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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 137 39 it is the complementary color RGB 35 118 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 137 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 137 39 shade: RGB 225 137 34, RGB 242 155 53, RGB 255 173 72, RGB 255 191 91 and RGB 255 209 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 137 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 137 39 shade: RGB 220 137 39, RGB 203 119 20, RGB 186 101 1, RGB 169 83 0 and RGB 152 65 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 137 39 shade: RGB 220 137 40, RGB 220 88 40, RGB 220 40 40 and RGB 220 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 137 39 shade: RGB 220 137 40, RGB 220 186 40, RGB 205 220 40, RGB 156 220 40 and RGB 108 220 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 137 39 shade matches the following richer shades: RGB 220 137 40 and RGB 240 139 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 137 39 shade: RGB 220 137 40, RGB 199 135 60, RGB 179 134 80, RGB 159 132 100 and RGB 139 130 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 137 39 shade: RGB 220 40 40, RGB 220 88 40, RGB 220 136 40, RGB 220 184 40 and RGB 208 220 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 137 39 shade: RGB 152 94 24, RGB 188 115 30, RGB 220 137 40, RGB 225 156 75 and RGB 231 176 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 137 39 shade: RGB 220 137 39, RGB 88 220 40 and RGB 64 40 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 137 39 shade: RGB 220 137 39, RGB 40 220 136 and RGB 136 40 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 137 39 shade: RGB 220 137 39, RGB 88 220 40, RGB 40 124 220 and RGB 172 40 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 137 39 shade: RGB 220 137 39, RGB 40 220 46, RGB 40 124 220 and RGB 220 40 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

Complementary color

CMYK 84 / 45 / 0 / 15

HEX #2376D8

RGB 35 118 216

HSL 212.49, 0.72%, 0.49%

LAB 49.82, 11.5, -57.01

 

CMYK 0 / 39 / 85 / 12

HEX #E18922

RGB 225 137 34

HSL 32.36, 0.76%, 0.51%

LAB 64.97, 26.56, 63.69

 

CMYK 0 / 36 / 78 / 5

HEX #F29B35

RGB 242 155 53

HSL 32.38, 0.88%, 0.58%

LAB 71.27, 24.72, 63.32

 

CMYK 0 / 32 / 72 / 0

HEX #FFAD48

RGB 255 173 72

HSL 33.11, 1%, 0.64%

LAB 77.05, 21.44, 61.77

 

CMYK 0 / 25 / 64 / 0

HEX #FFBF5B

RGB 255 191 91

HSL 36.59, 1%, 0.68%

LAB 81.44, 13.05, 58.07

 

CMYK 0 / 18 / 57 / 0

HEX #FFD16E

RGB 255 209 110

HSL 40.97, 1%, 0.72%

LAB 86, 5.01, 54.46

 

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

CMYK 0 / 41 / 90 / 20

HEX #CB7714

RGB 203 119 20

HSL 32.46, 0.82%, 0.44%

LAB 57.98, 26.59, 60.98

 

CMYK 0 / 46 / 99 / 27

HEX #BA6501

RGB 186 101 1

HSL 32.43, 0.99%, 0.37%

LAB 51.55, 28.8, 59.41

 

CMYK 0 / 51 / 100 / 34

HEX #A95300

RGB 169 83 0

HSL 29.47, 1%, 0.33%

LAB 45.11, 31.26, 54.45

 

CMYK 0 / 57 / 100 / 40

HEX #984100

RGB 152 65 0

HSL 25.66, 1%, 0.3%

LAB 38.65, 33.68, 49.27

 

CMYK 0 / 38 / 82 / 14

HEX #DC8928

RGB 220 137 40

HSL 32.33, 0.72%, 0.51%

LAB 64.37, 24.62, 60.89

 

CMYK 0 / 60 / 82 / 14

HEX #DC5828

RGB 220 88 40

HSL 16, 0.72%, 0.51%

LAB 54.39, 49.37, 51.91

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 38 / 82 / 14

HEX #DC8928

RGB 220 137 40

HSL 32.33, 0.72%, 0.51%

LAB 64.37, 24.62, 60.89

 

CMYK 0 / 15 / 82 / 14

HEX #DCBA28

RGB 220 186 40

HSL 48.67, 0.72%, 0.51%

LAB 76.37, -1.47, 71.33

 

CMYK 7 / 0 / 82 / 14

HEX #CDDC28

RGB 205 220 40

HSL 65, 0.72%, 0.51%

LAB 84.13, -24.89, 77.49

 

CMYK 29 / 0 / 82 / 14

HEX #9CDC28

RGB 156 220 40

HSL 81.33, 0.72%, 0.51%

LAB 80.96, -44.24, 73.5

 

CMYK 51 / 0 / 82 / 14

HEX #6CDC28

RGB 108 220 40

HSL 97.33, 0.72%, 0.51%

LAB 78.77, -60.07, 70.71

 

CMYK 0 / 38 / 82 / 14

HEX #DC8928

RGB 220 137 40

HSL 32.33, 0.72%, 0.51%

LAB 64.37, 24.62, 60.89

 

CMYK 0 / 42 / 92 / 6

HEX #F08B13

RGB 240 139 19

HSL 32.58, 0.88%, 0.51%

LAB 67.31, 31.45, 70.25

 

CMYK 0 / 38 / 82 / 14

HEX #DC8928

RGB 220 137 40

HSL 32.33, 0.72%, 0.51%

LAB 64.37, 24.62, 60.89

 

CMYK 0 / 32 / 70 / 22

HEX #C7873C

RGB 199 135 60

HSL 32.37, 0.55%, 0.51%

LAB 61.48, 17.58, 48.83

 

CMYK 0 / 25 / 55 / 30

HEX #B38650

RGB 179 134 80

HSL 32.73, 0.39%, 0.51%

LAB 59.17, 10.9, 35.52

 

CMYK 0 / 17 / 37 / 38

HEX #9F8464

RGB 159 132 100

HSL 32.54, 0.24%, 0.51%

LAB 56.87, 5.6, 21.14

 

CMYK 0 / 6 / 14 / 45

HEX #8B8278

RGB 139 130 120

HSL 31.58, 0.08%, 0.51%

LAB 54.88, 1.59, 6.63

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 0 / 60 / 82 / 14

HEX #DC5828

RGB 220 88 40

HSL 16, 0.72%, 0.51%

LAB 54.39, 49.37, 51.91

 

CMYK 0 / 38 / 82 / 14

HEX #DC8828

RGB 220 136 40

HSL 32, 0.72%, 0.51%

LAB 64.14, 25.16, 60.69

 

CMYK 0 / 16 / 82 / 14

HEX #DCB828

RGB 220 184 40

HSL 48, 0.72%, 0.51%

LAB 75.85, -0.43, 70.89

 

CMYK 5 / 0 / 82 / 14

HEX #D0DC28

RGB 208 220 40

HSL 64, 0.72%, 0.51%

LAB 84.35, -23.65, 77.76

 

CMYK 0 / 38 / 84 / 40

HEX #985E18

RGB 152 94 24

HSL 32.81, 0.73%, 0.35%

LAB 45.29, 18.19, 46.57

 

CMYK 0 / 39 / 84 / 26

HEX #BC731E

RGB 188 115 30

HSL 32.28, 0.72%, 0.43%

LAB 55.12, 22.55, 54.79

 

CMYK 0 / 38 / 82 / 14

HEX #DC8928

RGB 220 137 40

HSL 32.33, 0.72%, 0.51%

LAB 64.37, 24.62, 60.89

 

CMYK 0 / 31 / 67 / 12

HEX #E19C4B

RGB 225 156 75

HSL 32.4, 0.71%, 0.59%

LAB 69.68, 18.1, 51.55

 

CMYK 0 / 24 / 52 / 9

HEX #E7B06F

RGB 231 176 111

HSL 32.5, 0.71%, 0.67%

LAB 75.57, 12.54, 40.83

 

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

CMYK 60 / 0 / 82 / 14

HEX #58DC28

RGB 88 220 40

HSL 104, 0.72%, 0.51%

LAB 78.12, -65.25, 69.88

 

CMYK 71 / 82 / 0 / 14

HEX #4028DC

RGB 64 40 220

HSL 248, 0.72%, 0.51%

LAB 33.51, 61.47, -85.91

 

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

CMYK 82 / 0 / 38 / 14

HEX #28DC88

RGB 40 220 136

HSL 152, 0.72%, 0.51%

LAB 78.12, -61.84, 29.34

 

CMYK 38 / 82 / 0 / 14

HEX #8828DC

RGB 136 40 220

HSL 272, 0.72%, 0.51%

LAB 41.09, 69.22, -73.16

 

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

CMYK 60 / 0 / 82 / 14

HEX #58DC28

RGB 88 220 40

HSL 104, 0.72%, 0.51%

LAB 78.12, -65.25, 69.88

 

CMYK 82 / 44 / 0 / 14

HEX #287CDC

RGB 40 124 220

HSL 212, 0.72%, 0.51%

LAB 51.88, 9.71, -55.97

 

CMYK 22 / 82 / 0 / 14

HEX #AC28DC

RGB 172 40 220

HSL 284, 0.72%, 0.51%

LAB 46.25, 74.7, -64.52

 

CMYK 0 / 38 / 82 / 14

HEX #DC8927

RGB 220 137 39

HSL 32.49, 0.72%, 0.51%

LAB 64.37, 24.59, 61.24

 

CMYK 82 / 0 / 79 / 14

HEX #28DC2E

RGB 40 220 46

HSL 122, 0.72%, 0.51%

LAB 77.18, -73.12, 67.04

 

CMYK 82 / 44 / 0 / 14

HEX #287CDC

RGB 40 124 220

HSL 212, 0.72%, 0.51%

LAB 51.88, 9.71, -55.97

 

CMYK 0 / 82 / 3 / 14

HEX #DC28D6

RGB 220 40 214

HSL 302, 0.72%, 0.51%

LAB 53.59, 82.13, -48.9

 

Description

Color code: RGB 220 137 39 | qconv.com Color code: RGB 220 137 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 137 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 137 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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