HSL 157.1, 0.73%, 0.5%

LAB 78.28, -59.73, 22.83

 

CMYK 85 / 69 / 0 / 14

HEX #2244DC

RGB 34 68 220

HSL 229.03, 0.73%, 0.5%

LAB 37.19, 44.75, -79.87

 

CMYK 0 / 84 / 52 / 14

HEX #DC2369

RGB 220 35 105

HSL 337.3, 0.73%, 0.5%

LAB 48.81, 70.89, 8.42

 

CMYK 10 / 0 / 85 / 14

HEX #C6DC22

RGB 198 220 34

HSL 67.1, 0.73%, 0.5%

LAB 83.6, -27.94, 78.19

 

CMYK 85 / 0 / 32 / 14

HEX #22DC95

RGB 34 220 149

HSL 157.1, 0.73%, 0.5%

LAB 78.28, -59.73, 22.83

 

CMYK 75 / 85 / 0 / 14

HEX #3822DC

RGB 56 34 220

HSL 247.1, 0.73%, 0.5%

LAB 32.15, 63.38, -88.18

 

Description

Color code: RGB 220 35 105 | qconv.com Color code: RGB 220 35 105 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 35 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 35 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 52 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 52% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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