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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 241 249 it is the complementary color RGB 234 14 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 241 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 241 249 shade: RGB 26 241 244, RGB 43 255 255, RGB 60 255 255, RGB 77 255 255 and RGB 94 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 241 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 241 249 shade: RGB 21 241 249, RGB 4 223 230, RGB 0 205 211, RGB 0 187 192 and RGB 0 169 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 241 249 shade: RGB 21 240 249, RGB 21 179 249, RGB 21 118 249, RGB 21 56 249 and RGB 47 21 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 241 249 shade: RGB 21 240 249, RGB 21 179 249, RGB 21 118 249, RGB 21 56 249 and RGB 21 21 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 241 249 shade matches the following richer shades: RGB 21 240 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 241 249 shade: RGB 21 240 249, RGB 40 222 229, RGB 60 204 210, RGB 79 186 190 and RGB 98 168 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 241 249 shade: RGB 21 249 135, RGB 21 249 195, RGB 21 241 249, RGB 21 180 249 and RGB 21 119 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 241 249 shade: RGB 4 176 183, RGB 5 215 223, RGB 21 240 249, RGB 61 243 250 and RGB 101 245 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 241 249 shade: RGB 21 241 249, RGB 74 21 249 and RGB 249 165 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 241 249 shade: RGB 21 241 249, RGB 249 21 241 and RGB 241 249 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 241 249 shade: RGB 21 241 249, RGB 74 21 249, RGB 249 28 21 and RGB 195 249 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 241 249 shade: RGB 21 241 249, RGB 142 21 249, RGB 249 28 21 and RGB 127 249 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

Complementary color

CMYK 0 / 94 / 97 / 8

HEX #EA0E06

RGB 234 14 6

HSL 2.11, 0.95%, 0.47%

LAB 49.28, 73.99, 61.47

 

CMYK 89 / 1 / 0 / 4

HEX #1AF1F4

RGB 26 241 244

HSL 180.83, 0.91%, 0.53%

LAB 86.83, -44.48, -14.81

 

CMYK 83 / 0 / 0 / 0

HEX #2BFFFF

RGB 43 255 255

HSL 180, 1%, 0.58%

LAB 91.35, -46.54, -13.77

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

CMYK 98 / 3 / 0 / 10

HEX #04DFE6

RGB 4 223 230

HSL 181.86, 0.97%, 0.46%

LAB 81.02, -41.28, -16.16

 

CMYK 100 / 3 / 0 / 17

HEX #00CDD3

RGB 0 205 211

HSL 181.71, 1%, 0.41%

LAB 75.06, -38.98, -14.96

 

CMYK 100 / 3 / 0 / 25

HEX #00BBC0

RGB 0 187 192

HSL 181.56, 1%, 0.38%

LAB 69, -36.55, -13.71

 

CMYK 100 / 2 / 0 / 32

HEX #00A9AD

RGB 0 169 173

HSL 181.39, 1%, 0.34%

LAB 62.84, -34.08, -12.44

 

CMYK 92 / 4 / 0 / 2

HEX #15F0F9

RGB 21 240 249

HSL 182.37, 0.95%, 0.53%

LAB 86.66, -42.77, -17.69

 

CMYK 92 / 28 / 0 / 2

HEX #15B3F9

RGB 21 179 249

HSL 198.42, 0.95%, 0.53%

LAB 68.92, -12.77, -44.98

 

CMYK 92 / 53 / 0 / 2

HEX #1576F9

RGB 21 118 249

HSL 214.47, 0.95%, 0.53%

LAB 51.79, 23.34, -72.35

 

CMYK 92 / 78 / 0 / 2

HEX #1538F9

RGB 21 56 249

HSL 230.79, 0.95%, 0.53%

LAB 37.53, 60.7, -95.77

 

CMYK 81 / 92 / 0 / 2

HEX #2F15F9

RGB 47 21 249

HSL 246.84, 0.95%, 0.53%

LAB 33.94, 74.71, -101.72

 

CMYK 92 / 4 / 0 / 2

HEX #15F0F9

RGB 21 240 249

HSL 182.37, 0.95%, 0.53%

LAB 86.66, -42.77, -17.69

 

CMYK 92 / 28 / 0 / 2

HEX #15B3F9

RGB 21 179 249

HSL 198.42, 0.95%, 0.53%

LAB 68.92, -12.77, -44.98

 

CMYK 92 / 53 / 0 / 2

HEX #1576F9

RGB 21 118 249

HSL 214.47, 0.95%, 0.53%

LAB 51.79, 23.34, -72.35

 

CMYK 92 / 78 / 0 / 2

HEX #1538F9

RGB 21 56 249

HSL 230.79, 0.95%, 0.53%

LAB 37.53, 60.7, -95.77

 

CMYK 92 / 92 / 0 / 2

HEX #1515F9

RGB 21 21 249

HSL 240, 0.95%, 0.53%

LAB 33, 74.21, -103.32

 

CMYK 92 / 4 / 0 / 2

HEX #15F0F9

RGB 21 240 249

HSL 182.37, 0.95%, 0.53%

LAB 86.66, -42.77, -17.69

 

CMYK 92 / 4 / 0 / 2

HEX #15F0F9

RGB 21 240 249

HSL 182.37, 0.95%, 0.53%

LAB 86.66, -42.77, -17.69

 

CMYK 83 / 3 / 0 / 10

HEX #28DEE5

RGB 40 222 229

HSL 182.22, 0.78%, 0.53%

LAB 80.93, -39.6, -15.74

 

CMYK 71 / 3 / 0 / 18

HEX #3CCCD2

RGB 60 204 210

HSL 182.4, 0.63%, 0.53%

LAB 75.33, -34.96, -13.95

 

CMYK 58 / 2 / 0 / 25

HEX #4FBABE

RGB 79 186 190

HSL 182.16, 0.46%, 0.53%

LAB 69.82, -29.2, -11.26

 

CMYK 43 / 2 / 0 / 33

HEX #62A8AB

RGB 98 168 171

HSL 182.47, 0.3%, 0.53%

LAB 64.6, -21.21, -8.47

 

CMYK 92 / 0 / 46 / 2

HEX #15F987

RGB 21 249 135

HSL 150, 0.95%, 0.53%

LAB 86.83, -73.1, 41.16

 

CMYK 92 / 0 / 22 / 2

HEX #15F9C3

RGB 21 249 195

HSL 165.79, 0.95%, 0.53%

LAB 87.9, -60.94, 12.32

 

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

CMYK 92 / 28 / 0 / 2

HEX #15B4F9

RGB 21 180 249

HSL 198.16, 0.95%, 0.53%

LAB 69.21, -13.31, -44.52

 

CMYK 92 / 52 / 0 / 2

HEX #1577F9

RGB 21 119 249

HSL 214.21, 0.95%, 0.53%

LAB 52.05, 22.71, -71.92

 

CMYK 98 / 4 / 0 / 28

HEX #04B0B7

RGB 4 176 183

HSL 182.35, 0.96%, 0.37%

LAB 65.35, -34.1, -14.23

 

CMYK 98 / 4 / 0 / 13

HEX #05D7DF

RGB 5 215 223

HSL 182.2, 0.96%, 0.45%

LAB 78.44, -39.75, -16.31

 

CMYK 92 / 4 / 0 / 2

HEX #15F0F9

RGB 21 240 249

HSL 182.37, 0.95%, 0.53%

LAB 86.66, -42.77, -17.69

 

CMYK 76 / 3 / 0 / 2

HEX #3DF3FA

RGB 61 243 250

HSL 182.22, 0.95%, 0.61%

LAB 87.97, -41.22, -16.21

 

CMYK 60 / 2 / 0 / 2

HEX #65F5FB

RGB 101 245 251

HSL 182.4, 0.95%, 0.69%

LAB 89.41, -36.61, -14.48

 

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

CMYK 70 / 92 / 0 / 2

HEX #4A15F9

RGB 74 21 249

HSL 253.95, 0.95%, 0.53%

LAB 35.66, 75.67, -98.81

 

CMYK 0 / 34 / 92 / 2

HEX #F9A515

RGB 249 165 21

HSL 37.89, 0.95%, 0.53%

LAB 74.26, 21.62, 75.39

 

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

CMYK 0 / 92 / 3 / 2

HEX #F915F1

RGB 249 21 241

HSL 302.11, 0.95%, 0.53%

LAB 59, 93.92, -55.22

 

CMYK 3 / 0 / 92 / 2

HEX #F1F915

RGB 241 249 21

HSL 62.11, 0.95%, 0.53%

LAB 94.53, -24.27, 90.34

 

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

CMYK 70 / 92 / 0 / 2

HEX #4A15F9

RGB 74 21 249

HSL 253.95, 0.95%, 0.53%

LAB 35.66, 75.67, -98.81

 

CMYK 0 / 89 / 92 / 2

HEX #F91C15

RGB 249 28 21

HSL 1.84, 0.95%, 0.53%

LAB 52.98, 76.19, 60.75

 

CMYK 22 / 0 / 92 / 2

HEX #C3F915

RGB 195 249 21

HSL 74.21, 0.95%, 0.53%

LAB 91.42, -42.56, 86.58

 

CMYK 92 / 3 / 0 / 2

HEX #15F1F9

RGB 21 241 249

HSL 182.11, 0.95%, 0.53%

LAB 86.95, -43.22, -17.25

 

CMYK 43 / 92 / 0 / 2

HEX #8E15F9

RGB 142 21 249

HSL 271.84, 0.95%, 0.53%

LAB 42.95, 80.64, -86.51

 

CMYK 0 / 89 / 92 / 2

HEX #F91C15

RGB 249 28 21

HSL 1.84, 0.95%, 0.53%

LAB 52.98, 76.19, 60.75

 

CMYK 49 / 0 / 92 / 2

HEX #7FF915

RGB 127 249 21

HSL 92.11, 0.95%, 0.53%

LAB 88.12, -65.67, 82.54

 

Description

Color code: RGB 21 241 249 | qconv.com Color code: RGB 21 241 249 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 241 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 241 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 3 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 3% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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