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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 189 80 it is the complementary color RGB 35 66 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 189 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 189 80 shade: RGB 225 189 75, RGB 242 207 94, RGB 255 225 113, RGB 255 243 132 and RGB 255 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 189 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 203 171 61, RGB 186 153 42, RGB 169 135 23 and RGB 152 117 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 220 151 80, RGB 220 113 80 and RGB 220 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 213 220 80, RGB 175 220 80, RGB 138 220 80 and RGB 100 220 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 189 80 shade matches the following richer shades: RGB 220 189 80, RGB 237 198 63 and RGB 254 208 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 203 180 97, RGB 186 170 114, RGB 169 161 131 and RGB 152 151 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 189 80 shade: RGB 220 113 80, RGB 220 150 80, RGB 220 187 80, RGB 215 220 80 and RGB 178 220 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 189 80 shade: RGB 182 149 36, RGB 213 176 45, RGB 220 189 80, RGB 227 202 114 and RGB 234 215 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 85 220 80 and RGB 131 80 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 80 220 187 and RGB 187 80 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 85 220 80, RGB 80 113 220 and RGB 215 80 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 189 80 shade: RGB 220 189 80, RGB 80 220 117, RGB 80 113 220 and RGB 220 80 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

Complementary color

CMYK 80 / 62 / 0 / 31

HEX #2342AF

RGB 35 66 175

HSL 226.71, 0.67%, 0.41%

LAB 32.59, 29.56, -61.15

 

CMYK 0 / 16 / 67 / 12

HEX #E1BD4B

RGB 225 189 75

HSL 45.6, 0.71%, 0.59%

LAB 77.82, 0.61, 60.32

 

CMYK 0 / 14 / 61 / 5

HEX #F2CF5E

RGB 242 207 94

HSL 45.81, 0.85%, 0.66%

LAB 84.13, -0.41, 59.34

 

CMYK 0 / 12 / 56 / 0

HEX #FFE171

RGB 255 225 113

HSL 47.32, 1%, 0.72%

LAB 90, -2.91, 57.73

 

CMYK 0 / 5 / 48 / 0

HEX #FFF384

RGB 255 243 132

HSL 54.15, 1%, 0.76%

LAB 94.75, -10.34, 54.54

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 0 / 16 / 70 / 20

HEX #CBAB3D

RGB 203 171 61

HSL 46.48, 0.58%, 0.52%

LAB 70.98, -0.12, 58.42

 

CMYK 0 / 18 / 77 / 27

HEX #BA992A

RGB 186 153 42

HSL 46.25, 0.63%, 0.45%

LAB 64.47, 1.18, 58.84

 

CMYK 0 / 20 / 86 / 34

HEX #A98717

RGB 169 135 23

HSL 46.03, 0.76%, 0.38%

LAB 57.87, 2.72, 58.38

 

CMYK 0 / 23 / 97 / 40

HEX #987504

RGB 152 117 4

HSL 45.81, 0.95%, 0.31%

LAB 51.16, 4.57, 56.47

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 0 / 31 / 64 / 14

HEX #DC9750

RGB 220 151 80

HSL 30.43, 0.67%, 0.59%

LAB 67.97, 19, 47.07

 

CMYK 0 / 49 / 64 / 14

HEX #DC7150

RGB 220 113 80

HSL 14.14, 0.67%, 0.59%

LAB 59.53, 39.09, 37.15

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 3 / 0 / 64 / 14

HEX #D5DC50

RGB 213 220 80

HSL 63, 0.67%, 0.59%

LAB 84.95, -19.79, 65.44

 

CMYK 20 / 0 / 64 / 14

HEX #AFDC50

RGB 175 220 80

HSL 79.29, 0.67%, 0.59%

LAB 82.31, -34.88, 61.85

 

CMYK 37 / 0 / 64 / 14

HEX #8ADC50

RGB 138 220 80

HSL 95.14, 0.67%, 0.59%

LAB 80.27, -48.18, 59.05

 

CMYK 55 / 0 / 64 / 14

HEX #64DC50

RGB 100 220 80

HSL 111.43, 0.67%, 0.59%

LAB 78.74, -59.45, 56.92

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 0 / 16 / 73 / 7

HEX #EDC63F

RGB 237 198 63

HSL 46.55, 0.83%, 0.59%

LAB 81.15, 0.44, 68.8

 

CMYK 0 / 18 / 82 / 0

HEX #FED02E

RGB 254 208 46

HSL 46.73, 0.99%, 0.59%

LAB 85.19, 1.9, 78.5

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 0 / 11 / 52 / 20

HEX #CBB461

RGB 203 180 97

HSL 46.98, 0.5%, 0.59%

LAB 73.68, -2.38, 44.94

 

CMYK 0 / 9 / 39 / 27

HEX #BAAA72

RGB 186 170 114

HSL 46.67, 0.34%, 0.59%

LAB 69.76, -2.39, 30.97

 

CMYK 0 / 5 / 22 / 34

HEX #A9A183

RGB 169 161 131

HSL 47.37, 0.18%, 0.59%

LAB 66.19, -2.1, 16.69

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 0 / 49 / 64 / 14

HEX #DC7150

RGB 220 113 80

HSL 14.14, 0.67%, 0.59%

LAB 59.53, 39.09, 37.15

 

CMYK 0 / 32 / 64 / 14

HEX #DC9650

RGB 220 150 80

HSL 30, 0.67%, 0.59%

LAB 67.73, 19.54, 46.79

 

CMYK 0 / 15 / 64 / 14

HEX #DCBB50

RGB 220 187 80

HSL 45.86, 0.67%, 0.59%

LAB 76.88, -0.16, 57.01

 

CMYK 2 / 0 / 64 / 14

HEX #D7DC50

RGB 215 220 80

HSL 62.14, 0.67%, 0.59%

LAB 85.1, -18.97, 65.65

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 0 / 18 / 80 / 29

HEX #B69524

RGB 182 149 36

HSL 46.44, 0.67%, 0.43%

LAB 62.98, 1.33, 59.39

 

CMYK 0 / 17 / 79 / 16

HEX #D5B02D

RGB 213 176 45

HSL 46.79, 0.67%, 0.51%

LAB 73.15, 0.89, 66.73

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 0 / 11 / 50 / 11

HEX #E3CA72

RGB 227 202 114

HSL 46.73, 0.67%, 0.67%

LAB 81.72, -2.46, 46.81

 

CMYK 0 / 8 / 36 / 8

HEX #EAD795

RGB 234 215 149

HSL 46.59, 0.67%, 0.75%

LAB 86.14, -2.79, 34.97

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 61 / 0 / 64 / 14

HEX #55DC50

RGB 85 220 80

HSL 117.86, 0.67%, 0.59%

LAB 78.28, -63.01, 56.3

 

CMYK 40 / 64 / 0 / 14

HEX #8350DC

RGB 131 80 220

HSL 261.86, 0.67%, 0.59%

LAB 46.62, 51.08, -64.17

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBB

RGB 80 220 187

HSL 165.86, 0.67%, 0.59%

LAB 79.89, -45.38, 5.16

 

CMYK 15 / 64 / 0 / 14

HEX #BB50DC

RGB 187 80 220

HSL 285.86, 0.67%, 0.59%

LAB 53.46, 63.31, -52.81

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 61 / 0 / 64 / 14

HEX #55DC50

RGB 85 220 80

HSL 117.86, 0.67%, 0.59%

LAB 78.28, -63.01, 56.3

 

CMYK 64 / 49 / 0 / 14

HEX #5071DC

RGB 80 113 220

HSL 225.86, 0.67%, 0.59%

LAB 50.31, 21.77, -58.4

 

CMYK 2 / 64 / 0 / 14

HEX #D750DC

RGB 215 80 220

HSL 297.86, 0.67%, 0.59%

LAB 57.42, 69.79, -46.28

 

CMYK 0 / 14 / 64 / 14

HEX #DCBD50

RGB 220 189 80

HSL 46.71, 0.67%, 0.59%

LAB 77.39, -1.21, 57.57

 

CMYK 64 / 0 / 47 / 14

HEX #50DC75

RGB 80 220 117

HSL 135.86, 0.67%, 0.59%

LAB 78.56, -59.36, 39.61

 

CMYK 64 / 49 / 0 / 14

HEX #5071DC

RGB 80 113 220

HSL 225.86, 0.67%, 0.59%

LAB 50.31, 21.77, -58.4

 

CMYK 0 / 64 / 17 / 14

HEX #DC50B7

RGB 220 80 183

HSL 315.86, 0.67%, 0.59%

LAB 56.46, 65.26, -26.59

 

Description

Color code: RGB 220 189 80 | qconv.com Color code: RGB 220 189 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 189 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 189 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 64 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 64% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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