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Color name
RGB 220 146 131

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 146 131 it is the complementary color RGB 35 109 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 146 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 146 131 shade: RGB 225 146 126, RGB 242 164 145, RGB 255 182 164, RGB 255 200 183 and RGB 255 218 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 146 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 203 128 112, RGB 186 110 93, RGB 169 92 74 and RGB 152 74 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 146 131 shade: RGB 220 146 131 and RGB 220 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 220 170 131, RGB 220 194 131, RGB 220 218 131 and RGB 198 220 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 146 131 shade matches the following richer shades: RGB 220 146 131, RGB 233 138 118 and RGB 245 129 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 207 155 144, RGB 194 163 157, RGB 181 172 170 and RGB 169 180 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 146 131 shade: RGB 220 131 164, RGB 220 131 140, RGB 220 146 131, RGB 220 170 131 and RGB 220 193 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 146 131 shade: RGB 202 90 67, RGB 211 118 99, RGB 220 146 131, RGB 229 174 163 and RGB 238 203 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 187 220 131 and RGB 131 152 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 131 220 146 and RGB 146 131 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 187 220 131, RGB 131 205 220 and RGB 164 131 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 146 131 shade: RGB 220 146 131, RGB 161 220 131, RGB 131 205 220 and RGB 190 131 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

Complementary color

CMYK 72 / 12 / 0 / 51

HEX #236D7C

RGB 35 109 124

HSL 190.11, 0.56%, 0.31%

LAB 42.38, -17.2, -14.92

 

CMYK 0 / 35 / 44 / 12

HEX #E1927E

RGB 225 146 126

HSL 12.12, 0.62%, 0.69%

LAB 68.07, 27.59, 22.96

 

CMYK 0 / 32 / 40 / 5

HEX #F2A491

RGB 242 164 145

HSL 11.75, 0.79%, 0.76%

LAB 74.49, 26.62, 21.61

 

CMYK 0 / 29 / 36 / 0

HEX #FFB6A4

RGB 255 182 164

HSL 11.87, 1%, 0.82%

LAB 80.4, 24.24, 19.71

 

CMYK 0 / 22 / 28 / 0

HEX #FFC8B7

RGB 255 200 183

HSL 14.17, 1%, 0.86%

LAB 84.99, 17.18, 15.98

 

CMYK 0 / 15 / 21 / 0

HEX #FFDACA

RGB 255 218 202

HSL 18.11, 1%, 0.9%

LAB 89.7, 10.43, 12.62

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 37 / 45 / 20

HEX #CB8070

RGB 203 128 112

HSL 10.55, 0.47%, 0.62%

LAB 61.05, 27.2, 20.83

 

CMYK 0 / 41 / 50 / 27

HEX #BA6E5D

RGB 186 110 93

HSL 10.97, 0.4%, 0.55%

LAB 54.43, 28.33, 22.42

 

CMYK 0 / 46 / 56 / 34

HEX #A95C4A

RGB 169 92 74

HSL 11.37, 0.39%, 0.48%

LAB 47.73, 29.6, 24.24

 

CMYK 0 / 51 / 64 / 40

HEX #984A37

RGB 152 74 55

HSL 11.75, 0.47%, 0.41%

LAB 40.97, 31, 26.36

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 12 / 40 / 14

HEX #DCC283

RGB 220 194 131

HSL 42.47, 0.56%, 0.69%

LAB 79.29, 0.55, 35.05

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 10 / 0 / 40 / 14

HEX #C6DC83

RGB 198 220 131

HSL 74.83, 0.56%, 0.69%

LAB 84.4, -21.26, 41.25

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 41 / 49 / 9

HEX #E98A76

RGB 233 138 118

HSL 10.43, 0.72%, 0.69%

LAB 67.13, 34.12, 26.29

 

CMYK 0 / 47 / 57 / 4

HEX #F5816A

RGB 245 129 106

HSL 9.93, 0.87%, 0.69%

LAB 66.64, 42.28, 32.55

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 25 / 30 / 19

HEX #CF9B90

RGB 207 155 144

HSL 10.48, 0.4%, 0.69%

LAB 68.55, 17.87, 13.33

 

CMYK 0 / 16 / 19 / 24

HEX #C2A39D

RGB 194 163 157

HSL 9.73, 0.23%, 0.69%

LAB 69.54, 10.41, 7.35

 

CMYK 0 / 5 / 6 / 29

HEX #B5ACAA

RGB 181 172 170

HSL 10.91, 0.07%, 0.69%

LAB 71.03, 2.86, 2.17

 

CMYK 7 / 1 / 0 / 29

HEX #A9B4B6

RGB 169 180 182

HSL 189.23, 0.08%, 0.69%

LAB 72.53, -3.42, -2.34

 

CMYK 0 / 40 / 25 / 14

HEX #DC83A4

RGB 220 131 164

HSL 337.75, 0.56%, 0.69%

LAB 65.06, 38.35, -2.72

 

CMYK 0 / 40 / 36 / 14

HEX #DC838C

RGB 220 131 140

HSL 353.93, 0.56%, 0.69%

LAB 64.44, 35.23, 9.98

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 12 / 40 / 14

HEX #DCC183

RGB 220 193 131

HSL 41.8, 0.56%, 0.69%

LAB 79.04, 1.07, 34.72

 

CMYK 0 / 55 / 67 / 21

HEX #CA5A43

RGB 202 90 67

HSL 10.22, 0.56%, 0.53%

LAB 52.15, 42.98, 34.81

 

CMYK 0 / 44 / 53 / 17

HEX #D37663

RGB 211 118 99

HSL 10.18, 0.56%, 0.61%

LAB 59.62, 34.44, 26.46

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 0 / 24 / 29 / 10

HEX #E5AEA3

RGB 229 174 163

HSL 10, 0.56%, 0.77%

LAB 75.81, 18.55, 13.43

 

CMYK 0 / 15 / 18 / 7

HEX #EECBC4

RGB 238 203 196

HSL 10, 0.55%, 0.85%

LAB 84.42, 11.22, 8.05

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 15 / 0 / 40 / 14

HEX #BBDC83

RGB 187 220 131

HSL 82.25, 0.56%, 0.69%

LAB 83.65, -25.39, 40.14

 

CMYK 40 / 31 / 0 / 14

HEX #8398DC

RGB 131 152 220

HSL 225.84, 0.56%, 0.69%

LAB 63.71, 9.62, -36.97

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 40 / 0 / 34 / 14

HEX #83DC92

RGB 131 220 146

HSL 130.11, 0.56%, 0.69%

LAB 80.79, -42.05, 28.21

 

CMYK 34 / 40 / 0 / 14

HEX #9283DC

RGB 146 131 220

HSL 250.11, 0.56%, 0.69%

LAB 59.44, 25.84, -43.59

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 15 / 0 / 40 / 14

HEX #BBDC83

RGB 187 220 131

HSL 82.25, 0.56%, 0.69%

LAB 83.65, -25.39, 40.14

 

CMYK 40 / 7 / 0 / 14

HEX #83CDDC

RGB 131 205 220

HSL 190.11, 0.56%, 0.69%

LAB 78.26, -19.18, -14.69

 

CMYK 25 / 40 / 0 / 14

HEX #A483DC

RGB 164 131 220

HSL 262.25, 0.56%, 0.69%

LAB 61.04, 30.85, -40.97

 

CMYK 0 / 34 / 40 / 14

HEX #DC9283

RGB 220 146 131

HSL 10.11, 0.56%, 0.69%

LAB 67.59, 26.19, 19.43

 

CMYK 27 / 0 / 40 / 14

HEX #A1DC83

RGB 161 220 131

HSL 99.78, 0.56%, 0.69%

LAB 82.06, -34.73, 37.79

 

CMYK 40 / 7 / 0 / 14

HEX #83CDDC

RGB 131 205 220

HSL 190.11, 0.56%, 0.69%

LAB 78.26, -19.18, -14.69

 

CMYK 14 / 40 / 0 / 14

HEX #BE83DC

RGB 190 131 220

HSL 279.78, 0.56%, 0.69%

LAB 63.63, 38.42, -36.73

 

Description

Color code: RGB 220 146 131 | qconv.com Color code: RGB 220 146 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 146 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 146 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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