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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 243 128 it is the complementary color RGB 35 12 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 243 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 243 128 shade: RGB 225 243 123, RGB 242 255 142, RGB 255 255 161, RGB 255 255 180 and RGB 255 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 243 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 243 128 shade: RGB 220 243 128, RGB 203 225 109, RGB 186 207 90, RGB 169 189 71 and RGB 152 171 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 243 128 shade: RGB 220 243 129, RGB 243 235 129, RGB 243 204 129, RGB 243 173 129 and RGB 243 142 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 243 128 shade: RGB 220 243 129, RGB 189 243 129, RGB 158 243 129, RGB 129 243 130 and RGB 129 243 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 243 128 shade matches the following richer shades: RGB 220 243 129 and RGB 227 254 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 243 128 shade: RGB 220 243 129, RGB 213 232 140, RGB 207 221 151, RGB 200 209 162 and RGB 193 198 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 243 128 shade: RGB 243 205 129, RGB 243 235 129, RGB 220 243 129, RGB 189 243 129 and RGB 159 243 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 243 128 shade: RGB 199 236 53, RGB 210 239 91, RGB 220 243 129, RGB 230 246 166 and RGB 241 250 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 243 128 shade: RGB 220 243 128, RGB 129 243 174 and RGB 220 129 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 243 128 shade: RGB 220 243 128, RGB 129 220 243 and RGB 243 129 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 243 128 shade: RGB 220 243 128, RGB 129 243 174, RGB 151 129 243 and RGB 243 129 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 243 128 shade: RGB 220 243 128, RGB 129 243 209, RGB 151 129 243 and RGB 243 129 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 47 / 5

HEX #DCF380

RGB 220 243 128

HSL 72, 0.83%, 0.73%

LAB 92.08, -24.29, 52.56

 

Complementary color

CMYK 72 / 91 / 0 / 50

HEX #230C7F

RGB 35 12 127

HSL 252, 0.83%, 0.27%

LAB 16.27, 43.85, -58.52

 

CMYK 7 / 0 / 49 / 5

HEX #E1F37B

RGB 225 243 123

HSL 69, 0.83%, 0.72%

LAB 92.37, -22.84, 55.33

 

CMYK 5 / 0 / 44 / 0

HEX #F2FF8E

RGB 242 255 142

HSL 66.9, 1%, 0.78%

LAB 96.96, -20.28, 52.31

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 9 / 0 / 47 / 5

HEX #DCF380

RGB 220 243 128

HSL 72, 0.83%, 0.73%

LAB 92.08, -24.29, 52.56

 

CMYK 10 / 0 / 52 / 12

HEX #CBE16D

RGB 203 225 109

HSL 71.38, 0.66%, 0.65%

LAB 85.83, -24.01, 53.66

 

CMYK 10 / 0 / 57 / 19

HEX #BACF5A

RGB 186 207 90

HSL 70.77, 0.55%, 0.58%

LAB 79.5, -23.66, 54.68

 

CMYK 11 / 0 / 62 / 26

HEX #A9BD47

RGB 169 189 71

HSL 70.17, 0.47%, 0.51%

LAB 73.08, -23.22, 55.56

 

CMYK 11 / 0 / 70 / 33

HEX #98AB34

RGB 152 171 52

HSL 69.58, 0.53%, 0.44%

LAB 66.56, -22.64, 56.12

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 0 / 3 / 47 / 5

HEX #F3EB81

RGB 243 235 129

HSL 55.79, 0.83%, 0.73%

LAB 91.71, -11.38, 52.05

 

CMYK 0 / 16 / 47 / 5

HEX #F3CC81

RGB 243 204 129

HSL 39.47, 0.83%, 0.73%

LAB 83.87, 4.34, 42.36

 

CMYK 0 / 29 / 47 / 5

HEX #F3AD81

RGB 243 173 129

HSL 23.16, 0.83%, 0.73%

LAB 76.39, 20.6, 32.76

 

CMYK 0 / 42 / 47 / 5

HEX #F38E81

RGB 243 142 129

HSL 6.84, 0.83%, 0.73%

LAB 69.46, 36.87, 23.55

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 22 / 0 / 47 / 5

HEX #BDF381

RGB 189 243 129

HSL 88.42, 0.83%, 0.73%

LAB 90.09, -35.65, 49.22

 

CMYK 35 / 0 / 47 / 5

HEX #9EF381

RGB 158 243 129

HSL 104.74, 0.83%, 0.73%

LAB 88.43, -46.18, 46.78

 

CMYK 47 / 0 / 47 / 5

HEX #81F382

RGB 129 243 130

HSL 120.53, 0.83%, 0.73%

LAB 87.18, -54.67, 44.48

 

CMYK 47 / 0 / 34 / 5

HEX #81F3A0

RGB 129 243 160

HSL 136.32, 0.83%, 0.73%

LAB 87.63, -50.05, 30.23

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 11 / 0 / 54 / 0

HEX #E3FE75

RGB 227 254 117

HSL 71.82, 0.99%, 0.73%

LAB 95.37, -27.8, 61.58

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 8 / 0 / 40 / 9

HEX #D5E88C

RGB 213 232 140

HSL 72.39, 0.67%, 0.73%

LAB 88.81, -20.39, 42.62

 

CMYK 6 / 0 / 32 / 13

HEX #CFDD97

RGB 207 221 151

HSL 72, 0.51%, 0.73%

LAB 85.61, -15.9, 32.87

 

CMYK 4 / 0 / 22 / 18

HEX #C8D1A2

RGB 200 209 162

HSL 71.49, 0.34%, 0.73%

LAB 82.1, -10.95, 22.34

 

CMYK 3 / 0 / 13 / 22

HEX #C1C6AD

RGB 193 198 173

HSL 72, 0.18%, 0.73%

LAB 78.89, -6.12, 11.94

 

CMYK 0 / 16 / 47 / 5

HEX #F3CD81

RGB 243 205 129

HSL 40, 0.83%, 0.73%

LAB 84.12, 3.82, 42.67

 

CMYK 0 / 3 / 47 / 5

HEX #F3EB81

RGB 243 235 129

HSL 55.79, 0.83%, 0.73%

LAB 91.71, -11.38, 52.05

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 22 / 0 / 47 / 5

HEX #BDF381

RGB 189 243 129

HSL 88.42, 0.83%, 0.73%

LAB 90.09, -35.65, 49.22

 

CMYK 35 / 0 / 47 / 5

HEX #9FF381

RGB 159 243 129

HSL 104.21, 0.83%, 0.73%

LAB 88.47, -45.86, 46.86

 

CMYK 16 / 0 / 78 / 7

HEX #C7EC35

RGB 199 236 53

HSL 72.13, 0.83%, 0.57%

LAB 88.16, -34.34, 77.48

 

CMYK 12 / 0 / 62 / 6

HEX #D2EF5B

RGB 210 239 91

HSL 71.76, 0.82%, 0.65%

LAB 89.95, -29.35, 66.25

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 7 / 0 / 33 / 4

HEX #E6F6A6

RGB 230 246 166

HSL 72, 0.82%, 0.81%

LAB 94.09, -17.75, 36.8

 

CMYK 4 / 0 / 18 / 2

HEX #F1FACC

RGB 241 250 204

HSL 71.74, 0.82%, 0.89%

LAB 96.59, -10.54, 21.1

 

CMYK 9 / 0 / 47 / 5

HEX #DCF380

RGB 220 243 128

HSL 72, 0.83%, 0.73%

LAB 92.08, -24.29, 52.56

 

CMYK 47 / 0 / 28 / 5

HEX #81F3AE

RGB 129 243 174

HSL 143.68, 0.83%, 0.73%

LAB 87.88, -47.56, 23.44

 

CMYK 9 / 47 / 0 / 5

HEX #DC81F3

RGB 220 129 243

HSL 287.89, 0.83%, 0.73%

LAB 67.57, 52.74, -43.05

 

CMYK 9 / 0 / 47 / 5

HEX #DCF380

RGB 220 243 128

HSL 72, 0.83%, 0.73%

LAB 92.08, -24.29, 52.56

 

CMYK 47 / 9 / 0 / 5

HEX #81DCF3

RGB 129 220 243

HSL 192.11, 0.83%, 0.73%

LAB 83.09, -21.26, -19.7

 

CMYK 0 / 47 / 9 / 5

HEX #F381DC

RGB 243 129 220

HSL 312.11, 0.83%, 0.73%

LAB 69.41, 55.28, -27.28

 

CMYK 9 / 0 / 47 / 5

HEX #DCF380

RGB 220 243 128

HSL 72, 0.83%, 0.73%

LAB 92.08, -24.29, 52.56

 

CMYK 47 / 0 / 28 / 5

HEX #81F3AE

RGB 129 243 174

HSL 143.68, 0.83%, 0.73%

LAB 87.88, -47.56, 23.44

 

CMYK 38 / 47 / 0 / 5

HEX #9781F3

RGB 151 129 243

HSL 251.58, 0.83%, 0.73%

LAB 60.56, 34.39, -54.58

 

CMYK 0 / 47 / 19 / 5

HEX #F381C5

RGB 243 129 197

HSL 324.21, 0.83%, 0.73%

LAB 68.6, 51.74, -15.73

 

CMYK 9 / 0 / 47 / 5

HEX #DCF380

RGB 220 243 128

HSL 72, 0.83%, 0.73%

LAB 92.08, -24.29, 52.56

 

CMYK 47 / 0 / 14 / 5

HEX #81F3D1

RGB 129 243 209

HSL 162.11, 0.83%, 0.73%

LAB 88.62, -40.43, 6.38

 

CMYK 38 / 47 / 0 / 5

HEX #9781F3

RGB 151 129 243

HSL 251.58, 0.83%, 0.73%

LAB 60.56, 34.39, -54.58

 

CMYK 0 / 47 / 33 / 5

HEX #F381A3

RGB 243 129 163

HSL 342.11, 0.83%, 0.73%

LAB 67.58, 47.18, 1.87

 

Description

Color code: RGB 220 243 128 | qconv.com Color code: RGB 220 243 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 243 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 243 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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