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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 188 214 it is the complementary color RGB 35 67 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 188 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 188 214 shade: RGB 225 188 209, RGB 242 206 228, RGB 255 224 247 and RGB 255 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 188 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 188 214 shade: RGB 220 188 214, RGB 203 170 195, RGB 186 152 176, RGB 169 134 157 and RGB 152 116 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 188 214 shade: RGB 219 188 213, RGB 219 188 205, RGB 219 188 196, RGB 219 188 188 and RGB 219 188 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 188 214 shade: RGB 219 188 213, RGB 217 188 219, RGB 208 188 219, RGB 200 188 219 and RGB 191 188 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 188 214 shade matches the following richer shades: RGB 219 188 213, RGB 228 179 219, RGB 236 171 224, RGB 244 163 229 and RGB 252 155 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 188 214 shade: RGB 219 188 213, RGB 211 196 208, RGB 203 204 203, RGB 195 212 198 and RGB 186 221 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 188 214 shade: RGB 208 188 219, RGB 217 188 219, RGB 219 188 214, RGB 219 188 205 and RGB 219 188 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 188 214 shade: RGB 191 134 180, RGB 205 161 197, RGB 219 188 213, RGB 234 215 230 and RGB 248 242 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 188 214 shade: RGB 220 188 214, RGB 219 200 188 and RGB 188 219 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 188 214 shade: RGB 220 188 214, RGB 214 219 188 and RGB 188 214 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 188 214 shade: RGB 220 188 214, RGB 219 200 188, RGB 188 219 193 and RGB 188 207 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 188 214 shade: RGB 220 188 214, RGB 219 209 188, RGB 188 219 193 and RGB 188 198 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 3 / 14

HEX #DCBCD6

RGB 220 188 214

HSL 311.25, 0.31%, 0.8%

LAB 79.63, 15.83, -8.78

 

Complementary color

CMYK 48 / 0 / 39 / 74

HEX #234329

RGB 35 67 41

HSL 131.25, 0.31%, 0.2%

LAB 25.36, -18.5, 12.21

 

CMYK 0 / 16 / 7 / 12

HEX #E1BCD1

RGB 225 188 209

HSL 325.95, 0.38%, 0.81%

LAB 79.94, 16.67, -5.58

 

CMYK 0 / 15 / 6 / 5

HEX #F2CEE4

RGB 242 206 228

HSL 323.33, 0.58%, 0.88%

LAB 86.32, 16.23, -6.15

 

CMYK 0 / 12 / 3 / 0

HEX #FFE0F7

RGB 255 224 247

HSL 315.48, 1%, 0.94%

LAB 92.26, 14.49, -7.25

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 15 / 3 / 14

HEX #DCBCD6

RGB 220 188 214

HSL 311.25, 0.31%, 0.8%

LAB 79.63, 15.83, -8.78

 

CMYK 0 / 16 / 4 / 20

HEX #CBAAC3

RGB 203 170 195

HSL 314.55, 0.24%, 0.73%

LAB 73.15, 16.27, -8.25

 

CMYK 0 / 18 / 5 / 27

HEX #BA98B0

RGB 186 152 176

HSL 317.65, 0.2%, 0.66%

LAB 66.54, 16.75, -7.71

 

CMYK 0 / 21 / 7 / 34

HEX #A9869D

RGB 169 134 157

HSL 320.57, 0.17%, 0.59%

LAB 59.82, 17.28, -7.14

 

CMYK 0 / 24 / 9 / 40

HEX #98748A

RGB 152 116 138

HSL 323.33, 0.15%, 0.53%

LAB 52.95, 17.87, -6.53

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD5

RGB 219 188 213

HSL 311.61, 0.3%, 0.8%

LAB 79.52, 15.31, -8.43

 

CMYK 0 / 14 / 6 / 14

HEX #DBBCCD

RGB 219 188 205

HSL 327.1, 0.3%, 0.8%

LAB 79.29, 13.89, -4.44

 

CMYK 0 / 14 / 11 / 14

HEX #DBBCC4

RGB 219 188 196

HSL 344.52, 0.3%, 0.8%

LAB 79.05, 12.35, 0.06

 

CMYK 0 / 14 / 14 / 14

HEX #DBBCBC

RGB 219 188 188

HSL 0, 0.3%, 0.8%

LAB 78.84, 11.04, 4.09

 

CMYK 0 / 14 / 14 / 14

HEX #DBBCBC

RGB 219 188 188

HSL 0, 0.3%, 0.8%

LAB 78.84, 11.04, 4.09

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD5

RGB 219 188 213

HSL 311.61, 0.3%, 0.8%

LAB 79.52, 15.31, -8.43

 

CMYK 1 / 14 / 0 / 14

HEX #D9BCDB

RGB 217 188 219

HSL 296.13, 0.3%, 0.8%

LAB 79.52, 15.73, -11.68

 

CMYK 5 / 14 / 0 / 14

HEX #D0BCDB

RGB 208 188 219

HSL 278.71, 0.3%, 0.8%

LAB 78.75, 12.72, -12.91

 

CMYK 9 / 14 / 0 / 14

HEX #C8BCDB

RGB 200 188 219

HSL 263.23, 0.3%, 0.8%

LAB 78.09, 10.07, -13.97

 

CMYK 13 / 14 / 0 / 14

HEX #BFBCDB

RGB 191 188 219

HSL 245.81, 0.3%, 0.8%

LAB 77.37, 7.13, -15.11

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD5

RGB 219 188 213

HSL 311.61, 0.3%, 0.8%

LAB 79.52, 15.31, -8.43

 

CMYK 0 / 21 / 4 / 11

HEX #E4B3DB

RGB 228 179 219

HSL 311.02, 0.48%, 0.8%

LAB 78.37, 24.27, -13.29

 

CMYK 0 / 28 / 5 / 7

HEX #ECABE0

RGB 236 171 224

HSL 311.08, 0.63%, 0.8%

LAB 77.48, 32.1, -17.26

 

CMYK 0 / 33 / 6 / 4

HEX #F4A3E5

RGB 244 163 229

HSL 311.11, 0.79%, 0.8%

LAB 76.73, 39.79, -21.03

 

CMYK 0 / 38 / 7 / 1

HEX #FC9BEA

RGB 252 155 234

HSL 311.13, 0.94%, 0.8%

LAB 76.12, 47.3, -24.6

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD5

RGB 219 188 213

HSL 311.61, 0.3%, 0.8%

LAB 79.52, 15.31, -8.43

 

CMYK 0 / 7 / 1 / 17

HEX #D3C4D0

RGB 211 196 208

HSL 312, 0.15%, 0.8%

LAB 80.67, 7.38, -4.1

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCB

RGB 203 204 203

HSL 120, 0.01%, 0.8%

LAB 81.94, -0.52, 0.37

 

CMYK 8 / 0 / 7 / 17

HEX #C3D4C6

RGB 195 212 198

HSL 130.59, 0.17%, 0.8%

LAB 83.32, -8.33, 4.96

 

CMYK 16 / 0 / 13 / 13

HEX #BADDC1

RGB 186 221 193

HSL 132, 0.34%, 0.8%

LAB 85, -16.84, 9.93

 

CMYK 5 / 14 / 0 / 14

HEX #D0BCDB

RGB 208 188 219

HSL 278.71, 0.3%, 0.8%

LAB 78.75, 12.72, -12.91

 

CMYK 1 / 14 / 0 / 14

HEX #D9BCDB

RGB 217 188 219

HSL 296.13, 0.3%, 0.8%

LAB 79.52, 15.73, -11.68

 

CMYK 0 / 14 / 2 / 14

HEX #DBBCD6

RGB 219 188 214

HSL 309.68, 0.3%, 0.8%

LAB 79.55, 15.49, -8.92

 

CMYK 0 / 14 / 6 / 14

HEX #DBBCCD

RGB 219 188 205

HSL 327.1, 0.3%, 0.8%

LAB 79.29, 13.89, -4.44

 

CMYK 0 / 14 / 10 / 14

HEX #DBBCC5

RGB 219 188 197

HSL 342.58, 0.3%, 0.8%

LAB 79.07, 12.52, -0.44

 

CMYK 0 / 30 / 6 / 25

HEX #BF86B4

RGB 191 134 180

HSL 311.58, 0.31%, 0.64%

LAB 62.86, 29.22, -15.43

 

CMYK 0 / 21 / 4 / 20

HEX #CDA1C5

RGB 205 161 197

HSL 310.91, 0.31%, 0.72%

LAB 71.21, 22.25, -12.22

 

CMYK 0 / 14 / 3 / 14

HEX #DBBCD5

RGB 219 188 213

HSL 311.61, 0.3%, 0.8%

LAB 79.52, 15.31, -8.43

 

CMYK 0 / 8 / 2 / 8

HEX #EAD7E6

RGB 234 215 230

HSL 312.63, 0.31%, 0.88%

LAB 87.88, 9.14, -4.99

 

CMYK 0 / 2 / 0 / 3

HEX #F8F2F7

RGB 248 242 247

HSL 310, 0.3%, 0.96%

LAB 96.07, 2.88, -1.7

 

CMYK 0 / 15 / 3 / 14

HEX #DCBCD6

RGB 220 188 214

HSL 311.25, 0.31%, 0.8%

LAB 79.63, 15.83, -8.78

 

CMYK 0 / 9 / 14 / 14

HEX #DBC8BC

RGB 219 200 188

HSL 23.23, 0.3%, 0.8%

LAB 81.84, 4.67, 8.4

 

CMYK 14 / 0 / 3 / 14

HEX #BCDBD4

RGB 188 219 212

HSL 166.45, 0.3%, 0.8%

LAB 85.05, -11.58, -0.01

 

CMYK 0 / 15 / 3 / 14

HEX #DCBCD6

RGB 220 188 214

HSL 311.25, 0.31%, 0.8%

LAB 79.63, 15.83, -8.78

 

CMYK 2 / 0 / 14 / 14

HEX #D6DBBC

RGB 214 219 188

HSL 69.68, 0.3%, 0.8%

LAB 86.3, -6.99, 14.68

 

CMYK 14 / 2 / 0 / 14

HEX #BCD6DB

RGB 188 214 219

HSL 189.68, 0.3%, 0.8%

LAB 83.91, -7.61, -5.39

 

CMYK 0 / 15 / 3 / 14

HEX #DCBCD6

RGB 220 188 214

HSL 311.25, 0.31%, 0.8%

LAB 79.63, 15.83, -8.78

 

CMYK 0 / 9 / 14 / 14

HEX #DBC8BC

RGB 219 200 188

HSL 23.23, 0.3%, 0.8%

LAB 81.84, 4.67, 8.4

 

CMYK 14 / 0 / 12 / 14

HEX #BCDBC1

RGB 188 219 193

HSL 129.68, 0.3%, 0.8%

LAB 84.59, -15.17, 9.37

 

CMYK 14 / 5 / 0 / 14

HEX #BCCFDB

RGB 188 207 219

HSL 203.23, 0.3%, 0.8%

LAB 82.07, -3.96, -8.12

 

CMYK 0 / 15 / 3 / 14

HEX #DCBCD6

RGB 220 188 214

HSL 311.25, 0.31%, 0.8%

LAB 79.63, 15.83, -8.78

 

CMYK 0 / 5 / 14 / 14

HEX #DBD1BC

RGB 219 209 188

HSL 40.65, 0.3%, 0.8%

LAB 84.12, -0.04, 11.65

 

CMYK 14 / 0 / 12 / 14

HEX #BCDBC1

RGB 188 219 193

HSL 129.68, 0.3%, 0.8%

LAB 84.59, -15.17, 9.37

 

CMYK 14 / 10 / 0 / 14

HEX #BCC6DB

RGB 188 198 219

HSL 220.65, 0.3%, 0.8%

LAB 79.72, 0.79, -11.61

 

Description

Color code: RGB 220 188 214 | qconv.com Color code: RGB 220 188 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 188 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 188 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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