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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 215 174 it is the complementary color RGB 35 40 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 215 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 215 174 shade: RGB 225 215 169, RGB 242 233 188, RGB 255 251 207, RGB 255 255 226 and RGB 255 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 215 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 215 174 shade: RGB 220 215 174, RGB 203 197 155, RGB 186 179 136, RGB 169 161 117 and RGB 152 143 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 215 174 shade: RGB 219 214 172, RGB 219 202 172, RGB 219 189 172, RGB 219 176 172 and RGB 219 172 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 215 174 shade: RGB 219 214 172, RGB 212 219 172, RGB 199 219 172, RGB 186 219 172 and RGB 174 219 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 215 174 shade matches the following richer shades: RGB 219 214 172, RGB 229 222 163, RGB 238 229 153 and RGB 248 236 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 215 174 shade: RGB 219 214 172, RGB 210 207 182, RGB 200 199 191, RGB 191 192 201 and RGB 181 185 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 215 174 shade: RGB 219 189 172, RGB 219 201 172, RGB 219 214 172, RGB 212 219 172 and RGB 200 219 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 215 174 shade: RGB 195 186 115, RGB 207 200 144, RGB 219 214 172, RGB 232 228 201 and RGB 244 243 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 215 174 shade: RGB 220 215 174, RGB 172 219 176 and RGB 195 172 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 215 174 shade: RGB 220 215 174, RGB 172 219 214 and RGB 214 172 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 215 174 shade: RGB 220 215 174, RGB 172 219 176, RGB 172 178 219 and RGB 219 172 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 215 174 shade: RGB 220 215 174, RGB 172 219 190, RGB 172 178 219 and RGB 219 172 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 21 / 14

HEX #DCD7AE

RGB 220 215 174

HSL 53.48, 0.4%, 0.77%

LAB 85.44, -4.88, 20.89

 

Complementary color

CMYK 57 / 51 / 0 / 68

HEX #232851

RGB 35 40 81

HSL 233.48, 0.4%, 0.23%

LAB 17.78, 11.31, -25.9

 

CMYK 0 / 4 / 25 / 12

HEX #E1D7A9

RGB 225 215 169

HSL 49.29, 0.48%, 0.77%

LAB 85.74, -3.72, 23.98

 

CMYK 0 / 4 / 22 / 5

HEX #F2E9BC

RGB 242 233 188

HSL 50, 0.68%, 0.84%

LAB 92.04, -3.98, 23.01

 

CMYK 0 / 2 / 19 / 0

HEX #FFFBCF

RGB 255 251 207

HSL 55, 1%, 0.91%

LAB 97.94, -5.64, 21.61

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 2 / 21 / 14

HEX #DCD7AE

RGB 220 215 174

HSL 53.48, 0.4%, 0.77%

LAB 85.44, -4.88, 20.89

 

CMYK 0 / 3 / 24 / 20

HEX #CBC59B

RGB 203 197 155

HSL 52.5, 0.32%, 0.7%

LAB 79.04, -4.65, 21.87

 

CMYK 0 / 4 / 27 / 27

HEX #BAB388

RGB 186 179 136

HSL 51.6, 0.27%, 0.63%

LAB 72.53, -4.39, 22.9

 

CMYK 0 / 5 / 31 / 34

HEX #A9A175

RGB 169 161 117

HSL 50.77, 0.23%, 0.56%

LAB 65.91, -4.08, 24.01

 

CMYK 0 / 6 / 36 / 40

HEX #988F62

RGB 152 143 98

HSL 50, 0.22%, 0.49%

LAB 59.16, -3.71, 25.18

 

CMYK 0 / 2 / 21 / 14

HEX #DBD6AC

RGB 219 214 172

HSL 53.62, 0.39%, 0.77%

LAB 85.06, -5.02, 21.41

 

CMYK 0 / 8 / 21 / 14

HEX #DBCAAC

RGB 219 202 172

HSL 38.3, 0.39%, 0.77%

LAB 81.99, 1.19, 17.14

 

CMYK 0 / 14 / 21 / 14

HEX #DBBDAC

RGB 219 189 172

HSL 21.7, 0.39%, 0.77%

LAB 78.71, 8.05, 12.53

 

CMYK 0 / 20 / 21 / 14

HEX #DBB0AC

RGB 219 176 172

HSL 5.11, 0.39%, 0.77%

LAB 75.51, 15, 7.97

 

CMYK 0 / 21 / 21 / 14

HEX #DBACAC

RGB 219 172 172

HSL 0, 0.39%, 0.77%

LAB 74.54, 17.15, 6.58

 

CMYK 0 / 2 / 21 / 14

HEX #DBD6AC

RGB 219 214 172

HSL 53.62, 0.39%, 0.77%

LAB 85.06, -5.02, 21.41

 

CMYK 3 / 0 / 21 / 14

HEX #D4DBAC

RGB 212 219 172

HSL 68.94, 0.39%, 0.77%

LAB 85.83, -10.15, 22.37

 

CMYK 9 / 0 / 21 / 14

HEX #C7DBAC

RGB 199 219 172

HSL 85.53, 0.39%, 0.77%

LAB 84.89, -14.86, 20.93

 

CMYK 15 / 0 / 21 / 14

HEX #BADBAC

RGB 186 219 172

HSL 102.13, 0.39%, 0.77%

LAB 84.01, -19.45, 19.58

 

CMYK 21 / 0 / 21 / 14

HEX #AEDBAC

RGB 174 219 172

HSL 117.45, 0.39%, 0.77%

LAB 83.25, -23.56, 18.41

 

CMYK 0 / 2 / 21 / 14

HEX #DBD6AC

RGB 219 214 172

HSL 53.62, 0.39%, 0.77%

LAB 85.06, -5.02, 21.41

 

CMYK 0 / 3 / 29 / 10

HEX #E5DEA3

RGB 229 222 163

HSL 53.64, 0.56%, 0.77%

LAB 87.75, -6.58, 29.87

 

CMYK 0 / 4 / 36 / 7

HEX #EEE599

RGB 238 229 153

HSL 53.65, 0.71%, 0.77%

LAB 90.1, -7.88, 38.19

 

CMYK 0 / 5 / 42 / 3

HEX #F8EC90

RGB 248 236 144

HSL 53.08, 0.88%, 0.77%

LAB 92.56, -8.48, 45.96

 

CMYK 0 / 2 / 21 / 14

HEX #DBD6AC

RGB 219 214 172

HSL 53.62, 0.39%, 0.77%

LAB 85.06, -5.02, 21.41

 

CMYK 0 / 1 / 13 / 18

HEX #D2CFB6

RGB 210 207 182

HSL 53.57, 0.24%, 0.77%

LAB 82.76, -3.2, 12.8

 

CMYK 0 / 0 / 5 / 22

HEX #C8C7BF

RGB 200 199 191

HSL 53.33, 0.08%, 0.77%

LAB 80.12, -1.08, 4.11

 

CMYK 5 / 4 / 0 / 21

HEX #BFC0C9

RGB 191 192 201

HSL 234, 0.08%, 0.77%

LAB 77.87, 1.36, -4.64

 

CMYK 14 / 12 / 0 / 18

HEX #B5B9D2

RGB 181 185 210

HSL 231.72, 0.24%, 0.77%

LAB 75.56, 3.62, -13.04

 

CMYK 0 / 14 / 21 / 14

HEX #DBBDAC

RGB 219 189 172

HSL 21.7, 0.39%, 0.77%

LAB 78.71, 8.05, 12.53

 

CMYK 0 / 8 / 21 / 14

HEX #DBC9AC

RGB 219 201 172

HSL 37.02, 0.39%, 0.77%

LAB 81.74, 1.71, 16.78

 

CMYK 0 / 2 / 21 / 14

HEX #DBD6AC

RGB 219 214 172

HSL 53.62, 0.39%, 0.77%

LAB 85.06, -5.02, 21.41

 

CMYK 3 / 0 / 21 / 14

HEX #D4DBAC

RGB 212 219 172

HSL 68.94, 0.39%, 0.77%

LAB 85.83, -10.15, 22.37

 

CMYK 9 / 0 / 21 / 14

HEX #C8DBAC

RGB 200 219 172

HSL 84.26, 0.39%, 0.77%

LAB 84.96, -14.5, 21.04

 

CMYK 0 / 5 / 41 / 24

HEX #C3BA73

RGB 195 186 115

HSL 53.25, 0.4%, 0.61%

LAB 74.8, -7.06, 37.09

 

CMYK 0 / 3 / 30 / 19

HEX #CFC890

RGB 207 200 144

HSL 53.33, 0.4%, 0.69%

LAB 79.95, -6.15, 28.95

 

CMYK 0 / 2 / 21 / 14

HEX #DBD6AC

RGB 219 214 172

HSL 53.62, 0.39%, 0.77%

LAB 85.06, -5.02, 21.41

 

CMYK 0 / 2 / 13 / 9

HEX #E8E4C9

RGB 232 228 201

HSL 52.26, 0.4%, 0.85%

LAB 90.26, -3.13, 13.67

 

CMYK 0 / 0 / 6 / 4

HEX #F4F3E6

RGB 244 243 230

HSL 55.71, 0.39%, 0.93%

LAB 95.6, -1.89, 6.37

 

CMYK 0 / 2 / 21 / 14

HEX #DCD7AE

RGB 220 215 174

HSL 53.48, 0.4%, 0.77%

LAB 85.44, -4.88, 20.89

 

CMYK 21 / 0 / 20 / 14

HEX #ACDBB0

RGB 172 219 176

HSL 125.11, 0.39%, 0.77%

LAB 83.21, -23.54, 16.24

 

CMYK 11 / 21 / 0 / 14

HEX #C3ACDB

RGB 195 172 219

HSL 269.36, 0.39%, 0.77%

LAB 73.69, 17.16, -20.65

 

CMYK 0 / 2 / 21 / 14

HEX #DCD7AE

RGB 220 215 174

HSL 53.48, 0.4%, 0.77%

LAB 85.44, -4.88, 20.89

 

CMYK 21 / 0 / 2 / 14

HEX #ACDBD6

RGB 172 219 214

HSL 173.62, 0.39%, 0.77%

LAB 84.12, -16.19, -2.56

 

CMYK 2 / 21 / 0 / 14

HEX #D6ACDB

RGB 214 172 219

HSL 293.62, 0.39%, 0.77%

LAB 75.4, 23.38, -17.9

 

CMYK 0 / 2 / 21 / 14

HEX #DCD7AE

RGB 220 215 174

HSL 53.48, 0.4%, 0.77%

LAB 85.44, -4.88, 20.89

 

CMYK 21 / 0 / 20 / 14

HEX #ACDBB0

RGB 172 219 176

HSL 125.11, 0.39%, 0.77%

LAB 83.21, -23.54, 16.24

 

CMYK 21 / 19 / 0 / 14

HEX #ACB2DB

RGB 172 178 219

HSL 232.34, 0.39%, 0.77%

LAB 73.37, 6.56, -21.31

 

CMYK 0 / 21 / 2 / 14

HEX #DBACD7

RGB 219 172 215

HSL 305.11, 0.39%, 0.77%

LAB 75.74, 24.3, -15.15

 

CMYK 0 / 2 / 21 / 14

HEX #DCD7AE

RGB 220 215 174

HSL 53.48, 0.4%, 0.77%

LAB 85.44, -4.88, 20.89

 

CMYK 21 / 0 / 13 / 14

HEX #ACDBBE

RGB 172 219 190

HSL 142.98, 0.39%, 0.77%

LAB 83.52, -20.98, 9.29

 

CMYK 21 / 19 / 0 / 14

HEX #ACB2DB

RGB 172 178 219

HSL 232.34, 0.39%, 0.77%

LAB 73.37, 6.56, -21.31

 

CMYK 0 / 21 / 8 / 14

HEX #DBACC9

RGB 219 172 201

HSL 322.98, 0.39%, 0.77%

LAB 75.32, 21.81, -8.15

 

Description

Color code: RGB 220 215 174 | qconv.com Color code: RGB 220 215 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 215 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 215 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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