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Color name
RGB 220 132 157

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 132 157 it is the complementary color RGB 35 123 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 132 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 132 157 shade: RGB 225 132 152, RGB 242 150 171, RGB 255 168 190, RGB 255 186 209 and RGB 255 204 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 132 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 132 157 shade: RGB 220 132 157, RGB 203 114 138, RGB 186 96 119, RGB 169 78 100 and RGB 152 60 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 132 157 shade: RGB 220 131 156, RGB 220 131 132 and RGB 220 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 132 157 shade: RGB 220 131 156, RGB 220 131 180, RGB 220 131 204, RGB 211 131 220 and RGB 188 131 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 132 157 shade matches the following richer shades: RGB 220 131 156, RGB 233 118 151 and RGB 245 106 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 132 157 shade: RGB 220 131 156, RGB 207 144 162, RGB 194 157 167, RGB 181 170 173 and RGB 169 182 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 132 157 shade: RGB 220 131 205, RGB 220 131 181, RGB 220 131 158, RGB 220 131 134 and RGB 220 152 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 132 157 shade: RGB 202 67 105, RGB 211 99 131, RGB 220 131 156, RGB 229 163 182 and RGB 238 196 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 132 157 shade: RGB 220 132 157, RGB 220 211 131 and RGB 131 193 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 132 157 shade: RGB 220 132 157, RGB 158 220 131 and RGB 131 158 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 132 157 shade: RGB 220 132 157, RGB 220 211 131, RGB 131 220 193 and RGB 131 140 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 132 157 shade: RGB 220 132 157, RGB 202 220 131, RGB 131 220 193 and RGB 149 131 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 29 / 14

HEX #DC849D

RGB 220 132 157

HSL 342.95, 0.56%, 0.69%

LAB 65.08, 36.86, 1.27

 

Complementary color

CMYK 72 / 0 / 20 / 52

HEX #237B62

RGB 35 123 98

HSL 162.95, 0.56%, 0.31%

LAB 46.18, -32.14, 6.26

 

CMYK 0 / 41 / 32 / 12

HEX #E18498

RGB 225 132 152

HSL 347.1, 0.61%, 0.7%

LAB 65.57, 38, 4.9

 

CMYK 0 / 38 / 29 / 5

HEX #F296AB

RGB 242 150 171

HSL 346.3, 0.78%, 0.77%

LAB 71.98, 37.11, 3.76

 

CMYK 0 / 34 / 25 / 0

HEX #FFA8BE

RGB 255 168 190

HSL 344.83, 1%, 0.83%

LAB 77.86, 34.88, 2.03

 

CMYK 0 / 27 / 18 / 0

HEX #FFBAD1

RGB 255 186 209

HSL 340, 1%, 0.86%

LAB 82.37, 28.19, -1.68

 

CMYK 0 / 20 / 11 / 0

HEX #FFCCE4

RGB 255 204 228

HSL 331.76, 1%, 0.9%

LAB 87.02, 21.73, -4.98

 

CMYK 0 / 40 / 29 / 14

HEX #DC849D

RGB 220 132 157

HSL 342.95, 0.56%, 0.69%

LAB 65.08, 36.86, 1.27

 

CMYK 0 / 44 / 32 / 20

HEX #CB728A

RGB 203 114 138

HSL 343.82, 0.46%, 0.62%

LAB 58.57, 37.75, 2.43

 

CMYK 0 / 48 / 36 / 27

HEX #BA6077

RGB 186 96 119

HSL 344.67, 0.39%, 0.55%

LAB 51.99, 38.68, 3.77

 

CMYK 0 / 54 / 41 / 34

HEX #A94E64

RGB 169 78 100

HSL 345.49, 0.37%, 0.48%

LAB 45.36, 39.61, 5.37

 

CMYK 0 / 61 / 47 / 40

HEX #983C51

RGB 152 60 81

HSL 346.3, 0.43%, 0.42%

LAB 38.73, 40.47, 7.35

 

CMYK 0 / 40 / 29 / 14

HEX #DC839C

RGB 220 131 156

HSL 343.15, 0.56%, 0.69%

LAB 64.84, 37.25, 1.49

 

CMYK 0 / 40 / 40 / 14

HEX #DC8384

RGB 220 131 132

HSL 359.33, 0.56%, 0.69%

LAB 64.25, 34.3, 14.26

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 40 / 29 / 14

HEX #DC839C

RGB 220 131 156

HSL 343.15, 0.56%, 0.69%

LAB 64.84, 37.25, 1.49

 

CMYK 0 / 40 / 18 / 14

HEX #DC83B4

RGB 220 131 180

HSL 326.97, 0.56%, 0.69%

LAB 65.55, 40.69, -11.05

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CC

RGB 220 131 204

HSL 310.79, 0.56%, 0.69%

LAB 66.37, 44.58, -23.28

 

CMYK 4 / 40 / 0 / 14

HEX #D383DC

RGB 211 131 220

HSL 293.93, 0.56%, 0.69%

LAB 65.94, 44.69, -32.95

 

CMYK 15 / 40 / 0 / 14

HEX #BC83DC

RGB 188 131 220

HSL 278.43, 0.56%, 0.69%

LAB 63.42, 37.83, -37.07

 

CMYK 0 / 40 / 29 / 14

HEX #DC839C

RGB 220 131 156

HSL 343.15, 0.56%, 0.69%

LAB 64.84, 37.25, 1.49

 

CMYK 0 / 49 / 35 / 9

HEX #E97697

RGB 233 118 151

HSL 342.78, 0.72%, 0.69%

LAB 63.77, 47.8, 2.99

 

CMYK 0 / 57 / 41 / 4

HEX #F56A91

RGB 245 106 145

HSL 343.17, 0.87%, 0.69%

LAB 63.15, 56.8, 5.75

 

CMYK 0 / 40 / 29 / 14

HEX #DC839C

RGB 220 131 156

HSL 343.15, 0.56%, 0.69%

LAB 64.84, 37.25, 1.49

 

CMYK 0 / 30 / 22 / 19

HEX #CF90A2

RGB 207 144 162

HSL 342.86, 0.4%, 0.69%

LAB 66.38, 26.43, 0.16

 

CMYK 0 / 19 / 14 / 24

HEX #C29DA7

RGB 194 157 167

HSL 343.78, 0.23%, 0.69%

LAB 68.29, 15.31, -0.01

 

CMYK 0 / 6 / 4 / 29

HEX #B5AAAD

RGB 181 170 173

HSL 343.64, 0.07%, 0.69%

LAB 70.59, 4.49, -0.13

 

CMYK 7 / 0 / 2 / 29

HEX #A9B6B2

RGB 169 182 178

HSL 161.54, 0.08%, 0.69%

LAB 72.96, -5.28, 0.47

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 40 / 18 / 14

HEX #DC83B5

RGB 220 131 181

HSL 326.29, 0.56%, 0.69%

LAB 65.58, 40.84, -11.57

 

CMYK 0 / 40 / 28 / 14

HEX #DC839E

RGB 220 131 158

HSL 341.8, 0.56%, 0.69%

LAB 64.9, 37.52, 0.43

 

CMYK 0 / 40 / 39 / 14

HEX #DC8386

RGB 220 131 134

HSL 357.98, 0.56%, 0.69%

LAB 64.3, 34.53, 13.19

 

CMYK 0 / 31 / 40 / 14

HEX #DC9883

RGB 220 152 131

HSL 14.16, 0.56%, 0.69%

LAB 68.98, 22.96, 21.33

 

CMYK 0 / 67 / 48 / 21

HEX #CA4369

RGB 202 67 105

HSL 343.11, 0.56%, 0.53%

LAB 49, 56.12, 8.23

 

CMYK 0 / 53 / 38 / 17

HEX #D36383

RGB 211 99 131

HSL 342.86, 0.56%, 0.61%

LAB 56.5, 47.33, 3.65

 

CMYK 0 / 40 / 29 / 14

HEX #DC839C

RGB 220 131 156

HSL 343.15, 0.56%, 0.69%

LAB 64.84, 37.25, 1.49

 

CMYK 0 / 29 / 21 / 10

HEX #E5A3B6

RGB 229 163 182

HSL 342.73, 0.56%, 0.77%

LAB 73.69, 27.13, -0

 

CMYK 0 / 18 / 13 / 7

HEX #EEC4D0

RGB 238 196 208

HSL 342.86, 0.55%, 0.85%

LAB 83.03, 16.79, -0.37

 

CMYK 0 / 40 / 29 / 14

HEX #DC849D

RGB 220 132 157

HSL 342.95, 0.56%, 0.69%

LAB 65.08, 36.86, 1.27

 

CMYK 0 / 4 / 40 / 14

HEX #DCD383

RGB 220 211 131

HSL 53.93, 0.56%, 0.69%

LAB 83.67, -8.22, 40.68

 

CMYK 40 / 12 / 0 / 14

HEX #83C1DC

RGB 131 193 220

HSL 198.2, 0.56%, 0.69%

LAB 74.91, -12.99, -19.75

 

CMYK 0 / 40 / 29 / 14

HEX #DC849D

RGB 220 132 157

HSL 342.95, 0.56%, 0.69%

LAB 65.08, 36.86, 1.27

 

CMYK 28 / 0 / 40 / 14

HEX #9EDC83

RGB 158 220 131

HSL 101.8, 0.56%, 0.69%

LAB 81.89, -35.76, 37.54

 

CMYK 40 / 28 / 0 / 14

HEX #839EDC

RGB 131 158 220

HSL 221.8, 0.56%, 0.69%

LAB 65.32, 6.19, -34.48

 

CMYK 0 / 40 / 29 / 14

HEX #DC849D

RGB 220 132 157

HSL 342.95, 0.56%, 0.69%

LAB 65.08, 36.86, 1.27

 

CMYK 0 / 4 / 40 / 14

HEX #DCD383

RGB 220 211 131

HSL 53.93, 0.56%, 0.69%

LAB 83.67, -8.22, 40.68

 

CMYK 40 / 0 / 12 / 14

HEX #83DCC1

RGB 131 220 193

HSL 161.8, 0.56%, 0.69%

LAB 81.76, -32.91, 4.9

 

CMYK 40 / 36 / 0 / 14

HEX #838CDC

RGB 131 140 220

HSL 233.93, 0.56%, 0.69%

LAB 60.56, 16.59, -41.91

 

CMYK 0 / 40 / 29 / 14

HEX #DC849D

RGB 220 132 157

HSL 342.95, 0.56%, 0.69%

LAB 65.08, 36.86, 1.27

 

CMYK 8 / 0 / 40 / 14

HEX #CADC83

RGB 202 220 131

HSL 72.13, 0.56%, 0.69%

LAB 84.68, -19.73, 41.67

 

CMYK 40 / 0 / 12 / 14

HEX #83DCC1

RGB 131 220 193

HSL 161.8, 0.56%, 0.69%

LAB 81.76, -32.91, 4.9

 

CMYK 32 / 40 / 0 / 14

HEX #9583DC

RGB 149 131 220

HSL 252.13, 0.56%, 0.69%

LAB 59.7, 26.65, -43.17

 

Description

Color code: RGB 220 132 157 | qconv.com Color code: RGB 220 132 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 132 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 132 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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