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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 10 64 it is the complementary color RGB 35 245 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 10 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 10 64 shade: RGB 225 10 59, RGB 242 28 78, RGB 255 46 97, RGB 255 64 116 and RGB 255 82 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 10 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 10 64 shade: RGB 220 10 64, RGB 203 0 45, RGB 186 0 26, RGB 169 0 7 and RGB 152 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 10 64 shade: RGB 219 10 64 and RGB 219 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 10 64 shade: RGB 219 10 64, RGB 219 10 120, RGB 219 10 176, RGB 205 10 219 and RGB 149 10 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 10 64 shade matches the following richer shades: RGB 219 10 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 10 64 shade: RGB 219 10 64, RGB 200 28 73, RGB 182 47 82, RGB 163 66 91 and RGB 144 84 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 10 64 shade: RGB 219 10 177, RGB 219 10 121, RGB 219 10 66, RGB 219 10 10 and RGB 219 66 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 10 64 shade: RGB 140 6 41, RGB 179 8 52, RGB 219 10 64, RGB 244 26 82 and RGB 246 65 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 10 64 shade: RGB 220 10 64, RGB 219 205 10 and RGB 10 149 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 10 64 shade: RGB 220 10 64, RGB 66 219 10 and RGB 10 66 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 10 64 shade: RGB 220 10 64, RGB 219 205 10, RGB 10 219 163 and RGB 10 24 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 10 64 shade: RGB 220 10 64, RGB 170 219 10, RGB 10 219 163 and RGB 59 10 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 71 / 14

HEX #DC0A40

RGB 220 10 64

HSL 344.57, 0.91%, 0.45%

LAB 46.71, 72.17, 30.81

 

Complementary color

CMYK 86 / 0 / 22 / 4

HEX #23F5BF

RGB 35 245 191

HSL 164.57, 0.91%, 0.55%

LAB 86.71, -59.64, 12.73

 

CMYK 0 / 96 / 74 / 12

HEX #E10A3B

RGB 225 10 59

HSL 346.33, 0.91%, 0.46%

LAB 47.68, 73.19, 35.2

 

CMYK 0 / 88 / 68 / 5

HEX #F21C4E

RGB 242 28 78

HSL 345.98, 0.89%, 0.53%

LAB 52.13, 76, 30.04

 

CMYK 0 / 82 / 62 / 0

HEX #FF2E61

RGB 255 46 97

HSL 345.36, 1%, 0.59%

LAB 56.16, 76.83, 24.4

 

CMYK 0 / 75 / 55 / 0

HEX #FF4074

RGB 255 64 116

HSL 343.66, 1%, 0.63%

LAB 58.21, 73.31, 15.92

 

CMYK 0 / 68 / 47 / 0

HEX #FF5287

RGB 255 82 135

HSL 341.62, 1%, 0.66%

LAB 60.82, 68.79, 8.43

 

CMYK 0 / 95 / 71 / 14

HEX #DC0A40

RGB 220 10 64

HSL 344.57, 0.91%, 0.45%

LAB 46.71, 72.17, 30.81

 

CMYK 0 / 100 / 78 / 20

HEX #CB002D

RGB 203 0 45

HSL 346.7, 1%, 0.4%

LAB 42.59, 68.25, 36.55

 

CMYK 0 / 100 / 86 / 27

HEX #BA001A

RGB 186 0 26

HSL 351.61, 1%, 0.36%

LAB 38.75, 63.55, 42.25

 

CMYK 0 / 100 / 96 / 34

HEX #A90007

RGB 169 0 7

HSL 357.51, 1%, 0.33%

LAB 34.9, 58.95, 46.34

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 95 / 71 / 14

HEX #DB0A40

RGB 219 10 64

HSL 344.5, 0.91%, 0.45%

LAB 46.51, 71.93, 30.51

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 95 / 71 / 14

HEX #DB0A40

RGB 219 10 64

HSL 344.5, 0.91%, 0.45%

LAB 46.51, 71.93, 30.51

 

CMYK 0 / 95 / 45 / 14

HEX #DB0A78

RGB 219 10 120

HSL 328.42, 0.91%, 0.45%

LAB 47.79, 75.42, -2.27

 

CMYK 0 / 95 / 20 / 14

HEX #DB0AB0

RGB 219 10 176

HSL 312.34, 0.91%, 0.45%

LAB 49.99, 81.16, -32.58

 

CMYK 6 / 95 / 0 / 14

HEX #CD0ADB

RGB 205 10 219

HSL 295.98, 0.91%, 0.45%

LAB 49.87, 84.65, -57.84

 

CMYK 32 / 95 / 0 / 14

HEX #950ADB

RGB 149 10 219

HSL 279.9, 0.91%, 0.45%

LAB 40.77, 76.89, -73.03

 

CMYK 0 / 95 / 71 / 14

HEX #DB0A40

RGB 219 10 64

HSL 344.5, 0.91%, 0.45%

LAB 46.51, 71.93, 30.51

 

CMYK 0 / 95 / 71 / 14

HEX #DB0A40

RGB 219 10 64

HSL 344.5, 0.91%, 0.45%

LAB 46.51, 71.93, 30.51

 

CMYK 0 / 86 / 64 / 22

HEX #C81C49

RGB 200 28 73

HSL 344.3, 0.75%, 0.45%

LAB 43.64, 65.15, 20.53

 

CMYK 0 / 74 / 55 / 29

HEX #B62F52

RGB 182 47 82

HSL 344.44, 0.59%, 0.45%

LAB 42.13, 55.63, 12.27

 

CMYK 0 / 60 / 44 / 36

HEX #A3425B

RGB 163 66 91

HSL 344.54, 0.42%, 0.45%

LAB 41.9, 42.46, 5.85

 

CMYK 0 / 42 / 31 / 44

HEX #905464

RGB 144 84 100

HSL 344, 0.26%, 0.45%

LAB 43.05, 27.04, 1.57

 

CMYK 0 / 95 / 19 / 14

HEX #DB0AB1

RGB 219 10 177

HSL 312.06, 0.91%, 0.45%

LAB 50.04, 81.28, -33.09

 

CMYK 0 / 95 / 45 / 14

HEX #DB0A79

RGB 219 10 121

HSL 328.13, 0.91%, 0.45%

LAB 47.83, 75.5, -2.84

 

CMYK 0 / 95 / 70 / 14

HEX #DB0A42

RGB 219 10 66

HSL 343.92, 0.91%, 0.45%

LAB 46.54, 72.02, 29.33

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 70 / 95 / 14

HEX #DB420A

RGB 219 66 10

HSL 16.08, 0.91%, 0.45%

LAB 50.66, 57.64, 59.61

 

CMYK 0 / 96 / 71 / 45

HEX #8C0629

RGB 140 6 41

HSL 344.33, 0.92%, 0.29%

LAB 29.07, 51.44, 19.86

 

CMYK 0 / 96 / 71 / 30

HEX #B30834

RGB 179 8 52

HSL 344.56, 0.91%, 0.37%

LAB 37.85, 61.75, 25.47

 

CMYK 0 / 95 / 71 / 14

HEX #DB0A40

RGB 219 10 64

HSL 344.5, 0.91%, 0.45%

LAB 46.51, 71.93, 30.51

 

CMYK 0 / 89 / 66 / 4

HEX #F41A52

RGB 244 26 82

HSL 344.59, 0.91%, 0.53%

LAB 52.49, 76.97, 28.18

 

CMYK 0 / 74 / 54 / 4

HEX #F64170

RGB 246 65 112

HSL 344.42, 0.91%, 0.61%

LAB 56.63, 70.25, 15.84

 

CMYK 0 / 95 / 71 / 14

HEX #DC0A40

RGB 220 10 64

HSL 344.57, 0.91%, 0.45%

LAB 46.71, 72.17, 30.81

 

CMYK 0 / 6 / 95 / 14

HEX #DBCD0A

RGB 219 205 10

HSL 55.98, 0.91%, 0.45%

LAB 81.15, -12.19, 80.6

 

CMYK 95 / 32 / 0 / 14

HEX #0A95DB

RGB 10 149 219

HSL 200.1, 0.91%, 0.45%

LAB 58.67, -7.33, -44.62

 

CMYK 0 / 95 / 71 / 14

HEX #DC0A40

RGB 220 10 64

HSL 344.57, 0.91%, 0.45%

LAB 46.71, 72.17, 30.81

 

CMYK 70 / 0 / 95 / 14

HEX #42DB0A

RGB 66 219 10

HSL 103.92, 0.91%, 0.45%

LAB 77.19, -70.44, 74.07

 

CMYK 95 / 70 / 0 / 14

HEX #0A42DB

RGB 10 66 219

HSL 223.92, 0.91%, 0.45%

LAB 36.13, 44.66, -81.06

 

CMYK 0 / 95 / 71 / 14

HEX #DC0A40

RGB 220 10 64

HSL 344.57, 0.91%, 0.45%

LAB 46.71, 72.17, 30.81

 

CMYK 0 / 6 / 95 / 14

HEX #DBCD0A

RGB 219 205 10

HSL 55.98, 0.91%, 0.45%

LAB 81.15, -12.19, 80.6

 

CMYK 95 / 0 / 26 / 14

HEX #0ADBA3

RGB 10 219 163

HSL 163.92, 0.91%, 0.45%

LAB 78.09, -57.5, 15.2

 

CMYK 95 / 89 / 0 / 14

HEX #0A18DB

RGB 10 24 219

HSL 235.98, 0.91%, 0.45%

LAB 28.99, 65.28, -92.93

 

CMYK 0 / 95 / 71 / 14

HEX #DC0A40

RGB 220 10 64

HSL 344.57, 0.91%, 0.45%

LAB 46.71, 72.17, 30.81

 

CMYK 22 / 0 / 95 / 14

HEX #AADB0A

RGB 170 219 10

HSL 74.07, 0.91%, 0.45%

LAB 81.42, -39.18, 79.23

 

CMYK 95 / 0 / 26 / 14

HEX #0ADBA3

RGB 10 219 163

HSL 163.92, 0.91%, 0.45%

LAB 78.09, -57.5, 15.2

 

CMYK 73 / 95 / 0 / 14

HEX #3B0ADB

RGB 59 10 219

HSL 254.07, 0.91%, 0.45%

LAB 30.06, 69.83, -91.08

 

Description

Color code: RGB 220 10 64 | qconv.com Color code: RGB 220 10 64 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 10 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 10 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 71 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 71% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

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PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to HKS®

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