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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 20 183 it is the complementary color RGB 35 235 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 20 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 20 183 shade: RGB 225 20 178, RGB 242 38 197, RGB 255 56 216, RGB 255 74 235 and RGB 255 92 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 20 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 20 183 shade: RGB 220 20 183, RGB 203 2 164, RGB 186 0 145, RGB 169 0 126 and RGB 152 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 20 183 shade: RGB 219 20 182, RGB 219 20 128, RGB 219 20 75, RGB 219 20 21 and RGB 219 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 20 183 shade: RGB 219 20 182, RGB 202 20 219, RGB 148 20 219, RGB 95 20 219 and RGB 41 20 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 20 183 shade matches the following richer shades: RGB 219 20 182 and RGB 238 0 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 20 183 shade: RGB 219 20 182, RGB 199 39 170, RGB 180 59 158, RGB 161 78 145 and RGB 141 97 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 20 183 shade: RGB 149 20 219, RGB 202 20 219, RGB 219 20 182, RGB 219 20 129 and RGB 219 20 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 20 183 shade: RGB 143 13 119, RGB 181 16 151, RGB 219 20 182, RGB 235 45 200 and RGB 239 83 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 20 183 shade: RGB 220 20 183, RGB 219 96 20 and RGB 20 219 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 20 183 shade: RGB 220 20 183, RGB 182 219 20 and RGB 20 182 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 20 183 shade: RGB 220 20 183, RGB 219 96 20, RGB 20 219 56 and RGB 20 143 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 20 183 shade: RGB 220 20 183, RGB 219 156 20, RGB 20 219 56 and RGB 20 83 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 17 / 14

HEX #DC14B7

RGB 220 20 183

HSL 311.1, 0.83%, 0.47%

LAB 50.84, 81.23, -35.33

 

Complementary color

CMYK 85 / 0 / 69 / 8

HEX #23EB48

RGB 35 235 72

HSL 131.1, 0.83%, 0.53%

LAB 81.97, -76.01, 63.17

 

CMYK 0 / 91 / 21 / 12

HEX #E114B2

RGB 225 20 178

HSL 313.76, 0.84%, 0.48%

LAB 51.52, 81.57, -31.28

 

CMYK 0 / 84 / 19 / 5

HEX #F226C5

RGB 242 38 197

HSL 313.24, 0.89%, 0.55%

LAB 56.38, 84.49, -34.5

 

CMYK 0 / 78 / 15 / 0

HEX #FF38D8

RGB 255 56 216

HSL 311.76, 1%, 0.61%

LAB 60.82, 85.65, -38.23

 

CMYK 0 / 71 / 8 / 0

HEX #FF4AEB

RGB 255 74 235

HSL 306.63, 1%, 0.65%

LAB 63.47, 83.21, -44.73

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFE

RGB 255 92 254

HSL 300.37, 1%, 0.68%

LAB 66.57, 79.93, -50.35

 

CMYK 0 / 91 / 17 / 14

HEX #DC14B7

RGB 220 20 183

HSL 311.1, 0.83%, 0.47%

LAB 50.84, 81.23, -35.33

 

CMYK 0 / 99 / 19 / 20

HEX #CB02A4

RGB 203 2 164

HSL 311.64, 0.98%, 0.4%

LAB 46.2, 77.35, -31.62

 

CMYK 0 / 100 / 22 / 27

HEX #BA0091

RGB 186 0 145

HSL 313.23, 1%, 0.36%

LAB 41.97, 72, -27.02

 

CMYK 0 / 100 / 25 / 34

HEX #A9007E

RGB 169 0 126

HSL 315.27, 1%, 0.33%

LAB 37.74, 66.4, -22.16

 

CMYK 0 / 100 / 30 / 40

HEX #98006B

RGB 152 0 107

HSL 317.76, 1%, 0.3%

LAB 33.43, 60.72, -17.1

 

CMYK 0 / 91 / 17 / 14

HEX #DB14B6

RGB 219 20 182

HSL 311.16, 0.83%, 0.47%

LAB 50.61, 80.91, -35.12

 

CMYK 0 / 91 / 42 / 14

HEX #DB1480

RGB 219 20 128

HSL 327.44, 0.83%, 0.47%

LAB 48.41, 75.07, -6.25

 

CMYK 0 / 91 / 66 / 14

HEX #DB144B

RGB 219 20 75

HSL 343.42, 0.83%, 0.47%

LAB 47.06, 71.36, 24.48

 

CMYK 0 / 91 / 90 / 14

HEX #DB1415

RGB 219 20 21

HSL 359.7, 0.83%, 0.47%

LAB 46.46, 69.66, 53.53

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 91 / 17 / 14

HEX #DB14B6

RGB 219 20 182

HSL 311.16, 0.83%, 0.47%

LAB 50.61, 80.91, -35.12

 

CMYK 8 / 91 / 0 / 14

HEX #CA14DB

RGB 202 20 219

HSL 294.87, 0.83%, 0.47%

LAB 49.7, 83.17, -58.14

 

CMYK 32 / 91 / 0 / 14

HEX #9414DB

RGB 148 20 219

HSL 278.59, 0.83%, 0.47%

LAB 41.07, 75.41, -72.54

 

CMYK 57 / 91 / 0 / 14

HEX #5F14DB

RGB 95 20 219

HSL 262.61, 0.83%, 0.47%

LAB 34.08, 69.96, -84.3

 

CMYK 81 / 91 / 0 / 14

HEX #2914DB

RGB 41 20 219

HSL 246.33, 0.83%, 0.47%

LAB 29.63, 67.07, -91.83

 

CMYK 0 / 91 / 17 / 14

HEX #DB14B6

RGB 219 20 182

HSL 311.16, 0.83%, 0.47%

LAB 50.61, 80.91, -35.12

 

CMYK 0 / 100 / 18 / 7

HEX #EE00C2

RGB 238 0 194

HSL 311.09, 1%, 0.47%

LAB 54.1, 87.52, -36.39

 

CMYK 0 / 91 / 17 / 14

HEX #DB14B6

RGB 219 20 182

HSL 311.16, 0.83%, 0.47%

LAB 50.61, 80.91, -35.12

 

CMYK 0 / 80 / 15 / 22

HEX #C727AA

RGB 199 39 170

HSL 310.88, 0.67%, 0.47%

LAB 47.62, 71.93, -33.02

 

CMYK 0 / 67 / 12 / 29

HEX #B43B9E

RGB 180 59 158

HSL 310.91, 0.51%, 0.47%

LAB 46.04, 59.46, -28.59

 

CMYK 0 / 52 / 10 / 37

HEX #A14E91

RGB 161 78 145

HSL 311.57, 0.35%, 0.47%

LAB 45.73, 43.38, -21.52

 

CMYK 0 / 31 / 6 / 45

HEX #8D6185

RGB 141 97 133

HSL 310.91, 0.18%, 0.47%

LAB 46.85, 23.95, -12.84

 

CMYK 32 / 91 / 0 / 14

HEX #9514DB

RGB 149 20 219

HSL 278.89, 0.83%, 0.47%

LAB 41.22, 75.54, -72.29

 

CMYK 8 / 91 / 0 / 14

HEX #CA14DB

RGB 202 20 219

HSL 294.87, 0.83%, 0.47%

LAB 49.7, 83.17, -58.14

 

CMYK 0 / 91 / 17 / 14

HEX #DB14B6

RGB 219 20 182

HSL 311.16, 0.83%, 0.47%

LAB 50.61, 80.91, -35.12

 

CMYK 0 / 91 / 41 / 14

HEX #DB1481

RGB 219 20 129

HSL 327.14, 0.83%, 0.47%

LAB 48.44, 75.16, -6.81

 

CMYK 0 / 91 / 65 / 14

HEX #DB144C

RGB 219 20 76

HSL 343.12, 0.83%, 0.47%

LAB 47.08, 71.41, 23.89

 

CMYK 0 / 91 / 17 / 44

HEX #8F0D77

RGB 143 13 119

HSL 311.08, 0.83%, 0.31%

LAB 32.83, 58.53, -25.8

 

CMYK 0 / 91 / 17 / 29

HEX #B51097

RGB 181 16 151

HSL 310.91, 0.84%, 0.39%

LAB 41.89, 70.1, -30.86

 

CMYK 0 / 91 / 17 / 14

HEX #DB14B6

RGB 219 20 182

HSL 311.16, 0.83%, 0.47%

LAB 50.61, 80.91, -35.12

 

CMYK 0 / 81 / 15 / 8

HEX #EB2DC8

RGB 235 45 200

HSL 311.05, 0.83%, 0.55%

LAB 55.8, 82.03, -37.23

 

CMYK 0 / 65 / 12 / 6

HEX #EF53D2

RGB 239 83 210

HSL 311.15, 0.83%, 0.63%

LAB 60.95, 72.82, -34.82

 

CMYK 0 / 91 / 17 / 14

HEX #DC14B7

RGB 220 20 183

HSL 311.1, 0.83%, 0.47%

LAB 50.84, 81.23, -35.33

 

CMYK 0 / 56 / 91 / 14

HEX #DB6014

RGB 219 96 20

HSL 22.91, 0.83%, 0.47%

LAB 55.56, 44.82, 60.24

 

CMYK 91 / 0 / 20 / 14

HEX #14DBB0

RGB 20 219 176

HSL 167.04, 0.83%, 0.47%

LAB 78.43, -53.99, 8.8

 

CMYK 0 / 91 / 17 / 14

HEX #DC14B7

RGB 220 20 183

HSL 311.1, 0.83%, 0.47%

LAB 50.84, 81.23, -35.33

 

CMYK 17 / 0 / 91 / 14

HEX #B6DB14

RGB 182 219 20

HSL 71.16, 0.83%, 0.47%

LAB 82.19, -34.28, 79.03

 

CMYK 91 / 17 / 0 / 14

HEX #14B6DB

RGB 20 182 219

HSL 191.16, 0.83%, 0.47%

LAB 68.55, -24.74, -29.21

 

CMYK 0 / 91 / 17 / 14

HEX #DC14B7

RGB 220 20 183

HSL 311.1, 0.83%, 0.47%

LAB 50.84, 81.23, -35.33

 

CMYK 0 / 56 / 91 / 14

HEX #DB6014

RGB 219 96 20

HSL 22.91, 0.83%, 0.47%

LAB 55.56, 44.82, 60.24

 

CMYK 91 / 0 / 74 / 14

HEX #14DB38

RGB 20 219 56

HSL 130.85, 0.83%, 0.47%

LAB 76.74, -73.77, 63.43

 

CMYK 91 / 35 / 0 / 14

HEX #148FDB

RGB 20 143 219

HSL 202.91, 0.83%, 0.47%

LAB 56.99, -3.48, -47.28

 

CMYK 0 / 91 / 17 / 14

HEX #DC14B7

RGB 220 20 183

HSL 311.1, 0.83%, 0.47%

LAB 50.84, 81.23, -35.33

 

CMYK 0 / 29 / 91 / 14

HEX #DB9C14

RGB 219 156 20

HSL 41.01, 0.83%, 0.47%

LAB 68.67, 13.54, 69.9

 

CMYK 91 / 0 / 74 / 14

HEX #14DB38

RGB 20 219 56

HSL 130.85, 0.83%, 0.47%

LAB 76.74, -73.77, 63.43

 

CMYK 91 / 62 / 0 / 14

HEX #1453DB

RGB 20 83 219

HSL 221.01, 0.83%, 0.47%

LAB 40.33, 34.25, -74.15

 

Description

Color code: RGB 220 20 183 | qconv.com Color code: RGB 220 20 183 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 20 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 20 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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