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Color name
RGB 220 163 139

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 163 139 it is the complementary color RGB 35 92 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 163 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 163 139 shade: RGB 225 163 134, RGB 242 181 153, RGB 255 199 172, RGB 255 217 191 and RGB 255 235 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 163 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 163 139 shade: RGB 220 163 139, RGB 203 145 120, RGB 186 127 101, RGB 169 109 82 and RGB 152 91 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 163 139 shade: RGB 219 161 137, RGB 219 139 137 and RGB 219 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 163 139 shade: RGB 219 161 137, RGB 219 183 137, RGB 219 206 137, RGB 211 219 137 and RGB 188 219 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 163 139 shade matches the following richer shades: RGB 219 161 137, RGB 232 156 124 and RGB 244 151 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 163 139 shade: RGB 219 161 137, RGB 207 166 149, RGB 195 171 161, RGB 182 176 174 and RGB 170 181 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 163 139 shade: RGB 219 137 157, RGB 219 138 137, RGB 219 160 137, RGB 219 182 137 and RGB 219 204 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 163 139 shade: RGB 200 111 73, RGB 210 136 105, RGB 219 161 137, RGB 229 186 168 and RGB 238 212 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 163 139 shade: RGB 220 163 139, RGB 179 219 137 and RGB 137 146 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 163 139 shade: RGB 220 163 139, RGB 137 219 160 and RGB 160 137 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 163 139 shade: RGB 220 163 139, RGB 179 219 137, RGB 137 196 219 and RGB 177 137 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 163 139 shade: RGB 220 163 139, RGB 155 219 137, RGB 137 196 219 and RGB 201 137 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 14

HEX #DCA38B

RGB 220 163 139

HSL 17.78, 0.54%, 0.7%

LAB 71.74, 17.96, 20.72

 

Complementary color

CMYK 70 / 21 / 0 / 55

HEX #235C74

RGB 35 92 116

HSL 197.78, 0.54%, 0.3%

LAB 36.5, -10.22, -19.06

 

CMYK 0 / 28 / 40 / 12

HEX #E1A386

RGB 225 163 134

HSL 19.12, 0.6%, 0.7%

LAB 72.18, 19.34, 24.13

 

CMYK 0 / 25 / 37 / 5

HEX #F2B599

RGB 242 181 153

HSL 18.88, 0.77%, 0.77%

LAB 78.59, 18.53, 22.9

 

CMYK 0 / 22 / 33 / 0

HEX #FFC7AC

RGB 255 199 172

HSL 19.52, 1%, 0.84%

LAB 84.53, 16.3, 21.16

 

CMYK 0 / 15 / 25 / 0

HEX #FFD9BF

RGB 255 217 191

HSL 24.38, 1%, 0.87%

LAB 89.23, 9.41, 17.71

 

CMYK 0 / 8 / 18 / 0

HEX #FFEBD2

RGB 255 235 210

HSL 33.33, 1%, 0.91%

LAB 94.03, 2.86, 14.58

 

CMYK 0 / 26 / 37 / 14

HEX #DCA38B

RGB 220 163 139

HSL 17.78, 0.54%, 0.7%

LAB 71.74, 17.96, 20.72

 

CMYK 0 / 29 / 41 / 20

HEX #CB9178

RGB 203 145 120

HSL 18.07, 0.44%, 0.63%

LAB 65.2, 18.8, 21.97

 

CMYK 0 / 32 / 46 / 27

HEX #BA7F65

RGB 186 127 101

HSL 18.35, 0.38%, 0.56%

LAB 58.56, 19.75, 23.35

 

CMYK 0 / 36 / 51 / 34

HEX #A96D52

RGB 169 109 82

HSL 18.62, 0.35%, 0.49%

LAB 51.82, 20.86, 24.89

 

CMYK 0 / 40 / 59 / 40

HEX #985B3F

RGB 152 91 63

HSL 18.88, 0.41%, 0.42%

LAB 44.96, 22.14, 26.64

 

CMYK 0 / 26 / 37 / 14

HEX #DBA189

RGB 219 161 137

HSL 17.56, 0.53%, 0.7%

LAB 71.12, 18.41, 20.94

 

CMYK 0 / 37 / 37 / 14

HEX #DB8B89

RGB 219 139 137

HSL 1.46, 0.53%, 0.7%

LAB 66.01, 30.25, 13.87

 

CMYK 0 / 37 / 37 / 14

HEX #DB8989

RGB 219 137 137

HSL 0, 0.53%, 0.7%

LAB 65.56, 31.32, 13.25

 

CMYK 0 / 26 / 37 / 14

HEX #DBA189

RGB 219 161 137

HSL 17.56, 0.53%, 0.7%

LAB 71.12, 18.41, 20.94

 

CMYK 0 / 16 / 37 / 14

HEX #DBB789

RGB 219 183 137

HSL 33.66, 0.53%, 0.7%

LAB 76.52, 6.62, 28.24

 

CMYK 0 / 6 / 37 / 14

HEX #DBCE89

RGB 219 206 137

HSL 50.49, 0.53%, 0.7%

LAB 82.38, -5.4, 35.96

 

CMYK 4 / 0 / 37 / 14

HEX #D3DB89

RGB 211 219 137

HSL 65.85, 0.53%, 0.7%

LAB 85.16, -15.09, 39.42

 

CMYK 14 / 0 / 37 / 14

HEX #BCDB89

RGB 188 219 137

HSL 82.68, 0.53%, 0.7%

LAB 83.53, -23.8, 37

 

CMYK 0 / 26 / 37 / 14

HEX #DBA189

RGB 219 161 137

HSL 17.56, 0.53%, 0.7%

LAB 71.12, 18.41, 20.94

 

CMYK 0 / 33 / 47 / 9

HEX #E89C7C

RGB 232 156 124

HSL 17.78, 0.7%, 0.7%

LAB 71.14, 24.79, 28.3

 

CMYK 0 / 38 / 54 / 4

HEX #F49770

RGB 244 151 112

HSL 17.73, 0.86%, 0.7%

LAB 71.24, 31.06, 35.16

 

CMYK 0 / 26 / 37 / 14

HEX #DBA189

RGB 219 161 137

HSL 17.56, 0.53%, 0.7%

LAB 71.12, 18.41, 20.94

 

CMYK 0 / 20 / 28 / 19

HEX #CFA695

RGB 207 166 149

HSL 17.59, 0.38%, 0.7%

LAB 71.36, 12.56, 14.51

 

CMYK 0 / 12 / 17 / 24

HEX #C3ABA1

RGB 195 171 161

HSL 17.65, 0.22%, 0.7%

LAB 71.76, 7.05, 8.33

 

CMYK 0 / 3 / 4 / 29

HEX #B6B0AE

RGB 182 176 174

HSL 15, 0.05%, 0.7%

LAB 72.26, 1.77, 1.77

 

CMYK 9 / 3 / 0 / 27

HEX #AAB5BA

RGB 170 181 186

HSL 198.75, 0.1%, 0.7%

LAB 72.98, -2.82, -3.86

 

CMYK 0 / 37 / 28 / 14

HEX #DB899D

RGB 219 137 157

HSL 345.37, 0.53%, 0.7%

LAB 66.05, 33.85, 2.66

 

CMYK 0 / 37 / 37 / 14

HEX #DB8A89

RGB 219 138 137

HSL 0.73, 0.53%, 0.7%

LAB 65.78, 30.78, 13.56

 

CMYK 0 / 27 / 37 / 14

HEX #DBA089

RGB 219 160 137

HSL 16.83, 0.53%, 0.7%

LAB 70.88, 18.95, 20.61

 

CMYK 0 / 17 / 37 / 14

HEX #DBB689

RGB 219 182 137

HSL 32.93, 0.53%, 0.7%

LAB 76.27, 7.15, 27.9

 

CMYK 0 / 7 / 37 / 14

HEX #DBCC89

RGB 219 204 137

HSL 49.02, 0.53%, 0.7%

LAB 81.87, -4.37, 35.29

 

CMYK 0 / 45 / 64 / 22

HEX #C86F49

RGB 200 111 73

HSL 17.95, 0.54%, 0.54%

LAB 56.22, 31.8, 36.3

 

CMYK 0 / 35 / 50 / 18

HEX #D28869

RGB 210 136 105

HSL 17.71, 0.54%, 0.62%

LAB 63.61, 24.96, 28.31

 

CMYK 0 / 26 / 37 / 14

HEX #DBA189

RGB 219 161 137

HSL 17.56, 0.53%, 0.7%

LAB 71.12, 18.41, 20.94

 

CMYK 0 / 19 / 27 / 10

HEX #E5BAA8

RGB 229 186 168

HSL 17.7, 0.54%, 0.78%

LAB 78.81, 12.83, 14.95

 

CMYK 0 / 11 / 16 / 7

HEX #EED4C8

RGB 238 212 200

HSL 18.95, 0.53%, 0.86%

LAB 86.72, 7.12, 9.22

 

CMYK 0 / 26 / 37 / 14

HEX #DCA38B

RGB 220 163 139

HSL 17.78, 0.54%, 0.7%

LAB 71.74, 17.96, 20.72

 

CMYK 18 / 0 / 37 / 14

HEX #B3DB89

RGB 179 219 137

HSL 89.27, 0.53%, 0.7%

LAB 82.94, -27.09, 36.12

 

CMYK 37 / 33 / 0 / 14

HEX #8992DB

RGB 137 146 219

HSL 233.41, 0.53%, 0.7%

LAB 62.5, 14.41, -38.28

 

CMYK 0 / 26 / 37 / 14

HEX #DCA38B

RGB 220 163 139

HSL 17.78, 0.54%, 0.7%

LAB 71.74, 17.96, 20.72

 

CMYK 37 / 0 / 27 / 14

HEX #89DBA0

RGB 137 219 160

HSL 136.83, 0.53%, 0.7%

LAB 81.03, -37.4, 21.31

 

CMYK 27 / 37 / 0 / 14

HEX #A089DB

RGB 160 137 219

HSL 256.83, 0.53%, 0.7%

LAB 62.07, 26.04, -38.83

 

CMYK 0 / 26 / 37 / 14

HEX #DCA38B

RGB 220 163 139

HSL 17.78, 0.54%, 0.7%

LAB 71.74, 17.96, 20.72

 

CMYK 18 / 0 / 37 / 14

HEX #B3DB89

RGB 179 219 137

HSL 89.27, 0.53%, 0.7%

LAB 82.94, -27.09, 36.12

 

CMYK 37 / 11 / 0 / 14

HEX #89C4DB

RGB 137 196 219

HSL 196.83, 0.53%, 0.7%

LAB 76.02, -13.25, -17.5

 

CMYK 19 / 37 / 0 / 14

HEX #B189DB

RGB 177 137 219

HSL 269.27, 0.53%, 0.7%

LAB 63.63, 31.02, -36.26

 

CMYK 0 / 26 / 37 / 14

HEX #DCA38B

RGB 220 163 139

HSL 17.78, 0.54%, 0.7%

LAB 71.74, 17.96, 20.72

 

CMYK 29 / 0 / 37 / 14

HEX #9BDB89

RGB 155 219 137

HSL 106.83, 0.53%, 0.7%

LAB 81.53, -35.48, 34.01

 

CMYK 37 / 11 / 0 / 14

HEX #89C4DB

RGB 137 196 219

HSL 196.83, 0.53%, 0.7%

LAB 76.02, -13.25, -17.5

 

CMYK 8 / 37 / 0 / 14

HEX #C989DB

RGB 201 137 219

HSL 286.83, 0.53%, 0.7%

LAB 66.08, 38.27, -32.28

 

Description

Color code: RGB 220 163 139 | qconv.com Color code: RGB 220 163 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 163 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 163 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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