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Color name
RGB 220 103 47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 103 47 it is the complementary color RGB 35 152 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 103 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 103 47 shade: RGB 225 103 42, RGB 242 121 61, RGB 255 139 80, RGB 255 157 99 and RGB 255 175 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 103 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 103 47 shade: RGB 220 103 47, RGB 203 85 28, RGB 186 67 9, RGB 169 49 0 and RGB 152 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 103 47 shade: RGB 219 101 45, RGB 219 55 45 and RGB 219 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 103 47 shade: RGB 219 101 45, RGB 219 148 45, RGB 219 195 45, RGB 196 219 45 and RGB 149 219 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 103 47 shade matches the following richer shades: RGB 219 101 45 and RGB 239 94 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 103 47 shade: RGB 219 101 45, RGB 199 108 65, RGB 179 115 85, RGB 160 122 105 and RGB 140 129 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 103 47 shade: RGB 219 45 83, RGB 219 54 45, RGB 219 100 45, RGB 219 147 45 and RGB 219 193 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 103 47 shade: RGB 156 68 26, RGB 191 83 32, RGB 219 101 45, RGB 225 127 80 and RGB 231 153 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 103 47 shade: RGB 220 103 47, RGB 129 219 45 and RGB 45 60 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 103 47 shade: RGB 220 103 47, RGB 45 219 100 and RGB 100 45 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 103 47 shade: RGB 220 103 47, RGB 129 219 45, RGB 45 164 219 and RGB 135 45 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 103 47 shade: RGB 220 103 47, RGB 77 219 45, RGB 45 164 219 and RGB 187 45 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 79 / 14

HEX #DC672F

RGB 220 103 47

HSL 19.42, 0.71%, 0.52%

LAB 57.19, 42.48, 51.38

 

Complementary color

CMYK 83 / 27 / 0 / 18

HEX #2398D0

RGB 35 152 208

HSL 199.42, 0.71%, 0.48%

LAB 59.31, -11.67, -37.45

 

CMYK 0 / 54 / 81 / 12

HEX #E1672A

RGB 225 103 42

HSL 20, 0.75%, 0.52%

LAB 57.92, 44.22, 54.56

 

CMYK 0 / 50 / 75 / 5

HEX #F2793D

RGB 242 121 61

HSL 19.89, 0.87%, 0.59%

LAB 64.07, 42.53, 52.82

 

CMYK 0 / 45 / 69 / 0

HEX #FF8B50

RGB 255 139 80

HSL 20.23, 1%, 0.66%

LAB 69.69, 39.4, 50.19

 

CMYK 0 / 38 / 61 / 0

HEX #FF9D63

RGB 255 157 99

HSL 22.31, 1%, 0.69%

LAB 73.72, 31.3, 45.32

 

CMYK 0 / 31 / 54 / 0

HEX #FFAF76

RGB 255 175 118

HSL 24.96, 1%, 0.73%

LAB 78.01, 23.32, 40.84

 

CMYK 0 / 53 / 79 / 14

HEX #DC672F

RGB 220 103 47

HSL 19.42, 0.71%, 0.52%

LAB 57.19, 42.48, 51.38

 

CMYK 0 / 58 / 86 / 20

HEX #CB551C

RGB 203 85 28

HSL 19.54, 0.76%, 0.45%

LAB 51.01, 44.2, 52.93

 

CMYK 0 / 64 / 95 / 27

HEX #BA4309

RGB 186 67 9

HSL 19.66, 0.91%, 0.38%

LAB 44.9, 45.9, 53.35

 

CMYK 0 / 71 / 100 / 34

HEX #A93100

RGB 169 49 0

HSL 17.4, 1%, 0.33%

LAB 38.95, 47.37, 51.1

 

CMYK 0 / 80 / 100 / 40

HEX #981F00

RGB 152 31 0

HSL 12.24, 1%, 0.3%

LAB 33.25, 48.18, 46.33

 

CMYK 0 / 54 / 79 / 14

HEX #DB652D

RGB 219 101 45

HSL 19.31, 0.71%, 0.52%

LAB 56.64, 43.01, 51.71

 

CMYK 0 / 75 / 79 / 14

HEX #DB372D

RGB 219 55 45

HSL 3.45, 0.71%, 0.52%

LAB 49.47, 62.15, 44.69

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 54 / 79 / 14

HEX #DB652D

RGB 219 101 45

HSL 19.31, 0.71%, 0.52%

LAB 56.64, 43.01, 51.71

 

CMYK 0 / 32 / 79 / 14

HEX #DB942D

RGB 219 148 45

HSL 35.52, 0.71%, 0.52%

LAB 66.85, 18.46, 61.25

 

CMYK 0 / 11 / 79 / 14

HEX #DBC32D

RGB 219 195 45

HSL 51.72, 0.71%, 0.52%

LAB 78.62, -6.4, 71.82

 

CMYK 11 / 0 / 79 / 14

HEX #C4DB2D

RGB 196 219 45

HSL 67.93, 0.71%, 0.52%

LAB 83.23, -27.95, 75.18

 

CMYK 32 / 0 / 79 / 14

HEX #95DB2D

RGB 149 219 45

HSL 84.14, 0.71%, 0.52%

LAB 80.32, -46.17, 71.47

 

CMYK 0 / 54 / 79 / 14

HEX #DB652D

RGB 219 101 45

HSL 19.31, 0.71%, 0.52%

LAB 56.64, 43.01, 51.71

 

CMYK 0 / 61 / 90 / 6

HEX #EF5E19

RGB 239 94 25

HSL 19.35, 0.87%, 0.52%

LAB 58.44, 53.13, 62.28

 

CMYK 0 / 54 / 79 / 14

HEX #DB652D

RGB 219 101 45

HSL 19.31, 0.71%, 0.52%

LAB 56.64, 43.01, 51.71

 

CMYK 0 / 46 / 67 / 22

HEX #C76C41

RGB 199 108 65

HSL 19.25, 0.54%, 0.52%

LAB 55.33, 32.49, 39.51

 

CMYK 0 / 36 / 53 / 30

HEX #B37355

RGB 179 115 85

HSL 19.15, 0.38%, 0.52%

LAB 54.55, 21.95, 26.98

 

CMYK 0 / 24 / 34 / 37

HEX #A07A69

RGB 160 122 105

HSL 18.55, 0.22%, 0.52%

LAB 54.46, 12.34, 15.02

 

CMYK 0 / 8 / 11 / 45

HEX #8C817C

RGB 140 129 124

HSL 18.75, 0.07%, 0.52%

LAB 54.79, 3.25, 4.2

 

CMYK 0 / 79 / 62 / 14

HEX #DB2D53

RGB 219 45 83

HSL 346.9, 0.71%, 0.52%

LAB 48.96, 66.79, 22.06

 

CMYK 0 / 75 / 79 / 14

HEX #DB362D

RGB 219 54 45

HSL 3.1, 0.71%, 0.52%

LAB 49.36, 62.47, 44.58

 

CMYK 0 / 54 / 79 / 14

HEX #DB642D

RGB 219 100 45

HSL 18.97, 0.71%, 0.52%

LAB 56.45, 43.5, 51.52

 

CMYK 0 / 33 / 79 / 14

HEX #DB932D

RGB 219 147 45

HSL 35.17, 0.71%, 0.52%

LAB 66.61, 19, 61.04

 

CMYK 0 / 12 / 79 / 14

HEX #DBC12D

RGB 219 193 45

HSL 51.03, 0.71%, 0.52%

LAB 78.1, -5.37, 71.36

 

CMYK 0 / 56 / 83 / 39

HEX #9C441A

RGB 156 68 26

HSL 19.38, 0.71%, 0.36%

LAB 40.04, 34.31, 41.24

 

CMYK 0 / 57 / 83 / 25

HEX #BF5320

RGB 191 83 32

HSL 19.25, 0.71%, 0.44%

LAB 48.72, 40.71, 48.55

 

CMYK 0 / 54 / 79 / 14

HEX #DB652D

RGB 219 101 45

HSL 19.31, 0.71%, 0.52%

LAB 56.64, 43.01, 51.71

 

CMYK 0 / 44 / 64 / 12

HEX #E17F50

RGB 225 127 80

HSL 19.45, 0.71%, 0.6%

LAB 63.15, 33.81, 41.63

 

CMYK 0 / 34 / 50 / 9

HEX #E79974

RGB 231 153 116

HSL 19.3, 0.71%, 0.68%

LAB 70.2, 25.24, 31.37

 

CMYK 0 / 53 / 79 / 14

HEX #DC672F

RGB 220 103 47

HSL 19.42, 0.71%, 0.52%

LAB 57.19, 42.48, 51.38

 

CMYK 41 / 0 / 79 / 14

HEX #81DB2D

RGB 129 219 45

HSL 91.03, 0.71%, 0.52%

LAB 79.34, -53.05, 70.22

 

CMYK 79 / 73 / 0 / 14

HEX #2D3CDB

RGB 45 60 219

HSL 234.83, 0.71%, 0.52%

LAB 35.8, 49.81, -81.58

 

CMYK 0 / 53 / 79 / 14

HEX #DC672F

RGB 220 103 47

HSL 19.42, 0.71%, 0.52%

LAB 57.19, 42.48, 51.38

 

CMYK 79 / 0 / 54 / 14

HEX #2DDB64

RGB 45 219 100

HSL 138.97, 0.71%, 0.52%

LAB 77.37, -66.94, 46.15

 

CMYK 54 / 79 / 0 / 14

HEX #642DDB

RGB 100 45 219

HSL 258.97, 0.71%, 0.52%

LAB 37.3, 62.51, -78.97

 

CMYK 0 / 53 / 79 / 14

HEX #DC672F

RGB 220 103 47

HSL 19.42, 0.71%, 0.52%

LAB 57.19, 42.48, 51.38

 

CMYK 41 / 0 / 79 / 14

HEX #81DB2D

RGB 129 219 45

HSL 91.03, 0.71%, 0.52%

LAB 79.34, -53.05, 70.22

 

CMYK 79 / 25 / 0 / 14

HEX #2DA4DB

RGB 45 164 219

HSL 198.97, 0.71%, 0.52%

LAB 63.53, -13.52, -36.97

 

CMYK 38 / 79 / 0 / 14

HEX #872DDB

RGB 135 45 219

HSL 271.03, 0.71%, 0.52%

LAB 41.44, 67.19, -72.01

 

CMYK 0 / 53 / 79 / 14

HEX #DC672F

RGB 220 103 47

HSL 19.42, 0.71%, 0.52%

LAB 57.19, 42.48, 51.38

 

CMYK 65 / 0 / 79 / 14

HEX #4DDB2D

RGB 77 219 45

HSL 108.97, 0.71%, 0.52%

LAB 77.54, -67.09, 67.89

 

CMYK 79 / 25 / 0 / 14

HEX #2DA4DB

RGB 45 164 219

HSL 198.97, 0.71%, 0.52%

LAB 63.53, -13.52, -36.97

 

CMYK 15 / 79 / 0 / 14

HEX #BB2DDB

RGB 187 45 219

HSL 288.97, 0.71%, 0.52%

LAB 48.95, 75.72, -59.47

 

Description

Color code: RGB 220 103 47 | qconv.com Color code: RGB 220 103 47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 103 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 103 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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