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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 228 74 it is the complementary color RGB 35 27 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 228 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 228 74 shade: RGB 225 228 69, RGB 242 246 88, RGB 255 255 107, RGB 255 255 126 and RGB 255 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 228 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 228 74 shade: RGB 220 228 74, RGB 203 210 55, RGB 186 192 36, RGB 169 174 17 and RGB 152 156 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 228 74 shade: RGB 219 227 73, RGB 227 194 73, RGB 227 152 73, RGB 227 110 73 and RGB 227 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 228 74 shade: RGB 219 227 73, RGB 178 227 73, RGB 136 227 73, RGB 94 227 73 and RGB 73 227 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 228 74 shade matches the following richer shades: RGB 219 227 73 and RGB 234 244 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 228 74 shade: RGB 219 227 73, RGB 204 210 89, RGB 189 193 106, RGB 174 177 123 and RGB 159 160 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 228 74 shade: RGB 227 153 73, RGB 227 194 73, RGB 220 227 73, RGB 178 227 73 and RGB 137 227 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 228 74 shade: RGB 181 189 28, RGB 212 222 37, RGB 219 227 73, RGB 226 233 108 and RGB 233 238 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 228 74 shade: RGB 220 228 74, RGB 73 227 111 and RGB 173 73 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 228 74 shade: RGB 220 228 74, RGB 73 220 227 and RGB 227 73 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 228 74 shade: RGB 220 228 74, RGB 73 227 111, RGB 80 73 227 and RGB 227 73 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 228 74 shade: RGB 220 228 74, RGB 73 227 158, RGB 80 73 227 and RGB 227 73 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 68 / 11

HEX #DCE44A

RGB 220 228 74

HSL 63.12, 0.74%, 0.59%

LAB 87.58, -21.17, 70.6

 

Complementary color

CMYK 81 / 85 / 0 / 29

HEX #231BB5

RGB 35 27 181

HSL 243.12, 0.74%, 0.41%

LAB 25.19, 53.89, -76.94

 

CMYK 1 / 0 / 70 / 11

HEX #E1E445

RGB 225 228 69

HSL 61.13, 0.75%, 0.58%

LAB 87.93, -19.38, 72.87

 

CMYK 2 / 0 / 64 / 4

HEX #F2F658

RGB 242 246 88

HSL 61.52, 0.9%, 0.65%

LAB 94.1, -20.16, 72.51

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 4 / 0 / 68 / 11

HEX #DCE44A

RGB 220 228 74

HSL 63.12, 0.74%, 0.59%

LAB 87.58, -21.17, 70.6

 

CMYK 3 / 0 / 74 / 18

HEX #CBD237

RGB 203 210 55

HSL 62.71, 0.63%, 0.52%

LAB 81.33, -20.34, 70.69

 

CMYK 3 / 0 / 81 / 25

HEX #BAC024

RGB 186 192 36

HSL 62.31, 0.68%, 0.45%

LAB 74.99, -19.34, 70.06

 

CMYK 3 / 0 / 90 / 32

HEX #A9AE11

RGB 169 174 17

HSL 61.91, 0.82%, 0.37%

LAB 68.57, -18.14, 68.27

 

CMYK 3 / 0 / 100 / 39

HEX #989C00

RGB 152 156 0

HSL 61.54, 1%, 0.31%

LAB 62.04, -16.73, 65.06

 

CMYK 4 / 0 / 68 / 11

HEX #DBE349

RGB 219 227 73

HSL 63.12, 0.73%, 0.59%

LAB 87.23, -21.14, 70.6

 

CMYK 0 / 15 / 68 / 11

HEX #E3C249

RGB 227 194 73

HSL 47.14, 0.73%, 0.59%

LAB 79.27, -1.25, 62.72

 

CMYK 0 / 33 / 68 / 11

HEX #E39849

RGB 227 152 73

HSL 30.78, 0.73%, 0.59%

LAB 68.95, 20.97, 51.76

 

CMYK 0 / 52 / 68 / 11

HEX #E36E49

RGB 227 110 73

HSL 14.42, 0.73%, 0.59%

LAB 59.86, 42.85, 41.54

 

CMYK 0 / 68 / 68 / 11

HEX #E34949

RGB 227 73 73

HSL 0, 0.73%, 0.59%

LAB 53.58, 59.39, 34.11

 

CMYK 4 / 0 / 68 / 11

HEX #DBE349

RGB 219 227 73

HSL 63.12, 0.73%, 0.59%

LAB 87.23, -21.14, 70.6

 

CMYK 22 / 0 / 68 / 11

HEX #B2E349

RGB 178 227 73

HSL 79.09, 0.73%, 0.59%

LAB 84.42, -37.39, 66.84

 

CMYK 40 / 0 / 68 / 11

HEX #88E349

RGB 136 227 73

HSL 95.45, 0.73%, 0.59%

LAB 82.19, -52.25, 63.84

 

CMYK 59 / 0 / 68 / 11

HEX #5EE349

RGB 94 227 73

HSL 111.82, 0.73%, 0.59%

LAB 80.63, -64.05, 61.71

 

CMYK 68 / 0 / 59 / 11

HEX #49E35D

RGB 73 227 93

HSL 127.79, 0.73%, 0.59%

LAB 80.26, -66.39, 52.87

 

CMYK 4 / 0 / 68 / 11

HEX #DBE349

RGB 219 227 73

HSL 63.12, 0.73%, 0.59%

LAB 87.23, -21.14, 70.6

 

CMYK 4 / 0 / 77 / 4

HEX #EAF438

RGB 234 244 56

HSL 63.19, 0.9%, 0.59%

LAB 92.79, -23.93, 81.74

 

CMYK 4 / 0 / 68 / 11

HEX #DBE349

RGB 219 227 73

HSL 63.12, 0.73%, 0.59%

LAB 87.23, -21.14, 70.6

 

CMYK 3 / 0 / 58 / 18

HEX #CCD259

RGB 204 210 89

HSL 62.98, 0.57%, 0.59%

LAB 81.65, -17.94, 57.9

 

CMYK 2 / 0 / 45 / 24

HEX #BDC16A

RGB 189 193 106

HSL 62.76, 0.41%, 0.59%

LAB 76.07, -14.03, 43.12

 

CMYK 2 / 0 / 31 / 31

HEX #AEB17B

RGB 174 177 123

HSL 63.33, 0.26%, 0.59%

LAB 70.78, -9.8, 27.35

 

CMYK 1 / 0 / 13 / 37

HEX #9FA08C

RGB 159 160 140

HSL 63, 0.1%, 0.59%

LAB 65.28, -3.97, 10.31

 

CMYK 0 / 33 / 68 / 11

HEX #E39949

RGB 227 153 73

HSL 31.17, 0.73%, 0.59%

LAB 69.18, 20.43, 52.02

 

CMYK 0 / 15 / 68 / 11

HEX #E3C249

RGB 227 194 73

HSL 47.14, 0.73%, 0.59%

LAB 79.27, -1.25, 62.72

 

CMYK 3 / 0 / 68 / 11

HEX #DCE349

RGB 220 227 73

HSL 62.73, 0.73%, 0.59%

LAB 87.31, -20.74, 70.7

 

CMYK 22 / 0 / 68 / 11

HEX #B2E349

RGB 178 227 73

HSL 79.09, 0.73%, 0.59%

LAB 84.42, -37.39, 66.84

 

CMYK 40 / 0 / 68 / 11

HEX #89E349

RGB 137 227 73

HSL 95.06, 0.73%, 0.59%

LAB 82.24, -51.93, 63.9

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1C

RGB 181 189 28

HSL 62.98, 0.74%, 0.43%

LAB 73.74, -20.22, 70.75

 

CMYK 5 / 0 / 83 / 13

HEX #D4DE25

RGB 212 222 37

HSL 63.24, 0.74%, 0.51%

LAB 85.19, -23.04, 79.28

 

CMYK 4 / 0 / 68 / 11

HEX #DBE349

RGB 219 227 73

HSL 63.12, 0.73%, 0.59%

LAB 87.23, -21.14, 70.6

 

CMYK 3 / 0 / 54 / 9

HEX #E2E96C

RGB 226 233 108

HSL 63.36, 0.74%, 0.67%

LAB 89.64, -18.91, 58.96

 

CMYK 2 / 0 / 39 / 7

HEX #E9EE90

RGB 233 238 144

HSL 63.19, 0.73%, 0.75%

LAB 91.9, -15.26, 44.89

 

CMYK 4 / 0 / 68 / 11

HEX #DCE44A

RGB 220 228 74

HSL 63.12, 0.74%, 0.59%

LAB 87.58, -21.17, 70.6

 

CMYK 68 / 0 / 51 / 11

HEX #49E36F

RGB 73 227 111

HSL 134.81, 0.73%, 0.59%

LAB 80.46, -64.05, 44.84

 

CMYK 24 / 68 / 0 / 11

HEX #AD49E3

RGB 173 73 227

HSL 278.96, 0.73%, 0.59%

LAB 50.92, 64.69, -60.96

 

CMYK 4 / 0 / 68 / 11

HEX #DCE44A

RGB 220 228 74

HSL 63.12, 0.74%, 0.59%

LAB 87.58, -21.17, 70.6

 

CMYK 68 / 3 / 0 / 11

HEX #49DCE3

RGB 73 220 227

HSL 182.73, 0.73%, 0.59%

LAB 80.82, -35.87, -14.79

 

CMYK 0 / 68 / 3 / 11

HEX #E349DC

RGB 227 73 220

HSL 302.73, 0.73%, 0.59%

LAB 58.29, 75.13, -44.78

 

CMYK 4 / 0 / 68 / 11

HEX #DCE44A

RGB 220 228 74

HSL 63.12, 0.74%, 0.59%

LAB 87.58, -21.17, 70.6

 

CMYK 68 / 0 / 51 / 11

HEX #49E36F

RGB 73 227 111

HSL 134.81, 0.73%, 0.59%

LAB 80.46, -64.05, 44.84

 

CMYK 65 / 68 / 0 / 11

HEX #5049E3

RGB 80 73 227

HSL 242.73, 0.73%, 0.59%

LAB 41.24, 48.44, -77.12

 

CMYK 0 / 68 / 17 / 11

HEX #E349BD

RGB 227 73 189

HSL 314.81, 0.73%, 0.59%

LAB 56.85, 70.56, -29.36

 

CMYK 4 / 0 / 68 / 11

HEX #DCE44A

RGB 220 228 74

HSL 63.12, 0.74%, 0.59%

LAB 87.58, -21.17, 70.6

 

CMYK 68 / 0 / 30 / 11

HEX #49E39E

RGB 73 227 158

HSL 153.12, 0.73%, 0.59%

LAB 81.19, -55.88, 22.24

 

CMYK 65 / 68 / 0 / 11

HEX #5049E3

RGB 80 73 227

HSL 242.73, 0.73%, 0.59%

LAB 41.24, 48.44, -77.12

 

CMYK 0 / 68 / 37 / 11

HEX #E3498E

RGB 227 73 142

HSL 333.12, 0.73%, 0.59%

LAB 55.12, 64.8, -4.54

 

Description

Color code: RGB 220 228 74 | qconv.com Color code: RGB 220 228 74 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 228 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 228 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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