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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 37 213 it is the complementary color RGB 234 218 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 37 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 37 213 shade: RGB 26 37 208, RGB 43 55 227, RGB 60 73 246, RGB 77 91 255 and RGB 94 109 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 37 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 4 19 194, RGB 0 1 175, RGB 0 0 156 and RGB 0 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 56 21 213, RGB 108 21 213, RGB 160 21 213 and RGB 212 21 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 37 213 shade: RGB 21 37 213 and RGB 21 21 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 37 213 shade matches the following richer shades: RGB 21 37 213 and RGB 2 21 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 40 52 194, RGB 59 68 175, RGB 78 84 156 and RGB 97 100 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 37 213 shade: RGB 21 139 213, RGB 21 88 213, RGB 21 37 213, RGB 56 21 213 and RGB 107 21 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 37 213 shade: RGB 13 24 138, RGB 17 30 175, RGB 21 37 213, RGB 41 57 233 and RGB 79 92 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 213 21 191 and RGB 114 213 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 213 21 37 and RGB 37 213 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 213 21 191, RGB 213 197 21 and RGB 21 213 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 37 213 shade: RGB 21 37 213, RGB 213 21 133, RGB 213 197 21 and RGB 21 213 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

Complementary color

CMYK 0 / 7 / 82 / 8

HEX #EADA2A

RGB 234 218 42

HSL 55, 0.82%, 0.54%

LAB 85.91, -11.72, 79.43

 

CMYK 88 / 82 / 0 / 18

HEX #1A25D0

RGB 26 37 208

HSL 236.37, 0.78%, 0.46%

LAB 29.66, 57.29, -85.43

 

CMYK 81 / 76 / 0 / 11

HEX #2B37E3

RGB 43 55 227

HSL 236.09, 0.77%, 0.53%

LAB 35.58, 55.05, -86.52

 

CMYK 76 / 70 / 0 / 4

HEX #3C49F6

RGB 60 73 246

HSL 235.81, 0.91%, 0.6%

LAB 41.81, 52.5, -86.95

 

CMYK 70 / 64 / 0 / 0

HEX #4D5BFF

RGB 77 91 255

HSL 235.28, 1%, 0.65%

LAB 47.34, 46.71, -82.87

 

CMYK 63 / 57 / 0 / 0

HEX #5E6DFF

RGB 94 109 255

HSL 234.41, 1%, 0.68%

LAB 52.44, 38.23, -74.5

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 98 / 90 / 0 / 24

HEX #0413C2

RGB 4 19 194

HSL 235.26, 0.96%, 0.39%

LAB 24.91, 59.87, -85.15

 

CMYK 100 / 99 / 0 / 31

HEX #0001AF

RGB 0 1 175

HSL 239.66, 1%, 0.34%

LAB 20.51, 59.45, -81.19

 

CMYK 100 / 100 / 0 / 39

HEX #00009C

RGB 0 0 156

HSL 240, 1%, 0.31%

LAB 17.46, 54.86, -74.72

 

CMYK 100 / 100 / 0 / 46

HEX #000089

RGB 0 0 137

HSL 240, 1%, 0.27%

LAB 14.44, 49.9, -67.96

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 74 / 90 / 0 / 16

HEX #3815D5

RGB 56 21 213

HSL 250.94, 0.82%, 0.46%

LAB 29.87, 65.79, -87.94

 

CMYK 49 / 90 / 0 / 16

HEX #6C15D5

RGB 108 21 213

HSL 267.19, 0.82%, 0.46%

LAB 35.06, 69.48, -79.17

 

CMYK 25 / 90 / 0 / 16

HEX #A015D5

RGB 160 21 213

HSL 283.44, 0.82%, 0.46%

LAB 42.48, 75.69, -66.71

 

CMYK 0 / 90 / 0 / 16

HEX #D415D5

RGB 212 21 213

HSL 299.69, 0.82%, 0.46%

LAB 51.08, 83.77, -52.41

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 90 / 90 / 0 / 16

HEX #1515D5

RGB 21 21 213

HSL 240, 0.82%, 0.46%

LAB 28.11, 64.72, -90.91

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 99 / 91 / 0 / 9

HEX #0215E8

RGB 2 21 232

HSL 235.04, 0.98%, 0.46%

LAB 30.34, 69.61, -98.13

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 79 / 73 / 0 / 24

HEX #2834C2

RGB 40 52 194

HSL 235.32, 0.66%, 0.46%

LAB 31.35, 45.61, -74.42

 

CMYK 66 / 61 / 0 / 31

HEX #3B44AF

RGB 59 68 175

HSL 235.34, 0.5%, 0.46%

LAB 34.31, 31.21, -58.29

 

CMYK 50 / 46 / 0 / 39

HEX #4E549C

RGB 78 84 156

HSL 235.38, 0.33%, 0.46%

LAB 38.48, 18.16, -40.14

 

CMYK 29 / 27 / 0 / 46

HEX #616489

RGB 97 100 137

HSL 235.5, 0.17%, 0.46%

LAB 43.45, 7.82, -20.82

 

CMYK 90 / 35 / 0 / 16

HEX #158BD5

RGB 21 139 213

HSL 203.13, 0.82%, 0.46%

LAB 55.51, -3.34, -46.25

 

CMYK 90 / 59 / 0 / 16

HEX #1558D5

RGB 21 88 213

HSL 219.06, 0.82%, 0.46%

LAB 41.13, 28.75, -69.41

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 74 / 90 / 0 / 16

HEX #3815D5

RGB 56 21 213

HSL 250.94, 0.82%, 0.46%

LAB 29.87, 65.79, -87.94

 

CMYK 50 / 90 / 0 / 16

HEX #6B15D5

RGB 107 21 213

HSL 266.88, 0.82%, 0.46%

LAB 34.94, 69.39, -79.38

 

CMYK 91 / 83 / 0 / 46

HEX #0D188A

RGB 13 24 138

HSL 234.72, 0.83%, 0.3%

LAB 18.25, 40.72, -62.22

 

CMYK 90 / 83 / 0 / 31

HEX #111EAF

RGB 17 30 175

HSL 235.06, 0.82%, 0.38%

LAB 24.14, 50, -75.12

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 82 / 76 / 0 / 9

HEX #2939E9

RGB 41 57 233

HSL 235, 0.81%, 0.54%

LAB 36.52, 55.81, -88.39

 

CMYK 67 / 61 / 0 / 7

HEX #4F5CED

RGB 79 92 237

HSL 235.06, 0.81%, 0.62%

LAB 46.22, 40.37, -74.63

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 0 / 90 / 10 / 16

HEX #D515BF

RGB 213 21 191

HSL 306.88, 0.82%, 0.46%

LAB 50.03, 80.84, -41.37

 

CMYK 46 / 0 / 90 / 16

HEX #72D515

RGB 114 213 21

HSL 90.94, 0.82%, 0.46%

LAB 76.81, -56.36, 73

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 0 / 90 / 83 / 16

HEX #D51525

RGB 213 21 37

HSL 355, 0.82%, 0.46%

LAB 45.38, 68.29, 44.55

 

CMYK 83 / 0 / 90 / 16

HEX #25D515

RGB 37 213 21

HSL 115, 0.82%, 0.46%

LAB 74.85, -72.54, 70.56

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 0 / 90 / 10 / 16

HEX #D515BF

RGB 213 21 191

HSL 306.88, 0.82%, 0.46%

LAB 50.03, 80.84, -41.37

 

CMYK 0 / 8 / 90 / 16

HEX #D5C515

RGB 213 197 21

HSL 55, 0.82%, 0.46%

LAB 78.54, -10.59, 77.01

 

CMYK 90 / 0 / 80 / 16

HEX #15D52B

RGB 21 213 43

HSL 126.88, 0.82%, 0.46%

LAB 74.78, -72.9, 65.55

 

CMYK 90 / 83 / 0 / 16

HEX #1525D5

RGB 21 37 213

HSL 235, 0.82%, 0.46%

LAB 30.12, 58.68, -87.55

 

CMYK 0 / 90 / 38 / 16

HEX #D51585

RGB 213 21 133

HSL 325, 0.82%, 0.46%

LAB 47.46, 74.08, -10.83

 

CMYK 0 / 8 / 90 / 16

HEX #D5C515

RGB 213 197 21

HSL 55, 0.82%, 0.46%

LAB 78.54, -10.59, 77.01

 

CMYK 90 / 0 / 53 / 16

HEX #15D565

RGB 21 213 101

HSL 145, 0.82%, 0.46%

LAB 75.26, -66.9, 43.05

 

Description

Color code: RGB 21 37 213 | qconv.com Color code: RGB 21 37 213 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 37 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 37 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 83 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 83% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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